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All Journal Buletin Udayana Mengabdi Linguistika International Journal of Education Journal of Language and Literature LEKSIKA JURNAL PENDIDIKAN TAMBUSAI Apollo Project: Jurnal Ilmiah Program Studi Sastra Inggris Pustaka : Jurnal Ilmu-Ilmu Budaya Udayana Journal of Social Sciences and Humanities (UJoSSH) SABBHATA YATRA : Jurnal Pariwisata dan Budaya Jurnal Ilmiah Wahana Pendidikan Soshum: Jurnal Sosial dan Humaniora Jurnal Riset Rumpun Ilmu Bahasa (JURRIBAH) Ulil Albab e-Journal of Linguistics
I Wayan Mulyawan
Universitas Udayana
Religion Arts Humanities Economics, Econometrics & Finance Education Languange, Linguistic, Communication & Media Law, Crime, Criminology & Criminal Justice Mathematics Physics Social Sciences Other

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Illocutionary Acts In The Movie Entitled All The Bright Places Aurellia Cindy Elvinna; I Wayan Mulyawan; Nissa Puspitaning Adni
ULIL ALBAB : Jurnal Ilmiah Multidisiplin Vol. 2 No. 8: Juli 2023
Publisher : CV. Ulil Albab Corp

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.56799/jim.v2i8.1919

Abstract

This study is entitled “Illocutionary Acts in the Movie Entitled All the Bright Places. Two problems of study are formulated, specifically types of illocutionary acts used in the dialogue of the main characters in All the Bright Places movie and the context of situations used in the dialogue of the main characters in All the Bright Places Movie. The script of All the Bright Places movie served as the research data resource. This study used observation methods and note taking as a technique of collecting data. The steps of collecting data were to watch the movie, read the dialogue script in order to find the types of illocutionary acts and context of the situations of All the Bright Places movie, grouping the types of illocutionary acts and context of situations that were found in the movie script based on Searle’s (1979:12) theory and Leech’s (1983:6) theory. The findings show five types of illocutionary acts found in the dialogue of the main characters in All the Bright Places movie. From the analysis, there are data of representative illocutionary acts, data of directive illocutionary acts, data of expressive illocutionary acts, data of commissive illocutionary acts, and declarative illocutionary acts is not appearing any single time in the script of All the Bright Places movie. The purpose of context of situations is to consider the situational factors such as the speaker, the listener, the setting, and the cultural background, in order to accurately interpret the meaning of illocutionary acts in conversation.
The Concept of Sura in Kakawin Surantaka: Matrix and Models Analysis Based on Riffaterre's Semiotic Approach Pujana, Ida Bagus Anom Wisnu; Suarka, I Nyoman; Mulyawan, I Wayan
Soshum: Jurnal Sosial dan Humaniora Vol. 15 No. 1 (2025): March 2025
Publisher : Unit Publikasi Ilmiah, P3M, Politeknik Negeri Bali

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31940/soshum.v15i1.79-88

Abstract

Kakawin Surantaka is an Old Javanese poetic work composed in Bali, depicting a fragment of the Mahabharata during the Pandavas' exile in the forest. The narrative centres on Arjuna, who encounters and triumphs over various adversaries throughout his journey. This study explores the concept of sura (heroism) in the text, as it embodies significant heroic values that remain relevant in fostering patriotism today. Using a qualitative approach, this research employs descriptive analysis and Riffaterre’s semiotic framework, focusing on the matrix, models, and variants within the literary structure. The study identifies key first-level models representing sura, including pĕjah (death), wira (bravery), anugraha (blessing), and śakta (devotion or abandonment). These concepts are then re-actualized through their variants in the text. The findings reveal that sura in Kakawin Surantaka represents a heroic figure characterized by courage, strength, inner harmony, and spiritual blessings. Such a hero must overcome both external and internal adversaries to achieve physical and spiritual fulfilment, ultimately attaining true peace. Through the semiotic analysis of matrix, model, and variant elements, the kakawin conveys a profound moral and spiritual message: true heroism is rooted in perseverance and wisdom, leading to victory in life’s challenges.
Verbal And Visual Signs In @Jeromepolin Instagram Reels Putri, Ester Margareta; Mulyawan, I Wayan; Savitri, Putu Weddha
Jurnal Pendidikan Tambusai Vol. 8 No. 2 (2024)
Publisher : LPPM Universitas Pahlawan Tuanku Tambusai, Riau, Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31004/jptam.v8i2.15142

