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All Journal Dimensi Interior Resital: Jurnal Seni Pertunjukan (Journal of Performing Arts) KOMUNITAS: INTERNATIONAL JOURNAL OF INDONESIAN SOCIETY AND CULTURE Harmonia: Journal of Research and Education Heritage of Nusantara: International Journal of Religious Literature and Heritage Lekesan: Interdisciplinary Journal of Asia Pacific Arts Panggung Kamaya: Jurnal Ilmu Agama Humaniora Patrawidya: Seri Penerbitan Penelitian Sejarah dan Budaya International Journal of Visual and Performing Arts Jumantara: Jurnal Manuskrip Nusantara Heritage of Nusantara: International Journal of Religious Literature and Heritage Paradigma: Jurnal Kajian Budaya Berkala Arkeologi Dinamika Kerajinan dan Batik: Majalah Ilmiah
Timbul Haryono
Universitas Gajah Mada, Bulaksumur, Yogyakarta 55281
Religion Arts Humanities Civil Engineering, Building, Construction & Architecture Education Engineering Environmental Science Industrial & Manufacturing Engineering Languange, Linguistic, Communication & Media Library & Information Science Social Sciences

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Serat Kasantikaning Raga Sebagai Pengayaan Naratif Lakon Figur Gathotkaca: (Tinjauan Atas Naskah Lakon Pedalangan eks koleksi J.L. Moens) Raharja, R. Bima Slamet; Richardus, Wisma Nugraha Christianto; Haryono, Timbul
Jumantara: Jurnal Manuskrip Nusantara Vol. 16 No. 1 (2025): Juni
Publisher : Perpustakaan Nasional Republik Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.37014/jumantara.v16i1.5506

Abstract

This paper discusses the manuscript collection of J.L. Moens, which contains many narratives of wayang plays. Most of the manuscripts come from the Yogyakarta puppetry tradition within the popular tradition originating from Yogyakarta and its surrounding areas. In addition to the narratives, these Javanese script texts are adorned with illustrations in the style of Yogyakarta wayang forms. Kasantikaning Raga is one of the titles of the manuscript that contains the story of Gathotkaca's journey and is divided into about 75 plays. Not many people have seen or even read this manuscript completely due to limited reach and lack of interest in exploring the rich written tradition that was revived by J.L. Moens. The text of the play, which is said to be based on the knowledge of Pakem Pancakaki, is presented as representative and 'rich' in interpretation and sanggit and is rarely presented as a pakeliran presentation. The opportunity to explore Gathotkaca's plays in Kasantikaning Raga in this study is mainly done with a framework starting from philological and literary studies. Through these two frameworks, it is possible to understand the type of language used in the text of the play, the narrative and dramatic structure of the puppetry, and the tendency of the view or ideology of the society that owns the text. The visual art aspect of the illustrations clarifies the meaning of the text and enriches the visual variants of wayang purwa in the regional expression style in Yogyakarta. The various plays about Gathotkaca are interesting to explore further because they concern the process of rites of passage for the human person in life. The Kasantikaning Raga manuscript is important as it serves as one of the lakon guidelines for recording the journey of the Gathotkaca figure, providing a systematic narrative sequence and supporting efforts to ground the lakon in pakeliran discourse and Yogyakarta traditional idioms.
ARKEOLOGI KAWASAN DAN KAWASAN ARKEOLOGIS: ASAS KESEIMBANGAN DALAM PEMANFATAAN Haryono, Timbul
Berkala Arkeologi Vol. 15 No. 3 (1995)
Publisher : BRIN

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30883/jba.v15i3.686

Abstract

Although archaeological studies study the human past based on the objects left behind, in its implementation, archaeological studies are not sufficient to only orientate toward artifacts. Human artifacts from the past cannot be separated from the spatial context, both on a micro and macro scale.
KUMPULAN ARTEFAK EMAS DARI SITUS WONOBOYO Haryono, Timbul
Berkala Arkeologi Vol. 13 No. 3 (1993)
Publisher : BRIN

