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All Journal Menara Riau: Jurnal Ilmu Pengetahuan dan Pengembangan Masyarakat Islam Madania: Jurnal Ilmu-Ilmu Keislaman Jurnal Keperawatan Abdurrab JURNAL PENDIDIKAN TAMBUSAI Communiverse Community Development Journal: Jurnal Pengabdian Masyarakat Medium : Jurnal Ilmiah Fakultas Ilmu Komunikasi Jurnal Pengabdian Masyarakat Multidisiplin Al-Ittizaan : Jurnal Bimbingan Konseling Islam Komunikasiana: Journal of Communication Studies Jurnal Pengabdian Inovasi dan Teknologi Kepada Masyarakat Dharmawangsa: International Journal of the Social Sciences, Education and Humanitis DEVOTE: Jurnal Pengabdian Masyarakat Global Jurnal Pengabdian Masyarakat Bangsa Jurnal Netnografi Komunikasi JIM ( Journal International Multidiciplinary) SUMUR ( Jurnal Sosial Humaniora) Journal of Digital Media Communication Kontekstual: Jurnal Ilmu Komunikasi Abdi Karya: Jurnal Pengabdian Kepada Masyarakat Indonesian Journal of Social Sciences, Policy and Politics (IJSSPP) Journal of Integrated Knowledge and Innovation
lestari, Suci Shinta
Universitas Abdurrab
Religion Aerospace Engineering Agriculture, Biological Sciences & Forestry Arts Humanities Astronomy Automotive Engineering Biochemistry, Genetics & Molecular Biology Chemical Engineering, Chemistry & Bioengineering Chemistry Civil Engineering, Building, Construction & Architecture Computer Science & IT Control & Systems Engineering Decision Sciences, Operations Research & Management Earth & Planetary Sciences Economics, Econometrics & Finance Education Electrical & Electronics Engineering Energy Engineering Environmental Science Health Professions Immunology & microbiology Industrial & Manufacturing Engineering Languange, Linguistic, Communication & Media Law, Crime, Criminology & Criminal Justice Library & Information Science Materials Science & Nanotechnology Mathematics Medicine & Pharmacology Nursing Physics Public Health Social Sciences Transportation Other

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Analisis Isi Pesan Komika Stand Up Comedy Di Kompas TV Suci Shinta Lestari; Ridho Satrio
Communiverse : Jurnal Ilmu Komunikasi Vol. 4 No. 2 (2019): Juni
Publisher : LPPM Abdurrab Pekanbaru

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (336.986 KB)

Abstract

Penelitian ini bertujuan untuk mengetahui bagaimana isi pesan yang terkandung dalam naskah materi comic, dengan menggunakan teori analisis isi milik Bernard Barelson. Jenis penelitian ini adalah deskriptif kualitatif dengan menggunakan metode analisis isi (content analysis). Pada penelitian ini penulis menggunakan pendekatan kualitatif dikarenakan perumusan masalah pada penelitian ini adalah mengkaji tentang pesan yang terkandung dalam materi stand up comedycomic. Mengingat pendekatan dan jenis penelitian ini menggunakan analisis isi kualitatif, maka pengertian dari metode tersebut adalah sebuah metode analisis yang integratif dan lebih secara konseptual untuk menemukan, mengidentifikasi, mengolah dan menganalisis dokumen atau teks dalam rangka untuk memahami makna, signifikansi dan relevansinya. Hasil penelitian menunjukan bahwa pesan-pesan yang dihasilkan dari materi comic lebih bersifat informatif. Tuturan yang disampaikan oleh comic pada hakikatnya dilandasi oleh maksud dan tujuan tertentu yang didalamnya tercakup berbagai dimensi makna dan maksud yang luas. Pertunjukan stand up comedy tidak hanya sekedar hiburan semata, tetapi juga dapat berperan sebagai media didaktis karena informasi atau materi yang disampaikan mengandung pesan-pesan yang bersifat informatif dan mengedukasi para penonton.
SELF-REVEALMENT IN INTERPERSONAL COMMUNICATION THROUGH SECOND ACCOUNTS ON INSTAGRAM AMONG FEMALE STUDENTS IN THE COMMUNICATION DEPARTMENT AT UNIVERSITAS ABDURRAB Suci Shinta Lestari; Dea Syakirah; Fenny Anita
Dharmawangsa: International Journal of the Social Sciences, Education and Humanitis Vol 7, No 2 (2026): Social Sciences, Education and Humanities
Publisher : Universitas Dharmawangsa Medan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.46576/ijsseh.v7i2.9105

