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Journal : Apollo Project: Jurnal Ilmiah Program Studi Sastra Inggris

Illocutionary Acts Performed by Meilin in “Turning Red” the Movie Widyasari, Ketut Monica; Sukarini, Ni Wayan; Maharani, Sang Ayu Isnu
Apollo Project: Jurnal Ilmiah Program Studi Sastra Inggris Vol. 13 No. 1 (2024): Februari 2024
Publisher : Program Studi Sastra Inggris, Fakultas Ilmu Budaya, Universitas Komputer Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.34010/apollo.v13i1.9675

Abstract

This analysis entitled "Illocutionary Act Performed by Meilin in Turning Red the Movie," aims at determining and analysing the types of illocutionary acts and direct and indirect illocutionary acts performed by Meilin as the main character in "Turning Red." This analysis was based on qualitative research, and data was collected through the documentation method and a note-taking technique. After collecting all relevant data, the data were analysed using the descriptive qualitative method. The data source was the utterances of Meilin, the main character in "Turning Red," the movie. This article analysed the data using the types of illocutionary acts theory proposed by Searle (1979) to categorise and analyse the collected data into five groups: declarations, assertive, expressive, directives, and commissives; and the approach proposed by Yule (1996) to determine and analyse direct and indirect illocutionary acts. Based on the result of the analysis, there were only four types of illocutionary acts used by Meilin in the movie: assertive, directive, commissive, and expressive. Assertive was expressed 17 times, directive was expressed 20 times, commissive appeared 9 times, and expressive appeared 2 times. In this analysis, no declaration acts were found because there were no utterances by Meilin that contained utterances to declare something. Therefore, the analysis also found that direct speech was the type most often expressed by Meilin; it was expressed 25 times, while indirect speech was only expressed 23 times. She mostly expressed her utterances directly because that is the easiest way to communicate with the listener. Keywords: Illocutionary acts, Types of illocutionary acts, Direct and indirect acts
Language Style Used by Peter Parker in the Spiderman Movie Sintia, Intan; Savitri, Putu Weddha; Sukarini, Ni Wayan
Apollo Project: Jurnal Ilmiah Program Studi Sastra Inggris Vol. 13 No. 1 (2024): Februari 2024
Publisher : Program Studi Sastra Inggris, Fakultas Ilmu Budaya, Universitas Komputer Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.34010/apollo.v13i1.9706

Abstract

This undergraduate thesis is entitled Language Style Used by Peter Parker in the “Spider-Man” Movie. This study focused on the language style particularly to identify and analyze the type language style and function of language in Peter Parker’s utterances. The object of this study is Peter Parker’s utterances in the “Spider-Man” movie. This study used observation and documentation methods with taking note technique in collecting data. The data was analyzed using descriptive qualitative methods, means the results are explaining descriptively. The results of the analysis are presented in informal method. This study used two theories; the theory of type of language style proposed by Joos and the theory of function of language proposed by Jakobson. Based on the theory, the type of language style in this study shows three types of language style. There are formal style, consultative style, and casual style. In this study, there are types of language style which is not found, namely frozen style and intimate style. These types of language style do not exist because in the movie, the situations and Peter Parker’s utterances does not contain frozen style and intimate style. Meanwhile, the function of language in this study shows four functions of language. There are phatic function, conative function, referential function, and expressive function. There are two functions of language that are not in the movie, namely poetic function and metalingual function because it does not match the contents of the story and Peter Parker’s utterances. The result shows that Peter Parker used more casual style to communicate with other characters and expressive functions, which aimed to express Peter Parker’s emotions and feelings. Keywords: Sociolinguistics, Type of language style, Function of language
Language Disorders Suffered by Cerebral Palsy Character in “Margarita, with a Straw” Movie Melani, Dian Angga; Sukarini, Ni Wayan; Beratha, Ni Luh Sutjiati
Apollo Project: Jurnal Ilmiah Program Studi Sastra Inggris Vol. 12 No. 2 (2023): Agustus 2023
Publisher : Program Studi Sastra Inggris, Fakultas Ilmu Budaya, Universitas Komputer Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.34010/apollo.v12i2.9657

