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All Journal Jurnal Sendratasik Humanus: Jurnal ilmiah Ilmu-ilmu Humaniora Panggung Gondang: Jurnal Seni dan Budaya Komposisi: Jurnal Pendidikan Bahasa, Sastra, dan Seni Musikolastika: Jurnal Pertunjukan dan Pendidikan Musik Journal of Social, Humanity, and Education Ranah Research : Journal of Multidisciplinary Research and Development Misterius: Publikasi Ilmu Seni dan Desain Komunikasi Visual Abstrak: Jurnal Kajian Ilmu Seni, Media dan Desain Imajinasi: Jurnal Ilmu Pengetahuan, Seni, dan Teknologi Panggung

Marzam Marzam

Universitas Negeri Padang

Author-ID : 317027

Religion Arts Humanities Chemical Engineering, Chemistry & Bioengineering Civil Engineering, Building, Construction & Architecture Economics, Econometrics & Finance Education Languange, Linguistic, Communication & Media Law, Crime, Criminology & Criminal Justice Materials Science & Nanotechnology Public Health Social Sciences Transportation Other

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Underground” Studi Deskriptif Komunitas Underground Di Kota Padang Tri Fajri; Marzam Marzam
SENDRATASIK UNP Vol 9, No 1 (2020)
Publisher : FBS Universitas Negeri Padang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24036/jsu.v8i3.108101

This research aims to find and describe the activities of underground community in Padang. Type of this research was qualitative. The main instrument in this study was the researcher. The additional instruments used stationery, recording device and camera. Techniques of data collection were done by taking observation, interviews, literature study and documentation. The steps in analyzing data were carried out by collecting, describing and making conclusion of data. The results show that the number of negative responses from ordinary society to the underground community. Underground is a movement which is not tied to a corporation that is binding. The underground movement is counterculture. Judging from the way they are dressed and the accessories used, unclear and noisy music, underground music is considered as satanic, unhealthy lifestyles such as drugs and drinking. The underground communities respond to the negativeresponse by being apathetic. Yet, they can only show to the general public in particular with activities that are positive for the outside society, for example, such as food not bombs, mayday, free market and reading booths.

Tingkat Kecemasan Siswa Sekolah Menengah Dalam Pertunjukan Musik Marzam Marzam; Neviyarni Suhaili
SENDRATASIK UNP Vol 10, No 1 (2021)
Publisher : FBS Universitas Negeri Padang

The study aimed to measure Student Anxiety Levels in the Music Performance Anxiety Scale (MPAS) for high school (SMA) students with musical interests in Padang City, and to conduct studies on validity and reliability. In this case, the scale will be developed for use for middle school students (adolescents), and differences between the sexes will be examined. The research was conducted on 546 high school students. Of these students, 185 (33.9%) is male, 361 (66.1%) is female, and the average age is 16.81 with an age range of 15 to 20. The correlation value of scaled items between them and with the total items is checked as a preliminary analysis. As a result of the engineering of the EFA's main components, promax rotation techniques and their analysis, three-factor construction accounted for a total of 42.74% of the total variants achieved. The achieved structure is validated by the CFA, and a match index is found in the acceptance interval. In reliability studies, Alpha Cronbach's internal consistency coefficient was calculated as 0.86 for the entire scale, 27% for bottom-up group comparisons and re-test analysis conducted. T-tests were conducted to determine the difference between the sexes. As a result of the study, a valid and reliable visible scale has been developed and the differences between the sexes are clearly visible.

FUNGSI KESENIAN RABANEA DALAM PESTA PERKAWINAN DI NAGARI SARIK ALAHAN TIGO KECAMATAN HILIRAN GUMANTI KABUPATEN SOLOK Yoni Irawandi; Marzam Marzam; Yensharti Yensharti
SENDRATASIK UNP Vol 2, No 2 (2013): Seri A
Publisher : FBS Universitas Negeri Padang

