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All Journal HUMANIS Buletin Udayana Mengabdi E-Journal of Linguistics Linguistika International Journal of Education LINGUAL: Journal of Language and Culture Journal of Language and Literature LEKSIKA JURNAL PENDIDIKAN TAMBUSAI Apollo Project: Jurnal Ilmiah Program Studi Sastra Inggris Pustaka : Jurnal Ilmu-Ilmu Budaya Udayana Journal of Social Sciences and Humanities (UJoSSH) SABBHATA YATRA : Jurnal Pariwisata dan Budaya Soshum: Jurnal Sosial dan Humaniora Jurnal Riset Rumpun Ilmu Bahasa (JURRIBAH) Ulil Albab
I Wayan Mulyawan
Universitas Udayana
Religion Arts Humanities Economics, Econometrics & Finance Education Languange, Linguistic, Communication & Media Law, Crime, Criminology & Criminal Justice Mathematics Physics Social Sciences

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SPEECH COMPREHENSION IMPAIRMENT IN SCHIZOPHRENIA Kadek Ari Sintya Dewi; Ida Bagus Putra Yadnya; I Wayan Mulyawan
ULIL ALBAB : Jurnal Ilmiah Multidisiplin Vol. 1 No. 8: Juli 2022
Publisher : CV. Ulil Albab Corp

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Abstract

Abstract: The objective of this study was to look into the speech comprehension impairment of the schizophrenic main character in the Words on Bathroom Walls movie. A descriptive qualitative method was used in this study. It is concerned with the description of data in the form of the schizophrenic's utterances. The findings of the study demonstrate that only six of the eight types of schizophrenic speech comprehension impairments exist. The types of speech comprehension impairments noticed in Adam were weakening of goal, poverty of speech, looseness, peculiar logic, distractibility, and perseveration. The TLI (Thought and Language Index) theory by Liddle (2002) was used to make this classification.
SLANG WORDS USED IN RIDE ALONG 2 MOVIE I Gede Agus Reval Aryana Putra Jaya; I Wayan Mulyawan; Ketut Santi Indriani
ULIL ALBAB : Jurnal Ilmiah Multidisiplin Vol. 2 No. 1: Desember 2022
Publisher : CV. Ulil Albab Corp

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.56799/jim.v2i1.1113

Abstract

Abstract: This study is aimed to identify the types of slang words and analyse the meaning of slang words. The data were taken from a movie entitled Ride Along 2. The data were collected through observation method which the technique is documentation, in order to find the movie script, select and classify the types of slang words. The data then were identified to find the types of slang words using the concept of slang proposed by Chapmann (1988) and the concept of meaning proposed by Leech (1974) was used to analyse the meaning of slang words. The data were discovered that there were 20 data of secondary slang dominantly used in the movie and 12 data of primary slang were not used as much as the secondary slang. After discovering the types of slang words, the meaning of slang words then were analysed and found that 17 data of connotative meaning used more dominant. Several meanings of slang word are found and mostly expressed by someone who tries to express the feeling or emotion of getting mad or surprised. Slang words mostly contain a certain domain such as violence, crimes, and sexuality.
Illocutionary Acts In The Movie Entitled All The Bright Places Aurellia Cindy Elvinna; I Wayan Mulyawan; Nissa Puspitaning Adni
ULIL ALBAB : Jurnal Ilmiah Multidisiplin Vol. 2 No. 8: Juli 2023
Publisher : CV. Ulil Albab Corp

