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All Journal Humaniora Dialektika Lingua Didaktika: Jurnal Bahasa dan Pembelajaran Bahasa Hexagone BAHASA DAN SASTRA Jurnal Gramatika JURNAL PENGABDIAN KEPADA MASYARAKAT Pedagogia: Jurnal Pendidikan ProTVF Proceedings Education and Language International Conference MUDRA Jurnal Seni Budaya KREDO : Jurnal Ilmiah Bahasa dan Sastra Panggung Proceeding of International Conference on Art, Language, and Culture Kandai Komposisi: Jurnal Pendidikan Bahasa, Sastra, dan Seni JP-BSI (Jurnal Pendidikan Bahasa dan Sastra Indonesia) Magistra Andalusia : Jurnal Ilmu Sastra IJOLTL (Indonesian Journal of Language Teaching and Linguistics) Budapest International Research and Critics Institute-Journal (BIRCI-Journal): Humanities and Social Sciences PKn Progresif : Jurnal Pemikiran dan Penelitian Kewarganegaraan Proceedings Series on Social Sciences & Humanities IBDA': Jurnal Kajian Islam dan Budaya Jurnal Gramatika: Jurnal Penelitian Pendidikan Bahasa dan Sastra Indonesia Widyaparwa Frasa: English Education and Literature Journal Javanologi: International Journal of Javanese Studies Tradition and Modernity of Humanity Panggung

Sahid Teguh Widodo

Universitas Sebelas Maret, Indonesia

Author-ID : 416230

Religion Arts Humanities Economics, Econometrics & Finance Education Environmental Science Languange, Linguistic, Communication & Media Law, Crime, Criminology & Criminal Justice Social Sciences Other

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Menggali Minangkabau dalam film dengan mise-en-scene Herry Nur Hidayat; Bani Sudardi; Sahid Teguh Widodo; Sri Kusumo Habsari
ProTVF Vol 5, No 1 (2021): March 2021
Publisher : Universitas Padjadjaran

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24198/ptvf.v5i1.29433

Sejarah perkembangan industri perfilman Indonesia tidak bisa melepaskan diri dari muatan lokalitas sebagai sumber penciptaan. Sebagai salah satu etnik di Indonesia, Minangkabau diketahui telah menjadi sumber penciptaan film, bahkan sejak awal pertumbuhan industri film di Indonesia. Oleh karena beragamnya unsur keminangkabauan, tidak mudah menampilkan unsur-unsur keminangkabauan yang telah dikenal khalayak penonton. Akan tetapi, kajian sebelumnya terhadap muatan keminangkabauan dalam film seolah mengabaikan citraan visual (visual image) ini. Melalui pendekatan mise-en-scene, artikel ini menguraikan unsur-unsur keminangkabauan yang ditampilkan dalam film, baik visual maupun unsur naratifnya. Di samping itu, artikel ini juga mencoba menjawab beragam kritik etnisitas atas film bermuatan Minangkabau. Analisis difokuskan pada citraan visual unsur keminangkabauan yang berhubungan dengan tokoh dan latar sebagai pembangun aspek naratif dalam tujuh film terpilih. Hasil analisis menunjukkan bahwa citraan visual ikon-ikon Minangkabau tampak mendominasi unsur keminangkabauan dalam film, yaitu rumah gadang, rangkiang, dan pakaian. Ikon visual tersebut muncul dalam bentuk desain pelataran dan propertinya. Beberapa adegan yang menampilkan rumah gadang menunjukkan pula peran dan kedudukan mamak rumah dalam sistem kekerabatan serta representasi demokrasi di Minangkabau. Tampaknya, aspek visual unsur keminangkabauan tersebut ditampilkan untuk memperkuat latar tempat dan sosial sebagai sarana penceritaan. Di samping itu, dapat pula disampaikan bahwa tampilnya unsur keminangkabauan tidak secara mutlak menggambarkan Minangkabau.

CHARACTER EDUCATION VALUES IN THE SAPARAN TRADITION FOLKLORE ON WRITING SKILLS LEARNING Yanuar Bagas Arwansyah; Sarwiji Suwandi; Sahid Teguh Widodo
Komposisi: Jurnal Pendidikan Bahasa, Sastra, dan Seni Vol 18, No 1 (2017)
Publisher : Fakultas Bahasa dan Seni UNP

