Articles
<![CDATA[IMAJINASI KEINDAHAN IKAN CUPANG HIAS DALAM FOTOGRAFI SENI ]]>
<![CDATA[Kurniawan, Dede Bilal]]>;
<![CDATA[Octaviano, Amoga Lelo]]>;
<![CDATA[Pramana, I Made Bayu]]>
<![CDATA[ Retina Jurnal Fotografi Vol 1 No 2 (2021): Retina Jurnal Fotografi ]]>
Publisher : <![CDATA[Lp2mpp Isi Denpasar - Ps. Fotografi ]]>
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DOI: 10.59997/rjf.v1i2.794
<![CDATA[The limitation social is a tactical move that is applied by the government in the prevention of transmission of the virus Covid-19. The time duration of the entry into force of the social restrictions that are long enough, so that people trying to find positive activities that can be done at home respectively. Maintain betta fish ornamental is one of the positive event that the author did. Ornamental betta fish is a kind of freshwater fish that can be found and spread in tropical waters. Ornamental betta fish has the form type of the fins and tail are unique and colorful. This is the basic idea for the author to explore imajination the beauty of betta fish ornamental in art photography. In the process of the creation of masterpieces of photography the author uses the method of creation by making observations of the object so created an idea. Of the idea continued stage design with imagination and collection references. After that, further to stage a photo shoot and stage image processing by combining the theory of aesthetic and color theory to produce photographic works in accordance with the theme that is created. Betta fish have the beauty of fin shapes and colors that are very interesting unique if visualized in art photography with obstacles are looking poses betta fish which is in accordance with the wishes of the author. The result of the creation of this work the author is steeped in the beauty of betta fish decorative from a variety of fins and the color is unique. The author did a photo shoot in the studio with the use of artificial light in the form of flash). Keywords : Imagination, Beauty, Betta Fish, Art Photography]]>
<![CDATA[MENINGKATKAN KUALITAS KONTEN FOTOGRAFI PADA MEDIA SOSIAL INSTAGRAM BUNGA BALI CRAFT ]]>
<![CDATA[Irsyad, Muhamad Thomas]]>;
<![CDATA[Wirawan, I Komang Arba]]>;
<![CDATA[Pramana, I Made Bayu]]>
<![CDATA[ Retina Jurnal Fotografi Vol 2 No 2 (2022): Retina Jurnal Fotografi ]]>
Publisher : <![CDATA[Lp2mpp Isi Denpasar - Ps. Fotografi ]]>
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DOI: 10.59997/rjf.v2i2.1104
<![CDATA[Proyek kemanusiaan ini dilaksanakan untuk meningkatkan kualitas konten fotografi media sosial Bunga Bali Craft (Yayasan Bunga Bali), sebagai media publikasi kepada masyarakat. Media sosial merupakan sarana berkomunikasi di era digital yang dapat dimanfaatkan untuk promosi usaha dan media publikasi. Instagram, dengan fiturnya dapat memudahkan setiap orang untuk ber swafoto maupun upload video. Instagram dapat dipergunakan untuk memajang produk dengan konten berupa foto yang menarik, video dengan visual yang indah dan caption (deskripsi) produk tersebut. Penelitian ini bertujuan untuk mengimplementasikan ilmu pengetahuan fotografi yang diperoleh selama di bangku perkuliahan sebagai solusi permasalahan kualitas konten fotografi di media sosial Bunga Bali Craft. Publikasi foto produk di Instagram bisa menjadi sebuah usaha promosi untuk mempertahankan eksistensi maupun meningkatkan penjualan kerajinan oleh penyandang disabilitas Yayasan Bunga Bali. Metode penelitian ini dilakukan dengan deskriptif kualitatif, melakukan wawancara kepada informan, observasi, analisis data, menentukan ide, konsep dan teknis pemotretan fotografi. Hasil wawancara dan observasi di analisa permasalahannya untuk kemudian di cari solusi. Hasil yang didapatkan dalam penelitian ini berupa akun Instagram baru Bunga Bali Craft disertai konten visual menarik, pemotretan katalog produk dan edukasi pemanfaatan Instagram kepada Bunga Bali Craft. Adapun pesan yang disampaikan dalam penelitian ini, agar setiap usaha baik kecil maupun besar dapat terbuka wawasannya untuk memanfaatkan media sosial sebagai alat berkomunikasi maupun publikasi kepada masyarakat luas sebab cara tersebut relatif murah dan efisien. Konten berupa foto dengan visual menarik, merupakan bagian penting yang tidak bisa dilewatkan begitu saja. Sebab, apa yang kita tampilkan di media sosial adalah yang kita komunikasikan kepada publik.]]>
<![CDATA[VISUALISASI PRODUK KOSMETIK DALAM FOTOGRAFI KOMERSIAL ]]>
<![CDATA[Brahmandita, Eric Adam]]>;
<![CDATA[Nindhia, Cokorda Istri Puspawati]]>;
<![CDATA[Pramana, I Made Bayu]]>
<![CDATA[ Retina Jurnal Fotografi Vol 2 No 1 (2022): Retina Jurnal Fotografi ]]>
Publisher : <![CDATA[Lp2mpp Isi Denpasar - Ps. Fotografi ]]>