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.56799/jim.v2i8.1919

Abstract

This study is entitled “Illocutionary Acts in the Movie Entitled All the Bright Places. Two problems of study are formulated, specifically types of illocutionary acts used in the dialogue of the main characters in All the Bright Places movie and the context of situations used in the dialogue of the main characters in All the Bright Places Movie. The script of All the Bright Places movie served as the research data resource. This study used observation methods and note taking as a technique of collecting data. The steps of collecting data were to watch the movie, read the dialogue script in order to find the types of illocutionary acts and context of the situations of All the Bright Places movie, grouping the types of illocutionary acts and context of situations that were found in the movie script based on Searle’s (1979:12) theory and Leech’s (1983:6) theory. The findings show five types of illocutionary acts found in the dialogue of the main characters in All the Bright Places movie. From the analysis, there are data of representative illocutionary acts, data of directive illocutionary acts, data of expressive illocutionary acts, data of commissive illocutionary acts, and declarative illocutionary acts is not appearing any single time in the script of All the Bright Places movie. The purpose of context of situations is to consider the situational factors such as the speaker, the listener, the setting, and the cultural background, in order to accurately interpret the meaning of illocutionary acts in conversation.
The Concept of Sura in Kakawin Surantaka: Matrix and Models Analysis Based on Riffaterre's Semiotic Approach Pujana, Ida Bagus Anom Wisnu; Suarka, I Nyoman; Mulyawan, I Wayan
Soshum: Jurnal Sosial dan Humaniora Vol. 15 No. 1 (2025): March 2025
Publisher : Unit Publikasi Ilmiah, P3M, Politeknik Negeri Bali

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31940/soshum.v15i1.79-88

Abstract

Kakawin Surantaka is an Old Javanese poetic work composed in Bali, depicting a fragment of the Mahabharata during the Pandavas' exile in the forest. The narrative centres on Arjuna, who encounters and triumphs over various adversaries throughout his journey. This study explores the concept of sura (heroism) in the text, as it embodies significant heroic values that remain relevant in fostering patriotism today. Using a qualitative approach, this research employs descriptive analysis and Riffaterre’s semiotic framework, focusing on the matrix, models, and variants within the literary structure. The study identifies key first-level models representing sura, including pĕjah (death), wira (bravery), anugraha (blessing), and śakta (devotion or abandonment). These concepts are then re-actualized through their variants in the text. The findings reveal that sura in Kakawin Surantaka represents a heroic figure characterized by courage, strength, inner harmony, and spiritual blessings. Such a hero must overcome both external and internal adversaries to achieve physical and spiritual fulfilment, ultimately attaining true peace. Through the semiotic analysis of matrix, model, and variant elements, the kakawin conveys a profound moral and spiritual message: true heroism is rooted in perseverance and wisdom, leading to victory in life’s challenges.
Verbal And Visual Signs In @Jeromepolin Instagram Reels Putri, Ester Margareta; Mulyawan, I Wayan; Savitri, Putu Weddha
Jurnal Pendidikan Tambusai Vol. 8 No. 2 (2024)
Publisher : LPPM Universitas Pahlawan Tuanku Tambusai, Riau, Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31004/jptam.v8i2.15142

Abstract

Jerome Polin, yang biasa dikenal dengan nama Jerome dari akun Instagram @jeromepolin, adalah seorang pengguna selebgram yang terkenal. Penelitian ini berjudul Tanda Verbal dan Visual dalam Gulungan Instagram @jeromepolin. Penelitian ini terutama berfokus pada analisis penanda (signifier) dan petanda (signified) dari tanda verbal dan visual serta komunikasi visual dalam Instagram Reels @jeromepolin. Teori tanda oleh Dyer (1982), teori elemen komunikasi visual oleh Dyer (1993), dan teori makna oleh Leech (1981) digunakan untuk menganalisis makna tanda verbal dan visual serta komunikasi visual dalam Instagram Reel @jeromepolin. Metode kualitatif deskriptif diterapkan dalam analisis penelitian ini. Sumber data diambil dari lima unggahan Instagram @Jeromepolin yang diunggah pada periode Desember 2023 hingga Februari 2024 dengan menggunakan metode dokumentasi. Data disajikan secara deskriptif dalam bentuk tabel dan paragraf. Hasil analisis juga menunjukkan jenis-jenis tanda yang direpresentasikan dan makna yang terkandung di antara tanda-tanda yang diinterpretasikan dalam reel Instagram @Jeromepolin. Tanda-tanda verbal dalam data ini ditunjukkan oleh tulisan atau teks yang ada di dalam reel. Tanda-tanda visual terutama menandakan aksi dan latar objek. Ada juga analisis elemen-elemen komunikasi visual. Aspek-aspek yang paling sering digunakan termasuk usia, jenis kelamin, rambut, tubuh, ekspresi, posisi, pakaian, gerakan tubuh, pengaturan, fokus dan kedalaman penglihatan, pencahayaan dan warna, dan sudut kamera. Makna yang ditemukan dalam skripsi ini adalah makna sosial, makna konseptual/denotatif, dan makna konotatif.
The Analysis of the Main Character Through Three-Dimensional Aspect and Characterization in the Novel “The Namesake” by Jhumpa Lahiri Ni Kadek Sarinata Dewi; Putu Lirishati Soethama; I Wayan Mulyawan
Jurnal Riset Rumpun Ilmu Bahasa Vol. 4 No. 1 (2025): April : Jurnal Riset Rumpun Ilmu Bahasa (JURRIBAH)
Publisher : Pusat riset dan Inovasi Nasional

