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All Journal Harmonia: Journal of Research and Education SWARA - Jurnal Antologi Pendidikan Musik Jurnal Penelitian Pendidikan Panggung DWIJA CENDEKIA: Jurnal Riset Pedagogik Gondang: Jurnal Seni dan Budaya Pendas : Jurnah Ilmiah Pendidikan Dasar VISI : Jurnal Ilmiah Pendidik dan Tenaga Kependidikan Pendidikan Non Formal Dewa Ruci : Jurnal Pengkajian dan Penciptaan Seni Tunas Siliwangi : Jurnal Program Studi Pendidikan Guru PAUD STKIP Siliwangi Bandung Didaktika: Jurnal Kependidikan Jurnal Kependidikan: Jurnal Hasil Penelitian dan Kajian Kepustakaan di Bidang Pendidikan, Pengajaran dan Pembelajaran Jurnal Pendidikan dan Teknologi Indonesia These proceedings represent the work of researchers participating in The International Conference on Elementary Education (ICEE) which is being hosted by the Elementary Education Study Programme School of Postgraduate Studies, Universitas Pendidikan Ghurnita: Jurnal Seni Karawitan Indonesian Journal of Performing Arts Education Jurnal Impresi Indonesia Siwayang Journal: Publikasi Ilmiah Bidang Pariwisata, Kebudayaan, dan Antropologi IRAMA JURNAL SENI DESAIN DAN PEMBELAJARANNYA JPLED Panggung KOLEKTIF: Jurnal Pendidikan, Pengajaran, dan Pembelajaran OSTINATO Journal of Music Study and Research
uus karwati
Pendidikan Seni Musik, UPI
Religion Arts Humanities Economics, Econometrics & Finance Education Engineering Environmental Science Languange, Linguistic, Communication & Media Law, Crime, Criminology & Criminal Justice Mathematics Social Sciences Other

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Internalisasi Nilai Trilogi Ki Hajar Dewantara: Paradigma Pendidikan dalam Falsafah Gerak Tari Guel Gayo Rani Tiara FL; Uus Karwati; Reni Haerani
Didaktika: Jurnal Kependidikan Vol. 14 No. 4 Nopember (2025): Didaktika Jurnal Kependidikan
Publisher : South Sulawesi Education Development (SSED)

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.58230/27454312.3123

Abstract

Penelitian ini dilatarbelakangi oleh pentingnya pelestarian nilai budaya lokal dalam pendidikan nasional melalui seni tari tradisional. Fokus penelitian ini adalah menelaah relevansi Trilogi Pendidikan Ki Hajar Dewantara Ing Ngarso Sung Tuladha, Ing Madya Mangun Karsa, Tut Wuri Handayani dalam falsafah ragam gerak Tari Guel Gayo. Metode yang digunakan adalah kualitatif dengan pendekatan etnokoreologi, melalui observasi, wawancara mendalam, dan studi dokumentasi. Analisis deskriptif-interpretatif digunakan untuk mengungkap makna simbolik gerak dan nilai pendidikan yang terkandung di dalamnya. Hasil penelitian menunjukkan bahwa Tari Guel Gayo merepresentasikan nilai kebersamaan, kesopanan, penghormatan terhadap leluhur, keseimbangan spiritual, dan keteguhan hidup yang sejalan dengan prinsip keteladanan, pemberdayaan, serta pendampingan dalam Trilogi Pendidikan Ki Hajar Dewantara. Secara teoretis, penelitian ini memperkaya kajian paradigma pendidikan berbasis budaya lokal, sedangkan secara praktis memberikan implikasi pada pengembangan model pembelajaran seni berbasis nilai karakter dan kearifan lokal.
Inovasi pertunjukan Tunggul Kawung sebagai media pembelajaran seni budaya di Kampung Seni Edas Deyananda, Arnetha; Masunah, Juju; Karwati, Uus
Jurnal Kependidikan : Jurnal Hasil Penelitian dan Kajian Kepustakaan di Bidang Pendidikan, Pengajaran, dan Pembelajaran Vol. 12 No. 1 (2026): March
Publisher : LPPM Universitas Pendidikan Mandalika