Abstract This research discussed about the function of traditional art, Rabanea, in the wedding party in Nagari Sarik Alahan Tigo, Sub-district Hiliran Gumanti, Solok Regency. The topic was chosen because the researcher wanted to get description about the function of Rabanea in Nagari Sarik Alahan Tigo used in wedding party. It was a qualitative research with a descriptive analysis method. The data were collected through library studies, observation, interview, recording and photography. The rabanea is presented by using rabanea musical instruments as the accompaniment of poems in barzanji book and four rhyme poetry in Minangkabaunese. Rabanea is used in traditional ceremony and religious matters, for example, in wedding ceremony. The use of rabanea is arranged by niniak mamak nan balimo (the five of traditional leaders) who stay in Nagari Sarik Alahan Tigo. Viewing the role of rabanea especially in wedding party, it can be concluded that the functions of Rabanea are as communication tool, entertainment, cultural inheritance, social and religious institution establishement, and the function related to spiritual and economical income. Keyword: Function, rabanea, wedding party

BENTUK PENYAJIAN KESENIAN BARUDA PADA ACARA KHATAM AL-QURAN DI JORONG LADANG LAWEH KECAMATAN LINTAU BUO UTARA KABUPATEN TANAH DATAR Lastri Elita; Marzam Marzam; Irdhan Epria Darma Putra
SENDRATASIK UNP Vol 5, No 1 (2016)
Publisher : FBS Universitas Negeri Padang

Purposed of this research is to decribe forms presentation about art of Baruda on khatam Al-quran in Ladang laweh, Lintau Buo Utara, Tanah Datar. This research useg qualitative forms with descriptive method. An object of research is: presentation of Baruda on khatam Al-quran in Ladang Laweh, Lintau Buo Utara, Tanah Datar. Data collection is doing by library studied, observation, inteview, video record, voice record dan photography. Processing data useg by qualitative analysis. From an analyzing found that presentation of Baruda on khatam Al-quran in Ladang Laweh, Lintau Buo Utara, Tanah Datar consist of: amount of nine players byarrack forms, useg musical instrument of Rebana, a song to accompanied Rebana was read by Barzanji, position players Baruda is in back part of line khatam Al-quran. Costume useg an uniform like a moeslim clothes or batik clothes.

Fungsi Kesenian Tauh dalam Kegiatan Pesta Padi pada Masyarakat Desa Lempur Tengah Kabupaten Kerinci Reza Silfi Rizki Ayu; Marzam Marzam; Tulus Handra Kadir
SENDRATASIK UNP Vol 3, No 1 (2014): Seri A
Publisher : FBS Universitas Negeri Padang

Abstract Tauh is one of traditional art in the form of musical essembly because it has three main elements: musical instruments, singers,and dancers. Tauh is originated from Lempur Tengah, Kerinci District which is usually perfomed in harvesting party. This study was aimed at finding and describing the function and use of Tauh in harvesting party of Lempur Tengah people. The method of this study was qualitative one. The data were collected through: 1) library study, 2) observation, 3) interview, 4)documentation. The data analysis wa classified based on the focus of the study after being separated and arranged systematically. The result showed that Tauh was previously used by the king as part of harvesting rituals, and to welcome the king’s guests. This traditional art was still practiced by Lempur Tengah people until now in their harvesting party. It was used as the sign of success of the party. Along with it develoment, Tauh was also used in welcoming important guests, participatingin festival, or as the represetativeof traditional art from Kerinci in any events in province level. Therefore, Tauh has several functions for Lempur Tengah people: (1) emotional reaction function, (2) entertainment function, (3) communication function, (4) physical reaction function, (5) social integrity function, (6) social institution legalization function. Key word: Function, Tauh, Lempur Tengah, Kerinci District.

STRUKTUR PENYAJIAN EMPAT LAGU PADA MUSIK DHOL DALAM PROSESI RITUAL TABUT DI PROVINSI Relly Dyona; Syeilendra Syeilendra; Marzam Marzam
SENDRATASIK UNP Vol 3, No 3 (2014): Seri A
Publisher : FBS Universitas Negeri Padang

Abstract This article was intended to describe the Presentation Structure of the Four Songs in the Dhol Music in the Tabut Ceremony in Provinsi Bengkulu. This was a qualitative research which used descriptive method. The data was collected through library study, observation, interview, and documentation. The data analysis was done by classifying the data based on the conceptual framework. The result of the research revealed that the presentation structure of the four songs in Dhol music was (1) the ritual of Ambik Tanah, Duduk Penja and Menjara accompanied by Suweri, Melalu and Tamatam songs, (2) the ritual of Meradai accompanied by Suwena song, (3) the ritual of Arak Penja, Arak sorban, Gham and Arak Gedang without the accompaniment of dhol music, and (4) the ritual of Tabut Naik Pangkek and Tabut Tebuang accompanied by Suweri, Suwena and Tamatam songs. Kata kunci : Stuktur, Penyajian, Empat, Lagu

