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All Journal Jurnal Sendratasik Humanus: Jurnal ilmiah Ilmu-ilmu Humaniora Gorga : Jurnal Seni Rupa Jurnal Obsesi: Jurnal Pendidikan Anak Usia Dini Gondang: Jurnal Seni dan Budaya IRJE (Indonesian Research Journal in Education) JURNAL PENDIDIKAN TAMBUSAI International Journal of Educational Dynamics (IJEDS) Dewa Ruci : Jurnal Pengkajian dan Penciptaan Seni Komposisi: Jurnal Pendidikan Bahasa, Sastra, dan Seni International Conference on Languages and Arts Satwika : Kajian Ilmu Budaya dan Perubahan Sosial Tonika: Jurnal Penelitian dan Pengkajian Seni Science and Environmental Journals for Postgraduate Ranah Seni: Jurnal Seni dan Desain Jurnal Manajemen Pendidikan dan Ilmu Sosial (JMPIS) Melayu Arts and Performance Journal YASIN: Jurnal Pendidikan dan Sosial Budaya Electronic Journal of Education, Social Economics and Technology Ranah Research : Journal of Multidisciplinary Research and Development Jurnal Kajian dan Penelitian Umum Avant-garde: Jurnal Ilmiah Pendidikan Seni Pertunjukan Atmosfer: Jurnal Pendidikan, Bahasa, Sastra, Seni, Budaya, Dan Sosial Humaniora Bersatu: Jurnal Pendidikan Bhinneka Tunggal Ika Semantik : Jurnal Riset Ilmu Pendidikan, Bahasa dan Budaya JURNAL ILMIAH PENDIDIKAN MUSIK Dharma Acariya Nusantara: Jurnal Pendidikan, Bahasa dan Budaya Filosofi: Publikasi Ilmu Komunikasi, Desain, Seni Budaya Misterius: Publikasi Ilmu Seni dan Desain Komunikasi Visual Abstrak: Jurnal Kajian Ilmu Seni, Media dan Desain
Syeilendra Syeilendra
Universitas Negeri Padang
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Form of Presentation of Calempong Oguang at Wedding Events in Sialang Kapur IX Lima Puluh Kota Melia Septri; Syeilendra
Avant-garde: Jurnal Ilmiah Pendidikan Seni Pertunjukan Vol. 1 No. 3 (2023): October
Publisher : Universitas Negeri Padang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24036/ag.v1i3.42

Abstract

This This study aims to describe and find out about the form of presentation of Calempong Oguang art to the Sialang community. This type of research is a qualitative research with a descriptive analysis method approach. Types of data using primary data and secondary data. The main instrument is the researcher himself and assisted by supporting instruments such as stationery and cellphones. Data collection techniques were carried out by means of literature studies, observations, interviews, and documentation. The data analysis steps are data reduction, data display, and conclusion. The results of the study suggest that the form of presentation of the Calempong Oguang art to the Sialang community at weddings is in front of the house using the arena stage model. In this wedding event, songs were played at night: 1) Tigo-Tigo songs, 2) Lang Lalu songs, 3) Sandayuang songs, 4) Kaja Bakaja songs and others which began after the Isha prayer was finished around 08.00 WIB until dawn in the morning. The presentation of Calempong Oguang played by parents (male and female) in the form of a mixed ensemble aims to entertain the mothers who are cooking and the invited guests so they can relieve fatigue when preparing food for tomorrow's wedding day. With the sounds of Calempong Oguang songs, it is able to create a happy atmosphere and can bring closer ties with family and guests who come to the house.
Hubungan Hasil Belajar Teori Musik Dasar Dengan Keterampilan Bermain Musik Dalam Ansambel Rhiyan Anosya Bahtera; Syeilendra Syeilendra
Bersatu: Jurnal Pendidikan Bhinneka Tunggal Ika Vol 1 No 6 (2023): November : Jurnal Pendidikan Bhinneka Tunggal Ika
Publisher : LPPM Politeknik Pratama

