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BENTUK PENYAJIANTALEMPONG SIKATUNTUANG DALAM ALEK BARARAK ANAK DARO DAN MARAPULAI DI KELURAHAN PADANG ALAI PAYAKUMBUH TIMUR Nova Rita Satria; Wimbrayardi Wimbrayardi; Marzam Marzam
SENDRATASIK UNP Vol 2, No 2 (2013): Seri A
Publisher : FBS Universitas Negeri Padang

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (181.722 KB) | DOI: 10.24036/jsu.v1i2.1234

Abstract

Abstract   This Research aims at describing the presentation of Talempong Sikatuntuang in Bararak alek anak daro and marapulai (bride and groom procession) in Subdistrict of Padang Alai of East Payakumbuh. This qualitative research used descriptive method in the research analysis. The Talempong Sikatuntuang in wedding ceremony is performed in form pageant which is played in ensemble music. The performance only presents talempong which is played in the time of  anak daro and marapulai (bride and groom) and the family of his father start the parade from the bride’s house to the groom’s house. Sikatuntuang is also played in the time of both the bride and groom arrive at the groom’s house.   Key word : Talempong Sikatuntuang, Pesta Perkawinan, Kualitatif.
STRUKTUR PENYAJIAN MALAM BAINAI PADA PESTA PERKAWINAN DI KOTA PADANG Sylvia Sylvia; Syahrel Syahrel; Marzam Marzam
SENDRATASIK UNP Vol 3, No 3 (2014): Seri A
Publisher : FBS Universitas Negeri Padang

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (247.683 KB) | DOI: 10.24036/jsu.v2i3.4476

Abstract

Abstract This research was intended to describe the presentation structure of Malam Bainai a wedding ceremony in Kelurahan Kubu Dalam Parak Karakah Kecamatan Padang Timur Kota Padang. This was a qualitative research which used descriptive analysis approach. The procession of Malam Bainai consisted of three main parts including Bamandi-Mandi, Maniti Kain Kuniang, and Bainai. In bainai procession, inai was applied by bako, and the sisters of the bride’s mother, the wife of the bride’ uncle or female family coming in that procession. Kata kunci: Malam Bainai, Bamandi-Mandi, Maniti Kain Kuniang, Bainai
NILAI-NILAI PENDIDIKAN DALAM TRADISI DAMPEANG PADA KESENIAN LUAMBEK DI NAGARI LUBUAK PANDAN LAREH ENAM LINGKUNG KABUPATEN PADANG PARIAMAN Gusti Laraski; Marzam Marzam; Harisnal Hadi
SENDRATASIK UNP Vol 7, No 1 (2018)
Publisher : FBS Universitas Negeri Padang

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (799.95 KB) | DOI: 10.24036/jsu.v7i1.100477

Abstract

AbstractThis article aimed to know the education values  of the Dampeang tradition on the art of Luambek in Nagari Lubuak Pandan Lareh Enam Lingkung Kabupaten Padang Pariaman. This study was qualitative with descriptive method. Instrument in this study was the researcher and assisted by some tools such as stationery, camera and audio recorder. Technique of data collection was done by doing observation, interviews, library research and documentation.Dampeang is the art of the vocal which has connection tightly toward the art of Luambek, every motion made by Paluambek taking the plot of Dampeang. Results of this study showed that there were number of the education values of Dampeang on the art of Luambek which could be used in daily life either individually or socially. The education values of it were value of ethics education, discipline, social studies, religious education and political education. Keywords: Education, Dampeang Tradition, Art Luambek.
Bentuk Penyajian Gandang Sarunai Pada Upacara Adat Turun Bako Di Koto Panjang Surantih Pesisir Selatan Mutia Padila; Marzam Marzam
SENDRATASIK UNP Vol 10, No 4 (2021)
Publisher : FBS Universitas Negeri Padang

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (807.8 KB) | DOI: 10.24036/js.v10i4.113986

Abstract

This study aims to reveal and describe the form of presentation of Gandang Sarunai in the Turun Bako Traditional Ceremony in Koto Panjang Surantih District, Pesisir Selatan Regency. This type of research in the form of presentation of Gandang Sarunai is qualitative with descriptive method. The research instrument in this study was the researcher himself and was assisted by supporting instruments such as writing instruments and cameras. Data collection techniques were carried out by means of observation, literature study and interviews. The steps to analyze the data are collecting data, describing the data, and concluding the data. The results showed that the form of presentation of Gandang Sarunai Koto Panjang Pesisir Selatan Regency at the time of staging the Turun Bako traditional ceremony was not much different from other regions, starting from the opening, content and closing. At the opening, Gandang Sarunai played the song to inform the community that he would be parading the children of anak daro or marapulai back home. The content in the Gandang Sarunai performance is the cast of Gandang Sarunai parading the anak daro or marapulai home, with the child of the daro or marapulai in the first row, the second row of Bako and the last row of the Gandang Sarunai players. The closing part of the Gandang Sarunai performance is the arrival of anak daro or marapulai who are paraded to their homes, here the Gandang Sarunai players continue to play the instrument, to entertain the delivery at the baralek location.
APRESIASI MASYARAKAT JORONG MAPUN KENAGARIAN SUNDATA KECAMATAN LUBUK SIKAPING KABUPATEN PASAMAN TERHADAPKESENIAN RUPANO DALAM TRADISI BAARAK-ARAK BALIMAU Fitra Hayati; Marzam Marzam; Esy Maestro
SENDRATASIK UNP Vol 7, No 3 (2018)
Publisher : FBS Universitas Negeri Padang

