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All Journal Humaniora Cakrawala Pendidikan DIKSI Litera Humanus: Jurnal ilmiah Ilmu-ilmu Humaniora Jurnal Kawistara : Jurnal Ilmiah Sosial dan Humaniora Poetika: Jurnal Ilmu Sastra LingTera ATAVISME JURNAL ILMIAH KAJIAN SASTRA Journal of Language and Literature Aksara k@ta Diglosia: Jurnal Kajian Bahasa, Sastra, dan Pengajarannya Jurnal Onoma: Pendidikan, Bahasa, dan Sastra NOTION: Journal of Linguistics, Literature, and Culture Cakrawala Indonesia Jurnal Lingko : Jurnal Kebahasaan dan Kesastraan Prosiding Seminar Nasional Sasindo Bahasa dan Seni: Jurnal Bahasa, Sastra, Seni, dan Pengajarannya Mamangan Social Science Journal DIMASATRA Prawara: Jurnal Pendidikan Bahasa dan Sastra Indonesia Aksara Aksara
Wiyatmi Wiyatmi
Universitas Negeri Yogyakarta
Arts Humanities Education Environmental Science Languange, Linguistic, Communication & Media Law, Crime, Criminology & Criminal Justice Social Sciences

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Journal : Litera

 1 
GIVING ROOM FOR THOSE WHO ARE FORGOTTEN: READING THE FIGURES OF QUEEN KALINYAMAT AND DEWI RENGGANIS IN INDONESIAN NOVELS Wiyatmi Wiyatmi
LITERA Vol 20, No 2: LITERA JULI 2021
Publisher : Faculty of Languages and Arts, Universitas Negeri Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.21831/ltr.v20i2.35894

Abstract

            The patriarchal system which is dominant in most ethnic groups in Indonesia has brought up narratives that favor men. As a result, men are the main characters and heroes in a number of Indonesian folk literature, whereas the position and role of women tend to be marginalized. This study tries to understand two female figures, Queen Kalinyamat and Dewi Rengganis, who were transformed in Indonesian novels. In folklore both tend to be marginalized because they accentuate male heroes. However, in Indonesian novels both tend to be highlighted on their position and role in society, as can be found in the novel Ratu Kalinyamat (Hadi, 2010) and Cantik Itu Luka (Kurniawan, 2004, first edition). By using a qualitative descriptive method that bases on the framework of postmodernist feminism analysis, this study tries to interpret its position and role in society. By using a qualitative descriptive method that bases on the framework of postmodernist feminism analysis, this study tries to interpret its position and role in society. The results showed that the novels Ratu Kalinyamat and Cantik Itu Luka were written to bring back female characters that had existences as subjects who not only had power over their autonomy but were also able to exercise their power. Ratu Kalinyamat (Hadi, 2010) which transformed Queen Kalinyamat and Cantik Itu Luka (2004, first edition) which transformed Dewi Rengganis, and Dayang Sumbi showed an effort to bring back female figures who historically and in myths were considered to exist in the past. This is in line with the mission of feminist literature and feminist studies aimed at identifying the elimination and elimination of information about women in general. Keywords: feminism, women, folklore, marginalization, patriarchy MEMBERI RUANG UNTUK MEREKA YANG TERLUPAKAN:MEMBACA SOSOK RATU KALINYAMAT DAN DEWI RENGGANIS DALAM NOVEL INDONESIA Abstrak            Sistem patriarki yang dominan di sebagian besar suku bangsa di Indonesia telah memunculkan narasi-narasi yang berpihak pada laki-laki. Akibatnya, laki-laki menjadi tokoh utama dan pahlawan dalam sejumlah sastra rakyat Indonesia, sedangkan posisi dan peran perempuan cenderung terpinggirkan. Penelitian ini mencoba memahami dua sosok perempuan, Ratu Kalinyamat dan Dewi Rengganis, yang ditransformasikan dalam novel-novel Indonesia. Dalam cerita rakyat keduanya cenderung terpinggirkan karena menonjolkan pahlawan laki-laki. Namun, dalam novel-novel Indonesia keduanya cenderung menonjolkan kedudukan dan perannya dalam masyarakat, seperti yang terdapat dalam novel Ratu Kalinyamat (Hadi, 2010) dan Cantik Itu Luka (Kurniawan, 2004, edisi pertama). Dengan menggunakan metode deskriptif kualitatif yang berpijak pada kerangka analisis feminisme postmodernis, penelitian ini mencoba menginterpretasikan posisi dan perannya dalam masyarakat. Dengan menggunakan metode deskriptif kualitatif yang berpijak pada kerangka analisis feminisme postmodernis, penelitian ini mencoba menginterpretasikan posisi dan perannya dalam masyarakat. Hasil penelitian menunjukkan bahwa novel Ratu Kalinyamat dan Cantik Itu Luka ditulis untuk menghadirkan kembali tokoh-tokoh perempuan yang memiliki eksistensi sebagai subjek yang tidak hanya memiliki kekuasaan atas otonominya tetapi juga mampu menjalankan kekuasaannya. Ratu Kalinyamat (Hadi, 2010) yang mentransformasikan Ratu Kalinyamat dan Cantik Itu Luka (2004, edisi pertama) yang mentransformasikan Dewi Rengganis, dan Dayang Sumbi menunjukkan upaya untuk memunculkan kembali sosok-sosok perempuan yang secara historis dan mitos dianggap ada di masa lalu. Hal ini sejalan dengan misi sastra feminis dan studi feminis yang bertujuan untuk mengidentifikasi eliminasi dan eliminasi informasi tentang perempuan secara umum. Kata kunci: feminisme, perempuan, folklore, marginalisasi, patriarki
READERS’ RESPONSE TO THE PERFORMANCE OF TEATER GANDRIK’S TANGIS ON THE RECENT SOCIO-POLITICAL PHENOMENA Muhammad Rasyid Ridlo; Nurhadi BW; Wiyatmi Wiyatmi
LITERA Vol 20, No 2: LITERA JULI 2021
Publisher : Faculty of Languages and Arts, Universitas Negeri Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.21831/ltr.v20i2.36321