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.51903/bersatu.v1i6.447

Abstract

The goal of this study was to determine how the FBS UNP Sendratasik Study Program students' 2020 ensemble music playing abilities and the learning objectives of their foundational music theory courses related to one another. This kind of study employs the correlation test method and is quantitative in nature. Student observation sheets, surveys, and questionnaires were the research instruments used in this study. Data were gathered by observation, interviews, questionnaires, literature and document studies, and surveys. The formula for product moment correlation was used to analyze the data. The results of the study prove that the relationship between the learning outcomes of basic music theory courses and the skills of playing music in ensembles of 2020 class music concentration Sendratasik Education Study Program students who have completed basic music theory courses and ensemble courses get a correlation coefficient (r) value of 0.210251933 or percented to 21.02% which is categorized as weak.
Alu Katentong performance, history, form, and function at a wedding event in Padang Laweh Syeilendra Syeilendra; Ayuthia Mayang Sari
Dewa Ruci: Jurnal Pengkajian dan Penciptaan Seni Vol. 18 No. 2 (2023)
Publisher : Pascasarjana Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/dewaruci.v18i2.5417

Abstract

Alu Katentong is a traditional Minangkabau art that persists in Nagari Padang Laweh, Tanah Datar Regency. The purpose of this research is to establish that Alu Katentong is an essential and meaningful element in a wedding ceremony. This qualitative study employs a descriptive analysis approach. Data collection techniques include literature review, observation, interviews, documentation, and triangulation. Data analysis involves data clarification, reduction, presentation, and drawing conclusions. The research findings demonstrate that the inclusion of Alu Katentong in wedding ceremonies is a prerequisite for adhering to local customs and traditions, as well as for the preservation of local culture. The performance elements encompass the following: The function of Alu Katentong art serves as a traditional complement to the wedding ceremony procession, provides entertainment and spectacle, functions as a means of communication, acts as a unifying force in society, contributes to cultural preservation, and serves as a medium for educating the community. The presentation takes the form of a coordinated ensemble arrangement comprising several alu, lasuang, and flat stones in a circular formation facing forward (lasuang). This artistic performance commences at noon following various wedding processions leading up to the manjapuik and maanta marapulai procession.
The Influence of Local Cultural Values in the Traditional Music Learning Process in the Sendratasik Department Hengki Armez Hidayat; Syeilendra Syeilendra; Marzam Marzam; Uswatul Hakim; Belirda Wulan Dhari; Syafa’atussara Silahudin
Gondang: Jurnal Seni dan Budaya Vol 8, No 1 (2024): GONDANG: JURNAL SENI DAN BUDAYA
Publisher : Universitas Negeri Medan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24114/gondang.v8i1.55509

Abstract

Traditional music as an integral part of a society's cultural wealth has aesthetic value and plays a role in deepening cultural identity. However, in the era of globalization and modernization, traditional music is often threatened by changes in values and lifestyles that dominate from outside the culture. This article explores the influence of local cultural values on the traditional music education process in the Sendratasik Department. The main challenge is maintaining the existence of traditional music amidst the ever-changing interests of the younger generation. The research is a type of qualitative research with a case study approach. Through in-depth interviews, document analysis, and direct observation, this research aims to understand the extent to which local cultural values influence students' attitudes, interests, and participation in learning traditional music. The research results show that curriculum implementation through face-to-face lectures, online learning, lecturer collaboration, and integration of educational technology are effective strategies for maintaining the existence of traditional music. Analysis of the impact of globalization shows that traditional music needs to adapt to contemporary trends to remain relevant. Traditional music education also plays a role in developing student character, such as creativity, communication skills, empathy, pedagogical skills, discipline, collaboration, understanding of cultural diversity, understanding of technology, self-development, spirit of inclusivity, as well as creation and performance. This research is expected to contribute to the development of learning strategies and curricula that focus on maintaining and developing traditional music as an inseparable part of cultural heritage that is alive and relevant in today's society.
Ekstrakurikuler Paduan Suara Di MAN 2 Kota Padang Shelliana Putri; Syeilendra Syeilendra
Jurnal Kajian dan Penelitian Umum Vol. 1 No. 5 (2023): Oktober : Jurnal Kajian dan Penelitian Umum
Publisher : Institut Nalanda