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (728.906 KB) | DOI: 10.24036/jsu.v6i2.9666

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AbstractThis study aimed to reveal and explain the appreciation of Jorong and Nagari Community of Sundata, Lubuk Sikaping District, Pasaman Regency towards the existence of Rupano art. Data were obtained through direct observation, interview, literature study, and documentation. The data were analyzed based on phenomenon that happened to the existence of rupano art and society appreciation to the art by using Miles and Huberman model.The results show that the public appreciation on rupano art is lack, so even though this art is performed, people are not interested anymore to wacth it. The level of public appretiation of rupano art is ound very low. Society does not recognize and understand the details or specifics and aesthetis o the rupano art. Therefore people have not appreciated the art of rupano well. In addition, the community also has no sense of responsibility and sense of belonging to the arts. This because the general public has been bored o watching the rupano art for the reasons of rupano art is not impressing it has no development althogether.
BENTUK PENYAJIAN MUSIK AGUANG JANA DALAM ACARA PACU JAWI DI KABUPATEN TANAH DATAR Hidayat Alkara; Syeilendra Syeilendra; Marzam Marzam
SENDRATASIK UNP Vol 1, No 1 (2012): Seri A
Publisher : FBS Universitas Negeri Padang

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (516.145 KB) | DOI: 10.24036/jsu.v1i1.471

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The purpose of this study Aguang Jana art is to discover and describe the musical art form of presentation Aguang Jana ox racing event in the River District Jorong Guguak Baruah Tarab Tanah Datar. Shaped research used qualitative descriptive method, the object of research is: Music Performance Aguang Jana In no event Pacu Jawi in Jorong Guguak Baruah Tarab River District Tanah Datar, data collection is done by event observation, interviews, and photo shoot perekamam. Data processing is performed a qualitative analysis.  Aguang Jana is a kind of percussion instruments, arts Aguang Jana is a unique art and highly respected community supporters. Plus Aguang Jana has become an essential part in the event at Nagari. This study aims to identify and explain the Music Performance Aguang Jana In no event Pacu Jawi in Jorong Guguak Baruah which includes players / actors, used musical instruments, songs presented in Aguang Jana, time and venue, costume, art Aguang Jana in procession Jawi runway parade and community supporters. Keywords: Traditional music, forms of presentation, pacu jawi event.
Struktur Pertunjukan Kuda Lumping Di Kelurahan Kampung Lapai Kecamatan Nanggalo Padang Rendi Alfajri; Marzam Marzam
SENDRATASIK UNP Vol 10, No 1 (2021)
Publisher : FBS Universitas Negeri Padang

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (1113.272 KB) | DOI: 10.24036/jsu.v9i2.110546

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This study aims to determine and describe the Performance Structure of Kuda Lumping in Kampung Lapai Village, Nanggalo District, Padang.This research belongs to a qualitative research. The research instruments used were the researcher it self, writing tools, and cellphone cameras. The object of this research was Kuda Lumping Brandon in Kampung Lapai Village, Nanggalo District, Padang.The results show that Kuda Lumping has a performance structure which cannot be removed or reversed from beginning to end. In the performance process, there must be several important people or instruments such as a handler, offerings, players, and other instruments such as musical instruments, properties, and a team which can help the handler in the process of Kuda Lumping show. Judging from the results of observations regarding the structure of the show, Kuda Lumping Brandon has a clear performance structure. It contains elements which are mutually related one to another. For instance, in term musical elements, if ini the lumping horse show there is no music, it will affect the dancer, this also related to the existence of a trance scene because each musical stroke will affect the movements of the dancer whose musical trance plays an important role in every lumping horse show without music, it will not have a beautiful aesthetic value.
GALODO Hengky Septiawan; Wimbrayardi Wimbrayardi; Marzam Marzam
SENDRATASIK UNP Vol 1, No 1 (2012): Seri C
Publisher : FBS Universitas Negeri Padang