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30883/jba.v13i3.614

Abstract

Barangkali antara penemuan barang-barang purbakala yang tergolong terbesar saat ini adalah temuan artefak-artefak emas di situs Wonoboyo, Klaten, Jawa Tengah. Temuan yang berjumlah sekitar 30 kg tersebut sungguh menakjubkan karena bukan saja oleh banyaknya barang akan tetapi juga oleh terungkapnya informasi baru akan beberapa aspek budaya masyarakat Jawa Kuna yaltu aspek-aspek teknologi dan aspek-aspek sosiologl dalam pengertian khusus. Pertanyaan-pertanyaan yang diajukan oleh masyarakat secara umum berkenaan dengan temuan tersebut adalah berkisar tentang fungsi, milik siapa, dan berasal dari tahun berapa. Makalah ini akan mengungkap beberapa aspek budaya dan menjawab pertanyaan-pertanyaan tersebut.
IN SEARCH OF POLYNESIAN ORIGINS: WITH SPECIAL REFERENCE TO LAPITA CULTURE Haryono, Timbul
Berkala Arkeologi Vol. 7 No. 2 (1986)
Publisher : BRIN

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30883/jba.v7i2.460

Abstract

The islands of Polynesia make up the largest group among the islands in the Pacific ocean. This group, in fact, consist of many islands forming a triangle. The main groups in the west are the Tongan, and Samoan and Ellice groups. The Cook, Society and Tuamotus lie in the east, with Easter Island as a far-off isolate, while the Hawaiian Islands and New Zealand are separated to the north and south respectively of the main west-east belt. The location of these islands between Asia in the west, Australia in the south and South America continent in the east is of considerable significance to the peopling and cultural development of the region. Many scholars have therefore been led to postulate the route of human movement into these scattered islands. Archaeological and anthropological researches have been carried out within the area to determine where the Polynesians originally come from. Various hypotheses have been proposed thereafter.
STUDI ARKEOMETALURGI DALAM DISIPLIN ARKEOLOGI Haryono, Timbul
Berkala Arkeologi Vol. 4 No. 2 (1983)
Publisher : BRIN

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30883/jba.v4i2.310

Abstract

Di dalam usaha merekonstruksi kehidupan masa lampau, tugas kita bukan semata-mata menguraikan serangkaian peristiwa yang abstrak dan terlepas-lepas. Masa lampau yang akan kita susun kembali terdiri dari kehidupan perorangan yang tergabung dan membentuk suatu peristiwa. Kehidupan masa lampau sangat kompleks; untuk menyusunnya kembali kita hanya punya data arkeologi yang kurang lengkap sebab data tersebut sampai ke tangan kita sudah, mengalami proses pemindahan yang bermacam-macam. Proses pemindahan kebudayaan ini kemudian melahirkan studi "taphonomy" (Gifford.1981). Jangkauan ilmu arkeologi seperti telah disebut telah menyebabkan ilmu arkeologi dalam perkembangannya memerlukan kerja sama dengan ilmu lain. Salah satu yang menjadi pokok pembicaraan dalam makalah ini adalah metalurgi.
SINGA DALAM KESENIAN HINDU DI JAWA TENGAH Haryono, Timbul
Berkala Arkeologi Vol. 1 No. 1 (1980)
Publisher : BRIN

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30883/jba.v1i1.275

Abstract

Di Jawa Tengah banyak peninggalan-penii:lggalan arkeologi baik yang berupa bangunan, area maupun artefak yang lain. Artefak-artefak tersebut dibuat oleh masyarakat pendukungnya untuk rnernenuhi kebutuhan hidupnya berupa kebutuhan rokhani atau kebutuhan jasrnani. Artefak sebagai alat untuk pemenuhan kebutuhan rokhani tentu saja dalarn hal pembuatannya baik yang menyangkut penentuan bentuk maupun pemilihan dekorasinya akan terikat oleh adanya aturan-aturan tertentu yang berhubungan dengan masalah keagamaan. Meskipun demikian suatu kebebasan dalam diri si seniman ada sampai pada batas-batas tertentu.
Kasantikaning Raga Sebagai Teks Sastra-Rupa-Pertunjukan: Pengalihwahanaan Dan Kompleksitas Ideologi Raharja, R Bima Slamet; Christianto R, Wismanugraha; Haryono, Timbul
Kamaya: Jurnal Ilmu Agama Vol 8 No 1 (2025)
Publisher : Jayapangus Press