Abstract

Jerome Polin, yang biasa dikenal dengan nama Jerome dari akun Instagram @jeromepolin, adalah seorang pengguna selebgram yang terkenal. Penelitian ini berjudul Tanda Verbal dan Visual dalam Gulungan Instagram @jeromepolin. Penelitian ini terutama berfokus pada analisis penanda (signifier) dan petanda (signified) dari tanda verbal dan visual serta komunikasi visual dalam Instagram Reels @jeromepolin. Teori tanda oleh Dyer (1982), teori elemen komunikasi visual oleh Dyer (1993), dan teori makna oleh Leech (1981) digunakan untuk menganalisis makna tanda verbal dan visual serta komunikasi visual dalam Instagram Reel @jeromepolin. Metode kualitatif deskriptif diterapkan dalam analisis penelitian ini. Sumber data diambil dari lima unggahan Instagram @Jeromepolin yang diunggah pada periode Desember 2023 hingga Februari 2024 dengan menggunakan metode dokumentasi. Data disajikan secara deskriptif dalam bentuk tabel dan paragraf. Hasil analisis juga menunjukkan jenis-jenis tanda yang direpresentasikan dan makna yang terkandung di antara tanda-tanda yang diinterpretasikan dalam reel Instagram @Jeromepolin. Tanda-tanda verbal dalam data ini ditunjukkan oleh tulisan atau teks yang ada di dalam reel. Tanda-tanda visual terutama menandakan aksi dan latar objek. Ada juga analisis elemen-elemen komunikasi visual. Aspek-aspek yang paling sering digunakan termasuk usia, jenis kelamin, rambut, tubuh, ekspresi, posisi, pakaian, gerakan tubuh, pengaturan, fokus dan kedalaman penglihatan, pencahayaan dan warna, dan sudut kamera. Makna yang ditemukan dalam skripsi ini adalah makna sosial, makna konseptual/denotatif, dan makna konotatif.
The Analysis of the Main Character Through Three-Dimensional Aspect and Characterization in the Novel “The Namesake” by Jhumpa Lahiri Ni Kadek Sarinata Dewi; Putu Lirishati Soethama; I Wayan Mulyawan
Jurnal Riset Rumpun Ilmu Bahasa Vol. 4 No. 1 (2025): April : Jurnal Riset Rumpun Ilmu Bahasa (JURRIBAH)
Publisher : Pusat riset dan Inovasi Nasional

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.55606/jurribah.v4i1.5202

Abstract

This study is conducted to examine the three-dimensional aspects and characterization methods in The Namesake by Jhumpa Lahiri. The primary focus is placed on identifying how the main character, Gogol, is portrayed through these dimensions and what methods of characterization are applied to reflect his development. A qualitative descriptive method is used in this research, applying Lajos’s theory of three-dimensional aspects along with Burroway’s concepts of direct and indirect characterization to analyze the narrative data from the novel. Through the analysis, it is revealed that Gogol is portrayed as a character who undergoes a significant transformation throughout the story. In the early stage, he is shown as a 14-year-old who struggles with his identity and feels detached from himself. As the narrative progresses, a rebellious attitude is displayed by Gogol as he distances himself from his Bengali background. In the final stage of his life, after experiencing personal loss and emotional challenges, he undergoes a more profound reflection, leading to a greater appreciation for his cultural heritage. This transformation is portrayed through the use of both direct and indirect characterization methods, by which the emotional and cultural journey of an immigrant character is effectively conveyed.
Code Choice and Meaning of Ganesa Statue in School Area (A Case Study of Linguistics Landscapes) Ni Made Ayu Sulasmini; Naniana N Benu; I Wayan Mulyawan
e-Journal of Linguistics Vol. 19 No. 1 (2025): January
Publisher : The Doctoral Studies Program of Linguistics of Udayana University

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24843/e-jl.2025.v19.i01.p15

Abstract

This article aimed at investigating the presence of Ganesa statue in the school premises, in terms of the code choice and symbolic meaning. The code choice within this article focuses on the language preferences that it used to communicate the meaning, meanwhile meaning refers to the physical, material and its symbolic aspects. This is a qualitative research. The data was obtained from field and library research that further confirmed by an interview with the school authority and priest. It is found that the signage on the statue is written in Balinese Language by using Balinese script and Latin. Ganesa within this school context, indicates the existence of masculine power of knowledge, displaying aesthetic, and keeping the unworthy away, the statues are also symbolizing the existence of Ganesa as a medium for prayin
Slang Words Used in Sing Movie Nadantari, Pande Ni Made Ira; Mulyawan, I Wayan; Qomariana, Yana
Jurnal Pendidikan Tambusai Vol. 10 No. 1 (2026)
Publisher : LPPM Universitas Pahlawan Tuanku Tambusai, Riau, Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31004/jptam.v10i1.36719