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (394.219 KB) | DOI: 10.24036/jsu.v1i1.294

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This swan song of inspiration pursuant to ( 1) at galodo disaster that happened in West Sumatera. Target of this masterpiece is (2) for the depicting of musical instrument and atmosphere that happened at the time of galodo disaster come knock overing a area, later;then how situation of society which born down upon the the disaster before and after that disaster knock over. Form which [in] presenting in this swan song in the form of (3) and vocal game of modern and traditional castanets which in presenting in such a manner so that can depict atmosphere which wish in reaching.
Penerapan Keterampilan Memainkan Talempong Kreasi Di Sanggar Saandiko Bukittinggi Khintar Rajmal Chair; Marzam Marzam; Tulus Handra Kadir
SENDRATASIK UNP Vol 8, No 3 (2019)
Publisher : FBS Universitas Negeri Padang

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (1193.623 KB) | DOI: 10.24036/jsu.v7i3.103452

Abstract

This research was a descriptive study, using a qualitative method approach. The main instrument in this study was the researcher himself and assisted by supporting instruments such as stationery, cameras and tape recorders. Data collection techniques were carried out by official data, observation, interviews and documentation. The steps data analysis were data reduction, data presentation and conclusions. The results of the research showed that, in the practicing process of talempong creation at Saandiko Studio, the trainer was very good at providing the Implementation of Talempong Creation Playing Skills at Saandiko Studio. It also proved that the trainer succeeded in providing training to studio members by using several methods, namely by applying the lecture, demonstration and drill method, so the trainer's aim to develop the skills of the studio members produced excellent talent in playing talempong creation
PEWARISAN KESENIAN SALUANG PAUAH DI KECAMATAN PAUAH KOTA PADANG Eka Putri Wardana; Marzam Marzam; Yensharti Yensharti
SENDRATASIK UNP Vol 2, No 1 (2013): Seri C
Publisher : FBS Universitas Negeri Padang

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (166.465 KB) | DOI: 10.24036/jsu.v2i1.2277

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Abstract Saluang Pauah artistic is one of the traditional arts wich has been living and developing in Pauah regency in Padang. Saluang Pauah is an art that combines vocal (dendang, in Minangkabau language) and it is in the same time followed by Saluang Pauah. This kind of art regenerates in the society through family’s relation ship and environment (informal way).   Kata kunci: pewarisan, Saluang Pauah, informal
Co-Authors Akhyar Ulfa Alexander Pratama Saputra Ambiyar, Ambiyar Andar Indra Sastra Andar Indra Sastra Ardipal Ardipal Arrithem Mosizi Asadul Haq Aziz, Ishak Azwar Ananda Belirda Wulan Dhari Boyke Bobbi Andreas Deby Indrawati Depi Elpina Desi Kumalasari Devika Duri Devina Sari Dewi Martha Diva Nia Zulnita Eka Putri Wardana Erfan Erfan Erfan Erfan Esy Maestro Fajry Sub'haan Syah Sinaga Feby Yola Pradana Fitra Hayati Fitri Anggia Gusti Laraski Gusti Rahayu hadi, Harisnal Hasanuddin WS Hengky Septiawan Herlina Herlina Hidayat Alkara Hidayat, Hengki Armez Indrayuda Indrayuda Ingria Nada Contesi Irdhan Epria Darma Putra Jagar Lumbantoruan Jeni Martha Wuri Jovi Kurniawan Kens Fahta Aulia Khairullah, Khairullah Khintar Rajmal Chair Lastri Elita M. Arif Anas M. Riko Nurrohim Marlis Putri Nandina Marlisna Marlisna Mei Hanum Sahef Miki Padreawan Mirnawati Mirnawati Mutia Padila Mutia Yamesty Neneng Apriani Nesya Amalyah Neviyarni Neviyarni Nike Oktaveroni Nila Suryati Anggini Nova Rita Satria Nurhizrah Gistituati Pano Pio Putra Rafsanjani Rafsanjani Relly Dyona Rendi Alfajri Reza Silfi Rizki Ayu Ridho Putra Rusdinal Rusdinal Sari, Welly Agita Shocia Septipa Suhanda Suhanda Susirawati Susirawati Suyata Suyata Syafa’atussara Silahudin Syahrel Syahrel Syeilendra Syeilendra Sylvia Sylvia Tetenia Saputri Yuliost Tri Ananda Tri Fajri Tri Rahayu Zulfiana Try Wahyu Purnomo Tulus Handra Kadir Uswatul Hakim Vani Melda Zarlin Vika Arifiani Wahyu Prima Nelga Welly Agita Sari Wimbrayardi Wimbrayardi Wulan Larasaty Yensharti Yoni Irawandi Yos Sudarman Yunia Dwi Safitri Yut Nurrahmi Zahra Nur Illahi