PENANAMAN NILAI-NILAI KARAKTER DALAM PEMBELAJARAN SENI BUDAYA (MUSIK) DI SMP NEGERI 22 PADANG Vani Melda Zarlin; Jagar Lumbantoruan; Marzam Marzam
SENDRATASIK UNP Vol 7, No 1 (2018)
Publisher : FBS Universitas Negeri Padang

Abstract This article aimed to: 1) describe and analyze the cultivation of character values in the learning of art and culture (music), 2) obstacles faced by teachers, 3) the efforts of teachers in facing the constraints of the character values in the learning of Cultural Arts (Music). The type of the research was a qualitative research with descriptive method. The objects of research were the students of class VII-4 and art and culture teacher of SMP Negeri 22 Padang. Instruments in this study were researcher and assisted with supporting instruments such as stationeries and camera photo. Data collection techniques of this research were literature study, interview, observation and documentation. The results showed that embedded values of character in the learning of art and culture, especially music in class VII.4, and a good impact in music art learning. The statement was evidenced by students able to have the character of cooperating, disciplined, religious, curiosity, and confidence. These character values were inherent in the learning objectives in the cognitive, affective, and psychomotor domains. Keywords: Values of character, Learning, Cultural Art

Penggunaan Dan Fungsi Saluang Panjang Di Nagari Ujuang Jalan Kecamatan Alam Pauah Duo Kabupaten Solok Selatan Jovi Kurniawan; Marzam Marzam
SENDRATASIK UNP Vol 9, No 1 (2020)
Publisher : FBS Universitas Negeri Padang

The purpose of this study is to express and describe the usage and function of Saluang Panjang in Nagari Ujuang Jalan Alam Pauah Duo District, Solok Selatan Regency. Type of this research was qualitative study with using descriptive analysis method. The main instrument in this study was the researcher. The additional instruments used supporting instruments such as stationery, photo camera and camcorder. Type of data used primary and secondary data. Technqiues ofdata collection were carried out by taking observation, interview and documentation. The steps in analyzing data were done by collecting, describing and making conclusion of data. The results show that Saluang Panjang can still be found and displayed on various occasions and events. Saluang Panjang is only used as an entertainment but now it has developed into a musical accompaniment to randai dance. The existence of Saluang Panjang in Nagari Ujuang Jalan Alam Pauah Duo District, Solok Selatan Regencyis not only limited to traditional arts used in various events, but of course it has its own meaning or function for the society in Nagari Ujuang Jalan Alam Pauah Duo District, Solok Selatan Regency. Saluang Panjang contains various values and norms that are useful as a way of life in society. The values of the norm are contained in various Dendang dendang and the rules in the art.

APRESIASI MASYARAKAT DALAM PERTUNJUKAN ORGAN TUNGGAL DI KENAGARIAN ANDING KABUPATEN LIMA PULUH KOTA Akhyar Ulfa; Marzam Marzam; Wimbrayardi Wimbrayardi
SENDRATASIK UNP Vol 2, No 1 (2013): Seri D
Publisher : FBS Universitas Negeri Padang

Abstract The research described how the society of Anding appreciated the performance of organ tunggal rather than tradisional arts in order to celebrate their wedding. To consider the phenomenon more, the research was based on the appreciation theory given by Aminudin 2000:34, that appreciate was derived from latin word apreciatio which means appreciating. After observation and interview done to several informants it was concluded that people liked to have organ tunggal better in their wedding celebration due to 1) the difference in the payment, tradisional art compared to organ tunggal 2) the dance of the singers (female singers) 3) economic aspect. Kata kunci: Apresiasi, masyarakat Anding, Organ Tunggal, Pesta Pernikahan Abstract The research described how the society of Anding appreciated the performance of organ tunggal rather than tradisional arts in order to celebrate their wedding. To consider the phenomenon more, the research was based on the appreciation theory given by Aminudin 2000:34, that appreciate was derived from latin word apreciatio which means appreciating. After observation and interview done to several informants it was concluded that people liked to have organ tunggal better in their wedding celebration due to 1) the difference in the payment, tradisional art compared to organ tunggal 2) the dance of the singers (female singers) 3) economic aspect. Kata kunci: Apresiasi, masyarakat Anding, Organ Tunggal, Pesta Pernikahan