Abstract

Instagram is not only used as a means of sharing information but also as a space for self-expression. The presence of a second account has become an alternative space for female students to show a more personal side of themselves. The purpose of this study was to understand self-disclosure in interpersonal communication through a second Instagram account among Communication Science students at Abdurrab University. This study used a qualitative approach with a descriptive research type through observation, interviews, and documentation of four informants from the classes of 2022 to 2025. The results showed that female students consciously differentiate between public and private identities. The second account is used to express themselves more honestly through uploading Instagram stories and feeds containing daily activities and random things. Through the posts, female students become aware of habits, character, and emotional states. This finding is in line with the Johari Window theory, which explains that individuals have four aspects in self-disclosure: the open area, the blind area, the hidden area, and the unknown area. A limited number of followers and a predominance of close friends creates a sense of security, trust, and emotional closeness, thus encouraging interpersonal communication through direct messages, comments, and likes. Despite greater freedom, female students remain cautious about self-disclosure due to the potential for content to be disseminated through screenshots. This suggests that self-disclosure is selective and serves as a means of negotiating between self-expression and the boundaries of privacy.
AN ANALYSIS OF THE VISUAL MEANING OF THE @PSIKOLOGIINDONESIA_ INSTAGRAM ACCOUNT AS A MEDIUM FOR MENTAL HEALTH COMMUNICATION FOR GEN Z IN THE DIGITAL AGE Suci Shinta Lestari; Zimanda Herko Netri; Fenny Anita
Dharmawangsa: International Journal of the Social Sciences, Education and Humanitis Vol 7, No 2 (2026): Social Sciences, Education and Humanities
Publisher : Universitas Dharmawangsa Medan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.46576/ijsseh.v7i2.9706

Abstract

This study aims to analyse the visual meanings contained in the content of the Instagram account @psikologiindonesia_ as a medium for communicating mental health messages to Generation Z in the digital age. The study employed a qualitative approach using Charles Sanders Peirce’s semiotic analysis, which comprises icons, indices and symbols. Data were collected through observation of the five posts with the highest levels of engagement published during the research period. The findings indicate that the visual meanings represented in the content of @psikologiindonesia_ consistently convey mental health messages that are educational, reflective and persuasive. The visuals not only depict the realities of Generation Z’s social media life but also encourage self-awareness, emotional regulation and healthy social media behaviour as means of maintaining psychological well-being. The combination of icons, indices and symbols in each post creates strong, systematic and easily understood meanings for the audience. Furthermore, the findings reveal that the content of the Instagram account @psikologiindonesia_ effectively conveys mental health messages through visual elements that are relevant to the needs of Generation Z, amidst the increasing use of social media as a source of mental health education.
SEMIOTIC ANALYSIS OF THE REPRESENTATION OF CORRUPTION IN THE SHORT FILM PIRATES OF TEN THOUSAND BY FICTIVE STUDIOS Suci Shinta Lestari; Cesy Cesy; Fenny Anita
Dharmawangsa: International Journal of the Social Sciences, Education and Humanitis Vol 7, No 2 (2026): Social Sciences, Education and Humanities
Publisher : Universitas Dharmawangsa Medan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.46576/ijsseh.v7i2.9701

Abstract

Corruption is a social issue that can be depicted through various media, including short films. The film Pirates of Sepuluh Ribuan by Fiktive Studios features various scenes that portray acts of corruption in a simple form through a children’s adventure story. This study aims to examine how corruption is represented in the short film Pirates of Sepuluh Ribuan. The study employs a descriptive qualitative approach using Roland Barthes’s semiotic analysis method. The research subjects are ten scenes from the film Pirates of Sepuluh Ribuan, analyzed across three levels of meaning: denotation, connotation, and myth. Data collection was conducted through observation of scenes, dialogue, and visual symbols in the film, which were then analyzed descriptively based on Roland Barthes’s concept of the sign. The results indicate that the film Pirates of Sepuluh Ribuan represents corruption through acts of manipulation, abuse of trust, trading of positions, misuse of facilities, abuse of authority, and violations of rules. On the denotative level, the film depicts children’s play activities with a pirate theme. On the connotative level, these activities represent deviant practices in social life. On the mythical level, the film establishes the understanding that corruption can stem from small acts that have become normalized in everyday life. The conclusion of this study indicates that the short film Pirates of Sepuluh Ribuan represents corruption as a form of manipulation, breach of trust, the buying and selling of positions, abuse of power, and the justification for a violation in the interest of certain purposes.
ANALISIS KETIMPANGAN GENDER DALAM FILM LEMBAYUNG (2024) KARYA BAIM WONG: (SEMIOTIKA ROLAND BARTHES) Rita Annisa Dewi; Suci Shinta Lestari; Fenny Anita
Journal of Integrated Knowledge and Innovation Vol. 2 No. 1 (2026): Vol.2 No.1 2026
Publisher : Universitas Pahlawan Tuanku Tabusai