AbstractThis study aims to describe the value of character education of folklore in the Saparan tradition for the improvement of writing skills on learning in High School. This type of research is descriptive qualitative by deepening the history and education value through direct observation, interview, and document analysis. The validity of this study used triangulation of data and sources. Based on the results of analysis using Roland Barthes's semiotics theory validated by in-depth interviews, it is concluded that the values of character education in this Saparan tradition are the value of social care, the value of cultural education, and religious values. The substance of this research is to provide an understanding of the history and value of folklore in the Saparan tradition as a learning material for improving writing skills.Keywords: education value ,folklore,writing skill. AbstrakPenelitian ini bertujuan mendeskripsikan nilai pendidikan karakter cerita rakyat dalam tradisi Saparan untuk peningkatan keterampilan menulis pada pembelajaran di Sekolah Menengah Atas. Jenis penelitian ini adalah deskriptif kualitatif dengan mendalami sejarah dan nilai pendidikan melalui observasi langsung, wawancara, dan analisis dokumen. Validitas penelitian ini menggunakan triangulasi data dan sumber. Berdasarkan hasil analisis menggunakan teori semiotika Roland Barthes yang divalidasi dengan wawancara mendalam, disimpulkan bahwa nilai-nilai pendidikan karakter dalam tradisi Saparan ini adalah nilai peduli sosial, nilai pendidikan budaya, dan nilai religius. Substansi dari penelitian ini adalah memberi pemahaman tentang sejarah dan nilai pada cerita rakyat dalam tradisi Saparan sebagai bahan pembelajaran untuk meningkatkan keterampilan menulis.Kata Kunci: nilai pendidikan, cerita rakyat, keterampilan menulis.

Ungkapan Kearifan Kultural tentang Aturan Adat Bujang Gadis dan Kawin dalam Undang-Undang Simbur Cahaya Kesultanan Palembang 1824 Satria Wijaya; Sahid Teguh Widodo; Slamet Subiyantoro
KREDO : Jurnal Ilmiah Bahasa dan Sastra Vol 2, No 1 (2018): JURNAL KREDO VOLUME 2 NO 1 TAHUN 2018
Publisher : Universitas Muria Kudus

Kajian Semiotika Teks Undang-Undang SImbur Cahaya Hukum Adat Kesultanan Palembang

Memahami Makna Seni dalam Pencak Silat Suryo Ediyono; Sahid Teguh Widodo
PANGGUNG Vol 29, No 3 (2019): Transformasi Bentuk dan Nilai dalam Seni Budaya Tradisi
Publisher : LP2M ISBI Bandung

ABSTRACTThe martial art or pencak silat is a combating method that philosophically teaches both spiritual and physical education helping the enthusiasts to live with the noble moral values in their society. The material object of this study is pencak silat and the formal object is the philosophy of arts or aesthetics of the pencak silat. This study aims to examine (1) norms or manners of pencak silat, (2) pencak silat style, (3) pencak silat categories and pencak silat equipments. This research employs factual-historical method by means of description, analysis, and synthesis. The results are (1) norms of pencak silat are conceptually found in the attitude of performance, steps (gerak langkah), attack (serangan), and defense (belaan), (2) martial arts style consists of the mental-spiritual aspects, martial arts, arts, and sport, (3) arts in martial arts are subdivided into wiraga, wirama, and wirasa, and the martial arts equipments include specific use of costumes, weapons, and traditional music acompaniments. Keywords: martial arts style, pencak silat, philosophical values, wiraga-wirama-wirasa ABSTRAK Seni bela diri pencak silat sebagai metode bertarung secara filosofis mengajarkan pendidikan spiritual dan fisik untuk membantu para peminatnya dalam menghayati nilai-nilai moral yang luhur di dalamnya. Objek material dari penelitian ini adalah pencak silat dan objek formal adalah filsafat seni atau estetika dari pencak silat tersebut. Penelitian ini bertujuan untuk menguji (1) norma atau perilaku pencak silat, (2) gaya pencak silat, (3) kategori pencak silat dan peralatannya. Penelitian ini menggunakan metode faktual-historis melalui deskripsi, analisis, dan sintesis. Hasilnya adalah (1) norma pencak silat yang secara konseptual ditemukan dalam sikap kinerja, gerak langkah, serangan, dan pertahanan (belaan), (2) gaya seni bela diri (aliran gaya) yang terdiri dari aspek mental-spiritual, bela diri, seni, dan olahraga, (3) seni dalam seni bela diri dibagi menjadi wiraga, wirama, dan wirasa serta peralatan seni bela diri termasuk penggunaan kostum, senjata khusus, dan pengiring musik tradisional.Kata kunci: gaya seni bela diri, pencak silat, nilai filosofis, wiraga-wirama-wirasa

HARGA DIRI DAN STATUS SOSIAL: MOTIF MERANTAU ORANG MINANGKABAU DALAM FILM (Pride and Social Status: The Migrating Motive Minangkabau People in Cinema) Herry Nur Hidayat; Bani Sudardi; Sahid Teguh Widodo; Sri Kusumo Habsari
Kandai Vol 17, No 2 (2021): KANDAI
Publisher : Kantor Bahasa Sulawesi Tenggara