FUNGSI TALEMPONG PACIK DALAM UPACARA PERKAWINAN MASYARAKAT NAGARI KOTO ANAU Suhanda Suhanda; Marzam Marzam; Wimbrayardi Wimbrayardi
SENDRATASIK UNP Vol 2, No 2 (2013): Seri A
Publisher : FBS Universitas Negeri Padang

Abstract There are types and variation of musical arts, one of them is traditional musical instrument Talempong Pacik which still exists in the pageant of wedding ceremony in Nagari Koto Anau. Talempong pacik is a type of percussion musical instrument which belongs to the traditional ensemble music of Minangkabau. This study is aimed at describing and finding the functions of Talempong pacik in the bridal pageant in the wedding ceremony. This is a qualitative research by using descriptive methods, describing the phenomena among the variables of data in form of words or images. The object of this research is Talempong Pacik musical instruments performed in the wedding ceremony. This research analyzes the functions of these instruments in the pageant procession of wedding ceremony in Nagari Koto Anau. Talempong Pacik in the pageant functions as (1) a means of entertainment for the community in terms of entertainment which gives specific meanings and messages in Minangkabau view. (2) a means of communication and information in the weeding procession in Nagari Koto Anau. This music is able to convey the message about the activity being performed and the message can be understood by the people who watched and listened to. Kata Kunci : Fungsi, Talempong pacik, Upacara, Perkawinan

Co-Authors Akhyar Ulfa Alexander Pratama Saputra Ambiyar, Ambiyar Andar Indra Sastra Andar Indra Sastra Ardipal Ardipal Arrithem Mosizi Asadul Haq Aziz, Ishak Azwar Ananda Belirda Wulan Dhari Boyke Bobbi Andreas Deby Indrawati Depi Elpina Desi Kumalasari Devika Duri Devina Sari Dewi Martha Diva Nia Zulnita Eka Putri Wardana Erfan Erfan Erfan Erfan Esy Maestro Fajry Sub'haan Syah Sinaga Feby Yola Pradana Fitra Hayati Fitri Anggia Gusti Laraski Gusti Rahayu hadi, Harisnal Hasanuddin WS Hengky Septiawan Herlina Herlina Hidayat Alkara Hidayat, Hengki Armez Indrayuda Indrayuda Ingria Nada Contesi Irdhan Epria Darma Putra Jagar Lumbantoruan Jeni Martha Wuri Jovi Kurniawan Kens Fahta Aulia Khairullah, Khairullah Khintar Rajmal Chair Lastri Elita M. Arif Anas M. Riko Nurrohim Marlis Putri Nandina Marlisna Marlisna Mei Hanum Sahef Miki Padreawan Mirnawati Mirnawati Mutia Padila Mutia Yamesty Neneng Apriani Nesya Amalyah Neviyarni Neviyarni Nike Oktaveroni Nila Suryati Anggini Nova Rita Satria Nurhizrah Gistituati Pano Pio Putra Rafsanjani Rafsanjani Relly Dyona Rendi Alfajri Reza Silfi Rizki Ayu Ridho Putra Rusdinal Rusdinal Sari, Welly Agita Shocia Septipa Silahudin, Syafaâ€™atussara Suhanda Suhanda Susirawati Susirawati Suyata Suyata Syafa’atussara Silahudin Syahrel Syahrel Syeilendra Syeilendra Sylvia Sylvia Tetenia Saputri Yuliost Tri Ananda Tri Fajri Tri Rahayu Zulfiana Try Wahyu Purnomo Tulus Handra Kadir Uswatul Hakim Vani Melda Zarlin Vika Arifiani Wahyu Prima Nelga Welly Agita Sari Wimbrayardi Wimbrayardi Wulan Larasaty Yensharti Yoni Irawandi Yos Sudarman Yunia Dwi Safitri Yut Nurrahmi Zahra Nur Illahi

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