Claim Missing Document
Check
Articles

Found 8 Documents
Search
Journal : Jurnal Sakura : Sastra, Bahasa, Kebudayaan dan Pranata Jepang

Ideologi Di Balik Mitos Dalam Cerpen Akagaeru Karya Shimaki Kensaku: Kajian Semiologi Roland Barthes Ni Luh Putu Ari Sulatri; Silvia Damayanti
Jurnal Sakura : Sastra, Bahasa, Kebudayaan dan Pranata Jepang Vol 4 No 1 (2022)
Publisher : Program Studi Sastra Jepang, Fakultas Ilmu Budaya, Universitas Udayana

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24843/JS.2022.v04.i01.p08

Abstract

This article examines the ideology of Shimaki Kensaku in the short story Akagaeru. This study is qualitative research by applying the hermeneutic method. This study uses the semiology theory of Roland Barthes with a two-level sign interpretation model. The results of the study show that at the language level, the signifier of akagaeru refers to the signified of reddish-brown type of frog endemic to Japan. The signified at the language level become the signifier of connotation at the myth level which refers to the signified of connotation namely 1) return to the original Japanese ideology; 2) the failure of communist ideology to develop in Japan; 3) acceptance of the destruction of communist ideology in Japan; and 4) persistence of admiration for communist ideology. These signified of connotations form a myth that is connected with Shimaki Kensaku's ideology, namely suichoku tenk? 'vertical tenk?'
Narcissitic Personality Disorder Pada Tokoh Elena Dalam Komik Tomodachi Gokko Karya Momochi Reiko Komang Triyas Wardhani; Silvia Damayanti; Renny Anggraeny
Jurnal Sakura : Sastra, Bahasa, Kebudayaan dan Pranata Jepang Vol 2 No 1 (2020)
Publisher : Program Studi Sastra Jepang, Fakultas Ilmu Budaya, Universitas Udayana

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (1441.704 KB) | DOI: 10.24843/JS.2020.v02.i01.p04

Abstract

The tittle of this research “Narcissitic Personality Disorder at Character Elena Figure in comic Tomodachi Gokko by Momochi Reiko”. The aims of this research are to described NPD Characteristic, the reasons of NPD in character Elena, impact of NPD to Elena and other characters in comic Tomodachi Gokko by Momochi Reiko.The theories that have been used are Wellek and Warren’s literature and psychology theory (2016), Sigmund Freud Narcissism theory (1914), Gunderson’s Narcissitic Personality Disorder (1994), Lajos Egri’s Three Dimensions of Characterrization (1946) and Marcel Danesi’s semiotic theory (2011). Based on the result, Elena is an early adulthood’s girl who experiences with Narcissistic Personality Disorder. Characteristic of NPD in Elena based on Gunderson, dkk, namely (1) has a grandiose of self-importance and is often envious of others, (2)is preoccupied with fantasies of unlimited success, power, brilliance, beauty, or ideal love. (3) believes that he or she is “special” and unique and can only be understood by, or should associate with, other special or high status people, (4) requires excessive admiration, (5) has a sense of entitlement, (6) is interpersonally exploitative, takes advantage of other to achieve his or her own ends, (7) lacks empathy, and (8) shows arrogant, haughty behaviors or attitudes. The Reason behind Elena’s NPD condition was triggered by her mother, as a child she was often got curse word. The impact of NPD to Elena were 1) difficulted for her to distinguish between good and bad deeds and she almost lost her own life, and she move to the new school. The impact Elena’s NPD to other people around her were 2) she doing bullying, damaging, and traping for personal gain. Keywords : psychology literature, Narcissistic Personality Disorders, Psychoanalytic
Perubahan Bervariasi dalam Ekranisasi Manga Death Note Karya Tsugumi Ohba dan Takeshi Obata ke dalam Drama Death Note Karya Inomata Ryuichi Ni Wayan Nadia Setyawati; Silvia Damayanti; Ni Luh Putu Ari Sulatri
Jurnal Sakura : Sastra, Bahasa, Kebudayaan dan Pranata Jepang Vol 3 No 2 (2021)
Publisher : Program Studi Sastra Jepang, Fakultas Ilmu Budaya, Universitas Udayana

