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All Journal Jurnal Imajinasi Tanra : Jurnal Desain Komunikasi Visual Fakultas Seni dan Desain Universitas Negeri Makassar Harmoni: Jurnal Pendidikan dan Penelitian Seni Budaya Panggung Nuansa Journal of Arts and Design Jurnal Pakarena Boting Langi: Jurnal Seni Pertunjukan KAGANGA KOMUNIKA: Journal of Communication Science Sureq: Jurnal Pengabdian Masyarakat Berbasis Seni dan Desain Tamaddun Panggung Jurnal Ragam Pengabdian
Andi Taslim Saputra
Universitas Negeri Makassar
Arts Humanities Education Environmental Science Languange, Linguistic, Communication & Media Social Sciences Other

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REPRESENTASI NILAI SIRI’ NA PACCE PERTUNJUKAN TEATER RAKYAT KONDOBULENG SANGGAR SENI TRADISIONAL I LOLO GADING PAROPO Asia Ramli*; Andi Taslim Saputra
PANGGUNG Vol 33 No 4 (2023): Eksistensi Tradisi dalam Narasi Seni Modern
Publisher : LP2M ISBI Bandung

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26742/panggung.v33i4.2904

Abstract

Penelitian ini bertujuan untuk mendeskripsikan dan menganalisis pertunjukan teater rakyat Kondobuleng representasi nilai siri’ na pacce (harga diri dan kehormatan). Metode penelitian menggunakan jenis penelitian kualitatif dengan pendekatan interdisiplin. Pertunjukan Teater Rakyat Kondobuleng (PTRK) merupakan salah satu karya seni kolektif yang di dalamnya memuat beragam unsur seni yang saling terkait antar satu dengan yang lain, tokoh/karakter, pemeranan, dialog, kostum, rias, properti, tari atau gerak, musik, dan lagu. Penelitian ini menguraikan fenomena pertunjukan dengan menggunakan salah satu teori dari John Fiske yang membaca realitas seni dengan berfokus pada representasi. Teknik pengumpulan data menggunakan teknik observasi, wawancara, dan dokumentasi. Pada tahapan analisis data diolah dengan bentuk reduksi data, penyajian data, dan penarikan kesimpulan. Hasil penelitian ditemukan representasi nilai siri’ na pacce yang berhubungan dengan sosiokultural masyarakat pesisir Bugis-Makassar meliputi mempertahankan diri dan kehormatan, memegang teguh pendirian, menumbuhkan kerja gotong royong, menanamkan sifat tolong menolong, menumbuhkan etos kerja, menempatkan seseorang dengan keahliannya, mengambil keputusan secara arif dan bijaksana, serta menjunjung tinggi rasa kesetiakawanan. Nilai yang disampaikan termuat pada adegan dari pertunjukan teater rakyat Kondobuleng. Kata kunci: Pertunjukan, Teater, Representasi, Nilai siri’ na pacce.
Pelatihan Teater Melalui Board Games Teater Rakyat Kondobuleng bagi Siswa SMA Negeri 2 Majene Sulawesi Barat Andi Taslim Saputra; Asia Ramli; Karta Jayadi; Dzulfitrah Ramadhani Mar; Safei Suprianto
Jurnal Ragam Pengabdian Vol. 1 No. 3 (2024): September-Desember "Implementation of Social Service Programs to Increase Commu
Publisher : Lembaga Teewan Journal Solutions

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.62710/a78dns50

Abstract

SMA Negeri 2 Majene Sulawesi Barat merupakan Sekolah Menengah Atas yang terletak di Majene Sulawesi Barat. Sajian seni di sekolah ini selalu berkembang dan berkembang. Ekosistem seni yang dikembangkan mencakup semua genre. Fenomena pembelajaran teater merupakan salah satu fenomena yang paling banyak dikaji karena orientasi seni dalam kerangka seni rupa, tari, musik, dan teater belum mempunyai landasan nilai-nilai lokal yang kuat. Meskipun demikian ekosistem kesenian berkembang tetap terdapat permasalahan sosial yangg turut hadir dan membuat ketidakstabilan. Atas fenomena permasalah maka lahirlah pelatihan yang diinisiasi institusi. Tujuan pengabdian adalah pelatihan teater rakyat Kondobuleng berbasis Board games. Metode yang digunakan adalah analisis, perancangan, pengenalan dan roleplay, simulasi games dan evaluasi. Pelatihan ini dapat dijadikan sebagai sarana pembelajaran, sarana refleksi, perubahan dan pengajaran berharga bagi siswa SMA Negeri 2 Majene Sulawesi Selatan. Pelaksanaan pelatihan dengan model pendampingan bagi peserta atau mitra agar pelatihan lebih aktif, kreatif dan menyenangkan. Pelaksanaan kegiatan tersebut adalah: (1) Merancang pelatihan teater melalui Board Games, dan (2) melaksanakan kegiatan games berbasis permainan tradisional. Selain itu, pelatihan ini menghasilkan luaran sebagai berikut: (1) Mengurai persoalan dengan pendekatan teater yang menjadi patron serta meningkatkan nilai tradisional melalui pembelajaran Board games Teater Rakyat Kondobuleng
KAJIAN SEMIOTIKA: MAKNA SIMBOLIK SULAPA’ EPPA DALAM MOTIF BALO LOBANG PADA LIPA’ SABBE BUGIS Andi Fauziyah Hijrina Fatimah; Nurul Fadhillah; Andi Taslim Saputra
KAGANGA KOMUNIKA: Journal of Communication Science Vol 8 No 1 (2026): Edisi 14
Publisher : Fakultas Ilmu Komunikasi Universitas Teknologi Sumbawa