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33394/jk.v12i1.19838

Abstract

This study aims to analyze the innovation process in the performance packaging of Tunggul Kawung as a community-based arts and culture learning medium at Kampung Seni EDAS. The research employed a qualitative approach using Participatory Action Research (PAR), conducted through two action cycles involving three art practitioners and 15 adolescents aged 13–19. In addition, approximately 50 workshop participants were involved as part of the participatory evaluation process. The research instruments included participatory observation, semi-structured interviews, audio-visual documentation, and a Likert-scale survey. The data were analyzed using Miles and Huberman’s interactive analysis model, which consists of data reduction, data display, and cyclical conclusion drawing. The findings indicate that the innovation was integrated into three main aspects: ergonomic and symbolic instrument design, adaptive musical development aligned with contemporary dynamics, and high-mobility choreography that supports kinesthetic learning. These innovations created a more participatory, inclusive, and meaningful learning experience for adolescents. Furthermore, the study demonstrates how performative innovation in traditional arts can reshape both the cognitive understanding and kinesthetic engagement of learners within the framework of sustainable arts education.
Character Education Values in Pupuh Pucung from Ki Hadjar Dewantara’s Educational Perspective Leonady, Wilky; Karwati, Uus; Haerani, Reni
OSTINATO: Journal of Music Study and Research Vol. 1 No. 2 (2025): December 2025
Publisher : Pendidikan Seni Musik, Fakultas Pendidikan Seni dan Desain, Universitas Pendidikan Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.5281/zenodo.18754082

Abstract

This study examines Pupuh Pucung as a culturally grounded medium for character education by analyzing its moral values through the educational philosophy of Ki Hadjar Dewantara. Using a qualitative descriptive approach with content analysis, this study analyzes selected Pupuh Pucung texts to identify character values and interpret their alignment with the principles of Ing Ngarsa Sung Tuladha, Ing Madya Mangun Karsa, and Tut Wuri Handayani. The results show that Pupuh Pucung contains core character values, including perseverance, discipline, responsibility, self-reflection, togetherness, and social awareness, which are conveyed through simple, rhythmic, and easily memorized poetic structures. These values function not merely as moral advice but as experiential narratives that encourage internalization through reflection and social context. The analysis further reveals that Pupuh Pucung operationalizes Ki Hadjar Dewantara’s educational principles by presenting moral exemplars, fostering collective learning motivation, and encouraging learners’ autonomy. This study concludes that Pupuh Pucung is not only a traditional literary form but also a pedagogical text with strong relevance for character education based on local wisdom. The findings imply that integrating Pupuh Pucung into educational practices can strengthen moral awareness, cultural identity, and holistic character development in both formal and nonformal learning contexts. Future research is recommended to explore the empirical implementation of Pupuh Pucung–based learning models and their impact on students character development.
Contextualizing the Kacapi Instrument in Karungut Tradition: A Reflection of Indonesian Art Education Paradigm through Ki Hadjar Dewantara’s Philosophy Elvionita Surya, Dhea; Uus Karwati; Reni Haerani
Journal of Practice Learning and Educational Development Vol. 6 No. 1 (2026): Journal of Practice Learning and Educational Development (JPLED) in Press
Publisher : Global Action and Education for Society

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.58737/jpled.v6i1.963

Abstract

This study aims to analyze the pedagogical and philosophical meanings contained in the kacapi instrument in the Karungut oral tradition of the Dayak Ngaju people in Central Kalimantan and its relevance to Ki Hadjar Dewantara's philosophy of education. Using descriptive-ethnographic qualitative methods, this study explores the symbolic and moral dimensions of the kacapi instrument and Karungut as a form of cultural pedagogy. The results show that the kacapi functions not only as a musical accompaniment, but also as a symbol of balance, spirituality, and wisdom, which is embodied through symbolic ornaments such as Batang Garing and Burung Enggang. This representation is in line with Ki Hadjar Dewantara's three principles of education, namely Ing Ngarso SungTulodo, Ing Madyo Mangun Karso, and Tut Wuri Handayani, which emphasize character building through exemplary behavior, guidance, and freedom of expression. Thus, the recontextualization of the kacapi in the Karungut tradition becomes a form of culture-based arts education that fosters moral character, ecological awareness, and cultural identity.
Co-Authors Deyananda, Arnetha Diah Latifah Dodi Pranata Elvionita Surya, Dhea Endah Irawan Engkur Kurdita, Engkur epin, Erfina Fathurohman, Muhammad Aji Fifiet Dwi Tresna Santana Fifiet Dwi Tresna Santana, Fifiet Dwi Tresna Ilham Maulana Juju Masunah Kim, Daemin Kusuma, Adel Sulaiman Leonady, Wilky Maulana, Marsel Ridky Medica, Reyhan Swarna Muhamad Ramdhani Khoerudin Muhammad Aji Fathurohman Muqri, Al Nana Supriatna Narawaty, Taty Nikawanti, Gia Novianti, Rahyuni Pangrestu, Saranti Galih Rani Tiara FL Reni Haerani Reni Haerani Rian Agustiansyah, Rian Ridwan, Indra Ridwan, Ridwan Rita Milyartini S, Mustika Iman Zakaria Sandra Rolisa Sekunderiawan, Muhammad Rafly Sentosa, Gempur Shintanie Intan Ramadhan, Shintanie Intan Stevanie Lumbangaol Sunaryo, Ayo Suryati Budiwati, Dewi Tati Narawati Toni Setiawan Sutanto Tri Karyono Trianti Nugraheni Wina Lerina, Wina Yudi Sukmayadi