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24843/JS.2021.v03.i02.p01

Abstract

This research is entitled "Variety Changes in the Ecranization of the Death Note Manga by Tsugumi Ohba and Takeshi Obata into the Death Note Drama by Inomata Ryuichi". The purpose of this study is to provide an understanding of ecranization with sources in the form of manga related to changes in intrinsic elements. The research method used is descriptive qualitative method. The data sources used in this study are the Manga Death Note by Tsugumi Ohba & Takeshi Obata and Drama Death Note by Inomata Ryuichi. The theory used in this research is Ecranization Theory proposed by Eneste and Structural Theory by Nurgiyantoro. The results of this study indicate that there is a change in the intrinsic elements contained in the manga into drama. These changes are in the form of varied changes that occur in the plot, characters, and setting of the place. These varied changes aim to change the story, atmosphere, impression, role, and adjust production costs.
Majas dalam Lirik Lagu Vinushka Oleh Dir En Grey Maulana Hasanudin Raditya; Silvia Damayanti
Jurnal Sakura : Sastra, Bahasa, Kebudayaan dan Pranata Jepang Vol 4 No 2 (2022)
Publisher : Program Studi Sastra Jepang, Fakultas Ilmu Budaya, Universitas Udayana

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24843/JS.2022.v04.i02.p07

Abstract

The research entitled "Majas in Vinushka Song Lyrics by Dir En Grey" aims to determine the form and function of figurative language contained in song lyrics. The data used in this study are the lyrics of the song Dir En Gray entitled Vinushka. The data was analyzed by using qualitative descriptive method. The theory used is the stylistic theory proposed by Keraf (2006), the theory of figurative language proposed by Tarrigan (2009) and the theory of the function of figurative language. The results shows that there are 2 types of figurative expressions in the lyrics of the Vinushka song, namely metaphorical and personification. The function of the figurative expressions in the song was expalaining, strengthening ideas, and bringing life to inanimate objects.
The Phenomenon of Hostesses in Japan in The Cabasuka Gakuen Drama by Takashi Kubota Ni Putu Ayu Yogi Ardhaningsih; Silvia Damayanti; Ni Made Andry Anita Dewi
Jurnal Sakura : Sastra, Bahasa, Kebudayaan dan Pranata Jepang Vol 5 No 1 (2023)
Publisher : Program Studi Sastra Jepang, Fakultas Ilmu Budaya, Universitas Udayana

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24843/JS.2023.v05.i01.p07

Abstract

"The Hostess Phenomenon in Japan in the Drama Cabasuka Gakuen by Director Takashi Kubota" is the title of this study. The purpose of this study is to learn more about the phenomenon, the duties of a hostess, and the efforts made by the hostess to deliver the best possible service. The descriptive analysis method was employed in this study. Service Theory, Semiotics Theory, and Sociology of Literature Theory are the theories utilized. According to the study's findings, it is known that the hostess phenomenon can be seen in three ways, 1) factors that cause someone to become a hostess, there are (1) bad financial conditions; (2) does not have an education degree; 2) the qualifications of a hostess; 3) the job of a hostess, there are (1) welcoming clients; (2) serving clients; (3) take the client out when finished visiting. A hostess makes the following efforts to give the best service: (1) maintaining an attractive appearance; (2) being adaptable in all circumstances; (3) listening to client complaints; (4) becoming familiar with the terms used in the cabaret club; and (5) fulfilling client requests outside the cabaret club. The findings of this study show that the desire of high school students to work as hostesses, which is thought to be an easy job to obtain and do, is actually not as easy as assumed. In order to keep their place, hosts must compete with one another.
Fungsi Diksi Onomatope dalam Buku Cerita Bergambar Bertema Gempa dan Tsunami Kadek Dea Shinta; Silvia Damayanti; Ni Made Andry Anita Dewi
Jurnal Sakura : Sastra, Bahasa, Kebudayaan dan Pranata Jepang Vol 5 No 2 (2023)
Publisher : Program Studi Sastra Jepang, Fakultas Ilmu Budaya, Universitas Udayana