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.47861/jkpu-nalanda.v1i5.437

Abstract

This study aims to describe the process of extracurricular implementation of Choir in MAN 2 Padang City. This type of research research is qualitative research with descriptive methods. This research instrument is the researcher himself and is assisted by supporting instruments such as stationery and cameras. Data were collected through literature study, observation, interviews and documentation. The steps of analyzing data are data reduction, data presentation and conclusions. The result of this study is that the planning of choir extracurricular activities at MAN 2 Kota Padang is carried out through several stages, namely first the coach prepares choir members by recruiting every new school year, then determines the rehearsal schedule, after that the coach prepares the material and chooses songs before starting the practice. The implementation of extracurricular choir is carried out by means of trainers who always teach students one by one according to the division of voice qualifications and in providing material the trainer demonstrates the tone and rhythm of the song per sentence or perphrase until students understand and memorize the tone of the song material. At the end of each meeting the coach always gives an evaluation, the coach tells the parts that must be improved and the coach always reminds about the importance of vocal technique. In addition to evaluating the coach's voice also provides an evaluation of the training process, the coach asks students to be serious in each exercise so that the coach does not need to repeat mistakes in that part only.
Pelaksanaan Ekstrakurikuler Marching Band Di MAN 3 Padang Dodi Febrian; Syeilendra Syeilendra
Jurnal Kajian dan Penelitian Umum Vol. 1 No. 5 (2023): Oktober : Jurnal Kajian dan Penelitian Umum
Publisher : Institut Nalanda

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.47861/jkpu-nalanda.v1i5.450

Abstract

This study aims to describe the extracurricular implementation of marching band in Man 3 Padang until now. This type of research is qualitative research with descriptive methods. This research instrument is the researcher himself and is assisted by supporting instruments such as stationery and cameras. Data collection techniques are carried out by observation, literature study, interviews and documentation. The steps of analyzing data are collecting data, describing the data and inferring the data. The results showed that the implementation of the Marching Band Extracurricular at MAN 3 Padang had taken place 4 times with a number of challenges faced. There are some drawbacks to note. One of them is the inconsistent absence of members at each meeting. The absence of members at some meetings affects the uniformity of understanding of the material, and absent members have to catch up with delays in understanding the material that has been delivered. At some meetings, there are a number of members who are absent without clear information, which can have an impact on the smooth implementation of the exercise. Technical obstacles also arise in the implementation such as in the song Indonesia Raya, the distance between the notations on the pianika played far away so that the pianika played by students who play on the pianika instrument delay / late produced and the song Mengheningkan Cipta percussion members play an unstable tempo because the tempo in the song is slow.
Solo Song Extracurricular Management at SMA Negeri 1 Suliki Sub-District Suciana Ramadhani; Syeilendra
Avant-garde: Jurnal Ilmiah Pendidikan Seni Pertunjukan Vol. 1 No. 3 (2023): October
Publisher : Universitas Negeri Padang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24036/ag.v1i3.45

Abstract

This study aims to provide a description of solo song extracurricular management at SMA Negeri 1 Suliki District. This research uses a qualitative approach with a descriptive method. The researcher himself is the main instrument in this study, and is supported by stationery, cameras, and laptops as supporting instruments. Data collection techniques include literature study, observation, interviews, and documentation. The data analysis steps include data identification, data description, data clarification, data analysis, and data inference. The results showed that the management of solo song extracurricular activities consisted of planning, organizing, actuating, and controlling. (1) In planning, extracurricular activity programs include student recruitment, trainer recruitment, and preparation of training programs. The management of extracurricular activities is in accordance with the program set by the school. The source of activity funds comes from the BOS Fund, while the facilities and infrastructure used are adequate, although there are some facilities that need to be improved. (2) Organizing in the management of extracurricular activities involves the establishment of an organizational structure and formulating tasks to be carried out. (3) Actuating is carried out by motivating students so that they are enthusiastic in developing the learning process and dare to display talents and skills in singing. (4) Supervision (controlling) is carried out by the coach of solo song extracurricular activities with supervision from curriculum representatives and school principals. This supervision is carried out during the implementation of extracurricular activities. The implementation of extracurricular activities in Suliki has resulted in many achievements in the field of art, including in the solo song category.
"Tu Teh Ro" Fauza, Fauza Abdillah; Syeilendra
Avant-garde: Jurnal Ilmiah Pendidikan Seni Pertunjukan Vol. 2 No. 3 (2024): October
Publisher : Universitas Negeri Padang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24036/ag.v2i3.131