Abstract

This research entitled “Language Disorders Suffered by Cerebral Palsy Character in Margarita, with a Straw Movie” was conducted to analyze language disorders in Cerebral Palsy. Seeing language and communication is crucial therefore this research is proposed to identify types of language disorders and their impacts on communication quality. The data of this were the utterances of a Cerebral Palsy character named Laila. This research used the language knowledge theory proposed by Carroll for examining language disorder types and the Communication Function Classification System by Hidecker et al for analyzing the effect of language disorders on communication quality. The data were analyzed by using the observation method and techniques of check, re-check, and cross-check where all data findings were observed, noted, and check properly then presented through words. From the analysis, Laila experienced; 66% phonological disorders where she stuttered and misarticulated words; 20% syntactic disorders where she forgot to use the auxiliary verb to be; 8% semantics disorders in which she uttered an idea that was not in accordance with the topic of discussion; and 6% pragmatics disorders whereas she gave irrelevantly and informatively answers. Her communication quality is level 4 where the phonological disorders greatly affect communication because people were difficult to understand her speech. Thus, the communication did not run effectively and efficiently. Keywords: Language Disorder, Cerebral Palsy, Communication
Co-Authors A A Ayu Cindy Karina Ivana Irawan ABDI SUDIATMIKA, I PUTU GEDE Adi Utamayasa, I Gede Aditya Bimo Laksono Adriel Elbert Dinata Anak Agung Gede Hari Wishnawa Anak Agung Ngurah Kenata Janamejaya Anak Agung Sagung Shanti Sari Dewi Anissa Nanda Puri Kurniasih Antari, Ni Made Suwari Aritorang, Athalia Beshorah Byanca Vanessa Suwasdika Christina Made Dwi Utami Daar, Gabriel Fredi Desak Ayu Krisna Dewi Dewi, Ni Luh Desy Utari Dini Siamika Tito Prayogi Dwi Aditya Darmawan Erisa Octavianti I Dewa Ayu Ika Fransiska I Gede Budiasa I Gede Putu Sudana I Gusti Ayu Cintya Premasari I Gusti Ayu Gede Sosiowati I Komang Sumaryana I Komang Sumaryana Putra I Made Hartadi Jaya Nugraha I Made Pradipta I MADE RAJEG I Made Suastra I Made Yudhi Putrawan I Nengah Sudipa I Nyoman Sedeng I Nyoman Udayana I Putu Eka Prawijaya I Wayan Eka Bawa Pradnyana I Wayan Eka Suarmita I WAYAN PASTIKA I Wayan Simpen Ida Ayu Ika Sarita Dewi Ida Ayu Made Puspani Ida Bagus Gede Dwitya Dharma Suputra Ida Bagus Putra Yadnya Karniasih, Ni Wayan Listia Dewi KOMANG HARI SANTHI DEWI . Laksono, Aditya Bimo Luh Gede Novita Rahayu Luh Putu Amara Sukma Dewi Maharini, Sang Ayu Isnu Maria Gorethy Nie Nie Melani, Dian Angga Melkyanus Dju Rohi Ni Kadek Dinda Pratiwi Ni Kadek Eni Dharmayanti Ni Kadek Jessica Sarindra Dwije Ni Kadek Mirayanti Ni Kadek Sindy Arista Ni Luh Ayu Shinta Andriani Ni Luh Cintya Sandi Astini Ni Luh Desy Utari Dewi Ni Luh Ketut Mas Indrawati Ni Luh Nyoman Seri Malini Ni Luh Putri Ayu Febriani Ni Luh Sutjiati Beratha Ni Made Budiartini Ni Made Devi Sudiarta Putri Ni Made Dhanawaty Ni Made Dwijayani Ni Made Raras Nandari Patni Ni Made Suwari Antari Ni Made W.B. Megasari Bintang Ni Putu Desi Ramayanti Ni Putu Parmini Ni Putu Tifani Puspa Lestari Ni Putu Wahyu Febriyani Ni Wayan Sri Jayanti Novita Mulyana Putra, I Komang Sumaryana Putu Anggita Novarianti Putu Cahya Jaya Dirga Putu Weddha Savitri Rifky Lana Rahardian Sala, Giulia Sang Ayu Isnu Maharani Sang Ayu Isnu Maharini Sintia, Intan Urbanus Laratmase Venesia Vergie Wasista, I Putu Udiyana Wayan Andrika Putera Widyasari, Ketut Monica Yuli Fimawati