Abstract

Literary works, including in this context play scripts later performed, often go beyond mere entertainment or exhibition. Play scripts and theatrical performances as well frequently introduce particular moral lessons, educative messages, even social controls. This research aims to describe the following matters: (a) the coverage of national mass media on three performances of Tangis (Cry) by Teater Gandrik; (b) the socio-political phenomena presented in the performance; and (c) the construct of the readers or audience on the performance. The object of this research consists of a number of news or reviews of such performance covered in national mass media in 2015. To collect the data, reading and taking notes methods were applied. The validity and reliability of the data were measured by employing semantic validity as well as intra-rater and inter-rater reliabilities. The data was later categorized and analyzed using a descriptive qualitative approach, focusing on literary reception. There were at least 15 news or reviews compiled, signifying a considerable interest of the mass media in interpreting the performance. Almost each of these coverages discusses the social circumstance represented in the play. The issue of the conflict between KPK (Corruption Eradication Commission) and Polri (Indonesian National Police) is one of the actual phenomena indirectly captured by the media relating to this performance. These media reportages serve as a construct established by the audience (experts) or the review creator or news reporters about Teater Gandrik, particularly on the play that crowns this group as one of top-notch Indonesian theater companies.Keywords: reception, performance, teater gandrik, mass media, social phenomenaRESPON PEMBACA TERHADAP PERTUNJUKAN DRAMA TANGIS OLEH TEATER GADRIK DALAM FENOMENA SOSIAL-POLITIK TERKINIAbstrakKarya sastra, termasuk dalam konteks ini naskah drama yang kemudian dipentaskan, seringkali lebih dari sekadar hiburan atau pameran. Naskah drama dan pertunjukan teater juga sering memperkenalkan pelajaran moral tertentu, pesan edukatif, bahkan kontrol sosial. Penelitian ini bertujuan untuk mendeskripsikan hal-hal sebagai berikut: (a) liputan media massa nasional atas tiga pertunjukan Tangis (Menangis) oleh Teater Gandrik; (b) fenomena sosial politik yang dihadirkan dalam pertunjukan; dan (c) konstruk pembaca atau penonton terhadap pertunjukan. Objek penelitian ini terdiri dari sejumlah berita atau ulasan tentang pertunjukan tersebut yang diliput di media massa nasional pada tahun 2015. Untuk mengumpulkan data digunakan metode membaca dan mencatat. Validitas dan reliabilitas data diukur dengan menggunakan validitas semantik serta reliabilitas intra-penilai dan antar-penilai. Data tersebut kemudian dikategorikandan dianalisis dengan menggunakan pendekatan kualitatif deskriptif, dengan fokus pada resepsi sastra. Sedikitnya ada 15 berita atau resensi yang dihimpun, menandakan minat media massa yang cukup besar dalam memaknai pertunjukan tersebut. Hampir setiap liputan ini membahas tentang keadaan sosial yang direpresentasikan dalam lakon tersebut. Isu konflik antara KPK (Komisi Pemberantasan Korupsi) dan Polri (Polri) merupakan salah satu fenomena aktual yang secara tidak langsung ditangkap oleh media terkait kinerja tersebut. Reportase media ini menjadi konstruksi yang dibangun oleh penonton (pakar) atau pembuat resensi atau reporter berita tentang Teater Gandrik, terutama pada lakon yang menobatkan grup ini sebagai salah satu perusahaan teater terkemuka di Indonesia.Kata kunci: resepsi, pertunjukan, teater gandrik, media massa, fenomena sosial
REPRESENTASI PERAN DAN RELASI GENDER DALAM NOVEL CANTIK ITU LUKA KARYA EKA KURNIAWAN DAN NOVEL NAYLA KARYA DJENAR MAESA AYU Wiyatmi Wiyatmi
LITERA Vol 8, No 1: LITERA APRIL 2009
Publisher : Faculty of Languages and Arts, Universitas Negeri Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.21831/ltr.v8i1.1204