Abstract

This artwork aims to introduce to the wider community that Bacenang Art exists in Nagari Sinuruik, Talamau District, West Pasaman Regency. In the preparation of the work "Tu Teh Ro" is lifted from a pattern that exists in the art of bacenang, because this cenang is the core of an art. The author tries to apply the activities that existed at the time of bacenang art and mixed traditional art with a combination of modern instruments in the performance of the work. Tu Teh Ro's work is a complete work with a presentation of the development of the cenang rytem pattern which is worked in such a way that it is made into a new compositional form. This bacenang art is part of traditional arts that grow and develop in the Minangkabau community, especially in Sinuruik, Talamau District, West Pasaman Regency. The idea of developing rhythmic patterns that are developed into a form of new musical composition work that is mixed or collaborated with modern musical approaches. This artwork uses the method of improvising funk style music. By developing a rhythmic pattern and using improvisational methods, this approach will be worked into a form of musical composition with a new presentation.
Fungsi Gordang Sambilan dalam Masyarakat Kampung Tongah Kecamatan Rao Kabupaten Pasaman Timur Fadhila Yoelian; Syeilendra Syeilendra
Semantik : Jurnal Riset Ilmu Pendidikan, Bahasa dan Budaya Vol. 2 No. 1 (2024): February : Semantik : Jurnal Riset Ilmu Pendidikan, Bahasa dan Budaya
Publisher : Asosiasi Periset Bahasa Sastra Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.61132/semantik.v2i1.282

Abstract

This study aims to find the function of Gordang sambilan in the wedding ceremony of the people of Tongah Village, Rao District, East Pasaman Regency. This type of research is qualitative research using a descriptive approach. This research instrument is the researcher himself and is assisted by supporting instruments such as stationery, cameras and cellphones. The data in this study used primary data and secondary data. Data collection techniques are carried out by means of literature studies, observations, interviews and documentation. The steps of analyzing data are collecting data, describing data and inferring data. The results showed that in Tongah Village, Rao District, Pasaman Regency, there is a form of traditional art that has developed until now which is named after its supporting community as Gordang Sambilan music. The people of Tongah Village use Gordang Sambilan music for horja Godang traditional ceremonies as a function of emotional expression, entertainment function, communication function, physical reaction function, aesthetic pleasure function, symbolic representation function. Gordang sambilan music in Tongah Village can be enjoyed and used by all groups both in terms of age and in terms of social status.
Proses Batambua Sampai Ama Pada Pesta Pernikahan di Kenagarian Tanjung Sani, Maninjau. Muhammad Hadi, Fitriah Azizah; Syeilendra
EDUMUSIKA Vol. 2 No. 1 (2024): Volume 2 No 1 Tahun 2024 (Maret)
Publisher : Universitas Negeri Padang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24036/em.v2i1.62

