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Journal : JBC

Kajian tentang Lem Bulu Mata sebagai Kosmetik untuk Koreksi Mata Menurun dalam Tata Rias Wajah Geriatri Dewi, Fadhilah Nirwana; Puspitorini, Arita
Journal of Beauty and Cosmetology (JBC) Vol. 2 No. 1 (2020): Journal of Beauty and Cosmetology (JBC)
Publisher : Universitas Negeri Surabaya

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26740/jbc.v2n1.p11-24

Abstract

Geriatric make up is an advanced face makeup for elderly women, Decreasing eyes usually owned by the elderly women who want to incurs correction on the part of eyelid usually for declining eye correction many use a scotch tape for lifting eyelids, but the function of scotch tape has many shortages, for example, the strong recklessness and to sharp for the eyelid when applied to the eyelid, so it requires more durable cosmetics to hold the eyelids so that the eyelid does not fall one of the solutions made to address those problems by using adhesive cosmetics that is eyelash glue because it has a strong, durable recklessness.  The use of eyelash glue itself is widely used instead of scotch tape because its use is more efficient and cheap it has strong adhesiveness.  The purpose of doing this research is to describe the result of eyelash glue for correcting eye decrease. The method of data collection used in literature research. This research concluded that the function of the eyelash glue could replace the scotch tape for eye correction on geriatric makeup because it has good inward and absorbent power for the eyelid. Keywords: Geriatric makeup, eyelash glue
Pemanfaatan Belimbing Wuluh (Averrhoa Bilimbi L) dan Minyak Zaitun untuk Masker Perawatan Kulit Wajah Rahmasari, Ella Novia; Puspitorini, Arita
Journal of Beauty and Cosmetology (JBC) Vol. 2 No. 1 (2020): Journal of Beauty and Cosmetology (JBC)
Publisher : Universitas Negeri Surabaya

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26740/jbc.v2n1.p57-68

Abstract

Skin is the outermost layer covering the body. Skin needs the care to keep it clean and healthy. Skincare can be done in various ways, including using natural masks. Natural masks are masks made from natural ingredients and processed by yourself. One of the facial treatments using natural face masks is to use wealth starfruit and olive oil. So far, wuluh starfruit is known as an ingredient for cooking. But it turns out that wuluh starfruit contains compounds that are good for facial skincare, such as flavonoids, tannins, saponins, triterpenoids, glucose, peroxides, and formic acid which are useful for reducing acne. In addition, wuluh starfruit also contains high calcium, protein, iron, and phosphorus as well as vitamins A, B1 and C. Then olive oil in addition to cooking, is also very useful for facial skincare because of its high content of antioxidants and vitamin E. This study aims to measure the use of a mask of wuluh starfruit and olive oil. The method used in this research is the literature review method by collecting data using the technique of searching for topics among several kinds of literature and taking them. The results of this study were to utilize a mask of wuluh starfruit and olive oil.Keywords: facial mask, wuluh starfruit, and olive oil.
Perbandingan Hasil Penggunaan Nail Gel Pada Kuku Asli dan Kuku Palsu Motif Leopard FilaHasena; Puspitorini, Arita; Kusstianti, Nia; windayani, novia
Journal of Beauty and Cosmetology (JBC) Vol. 3 No. 1 (2021): Journal of Beauty and Cosmetology (JBC)
Publisher : Universitas Negeri Surabaya