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26499/jk.v17i2.2805

Merantau has known as the Minangkabau ethnic identity. As a social behavior, merantau shows a change in concepts and motives. Technological developments, especially in transportation, are slowly shifting the concept of merantau to broaden its reach, followed by changes in motives. Merantau is no longer seen as a learning behavior and process, but is more economical, looking for a better life. This article explores and describes the merantau in the film with merantau from the Minangkabau community through a semiotic study. As a result, the change in the concept and motive for merantau in the film represents the merantau Minangkabau society. Through the movie characters, the motive for merantau, who seems to have an educational background in the film driveby personal motivation, namely self-esteem and social status, which in directly indicates economic motives.Merantau telah dikenal sebagai identitas etnik Minangkabau. Sebagai sebuah perilaku sosial, merantau menunjukkan perubahan konsep dan motifnya. Perkembangan teknologi, terutama transportasi, secara perlahan menggeser konsep merantau menjadi meluas jangkauannya yang diiringi pula dengan perubahan motifnya. Merantau tidak lagi dipandang sebagai perilaku dan proses pembelajaran melainkan lebih bersifat ekonomis, yaitu mencari kehidupan yang lebih baik. Melalui kajian tekstual, artikel ini menggali dan menguraikan perilaku merantau yang ditampilkan dalam film dalam hubungannya dengan perilaku merantau masyarakat Minangkabau. Hasilnya, perubahan konsep dan motif merantau dalam film adalah bentuk representasi merantau masyarakat Minangkabau. Melalui tokoh-tokohnya, motif merantau yang tampaknya berlatar belakang pendidikan dalam film didorong oleh motivasi personal, yaitu harga diri dan status sosial yang secara tidak langsung menunjukkan motif ekonomis.

Cohesion and Coherence of Narrative Essays of Madagascar Students of Indonesian Language for Foreign Speakers (BIPA) at UPTP2B Sebelas Maret University Basuki Rachmat Sinaga; Andayani Andayani; Sahid Teguh Widodo
Budapest International Research and Critics Institute (BIRCI-Journal): Humanities and Social Sciences Vol 2, No 1 (2019): Budapest International Research and Critics Institute February
Publisher : Budapest International Research and Critics University

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33258/birci.v2i1.158

This study aimed to describe the use of the form of cohesion and coherence of narrative essay of Madagascar students of Indonesian Language for Foreign Speaker (BIPA) at Language Center Sebelas Maret University. The method used was descriptive qualitative. The researcher collected the data by giving assignments to the students. Then, the researcher classified the findings with the techniques of reading, listening, and writing. The results obtained in the form of cohesion were: 1) grammatical cohesion consisted of reference, substitution, ellipsis, and conjunction; 2) lexical cohesion consisted of repetition, synonym, and collocation. In the form of coherence, the students were able to express their writing in a simple way to be able to be understood by the readers.

Traditional theater Mendu of West Kalimantan as a Medium for Public Education Gunta Wirawan; Herman J. Waluyo; Sarwiji Suwandi; Sahid Teguh Widodo
JP-BSI (Jurnal Pendidikan Bahasa dan Sastra Indonesia) Vol 5, No 1 (2020): VOLUME 5 NUMBER 1 MARCH 2020
Publisher : STKIP Singkawang

Traditional theater has various functions in society, a part from being an entertainment also as an education media, an explication, communication, social integration, aesthetic expression, and artistic expression. Even in the early days of its appearrance, traditional theater mendu performances were precisely as a religious facilities. Therefore, it can be said that traditional performances are able to become archives for storing the noble values of local wisdom. This research aims to describe the function of the traditional theater mendu of West Kalimantan especially as an educational medium for the supporting community. This function could be in the form of scenes or dialogs during the show, either to the form of advices, religion advices, or inserted in jokes played by Khadam (Adam) and Mak Miskin from the common people. For the people of West Kalimantan, especially Mempawah district which is undergoing transition to modern society, the function of the performing arts should still be very dominant in influencing the community. Therefore, the traditional theater of mendu deserves to be maintained from the threat of extinction.

Respect for Nature of Alas Kobong Folklore in Pacitan Regency and Relevance to Learning Literature in SMP Adiwiyata (Ecocriticism Studies) Latifah Mutiara Sari; Sarwaji Surwandi; Sahid Teguh Widodo
Budapest International Research and Critics Institute (BIRCI-Journal): Humanities and Social Sciences Vol 2, No 3 (2019): Budapest International Research and Critics Institute August
Publisher : Budapest International Research and Critics University

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33258/birci.v2i3.458

This study aims to interpret ekokritik literary theory by expressing the value of environmental wisdom focused on respect for nature of fo Alas Kobong Folklore in Pacitan Regency. Ekokritik literature to examine the application of this folklore is through data classification based on the moral principles of environmental wisdom focused on respect for nature. The shape of this research is descriptive qualitative with an interactive approach to data sources transcript of interviews about Alas Kobong folklore of participants in Pacitan Regency. Data were collected through interviews, observation, documentation, field notes and transcriptions. There are three aspects of data analysis techniques, namely the description, analysis, and interpretation. The results of this study found five data contained in a respectful attitude towards nature which is included in the value of environmental wisdom of Alas Kobong folklore in Pacitan Regency. In addition, the folklore of Alas Kobong can also implies learning literature junior secondary school Adiwiyata curriculum.