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24843/JS.2023.v05.i02.p10

Abstract

Penelitian ini bertujuan untuk membahas makna dan fungsi diksi onomatope Jepang yang digunakan pada dua buku cerita bergambar bertema bencana gempa bumi dan tsunami. Teori yang digunakan adalah teori onomatope Jepang, teori Stilistika, teori Semiotika. Hasil penelitian menemukan diksi onomatope dalam dua buku cerita bergambar bertema bencana dapat mempresentasikan alam, manusia, dan benda/sesuatu. Diksi onomatope yang ditemukan cenderung memiliki makna yang merepresentasikan gerakan oleh tanah atau benda saat gempa, suara yang merepresentasikan ombak tsunami, maupun suara lainnya yang dihasilkan karena aktivitas bencana, dan keadaan lingkungan maupun perasaan manusia yang dipengaruhi oleh suasana sebelum, saat, dan sesudah peristiwa bencana. Berdasarkan hasil tersebut, diksi onomatope yang ditemukan dapat diketahui memiliki 3 fungsi utama. Pertama, fungsi menjelaskan detail informasi berdasarkan intensitas gempa atau kekuatan ombak tsunami. Kedua berfngsi memperkuat atau menekankan sesuatuu benda atau hal yang direpresentasikan. Ketiga, berfungsi menambah nilai estetika pada tulisan dalam bentuk repetisi kata yang berirama dari peniruan suara objek nyata.
Kajian Psikolinguistik dalam Penguasaan Kosa Kata Bahasa Jepang Mahasiswa Program Studi Sastra Jepang Universitas Udayana Ni Putu Candra Lestari; Silvia Damayanti; Ni Made Andry Anita Dewi
Jurnal Sakura : Sastra, Bahasa, Kebudayaan dan Pranata Jepang Vol 5 No 2 (2023)
Publisher : Program Studi Sastra Jepang, Fakultas Ilmu Budaya, Universitas Udayana

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24843/JS.2023.v05.i02.p12

Abstract

Psycholinguistics is related to three things, namely language comprehension, language production, and language acquisition. One of the goals of language acquisition studies is to facilitate the process of language acquisition, including foreign languages, for example Japanese. The dimension of acquiring Japanese is closely related to learning Japanese and mastering it. One of the basic things in mastering Japanese is vocabulary mastery. Vocabulary mastery reflects mastery of reading, writing, listening, and speaking skills. This study describes an evaluation of students' Japanese vocabulary mastery, as well as the potential for mastery associated with the six dimensions of language acquisition by Klein (1986). The main subjects of this research are all active students of the Japanese study program at Udayana University starting from the 2018 to 2021 class, totaling 258 people. Data were collected by the test method, where students worked on questions about knowledge of Japanese vocabulary which included competency components according to international standards of Japanese language skills, namely on the fulfillment of eight indicators of vocabulary knowledge tested, namely: reading Kanji; write Kanji characters; determine vocabulary according to context; determine synonyms; use words in sentences; determine the correct form of the word; compose sentences; and determine connecting words in a discourse. Data were analyzed descriptively qualitatively. The research resulted in an evaluation that the level of students' Japanese language proficiency was 54%. It is necessary to hold reading and writing exercises as a follow-up step. Regarding the potential for students' mastery of Japanese, the propensity and access factors are very important to improve.
Kondisi Jepang Pasca Gempa Bumi dan Tsunami dalam Ehon Kataritsugi Ohanashi Ehon 3-gatsu 11-nichi Damayanti, Silvia; Wedayanti, Ni Putu Luhur; Wangsa, I Gusti Ngurah Jun Arya
Jurnal Sakura : Sastra, Bahasa, Kebudayaan dan Pranata Jepang Vol 6 No 2 (2024)
Publisher : Program Studi Sastra Jepang, Fakultas Ilmu Budaya, Universitas Udayana

