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The Relationship between Religion and Politics in Ibn Rushd's Philosophy Robi Robi Sugara; Masykur Masykur; Iffan Ahmad Gufron; Wasehudin Wasehudin
Aqlania Vol. 17 No. 1 (2026): June
Publisher : Universitas Islam Negeri Sultan Maulana Hasanuddin Banten

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.32678/aqlania.v17i1.231

Abstract

This study examines the relationship between religion and politics in Ibn Rushd’s philosophy as a response to perspectives that separate the two into mutually opposed domains. It employs a qualitative method based on library research and Gadamerian hermeneutic analysis. The primary data are drawn from Ibn Rushd’s works, especially Faṣl al-Maqāl fī mā Bayna al-Ḥikmah wa al-Sharī’ah min al-Ittiṣāl and al-Ḍarūrī fī al-Siyāsah. The study shows that the relationship between religion and politics in Ibn Rushd’s thought unfolds across three dimensions: ontological, epistemological, and axiological. Ontologically, religion and politics are rooted in the same source of truth, namely God as the First Cause and the Ultimate End. Epistemologically, religion provides the foundation of knowledge and morality, while politics actualizes these values in communal life. Axiologically, both are oriented toward the realization of justice, happiness, and human perfection. These findings affirm that Ibn Rushd’s thought offers a rational, ethical, and relevant paradigm for understanding the relationship between religion and politics in national and civic life.
Percampuran Budaya dengan Nilai-Nilai Islam dalam Kehidupan Sosial Budaya Ahmad Alam Farhan; Rof Rof Galih Samudra; Iffan Ahmad Gufron; Masykur Masykur
Arus Jurnal Sosial dan Humaniora Vol 6 No 1: April (2026)
Publisher : Arden Jaya Publisher

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.57250/ajsh.v6i1.2554

Abstract

Percampuran budaya dengan nilai-nilai Islam dalam kehidupan sosial budaya merupakan fenomena yang tidak terelakkan dalam masyarakat yang plural dan dinamis. Artikel ini bertujuan untuk menganalisis proses akulturasi antara budaya lokal dan ajaran Islam, serta dampaknya terhadap pola kehidupan sosial masyarakat. Metode yang digunakan adalah pendekatan kualitatif dengan studi literatur terhadap berbagai sumber akademik yang relevan. Hasil kajian menunjukkan bahwa interaksi antara budaya dan Islam tidak selalu bersifat konflik, melainkan lebih sering menghasilkan bentuk harmonisasi melalui proses adaptasi, seleksi, dan integrasi nilai. Nilai-nilai Islam seperti keadilan, kesederhanaan, dan solidaritas sosial mampu menyatu dengan tradisi lokal tanpa menghilangkan identitas budaya setempat. Namun demikian, terdapat pula tantangan berupa potensi distorsi nilai ketika praktik budaya bertentangan dengan prinsip-prinsip dasar Islam. Oleh karena itu, diperlukan pemahaman yang komprehensif dan kontekstual agar percampuran budaya dan nilai-nilai Islam dapat berjalan secara seimbang, sehingga mampu memperkuat koneksi sosial dan menjaga keberlanjutan identitas budaya dalam masyarakat modern.
Pengaruh Islam Kultural terhadap Perkembangan Seni dan Arsitektur di Nusantara Irfan Padlian Syah; Muthia Zahra; Iffan Ahmad Gufron; Masykur
Ta’wiluna: Jurnal Ilmu Al-Qur'an, Tafsir dan Pemikiran Islam Vol. 7 No. 1 (2026): Ta’wiluna: Jurnal Ilmu Al-Qur’an, Tafsir dan Pemikiran Islam
Publisher : Lembaga Penelitian, Penerbitan dan Pengabdian kepada Masyarakat (LP3M) IAIFA Kediri

Show Abstract | Download Original | Original Source | Check in Google Scholar

Abstract

This study examines the process of Islamic acculturation in the arts and architecture of Nusantara society through a qualitative approach based on library research, employing qualitative content analysis and historical hermeneutics. The primary objective of this study is to uncover the patterns of Islamic acculturation within Nusantara culture while tracing Islamic values as reflected in local arts and architecture. The findings indicate that the Islamization process in Nusantara occurred through an additive pattern of acculturation rather than one of complete replacement. Islam did not eradicate the deeply rooted Hindu-Buddhist traditions; instead, it engaged in a prolonged and dynamic process of cultural negotiation and synthesis. This is evident in three primary aspects: the development of Arabic calligraphy, which transformed into Pegon and Jawi scripts as well as locally styled gravestone ornamentation; the utilization of wayang kulit as a medium of Islamic proselytization through the incorporation of Islamic values; and the architectural form of mosques that adopted local elements such as the tiered roof (atap tumpang) and the bedug drum within an Islamic functional framework. In the institutional context, mosques during the early period of Islamic development in Nusantara functioned as comprehensive institutions encompassing spiritual, educational, social, and political dimensions. However, with the advancement of modernization, these functions gradually narrowed in scope. This study affirms that Islam in Nusantara represents the product of an active civilizational creativity, shaped through a dialogue between the universal teachings of Islam and local wisdom, rather than a mere cultural adoption from the Middle East.