Abstract

The aim of this research is to explain the process of batambua until ama at a wedding party in Kenagarian Tanjung Sani. The research method used is qualitative research using a descriptive analytical approach. Data collection techniques were carried out by conducting literature studies, field observations, interviews and documentation. Then analyze the data by collecting data, simplifying, grouping and drawing conclusions. This research shows that the process of batambua to ama at a wedding party is held in two different styles, namely at Alek Pemuda where the tambua players immediately form an arena formation in the courtyard of the event house and at Alek Bako or Alek Saduduak where the tambua players do the procession first and then continue. by forming an arena formation. The song sung was Atam Sikapak with the division of Atam Marakpulai Katurun, Atam Hoyak and Atam. Meanwhile, for the song content, namely Hujan Labek, Cancang Rabuang, Kureta Api Mandaki and Randang Kacang, the Atam Hoyak song will continue to be repeated until it reaches a fast tempo (allegro) and with loud dynamics (forte). The playing of the Atam Hoyak song triggers an emotional reaction in the player. tambua until ama it reaches the same condition.
Co-Authors Adi Suhendra Afri Dino Afri Rozi Fernandes Afrialdo Sardova Al Arif Puji Putra Andri Saputra Ardipal Ardipal Arisma Arisma Ary ramadhan Asma Ulhusna Aulia Putra Aulia, Hia Ayulasti, Armila Azzara Rahtu Keyoza, Refika Belirda Wulan Dhari Budiwirman Budiwirman, Budiwirman Budiwirman, Budiwirman Caecilia Trisani Lumbantoruan Chairiah, Fadilla Cici Trinika Damayanti, Elok Daryusti Datmi, Rezki Ridho Deby Cloveando Mondely Devika Duri Dewi Martha Dilla Apriamanda Dinda Kamara Dion Marcelindo Dodi Febrian Dwi Mutia Sari Elvin Martius Endah Puji Astuti Erfan Erfan Esy Maestro Eva Yulia Mariati Fadhila Rizky Maharani Fadhila Yoelian Fadhilla Tirrahmah Fajar Friatma Fauza, Fauza Abdillah Fauziah Rahman Galih Rakasiwi Gia Widi Ayuni Gian Jenifer Gusti Rahayu hadi, Harisnal Haifa, Siti Hartono Hartono Hasyim Asyary Heri Heri Hidayat Alkara Hidayat, Hengki Armez Hike Purwanti Wahyudani Inka Aglisda Irdhan Epria Darma Putra Irman, Resky Nur Isman, Marisa j Lumbantoruan Jagar Lumbantoruan Lidia Nusir M. Nasrul Kamal Mailani Putri, Diva Mantila, Fanysa Marchel, Qonita Hesthia Marzam Marzam Melia Septri Melisa Herman Monica Novriyenti Muhammad Hadi, Fitriah Azizah Neti Lestari Niki Adian Nita Nikmatuz Zuhro Aminin Noni Veronika Noverina, Yelsi Nur Azimah Nurhayati Nurhayati Nurnela Hardi Nuzula Mustika Parmadi, Bambang Putri Ana Finata Putri, Wila Maidia Rahmi, Resti Rama Kurniawan Ramadhan Andy Nugraha Randi Suriandi Randi Yolanda Relly Dyona Resmi Agusti Restu Putra Rio Ilham Revo Bramasta Rhiyan Anosya Bahtera Rhodiya Rhodiya Rifaldi, Muhammad Ichsan Rini Dias Risa Febriani Rita Ratna Putri Rizki Ramadhan Sabrina Martha, Sherly Salsa Bila Nakiah Sandra Syarif Sari, Ayuthia Mayang Shadila Deykisy Shelliana Putri Shilvi Yunita Silahudin, Syafa’atussara Silvia Merlin Siregar, Happy Siregar, Lindasari Sofia Madonna Sonya Cintya Suciana Ramadhani Syafa’atussara Silahudin Syafei Syafei Syahrel Syahrel Syaiful Hayatunnufus Sylvia Oktari Toruan, Jagar Tri Rahayu Zulfiana Tulus Handra Kadir Uswatul Hakim Varenina Salsabila Walid Zakki, Mh. Wansah, Faisal Wewet Monica Fitri Willa Maida Putri Wimbrayardi Wimbrayardi Winda Marselina Windy Rezkia Julita Wulan Larasaty Yensharti Yos Sudarman Yoza Delvianita Yulia Mairoza Yuliani Lestari Yulianti Rahayu Nengsih Zikri, Afriza Aidil