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24843/JS.2024.v06.i02.p09

Abstract

This research is titled "Post-Earthquake and Tsunami Conditions in Japan in Ehon". This research aims to understand the post-earthquake and tsunami conditions in Japan following the Tohoku earthquake and tsunami in 2011, as depicted in the ehon series "Kataritsugi Ohanashi Ehon 3-gatsu 11-nichi". Data collection was conducted using library research methods, observation techniques, and note-taking. The data analysis technique used was descriptive analysis, and the presentation of data analysis used both formal and informal methods. The theories employed were the Sociology of Literature Theory and Charles Sanders Peirce's Semiotics Theory. The results obtained in this research indicate that the natural disaster events of the Tohoku earthquake and tsunami in 2011 in Japan are reflected in the collection of ehon "Kataritsugi Ohanashi Ehon 3-gatsu 11-nichi". Within the ehon collection, the earthquake and tsunami are depicted as causing significant losses, both in terms of loss of life and economic impact on Japan. Interestingly, the effects of the earthquake and tsunami narrated in the ehon are presented in a way that is not frightening and easily understandable by children, serving as an educational resource about earthquakes and tsunamis.
Co-Authors Abdul Karim, Dewi Damayanti Achmad Faris Fizabillah Achmad Yudi Wahyudin Adinda Salsabila Afrianto Ahmad Faris Alfidav Yasril Kumara Anak Agung Istri Kumala Dewi Ananta Syahbana, Javier Syarif Anggraeni, Windi Ardansyah Aryanto, Vincent Didiek Wiet Bahar Amal Bama Tangguh Galih Charisa Nabirawati Sitindaon Christian Sitohang, Arga Darma Suputra, Gede Ngurah Dewi, Vidia Nastiti Diana Aqmala Dirga Dito Aditya Sasongko Egidia Zahra Vanessa Purba En Nahl Al Atiqo Sanabila Irfana Farhan Fauzan Fatriana, Nina Firdani Mutiara Gede Feri Kartiana Gitsali Hanum Salsabila Santosa Hasani Faris Maulana Hendriyanto, Pujo Himawan S , Rizki I Gede Oeinada I Gusti Ayu Dwinta Cahyani I Gusti Ayu Sugiartini Mahardika I Made Budiana I Nyoman Rauh Artana I Nyoman Suarka I Putu Gede Yasa Partawan Ida Ayu Laksmita Sari Kadek Dea Shinta Ketut Widya Purnawati KHOIRUL ANAM Khonsa, Aisyah Nabila Kinanti, Anggun Putri Kireine Kosma Ramadhani Komang Triyas Wardhani Louis Valdo Made Yani Anggarawati Maharani, Putu Arbi Regina Maria Gorethy Nie Nie Maria Matildis Banda Masrur Mauridhoh, Mohamat Maulana Hasanudin Raditya Mirda Raihan Khairunnisa Muhammad Yasin Ngurah Indra Pradhana Ni Luh Kade Yuliani Giri Ni Luh Putu Ari Sulatri Ni Luh Putu Ari Sulatri Ni Made Andry Anita Dewi Ni Made Puspita Dewi Ni Made Wirian Ni Made Wiriani Ni Putu Ayu Yogi Ardhaningsih Ni Putu Candra Lestari Ni Putu Iin Permata Dina Liana Ni Putu Luhur Wedayanti Ni Wayan Nadia Setyawati Ni Wayan Suarji Indrawati Novrilia Atika Nabila NPL Wedayanti Piji Pakarti Putu Ella Kumala Sari Putu Trisna Windasari Rachel Ratu Rahmadani, Firdausi Nuzula Rahmadhani, Vissi Aulia raihan , Achmad dany Rosi, Fahrur Safei, Imam Sarmoko Sarmoko Siti Amina Sulatri, Ni Luh Putu Ari Syahbana, Javier Syarif Ananta Tria Putriani Vigo Atsil Nugraha Vitaloka Prischa Sisilia Wangsa, I Gusti Ngurah Jun Arya Wenda Reka Pratama Widati Hardini Widya Kumala, Dinda Yasin, S.E., M.M, Dr. Muhammad Yuri Rahmanto Zahra, Mutia Haristi Zendrato, Kezia Davina Putri Zita Atzmardina