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26740/jbc.v3n1.p31-38

Abstract

Nail art is the art of decorating nails so that one's appearance can look more presentable and beautiful by adjusting the condition of the client's nails. Nail art uses nail gel as a nail dye. This study aims to determine the comparison of the results of using nail gel applied to real nails and false nails with a leopard pattern. This research is a type of descriptive quantitative research. The purpose of this study was to determine the results of applying nail gel to natural nails and artificial nails and to compare the results between the two nails. Data collection was obtained through an online questionnaire distributed through social media facilities, namely Google forms to students of SMK Negeri 4 Banjarmasin, Skin & Hair Beauty Department. The data analysis technique uses the results of the percentage in terms of neatness, the result of greasing, in terms of beauty, suitability of motifs, and the results of the respondent's overall preference and the average result is calculated from the results of calculating these percentages. The results showed that (1) in terms of neatness of nail gel on natural nails scored 90.3% while false nails were 9.7% (2) In terms of applying nail gel on natural nails a score of 80.6% while fake nails 19.4 % (3) In terms of the suitability of nail gel motifs on natural nails, the score is 92.5% while fake nails are 7.5% (4) In terms of the beauty of nail gel on natural nails, the score is 91.4% while false nails are 8.6% ( 5) Overall preference for nail gel on real nails scored 92.5% while fake nails were 7.5%. From the score obtained when calculated using the average formula for nail gel on natural nails, it scores 89.46% and fake nails gets a score of 10.54%. Keywords: Nail art; nail gel; nails; fake nail
Co-Authors Afida, Ummu Nadia AGUSTIN ADININGTYAS, SELMA Akhsan, Elfin Fauzia ANDRIANA, DEWI Aprilia, Afidatul Azmi Arfikum Anna, Nurizza ARMOR, MUKHLISA Astutik, Emy AULIA BALKIS, ALFYANNA BELLAYUANA, INTAN Binagdy, Vennas Amalla Chasanah, Ilfa D.A Nurindah Yustina Damaranti, Angger dewayana, Agatha Dewi Lutfiati Dewi, Fadhilah Nirwana Dindy Megasari Dindy Sinta Megasari Dindy Sinta Megasari DINIA ULFA, ISNADIROH DWI RAHMAWATI, KARTIKA Egita, Zerina Febrianti, Mitha Indah Festiana, Ailsa FilaHasena Fitri, Nadhiya Prita Nurdhianita Fitriyani, Pramitha Anisa HADI NUR BAITI, BINTANG Handayani, Galuh Hartanti Wulandari, Ririn Noor Imansari, Inez Dwina Indra, Zahra Natasya Isalia, Nadia Shalsabilla KECVARA PRITASARI, OCTAVERINA KHUTAMI, SHOFI Kumala, Aisah Dian Larasathi, Lucky Madani, Ekki Febijay maheswari, kara Marniati Marniati, Marniati Maspiyah Maspiyah Megasari, Dindy Miniarti, Miniarti Mustika, Pitaloka Nanda Mutimmatul Faidah Nazua, Balqis Fara Nia Kusstianti Nia Kusstianti Nia Kusstianti Nieke Andina Nieke Andina Wijaya Ningrum, Fatichatul Ilma Wahyu Ni’mah, Alfiatun NOVIA MAHARANI, YUNITA Novia Restu Windayani, Novia Restu Nurmaylanda, Widya Nurromzanie, Dista Osy OKTARI WIDYANING TYASTUTI, RAGIL Pattiselanno, Inka Delaya Safier Peppy Mayasari, Peppy Pramesti, Adetyas pratiwi, Lisa arum Pritasari, Octaverina Pritasari, Octaverina Kecvara Pujiningrum, Dyah Kurniasari Putri, Adisty Witama Qonitatila, Nadhila Mar’atul Rahayu, Gogik Budi Rahayu, Mutiara Rahmah, Salsabilla Maulidia Rahmasari, Ella Novia Rahmawati, Nurlaili Ramadhan, Sani Rasika, Annisa Dewi Robi’atul ‘Auliya, Lintang Ayu Rosida, Kamilatur Safira, Aninda nur safitri, Yesi intan Sagala, Bernadeth Maudy Marcella br. Salbila, Dilla Saputra, Pratama Yudha Aldi Sherwin, Debby Carolina Sri Dwiyanti Sri Dwiyanti Sri Usodoningtyas Suhartiningsih Suhartiningsih Sulistyowati, Silfia Widya Tripagita, Dinar Tritania, Zaradiya Audrey Triwidarti, Endah Usodoningtyas, Sri Wahyuni, Nabila Dwi Waluyo, Nadya Sabrine Wijaya, Nieke Andina Wilujeng, Biyan Wilujeng, Biyan Yesi windayani, novia Wulandari, Novi Amelia Yansah, Maria Arsa Zusmani YULIANSARI, MUFATTIHAH Yulianto, Natasya YURITA ERINA T, MEI Zulkifli, Rizka