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Sri Wening
Universitas Negeri Yogyakarta
Religion Agriculture, Biological Sciences & Forestry Arts Humanities Biochemistry, Genetics & Molecular Biology Chemical Engineering, Chemistry & Bioengineering Chemistry Computer Science & IT Control & Systems Engineering Decision Sciences, Operations Research & Management Economics, Econometrics & Finance Education Energy Engineering Environmental Science Health Professions Industrial & Manufacturing Engineering Languange, Linguistic, Communication & Media Law, Crime, Criminology & Criminal Justice Library & Information Science Materials Science & Nanotechnology Mathematics Medicine & Pharmacology Public Health Social Sciences Other

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Journal : Journal of Visual Art and Design

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KAJIAN SENI DAN BUDAYA PADA HINGGI DAN LAU DALAM UPACARA ADAT MASYARAKAT SUMBA TIMUR Putu Diah Ari Kusumadewi; Sri Wening
Journal of Visual Art and Design Vol. 15 No. 2 (2023): Journal of Visual Art and Design
Publisher : ITB Journal Publisher, DRPM ITB

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.5614/j.vad.2023.15.2.1

Abstract

Hinggi and lau, as East Sumba woven fabrics, are inseparable from the cultural identity contained in the motifs. In order to understand this culture, the symbolic meanings of the various motifs of hinggi and lau need to be understood. This study examined the hinggi and lau motifs in terms of visual analysis (contour), meaning (content), and background (context). The research method used was systematic literature review by analyzing selected articles using the PRISMA method and going through the identification, screening, eligibility, and inclusion stages with exclusion and inclusion criteria. The results showed that the physical form (contour) of hinggi and lau motifs varied, such as horse, chicken, human, and even skull motifs. These motifs represent meanings (content) related to life, death, and nature. All the meanings and motifs come from the Marapu belief system of East Sumba (context). Hinggi and lau, as cultural heritage, can adapt to change. Through this research, the authors recommend to relevant parties that the motives and functions of hinggi and lau themselves cannot be separated from the philosophical values contained therein, because they reflect the cultural identity of the people of East Sumba.
Co-Authors AMELIA, LOUISA Ayub Widhi Rumekso Babu, Orni Brilianti, Grahita Prisca Budi Widianto Budiastuti, Emi Dananti , Kristyana Darsini . . Diah Indah Pratiwi Diah Setiowati, Retno Dian Rahma Pratiwi Dianita Anggar Kusuma Dwi Yunanto Dwi Yunanto, Dwi Eka Wijayanti Ekowati, Maria Atik Sunarti Emi Budiastuti Emy Budiastuti Enny Zuhni Khayati ERMALENA, SITI SARAH Ernayunita, Ernayunita Erwin Nazri Fadilah Rahmadani Fadillah, Tsania Cantika Fadli Pangaribuan, Ikhwan GAWA, MAHENDRA YONATAN EDO Hadjar Pamadhi Handayani, Sri Hari Priwiratama Hendrastuti Hidayat, Sri Herusubroto, Maria Atik Sunarti Ekowati Jerusalem, Moh. Adam KRISNAWATI, DWI Kristyana Dananti Kristyana Dananti, Kristyana Mardiana, Cut Maria Atik Sunarti Ekowati Maria Atik Sunarti Ekowati Martha Christianti Megayani Sri Rahayu Mei Indra Jayanti Mohammad Adam Jerusalem Muh Fitrah Noor Fitrihana Nova Suparmanto Novandi Ginting, Eko NUR KHOLIFAH Pamadhi, Hadjar PERMATASARI, Galuh Wening Pramesiwi, Vashtia Hanin putra, eka sulistya Putri Marganing Utami Putu Diah Ari Kusumadewi Rahma Pratiwi, Dian Rahmadani, Fadilah Ratih Susiana, Ratih Retnasari, Dian Rigia Tirza Hardini Riscaputantri, Anggarwati Sarah Nadia Sarah Nadia, Sarah SEBASTIAN, HOSEA Setiowati, Retno Diah Shiza Maunik Wijaya Sri Emy Yuli Suprihatin Sudarsono Sudji Munadi Suranto Suranto Suryo Wiyono Toding Tondok, Efi Tri Hartiti Retnowati Tri Hartiti Retnowati Tri Hartiti Retnowati Tri Rini Nuringtyas Widihastuti Widiyanti, Eti