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.36761/kagangakomunika.v8i1.7429

Abstract

Lipa’ sabbe (Bugis silk sarong) is a textile that has been designated as an Intangible Cultural Heritage (ICH) of Indonesia since 2016. The balo lobang motif visually has a very close connection with the sulapa’ eppa (four sides) philosophy, which represents cosmological balance in the Bugis worldview. This research aims to uncover the symbolic meaning of sulapa’ eppa in the balo lobang motif on Bugis lipa’ sabbe. This type of research uses an interpretative qualitative research method, which seeks to find meaning in a phenomenon to investigate issues related to specific individuals, thereby gaining direct insight into their activities. The results of this study found interpretations related to the perspectives of representamen, object, and interpretation. This research outlines that the semiotic approach is crucial for understanding cultural artifacts as tools for generating meaning. According to the findings of this research, symbolic meanings must be revived in cultural practices. In this process, the symbolic values contained in the motifs tend to be simplified or even lose their relevance in social practice.   Keywords: Semiotics, Meaning, Lipa’ Sabbe, Balo Lobang, Sulapa’ Eppa
KACAPING SEBAGAI ALAT MUSIK TRADISIONAL MASYARAKAT SIDRAP: KAJIAN SOSIOMUSIKOLOGI Andi Ihsan; Andi Taslim Saputra; Khaeruddin Khaeruddin
JURNAL PAKARENA Vol 11, No 1 (2026): Juli
Publisher : Universitas Negeri Makassar

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26858/p.v9i2.70362

Abstract

This study aims to map the distribution of Kacaping as a traditional musical instrument of the Bugis people in Sidenreng Rappang (Sidrap) Regency and analyze the socio-cultural relationships that support the sustainability of this musical practice from a socio-musicological perspective. The study uses a qualitative approach with a musical ethnography design. Data were obtained through field observations, in-depth interviews with cultural experts, Kacaping players, and community leaders, and documentation studies. Data analysis was conducted using the Miles and Huberman interactive model which includes data reduction, data presentation, and data verification. The results of the study indicate that Kacaping activities in Sidrap Regency are not evenly distributed, but are concentrated in Tellu Limpoe District, especially Amparita Village, which is currently the center of Kacaping preservation and development. Socio-culturally, Kacaping functions as a symbol of Bugis cultural identity, a medium for transmitting cultural values, and a means of building social relations in the community. The study also found that each player has a different improvisational pattern that forms a personal identity in musical practice. These differences in improvisation indicate that Kacaping is a dynamic cultural practice and continues to undergo a process of cultural construction. Furthermore, Kacaping serves as a cultural arena that brings together performers, cultural figures, craftspeople, and the community in the process of producing meaning, legitimizing culture, and reproducing local knowledge. This finding expands sociomusicological studies by positioning Kacaping not only as a traditional musical instrument, but also as a sociocultural practice that shapes the identity, social relations, and cultural sustainability of the Bugis Sidrap community
Performative Semiotics of Manca' Paddang: Body, Sword, And Humor in the Construction of Selayar Cultural Meaning Andi Taslim Saputra; Andi Fauziyah Hijrina Fatimah
Tamaddun Life Vol 24 No 2 (2025): December
Publisher : Fakultas Sastra - Universitas Muslim Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33096/tamaddun.v24i2.1119

Abstract

This study analyzes manca' paddang, a traditional Selayar martial performance using swords, as a performative semiotic practice in which the body, object, and humor operate as cultural signs. Although the performance remains visible in ritual and community stages, it is often reduced to entertainment, thereby obscuring its role in transmitting values of courage, siri', social intimacy, and cultural memory. Using an interpretive qualitative design, data were collected over approximately three months in Galung Bontosikuyu, Benteng Bontoharu, Kayuadi, and Pulau Madu through passive observation, in-depth interviews, and visual documentation of performances. Charles Sanders Peirce's triadic model of representamen, object, and interpretant was used as the main analytical framework, complemented by performance studies perspectives on embodied action and cultural transmission. The findings show that the performer's body functions as a representamen through patterned movement, gesture, posture, and facial expression. The paddang or sword operates as an object that indexes courage, self-control, and disciplined masculinity while structuring dramatic interaction. Humor emerges as a dynamic interpretant through playful improvisation, laughter, and audience participation, transforming potential violence into social intimacy. The study argues that manca' paddang is not merely a traditional martial attraction but a complex cultural sign system in which Selayar identity is enacted, negotiated, and reproduced. It contributes to scholarship on Indonesian performance by integrating Peircean semiotics with performative analysis of embodied local knowledge.
Co-Authors A. Padalia Andi Fauziyah Hijrina Fatimah Andi Hendra Bahar Andi Ihsan Andi Zulfikar Alam Arifin Manggau, Arifin Asia Ramli Asia Ramli* Bau Salawati Citra Aryandari Dzulfitrah Ramadhani Mar Faizal Erlangga Makawi Fatimah, Andi Fauziyah Hijrina Heriyati Yatim Izmi, Siti Asmaulul Jalil Jalil Jayadi, Karta Khaeruddin Khaeruddin Khaeruddin, Khaeruddin Moh Mahrush Ali Muhammad Muhaemin Muhammad Suyudi Muhammad Syafruddin Akmal Muhammad Zia Ulhaq Nurul Fadhillah Nurul Fadhillah S Prusdianto, Prusdianto Rahma M Romi Faisal Sadrina Ayu Mahardika Safei Suprianto Satriadi Satriadi Selfiana Saenal Syakhruni Syakhruni* Syakhruni, Syakhruni Tyas Kartiko Sutawi Wahyu Wardana Rasyid Wiharja, Muh. Kurniawan Adikusuma