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DOI: 10.59997/rjf.v2i1.1277
<![CDATA[The author visualizes cosmetic products into commercial photos. Commercial photos are photos that have a selling value and commercial photography is made according to commercial purposes, for example for advertisements of a product, for posters, or others. The concept raised by the author composes the Natural Creative theme that utilizes creative ideas from the author in order to produce interesting photos by utilizing natural concepts through light, color, and the technique of taking each photo. In this work, there are several applications of concepts, accessories and lighting formed by the method used by the author, some examples such as methods of exploration, experimentation, creation of works to finishing. Experimentation makes the source of exploration practicable through the materials used by the author so that it can proceed to the stage of forming the work. The stage of making the author's work tries to apply what has previously been conceptualized through exploration and experimentation. The author tries to sort out the works that have been shaped through the method and determine some of the best photos which will then enter the editing or editing stage. The work appointed by the author is the experience and guidance during an Independent Study/Project at SP Digital Marketing Agency. The author wants the work created in the future can be used to make teachings and fulfill the need for promotion of a product to promote producers who make interest to buy the product.]]>
<![CDATA[EKSPERIMEN FILTER KREATIF DALAM FOTOGRAFI PRE-WEDDING DI MAXHELAR PHOTOGRAPHY ]]>
<![CDATA[Wardana, Ketut Wisnu Jaya]]>;
<![CDATA[Pramana, I Made Bayu]]>;
<![CDATA[Octaviano, Amoga Lelo]]>
<![CDATA[ Retina Jurnal Fotografi Vol 2 No 2 (2022): Retina Jurnal Fotografi ]]>
Publisher : <![CDATA[Lp2mpp Isi Denpasar - Ps. Fotografi ]]>
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DOI: 10.59997/rjf.v2i2.1285
<![CDATA[This study discusses Creative Filter Experiments in Pre-wedding Photography at Maxhelar Photography. This creative filter experiment in Pre-wedding Photography aims to show innovations about creative filters that can be used in Pre-wedding Photography. The purpose of this research is to find out how the results of creative filters are used in Pre-wedding Photography. This study also explains how to make creative filters and how to use creative filters in Pre-wedding Photography, this research also aims to be a reference and also hone creativity when doing prewedding photo shoots for writers and other photographers. The source studies used in this research are from journals, books and articles related to Pre-wedding photography, creative filters and understanding of work. The implementation method used when conducting the research is the method of observation, interviews, and work practices as well as several sources of data used, namely primary and secondary data. The results of this study indicate that creative filters in pre-wedding photography are new innovations that can be applied in pre-wedding photography, and as a support for beautifying the results of the photo shoot.]]>
<![CDATA[VISUALISASI BURUH BANGUNAN DALAM KARYA FOTOGRAFI EKSPRESI ]]>
<![CDATA[Giantoro, Rahmat Putra]]>;
<![CDATA[Raharjo, Anis]]>;
<![CDATA[Pramana, I Made Bayu]]>
<![CDATA[ Retina Jurnal Fotografi Vol 2 No 1 (2022): Retina Jurnal Fotografi ]]>
Publisher : <![CDATA[Lp2mpp Isi Denpasar - Ps. Fotografi ]]>
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DOI: 10.59997/rjf.v2i1.1293
<![CDATA[study entitled visualization of construction workers in expression photography. The author realizes that the stigma of construction workers is still very attached to the community, this has made the promotion of construction workers as a visualization of construction workers in expression photography. The creation of this work aims to broaden students' knowledge of expression photography. Expression photography is a photographic work that is conceptualized with the chosen object and which is presented and presented for the benefit of the photographer with an overflow of his artistic expression, then the work can become a work of expression photography. In this case, the photographic work is interpreted as a medium of expression that displays the identity of the photographer in the process of creating artistic photographic works. His photographic work is more of a pure artistic work of photography (fine art photography) because the form of his appearance focuses on the expressive-aesthetic value of art itself. (Soedjono, 2006) In doing this photographic work, the author wants to change the public's view of construction workers and also change the stigma that exists in society, so that construction workers can be more valued and appreciated in any form. Why did the writer choose expression photography using the collage technique, because the author wanted to experiment with other shapes and objects and the author also wanted to develop himself as an artist in the field of photography with the aim of finding his identity.]]>