Abstract

This study aims to describe the representation of gender relation and gender role and Eka Kurniawan’s and Djenar Maesa Ayu’s different visions of the two. The data sources were Cantik Itu Luka, a novel by Eka Kurniawan and Nayla, a novel by Djenar Maesa Ayu. The data were analyzed by means of the qualitative descriptive technique through categorization, tabulation, and inference employing the feminist literary criticism theory. The findings are as follows. First, Cantik Itu Luka representsthe gender relation dominated by patriarchal power especially in the public domain, while Nayla represents the gender relation leading to superior women against the patriarchal power. Second, Eka Kurniawan views that men have dominant positionsin relation to women, while Djenar Maesa Ayu views that men’s domination must be opposed by presenting dominant female figures. Third, Eka Kurniawan views that patriarchal domination in gender role still cannot be opposed by women, while Djenar Maesa Ayu views that women must be able to compete with men especially in the public role.
REPRESENTASI SEJARAH INDONESIA DALAM NOVEL-NOVEL KARYA AYU UTAMI Wiyatmi Wiyatmi Wiyatmi
LITERA Vol 12, No 2: LITERA OKTOBER 2013
Publisher : Faculty of Languages and Arts, Universitas Negeri Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.21831/ltr.v12i02.1545

Abstract

This study aims to describe the form and representation of socio-political historical events in Ayu Utami’s novels. The data sources were four novels written by Ayu Utami, namely Saman, Larung, Manjali dan Cakrabirawa, and Cerita Cinta Enrico. They were analyzed using the New Historicism perspective. The findings are as follows. First, socio-political historical events in the novels are: (a) an event in Medan from 1 March to 16 April 1994, (b) 30 September Movement in 1965, (c) the tragedy of 27 July 1996 in Jakarta, (d)the rebellion by the Republic of Indonesia’s Revolutionary Government, 15 February 1958 in Padang,(e)the demonstration by students of Technology Institute of Bandung and the publication of the Student Struggle White Book in 1978. Second, the events are represented in parts integrated into the events that the characters experience. Historical events from factual events are contextualized in the novels. In the New Historicism perspective, socio-political historical events are presented to question historical truths previously recorded.
Co-Authors Afendi Widayat Alade, Salman Aminudin, Muhammad Fauzan Andrian Eka Saputra Anggraeni, Nureza Dwi Ary Kristiyani Aulia Angriani Waridin Dwi Budiyanto Else Liliani Esti Swatika Sari Indra, Andi Batara Kusmarwanti Kusmarwanti Latifah Latifah Latifah, Rahma Meutia Lovinea Mega Putri Mubarock, Wildan Fauzi Nurhadi Nurhadi Puspasari, Rahastri Fajar Rahastri Fajar Puspasari Ridlo, Muhammad Rasyid Safei, Mawar Sanubarianto, Salimulloh Tegar Siti Anafiah, Siti Sri Harti Widyastuti Sudiati Sudiati Suminto A. Sayuti Suri, Dian Ratna Syamsul Hadi Triana Susanti Yeni Artanti Yulianeta