The Character Values of Hard Work in the Novels of Leila S. Chudori Renita Br Saragih; Sahid Teguh Widodo; Nugraheni Eko Wardani
Budapest International Research and Critics Institute (BIRCI-Journal): Humanities and Social Sciences Vol 2, No 2 (2019): Budapest International Research and Critics Institute May
Publisher : Budapest International Research and Critics University

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33258/birci.v2i2.268

Literary works are a media that has an important role in building character. One of the literary works is novels. A novel contributes the thoughts and ideas of the author through the language that aims to provide benefits to the readers. This study aimed to describe the character values of hard work in the novels of Leila S. Chudori. This was a qualitative research using descriptive qualitative method and content analysis. The data in this research were from the novels of Leila S. Chudori. The research results showed that the character values of hard work of the character were found through the implied words, phrases, and sentences in the novels of Leila S. Chudori. The character values of hard work in the novels could be seen from how the character was persistent to achieve the goals, and able to find solutions for every problem. The characters of hard work reflected from the character could provide a value or message for the readers of the novels of Leila S. Chudori. The characters of hard work found in the two novels were: (1)unyielding attitude, (2) willingness to try, (3) living a life with positive thinking, and (4) character of struggling for life.

DICTION AND MORAL VALUES IN THE LAW OF THE SIMBUR CAHAYA OF CUSTOMARY CULTURAL LAW IN THE SOCIETY PERIOD OF PALEMBANG SULTANATE (PRAGMATIC SOCIOLINGUISTIC STUDIES) Satria Wijaya; Sahid Teguh Widodo; Slamet Subiyantoro
Proceeding of International Conference on Art, Language, and Culture 2017: Proceeding of 2nd International Conference on Art, Language, and Culture
Publisher : Universitas Sebelas Maret

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (389.376 KB)

The aim of this research was to describe the diction and moral values in the Law of Simbur Cahaya of customary cultural law at the society period of the Sultanate of Palembang in Pragmatic Sociolinguistic study. The type of this research is literature study with qualitative descriptive method. Techniques of data collection using reading and writing techniques through content analysis approach. The results of this study are the category of moral values and characteristics of the use of diction in the Law of the Simbur Cahaya. The category of moral values, the moral values of human relationships with oneself, the moral value of human relationships with other human beings in the social sphere and the natural environment, and the moral value of human relationships with his Lord. While the characteristics of diction found, namely the diction of cultural society at the time of the Sultanate of Palembang which has a contextual meaning of local culture.

Co-Authors Abdulfatah, Muhammad Rois AHMAD ADIB Amaruddin, Hidar Andayani Andayani Andayani Apika Nurani Sulistyati Arifah Insani Sari Utami Bani Sudardi Basuki Rachmat Sinaga Budhi Setiawan Deny Tri Ardianto Diki Wahyudi Dini Anggraheni Edy Tri Sulistyo Edy Tri Sulistyo Elisabeth Nugraheni Eko Wardani Fahri Setyo Utomo Firman Aziz Gunta Wirawan Gunta Wirawan Handayani, Sri Hani’ah Hani’ah Herman J. Waluyo Herman J. Waluyo Herry Nur Hidayat Kundharu Shaddhono Latifah Mutiara Sari Mahendra Wijaya Meliala, Roy Raja Sukmanta Mijianti, Yerry Muhammad Rohmadi Muhammad Rohmadi Onok Yayang Pamungkas Renita Br Saragih Reska Luckiyanti Reska Luckiyanti, Reska Restu Budi Setiawan Riky Zakub Rois Abdul Fatah Ronggo Warsito Roy Raja Sukmanta Meliala Sady, Rominto Sarwaji Surwandi Sarwiji Suwandi Satria Wijaya Satria Wijaya Septi Yulisetiani Septiana, Dwiani Setiawan, Restu Budi Siswahyudianto Slamet Subiyantoro Sri Kusumo Habsari Suryo Ediyono Suwandi, Sarwiji Suwardi Endraswara Suyatno Suyatno Suyitno Suyitno Suyitno Suyitno Suyitno Suyitno Tri Indri Hardini Wakit Abdullah Rais Waluyo, Herman J. Wilma Silvia Y Yanuar Bagas Arwansyah Yanuar Bagas Arwansyah Yanuar Bayu Isnaeni Yundari, Yundari Zakub, Riky

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