<![CDATA[VISUALISASI PEREMPUAN KORBAN KEKERASAN DALAM FOTOGRAFI EKSPRESI ]]>
<![CDATA[Pratama, I Putu Angga Mertha]]>;
<![CDATA[Pramana, I Made Bayu]]>;
<![CDATA[Nindhia, Cokorda Istri Puspawati]]>
<![CDATA[ Retina Jurnal Fotografi Vol 2 No 1 (2022): Retina Jurnal Fotografi ]]>
Publisher : <![CDATA[Lp2mpp Isi Denpasar - Ps. Fotografi ]]>
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DOI: 10.59997/rjf.v2i1.1304
<![CDATA[Violence against women is still a global phenomenon that continues to occur. The forms of violence that occur include physical, sexual and verbal violence that have a negative impact on the victims. Seeing this phenomenon, the Janahita Mandala Ubud Foundation formed a program called Wadhu Wakya which is an effort to raise women's issues and create a gender vortex that women have a significant role. large. From these problems, it inspires the author to visualize violence against women into expression photography which aims as a means to increase public knowledge about the issue of violence against women and increase awareness of behavior not to take such actions. The study of sources used in this creation are several books, journals, and articles related to violence against women and the visualization of expression photography. The implementation method used is non-participant observation and interview methods. The photos that have been made are expected to be able to help inform about various forms of violence against women and the impacts caused and experienced by victims of violence, increase sympathy and actively participate in campaigning for the anti-violence movement based on gender. Keywords: Visualization, Violence, Women, Expression Photography.]]>
<![CDATA[PROSES PENULISAN LONTAR TUTUR AJI SARASWATI KARYA IDA BAGUS OKA MANOBHAWA DALAM FOTOGRAFI STORY ]]>
<![CDATA[Permana, I Kadek Dwiki Krishna]]>;
<![CDATA[Raharjo, Anis]]>;
<![CDATA[Pramana, I Made Bayu]]>
<![CDATA[ Retina Jurnal Fotografi Vol 2 No 1 (2022): Retina Jurnal Fotografi ]]>
Publisher : <![CDATA[Lp2mpp Isi Denpasar - Ps. Fotografi ]]>
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DOI: 10.59997/rjf.v2i1.1317
<![CDATA[When technology is increasingly sophisticated and information is very easy to obtain, for example e-books via the internet. Writing using lontar that has been known before is replaced by books and e-books. In connection with the work practice of the MBKM activity program at the Janahita Mandala Ubud Foundation. The author documents photos of the program activities, namely Sarasastra and lontar conservation. In carrying out activities, the author realizes the lack of interest and information from the public regarding lontar so that there is a lack of interest in preserving cultural heritage. Therefore, the author made a photography story entitled "The Process of Writing Lontar Tutur Aji Saraswati by Ida Bagus Oka Manobhawa in Story Photography" which illustrates the process of writing a papyrus script to finish. The photoshoot begins with a photo of the pengawi house, process of writing the lontar, and finally the result is a lontar. The author conducted a literature study through books, journals, and websites as well as observations regarding the writing of lontar and conducted direct interviews. The author uses EDFAT theory and aesthetic theory in the creation of photo works. In the process of shooting, the author applies several photography techniques, namely motion blur, and using sunlight and external flash. It is hoped that the results of the research photos can be seen by the public so that they are interested in contributing to the preservation of cultural heritage, so that time is not lost in the rapid development of technology and information.]]>
<![CDATA[FOTO COMPANY PROFILE CAFE GYPSY KITCHEN AND BAR ]]>
<![CDATA[Prastyo, Adi Rizki Ramdhani]]>;
<![CDATA[Raharjo, Anis]]>;
<![CDATA[Pramana, I Made Bayu]]>
<![CDATA[ Retina Jurnal Fotografi Vol 2 No 2 (2022): Retina Jurnal Fotografi ]]>
Publisher : <![CDATA[Lp2mpp Isi Denpasar - Ps. Fotografi ]]>
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DOI: 10.59997/rjf.v2i2.1367