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31004/jiki.v2i1.39

Abstract

Ketimpangan gender masih menjadi permasalahan sosial yang terjadi di Indonesia. Meskipun Indeks Ketimpangan Gender (IKG) menunjukkan tren penurunan, perempuan masih menghadapi berbagai bentuk ketidakadilan dalam aspek sosial, budaya, pendidikan, dan relasi kekuasaan akibat kuatnya budaya patriarki. Fenomena tersebut juga direpresentasikan dalam media film, salah satunya film Lembayung (2024) karya Baim Wong yang menampilkan pengalaman perempuan dalam menghadapi subordinasi, kekerasan, dan dominasi laki-laki. Penelitian ini bertujuan untuk menganalisis representasi ketimpangan gender dalam film Lembayung menggunakan pendekatan semiotika Roland Barthes. Penelitian ini menggunakan metode kualitatif dengan paradigma konstruktivisme. Data primer berupa film Lembayung, sedangkan data sekunder diperoleh dari buku, jurnal, dan literatur yang relevan. Teknik pengumpulan data dilakukan melalui observasi, dokumentasi, dan studi pustaka, kemudian dianalisis menggunakan konsep denotasi, konotasi, dan mitos. Hasil penelitian menunjukkan bahwa film Lembayung merepresentasikan berbagai bentuk ketimpangan gender, seperti subordinasi, kekerasan berbasis gender, kekerasan seksual, kekerasan psikologis, beban reproduksi, dan penyalahgunaan kekuasaan oleh tokoh laki-laki. Pada tingkat denotasi, film menampilkan tindakan pelecehan, ancaman, dan kekerasan terhadap perempuan. Pada tingkat konotasi, tindakan tersebut mencerminkan relasi kuasa yang tidak setara antara laki-laki dan perempuan. Sementara pada tingkat mitos, film menggambarkan kuatnya ideologi patriarki yang melanggengkan ketidakadilan gender dalam kehidupan sosial.
Co-Authors Afin Surya Ahmad Kurnain Aisyah Fadhiyah Zaroh Aiyuda, Nurul Aulia Sekar Andini Aurelia Fridons Brilian Dini Ma. Iballa Cesy Cesy Dea Syakirah Dewi, Mardalina Dini Restia, Novi Doni Rinaldi Basri Elma Fitri Handayani Endah Wahyuningsih Faiza Furqoningsih Felcilya Anggia Mirantisa Fenny Anita Fenny Anita Feriandri Utomo Frety Shinta Hayatullah Kurniadi Husaini, Rizki Ramadhan Indah Ananda Putri Ira Puspita Sar Isna Wardaniati Kukut Kurniawati Laili Mufidatul Mardalina Dewi Margi Sidoretno , Wahyu Muhammad Arif Muhammad Arif Muhammad Arif Muhammad David Muhammad David Hendra Muhammad Fadhli Muhammad Firdaus Muhammad Hanif Ahda Muhammad Yazid Muhammad Yazid Muhammad Zamri Mukhlasin Mukhlasin, Mukhlasin Muslim Suardi Mutia Farina Neneng Oktavianti Noor Afriyanni Yuwandari Nurazizah Rahma Nurul Mustaqimmah, Nurul Pasadena, Helga Pratiwi, Yuharika Puspa Ningrum Putri Desinta Putri Dwi Retno Putri Marliani Putri, Natasya Ayuni Rahmat Tisnawan Ramadani, Suci Ramadhani Fahmi Restia, Novi Dini Rhoma Saputra Ridho Satrio Riski Alwi Rita Annisa Dewi Salamun Salamun Sevyna Aulia Rizky Shinta, Frety Sidoretno, Wahyu Margi Siswahyudianto Sri Rahmawati Suzy Yolanda Gussman Syafandi Dio Ramadani Tantri Yazid Tiara Mustika Witri Toni Hartono Bagio Vivi Vazelah Wahyu Margi Sidoretno Wahyu Margi Sidoretno Wahyudi Rambe Wardaniati, Isna Welly Wirman Widia Puji Angraini Windi Wulandari Yunadi, Ambrio Zimanda Herko Netri