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.37329/kamaya.v8i1.3901

Abstract

This paper will discuss the text of a puppet play entitled Kasantikaning Raga. The text that contains a narrative about the character Gathotkaca has elements such as text, narrative structure, illustrations, and ideology. Because the text comes from the popular tradition of the Yogyakarta puppetry region, the idiom of Yogyakarta-style puppetry language is very strong. The text can also be used as a guideline in shadow puppet performances. The illustrations show the visual richness of the puppeteer's creativity as a poet, composer, and creator of visual images of wayang. The literary aspect is shown in the narrative text. The text, which dates back to the early 20th century, shows a pattern of transfer from textual to visual, textual to performance and vice versa. To see these various layers of elements, a study of text, image and discourse is needed to achieve the expected results. Reflecting on the material object in the form of the play of the appearance of the wanda figure of Gathotkaca, an ideology related to the conquest of celestial phenomena is also found to be utilized as a means of achieving fertility in the area where the text production is located.
Tahap Inkubasi Desainer Dalam Proses Kreatif Pembuatan Desain Batik di Balai Besar Kerajinan dan Batik Kusumadhata, Kuncup Putih; Haryono, Timbul; Wisetrotomo, Suwarno
Dinamika Kerajinan dan Batik: Majalah Ilmiah Vol. 38 No. 1 (2021): DINAMIKA KERAJINAN DAN BATIK : MAJALAH ILMIAH
Publisher : Balai Besar Standardisasi dan Pelayanan Jasa Industri Kerajinan dan Batik

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.22322/dkb.v38i1.6675

Abstract

Teori-teori akademis tentang tahapan dalam proses kreatif memiliki banyak jenis dan alternatif, namun memiliki satu tahap yang cukup konsensual dan hampir selalu mempunyai tempat di dalam teori-teori yang bermacam-macam tadi. Tahap inkubasi dalam proses kreatif seorang desainer memberikan keluaran berupa gagasan yang dibutuhkan untuk mencipta. Penelitian ini bertujuan untuk mengetahui bentuk aktivitas yang berlangsung dalam tahap inkubasi pada proses kreatif seorang desainer batik. Metode yang digunakan adalah metode penelitian kualitatif studi kasus, menggunakan metode pengumpulan data dengan wawancara, serta pengamatan langsung dan partisipatoris. Penelitian ini menemukan dukungan data lapangan terhadap teori tentang tahap inkubasi dalam proses kreatif. Tahap inkubasi yang dialami desainer batik terbagi menjadi dua jenis, jenis pertama adalah inkubasi melalui aktivitas-aktivitas kontemplasi dan relaksasi, dan jenis kedua adalah inkubasi melalui aktivitas-aktivitas distraksi dari fokus permasalahan yang sedang dikerjakan.
Co-Authors A.M. Hermien Kusmayati, A.M. Hermien Adhi Susanto Agung Zainal Muttakin Raden Aton Rustandi Mulyana Budi Irawanto Cahya Cahya Christianto R, Wismanugraha Dendi Pratama DENI SETIAWAN Dinda Satya Upaja Budi Djarot Heru Santosa Djoko Suryo Eko Supriyanto G.R. Lono L. Simatupang G.R. Lono Lastoro Simatupang Hariana, Hariana Hidayatulloh, Nofriyan I Nyoman Cau Arsana Ismet Ruchimat, Ismet Kosasih, Rosa Ivana Kuncoro, Sri Kuncup Putih Kusumadhata, Kuncup Putih L. Simatupang, Lono L. Laksmi Kusuma Wardani Lono Lastoro Simatupang M Agus Burhan Mikke Susanto Nugraha, Wisma R. M. Soedarsono R.M. Soedarsono R.M. Soedarsono -, R.M. Soedarsono R.M. Soedarsono, R.M. Soedarsono R.M. Soedarsono, R.M. Soedarsono R.M. Soedarsono R.M. Sudarsono -, R.M. Sudarsono Raharja Raharja Raharja, R Bima Slamet Raharja, R. Bima Slamet Rasita Satriana Richardus, Wisma Nugraha Christianto RM Soedarsono, RM Rustopo Rustopo Sal Murgiyanto, Sal Silvester Pamardi, Silvester Simatupang, GR. Lono L. Soetarno Soetarno SP. Gustami SP. Gustami, SP. Gustami SP. Gustami Sri Hastanto St. Hanggar Budi Prasetya Supriaswoto, Supriaswoto Supriaswoto Suwarno Wisetrotomo Tati Narawati Trisna Pradita Putra Victor Ganap W a d i y o - Wadiyo Wadiyo Wilma Sriwulan Zulkarnain Mistortoify