Abstract

Dalam artikel ini, peneliti menganalisis kata-kata slang dan juga penggunaan kata-kata slang itu sendiri. Teori yang dikemukakan oleh Allan dan Burridge (2006) yang berjudul Kata-Kata Terlarang: Tabu dan Sensor Bahasa digunakan untuk mengidentifikasi jenis-jenis kata slang. Tujuan artikel ini adalah untuk menganalisis dan memberikan pemahaman kepada pembaca tentang jenis dan penggunaan slang dalam film Sing. Peneliti menggunakan metode kualitatif deskriptif untuk menganalisis data. Peneliti mengumpulkan data dengan mengumpulkan data yang ada dalam bentuk teks. Untuk mengumpulkan data, peneliti menggunakan beberapa langkah, pertama peneliti mengunduh film, subtitle film, dan juga mencari transkripnya. Kedua, peneliti menonton film sambil membaca transkripsi film. Ketiga, peneliti mencatat kata-kata slang yang ditemukan dalam skrip. Hasil menunjukkan bahwa dari analisis jenis-jenis slang, segar dan kreatif adalah yang paling banyak ditemukan dalam skrip film karena sebagian besar kata-kata slang ini adalah kosakata baru yang belum muncul dalam kosakata masyarakat sebelumnya. Dan kata-kata slang digunakan untuk mengungkapkan perasaan para tokoh, untuk mempersingkat kata, untuk menyapa, dan biasanya merujuk pada kelompok orang dalam masyarakat.
Linguistic Landscapes In Desa Kuta I Wayan Mulyawan; Ni Ketut Ratna Erawati
e-Journal of Linguistics Vol. 13 No. 2 (2019): July
Publisher : The Doctoral Studies Program of Linguistics of Udayana University

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24843/e-jl.2019.v13.i02.p12

Abstract

This research aimed to identify the presence of Linguistic Landscapes (LL) in DesaKuta. LL is sociolinguistic study of language used in outdoor signage that firstly introduce byLandry and Bourhis (1997). Desa Kuta as one of tourist destination in Bali experiences a greatdevelopment due to globalization effect. This great development can be seen clearly through thepresence of outdoor signs along the main roads of Desa Kuta. The research was conducted fromFebruary to March 2019. The finding showed there are 2.549 signs along the main roads of DesaKuta. The language used mostly in English with 1.332 signs (52%). As for the types, there are1.603 signs of commercial signs (65%). In term of the function, 2.320 signs (93%) areinformative.
Language Contestation In Garuda Wisnu Kencana Tourism Area Adi Wira Laksana, I Made; Mulyawan, I Wayan; Weddha Savitri, Putu
Jurnal Ilmiah Wahana Pendidikan Vol 12 No 5.B (2026): Jurnal Ilmiah Wahana Pendidikan
Publisher : Peneliti.net

Show Abstract | Download Original | Original Source | Check in Google Scholar

Abstract

This study investigates language contestation in the linguistic landscape of Garuda Wisnu Kencana (GWK), a cultural tourism destination in Bali that serves both local and international visitors. The research aims to identify the types of signs in GWK and to analyze how Balinese, Indonesian, and English are represented and contested. Using a descriptive qualitative method with observation and photography, 168 signs were documented across three zones: Street Theatre (71), Kencana Souvenir (51), and Commercial Strip (46) during May–June 2025. The findings show that commercial signs (37.5%) and notice signs (36.3%) dominate, followed by name signs (19%) and mixed signs (7.1%). English is the most visible language, appearing in 43.5% of monolingual signs and frequently in bilingual Indonesian–English signs (41.7%). Indonesian is mainly used in regulatory signs, while Balinese functions symbolically with minimal monolingual presence. Zone-based variations reveal that Kencana Souvenir is strongly English-dominant, Commercial Strip highlights Indonesian in regulatory functions, and Street Theatre shows a more balanced distribution. The study concludes that tourism-driven commercialization shapes linguistic hierarchies and calls for signage policies that strengthen the visibility of local language and cultural identity.
Co-Authors Adi Wira Laksana, I Made Aurellia Cindy Elvinna Darmapatni, Ni Luh Kadek Ayu Hartanti Latief Perdanasari I Gede Agus Reval Aryana Putra Jaya I Gusti Agung Istri Aryani I Gusti Ngurah Parthama I Ketut Artawa I Komang Sumaryana Putra I Made Aditya Ramajaya I Made Netra I Nyoman Suarka I Nyoman Tri Ediwan I Putu Adi Sena I Wayan Jason Karenski I Wayan Suardiana Ida Ayu Made Puspani Ida Bagus Putra Yadnya Indri Novita Sari Kadek Ari Sintya Dewi Ketut Santi Indriyani Ketut Widya Purnawati Lery Prasetyo Nadantari, Pande Ni Made Ira Naniana N Benu Ni Kadek Sarinata Dewi Ni Ketut Alit Ida Setianingsih Ni Ketut Ni Ketut Alit Ida Setyaningsih Ni Ketut Ratna Erawati Ni Ketut Ratna Erawawti Ni Ketut Sri Rahayuni Ni Luh Anik Setiadewi Ni Luh Putu Krisnawati Ni Made Ayu Sulasmini Ni Made Suwari Antari Ni Putu Ayu Hendri Warsiti Ni Putu Diah Antari Suwawi Ni Putu Triska Riana Dewi Nissa Puspitaning Adni Nurul Muthiah Jawas Pande Putu Surya Adi Pujana, Ida Bagus Anom Wisnu Putri, Ester Margareta Putu Lirishati Soethama Putu Weddha Savitri Sang Ayu Isnu Maharani Santi Indriani, Ketut Setianingsih, Ni Ketut Alit Ida Shareen Shareen Vanessa Widianti, Ni Komang Wiwik Handayani Yana Qomariana Yusniantari, Ni Luh Dea Indri