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.55606/jurribah.v4i1.5202

Abstract

This study is conducted to examine the three-dimensional aspects and characterization methods in The Namesake by Jhumpa Lahiri. The primary focus is placed on identifying how the main character, Gogol, is portrayed through these dimensions and what methods of characterization are applied to reflect his development. A qualitative descriptive method is used in this research, applying Lajos’s theory of three-dimensional aspects along with Burroway’s concepts of direct and indirect characterization to analyze the narrative data from the novel. Through the analysis, it is revealed that Gogol is portrayed as a character who undergoes a significant transformation throughout the story. In the early stage, he is shown as a 14-year-old who struggles with his identity and feels detached from himself. As the narrative progresses, a rebellious attitude is displayed by Gogol as he distances himself from his Bengali background. In the final stage of his life, after experiencing personal loss and emotional challenges, he undergoes a more profound reflection, leading to a greater appreciation for his cultural heritage. This transformation is portrayed through the use of both direct and indirect characterization methods, by which the emotional and cultural journey of an immigrant character is effectively conveyed.
Co-Authors Aurellia Cindy Elvinna Darmapatni, Ni Luh Kadek Ayu Hartanti Latief Perdanasari I Gede Agus Reval Aryana Putra Jaya I Gusti Agung Istri Aryani I Gusti Ngurah Parthama I Ketut Artawa I Komang Sumaryana Putra I Made Aditya Ramajaya I Made Netra I Nyoman Suarka I Nyoman Tri Ediwan I Putu Adi Sena I Wayan Jason Karenski I Wayan Suardiana Ida Ayu Made Puspani Ida Bagus Putra Yadnya Indri Novita Sari Kadek Ari Sintya Dewi Ketut Santi Indriyani Ketut Widya Purnawati Lery Prasetyo Ni Kadek Sarinata Dewi Ni Ketut Alit Ida Setianingsih Ni Ketut Ni Ketut Alit Ida Setyaningsih Ni Ketut Ratna Erawawti Ni Ketut Sri Rahayuni Ni Luh Anik Setiadewi Ni Luh Putu Krisnawati Ni Made Suwari Antari Ni Putu Ayu Hendri Warsiti Ni Putu Diah Antari Suwawi Ni Putu Triska Riana Dewi Nissa Puspitaning Adni Nurul Muthiah Jawas Pande Putu Surya Adi Pujana, Ida Bagus Anom Wisnu Putri, Ester Margareta Putu Lirishati Soethama Putu Weddha Savitri Sang Ayu Isnu Maharani Santi Indriani, Ketut Setianingsih, Ni Ketut Alit Ida Shareen Shareen Vanessa Widianti, Ni Komang Wiwik Handayani Yusniantari, Ni Luh Dea Indri