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Welsi Damayanti
Universitas Pendidikan Indonesia
Religion Agriculture, Biological Sciences & Forestry Arts Humanities Computer Science & IT Decision Sciences, Operations Research & Management Economics, Econometrics & Finance Education Electrical & Electronics Engineering Environmental Science Health Professions Languange, Linguistic, Communication & Media Law, Crime, Criminology & Criminal Justice Library & Information Science Mathematics Nursing Public Health Social Sciences Other

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From Film to Classroom: A Feminist Analysis of Female Characters in “Home Sweet Loan” and Its Implications as Literary Enrichment Material in High School Azkia Najmi Mumtaza; Yulianeta; Welsi Damayanti
Jurnal Kependidikan : Jurnal Hasil Penelitian dan Kajian Kepustakaan di Bidang Pendidikan, Pengajaran, dan Pembelajaran Vol. 12 No. 2 (2026): June
Publisher : LPPM Universitas Pendidikan Mandalika

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33394/jk.v12i2.20381

Abstract

This study aims to analyze the role of the main female character in the film Home Sweet Loan based on Naomi Wolf’s liberal feminist principles, which serve as a framework for interpreting the character’s representation, and to examine its implications as literary enrichment material in Indonesian language learning at the senior high school level. The feminist principles are identified through an analysis of the main character’s roles. This study employed a qualitative descriptive method to describe and interpret the meaning of the phenomenon in depth and systematically. The research data consisted of dialogues and scenes involving the main female character in the film Home Sweet Loan (2024). The researcher acted as the primary instrument (human instrument), while data were collected through observation and note-taking techniques. Content analysis was used to examine how the main female character performs various roles in life, which position her in a dual-role context. The findings indicate that the character’s roles can be classified into four domains of life as depicted in the film. From a feminist perspective, these roles reflect the principles of autonomy, equality, and rationality. The main character’s actions represent modern women who strive to determine their own life paths despite operating within a socially gender-biased system. These findings have practical implications for the development of literary enrichment materials in Indonesian language learning at the senior high school level, aligned with the learning outcomes of the Merdeka Curriculum, particularly in fostering students’ critical thinking skills in analyzing gender issues. The film Home Sweet Loan also addresses the limitations of existing literary teaching materials, which are often dominated by patriarchal perspectives, by offering a more contextual and gender-sensitive alternative.
Co-Authors A Embhun Nurani Dwi Sari Heryanto Heryana Aa Hermawan Abdul Razak Abdul Razak Ainur Rofiq Sofa Alfian Lutfi Alya Gendhis Sukma Aji Amanda Naila Eka Putri Amry, Muhammad Faizal Andrean Dzulhijrah Andreas Cristiano Hendry Pratama Andriani, Alya Syifa Anggraeni, Deswita Anggraeni, Wilda Annisa Ayu Handayani Annisa Putri Andini Apandi, Sekar Ayu Ar-Rifdah, Nabila Athaya Naufal Raafy Aulia Kurnia Rahmadani Az-zahra, Zihan Atthahira Azizah, Farah Azkia Najmi Mumtaza Balqis Naura Izzati Bening Wafa Gema Ashofi Dalimunthe, Miftah Nurul Fathiyya Damayanti, Safira Tri Dewi, Yulis Sulistiana Diana Nur’azzah Dina Destari Dinda Deviandini Elmustian Emiliawati, Emil Eyad Saleh Bani-Domi Eyad Saleh Bani-Domi Fadia, Rahma Farhan Zidan Fadilah Fauzi Ridwan, Muhammad Fauziah, Hilma Ghifarina Frelsa Fairus Addailamy Manoch Fuadin, Ahmad Gamal Abdul Naser Zakaria Gulo, Melvin H. Suhada H. Suhada Halimah Halimah Hamzah, Naila Cahyaningtyas Handini, Shahnaz Azka Handini Harini, Yostiani Noor Hidajat, Putri Balqis Rizkita Iis Siti Salamah Azzahra Indira Dwi Putri Irlani Pratiwi Isah Cahyani Khairina, Raisha Siti Khoerunisa, Sabilla Khoerunnisa, Milky Khoirunnisa Khoirunnisa Komara, Riska Laila, Hasya Tsalist Lushinta, Istiqomah Putri Lutvie Novita Zalwa M. Zaky Khaerul Rijal Madeline Magani Azzara Santoso Martina Rosmaulina Marbun Masyudi, Ayudia Rostiara Melati, Puri Purnama Meliawati, Vini Milasiti Nursadiyah Muhammad Arsyad Muhammad Ghaisan Wirasena Muhammad Ricky Subagja Muhammad Rizal Fadhilah Nadisa Wiasqi Faza Nafsah Hasna Mardiyyah Nisrina Chaerunnisa Nizar, Alif Naf'an Nugraha, Metha Putri Nugroho, Rudi Adi Nur Rahmad Yahya Wijaya Nurjannah Nurjannah Nurmutia, Fitri Nuryana, Aurel Naila Permana, Rafli Putri, Dewi Arras Putri, Leony Assyifa Putri, Zaskia Auliana Rahman, Rhadiyah Rahmawati, Siti Salma Raihan, Muhammad Rama Wijaya Abdul Rozak Rasuki Rasyid, Diva Khadijah Revalian Amanda Firmanzah Rohayati Rohayati Rohendi, Hikmah Putra Rozaiman Makmun Shafira Nurul Auliya Basri Shanenthly Alnaysha Silva Nazilah Siminto Siminto Siregar, Muhammad Alfarizh Siti Hamidah Suwatno Suwatno Syafiq, Farrelio Tubagus Melvy Syauqi Fadhia Sunartadirja Tyaswahyu Neema Rasheesa Urbaningrum, Anastiya Vismania S. Damaianti, Vismania S. Yanifah, Sofia Yulianeta Yulianita, Diva Zahra Aulia Zahwa Nur Hasya Zamri Mahamod Zhahira, Bilqis Syazqya