<![CDATA[Gypsy Kitchen and Bar is a cafe located in the Canggu area, Badung Bali. Gypsy Kitchen and Bar here doesn't have a company profile yet. Therefore, the writer is very interested in doing the final project at Gypsy Kitchen and Bar. In this pandemic condition, many cafes in the Canggu area have closed due to the impact of Covid 19. This gave rise to the idea to keep the Gypsy Kitchen and Bar Cafe afloat even in this pandemic condition. The purpose of the creation of this work is to visualize and find out the Company Profile Photo of Gypsy Kitchen And Bar and find out the supporting factors and obstacles. The benefits of creating this work are that it can add insight to the creator, can add references to institutions, and increase knowledge for the community. The author uses an observation method regarding the process of making Company Profile photos of Gypsy Kitchen And Bar by observing objects related to the making of this Company Profile photo. Then proceed with the shooting process to the location. From the results of the photo shoot, the best photo selection stage was carried out and continued to the next stage until the end of the creation process, namely the exhibition. To visualize a unique and interesting Gypsy Kitchen And Bar Company Profile Photo, the author must make direct observations in order to know the process from beginning to end.]]>
<![CDATA[PENERAPAN FOTO PRODUK PADA COVER BUKU ACARA IIMS (INDONESIA INTERNATIONAL MOTOR SHOW) DI TUKSEDO STUDIO ]]>
<![CDATA[Ramadhan, Nur Raafi Alif]]>;
<![CDATA[Pramana, I Made Bayu]]>;
<![CDATA[Adityasmara, Farhan]]>
<![CDATA[ Retina Jurnal Fotografi Vol 2 No 2 (2022): Retina Jurnal Fotografi ]]>
Publisher : <![CDATA[Lp2mpp Isi Denpasar - Ps. Fotografi ]]>
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DOI: 10.59997/rjf.v2i2.1665
<![CDATA[Fotografi merupakan salah satu media yang cukup sering digunakan pada berbagai macam kegiatan promosi. Seperti misalnya foto produk. Dimana sebuah perusahaan berusaha untuk menampilkan berbagai macam produk yang dimilikinya dengan cara yang praktis namun cukup efektif dalam fungsinya. Pada kegiatan ini penulis akn menerapkan penggunaan foto produk pada sampul buku untuk sebuah acara otomotif terbesar di Indonesia. Yaitu IIMS (Indonesia International Motor Show) 2022. Pembuatan karya foto ini didedikasikan untuk Tuksedo Studio yang merupakan sebuah perusahaan yang bergerak pada bidang produksi ulang mobil sport klasik tahun 1950an yang sudah tidak diproduksi ulang lagi oleh pabriknya. Dalam penciptaan karya fotografi ini penulis perlu menampilkan dengan baik karakter produk yang ditampilkan serta dapat mencapai fungsi yang maksimal sebagai salah satu media promosi perusahaan Tuksedo Studio pada acara IIMS (Indonesia International Motor Show) 2022. Kesan yang ingin dibangun pada foto yang akan dibuat nanti yaitu sebuah sisi kemewahan, elegan, dan berkelas pada mobil-mobil yang diproduksi oleh TUksedo Studio, dengan tujuan agar lebih sesuai dengan audience yang ada pada acara IIMS (Indonesia International Motor Show) 2022.]]>
<![CDATA[DAMPAK NEGATIF SAMPAH ANORGANIK KARYA CIPTA FOTOGRAFI EKSPRESI ]]>
<![CDATA[Raharjo, Anis]]>;
<![CDATA[Pramana, I Made Bayu]]>;
<![CDATA[Saryana, I Made]]>
<![CDATA[ Retina Jurnal Fotografi Vol 2 No 2 (2022): Retina Jurnal Fotografi ]]>
Publisher : <![CDATA[Lp2mpp Isi Denpasar - Ps. Fotografi ]]>
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DOI: 10.59997/rjf.v2i2.1785
<![CDATA[Dalam kehidupan sehari-hari tidak bisa lepas dari sampah salah satunya sampah anorganik. Bahan anorganik sebagai produk industri semakin mendominasi kehidupan manusia. Disadari atau tidak masyarakat telah masuk kekondisi ketergantungan terhadap bahan-bahan anorganik yang sangat menghawatirkan kehidupan ini. Penggunaan sampah anorganik dapat merugikan lingkungan, apalagi digunakan secara berlebihan, karena dapat mencemari air, tanah, dan udara. Sampah anorganik memiliki keragaman jenis seperti plastik, kaca, keramik, kain dan logam. Sampah anorganik berdampak negatif pada realitas lingkungan sehingga dapat membahayakan kelangsungan makhluk hidup seperti manusia, hewan, tumbuhan. Berdasarkan hal tersebut pencipta tertarik untuk mengangkat tema ”Dampak Negatif Sampah Anorganik Karya Cipta Fotografi Ekspresi”. Dalam mewujudkan ide pada karya seni fotografi ekspresi tersebut melalui proses observasi, eksperimen, persiapan, pembentukan dan penyelesaian akhir. Dengan demikian melalui lima karya yang digarap, dapat merepresentasikan dampak negatif sampah anorganik yang diungkap secara estetik dan metaforik. Hal tersebut dapat tercipta makna yang komunikatif dan mampu memberikan suguhan visual kebaharuan dengan tujuan berkontribusi pada penyadaran pelestarian lingkungan sehingga terwujud hubungan manusia yang harmoni dengan alam semesta.]]>
