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All Journal Cakrawala Pendidikan Harmonia: Journal of Research and Education Catharsis The Journal of Educational Development Jurnal Ilmiah Spirit Harmonia: Journal of Arts Research and Education
Tjetjep Rohendi Rohidi, Tjetjep Rohendi
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Arts Humanities Education Environmental Science

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The Existence and Practice of Art For Children (AFC) Yogyakarta as A Non-Formal Art Education Prihadi, Bambang; Rohidi, Tjetjep Rohendi; Retnowati, Tri Hartiti
Harmonia: Journal of Arts Research and Education Vol 18, No 2 (2018): December 2018
Publisher : Department of Drama, Dance and Music, FBS, Universitas Negeri Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15294/harmonia.v18i2.17052

Abstract

This article examines the existence, role, and practice of Art for Children (AFC) Yogyakarta as a community art center for children in Yogyakarta. Due to its cultural and educational setting, the children’s art center serves as an alternative for non-formal art education. The data were gathered by the passive participant observation, in-depth interview, and document review and analyzed by using the interactive model. The research results in four things. First, the establishment of the Art for Children (AFC) meets the needs of the self-actualization of both the artists and the parents in nurturing children’s art. Teaching art to children becomes the honorable way for the artists to reach his self-fulfillment as artists as well as members of a society and, on the other hand, engaging their children’s in the art center is the responsibility for the parents to fulfill their aesthetic needs and to support their children’s education. Second, the lesson emphasizes the process rather than the result; it is oriented to the development of art educational values rather than artistic skills. The training process involves collaboration between the artists and the parents. The artists engage the parents in active participation of guiding the children. Third, through this strategy the children have produced original and creative drawings and paintings worthwhile for children’s aesthetic education and cultural activity in the city.
GURITAN: MAKNA SYAIR DAN PROSES PERUBAHAN FUNGSI PADA MASYRAKAT MELAYU DI BESEMAH KOTA PAGARALAM Firduansyah, Dedy; Rohidi, Tjetjep Rohendi; Utomo, Udi
Catharsis Vol 5 No 1 (2016)
Publisher : Catharsis

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Abstract

Guritan adalah salah satu jenis sastra daerah masyarakat Besemah yang eksistensinya ditampilkan dalam bentuk teater tutur. artinya ia dituturkan secara monolog oleh seorang penutur cerita dalam bahasa Besemah dengan lagu atau syair tertentu dan memakai alat bantu sambang.  Masalah dalam penelitian ini adalah bagaimanakah makna syair guritan di Besemah Kota Pagaralam dan bagaimanakah perubahan fungsi   guritan pada masyarakat melayu di Besemah Kota Pagaralam? Pendekatan yang diterapkan penelitian ini adalah interdisiplin yang melibatkan disiplin ilmu semiotika dan sosiologi. Metode yang digunakan kualitatif. Lokasi penelitian di Kota Pagaralam. Teknik pengumpulan data yang digunakan adalah observasi, wawancara, dan studi dokumen. Teknik keabsahan data secara utama menggunakan triangulasi sumber. Teknik analisis data yang digunakan adalah analisis isi dan analisis data interaktif. Hasil penelitian yang pertama yaitu terdapat makna berupa nasehat-nasehatt anjuran berbuat baik dan tolong menolong serta selalu menghormati kedua orang tua dan pembahsan kedua ditemukan adanya perubahan fungsi guritan yang di sebabkan oleh pengaruh budaya luar yang masuk di Kota Pagaralam yaitu kebudayaan islam hal tersebut menyebabkan perubahan prilaku masyarakat Kota Pagaralam yang harus mengikuti  norma  dan nilai  yang belaku  pada  budaya  yang  baru  yang  berdampak pada perubahan fungsi pada guritan.
FUNGSI DAN MAKNA BIDE DALAM KEHIDUPAN MASYARAKAT DAYAK KANAYATN DI KABUPATEN LANDAK KALIMANTAN BARAT Dodo, Dodo; Iswidayati, Sri; Rohidi, Tjetjep Rohendi
Catharsis Vol 5 No 2 (2016)
Publisher : Catharsis

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Abstract

Bide merupakan bagian dari perlengkapan atau sarana yang digunakan dalam upacara ritual adat suku Dayak Kanayatn, tikar Bide mampu memberi kepuasan spiritual atau emosional lewat penampilan yang indah dan artistik. Masalah yang dikaji dalam penelitian ini; (1) Fungsi apa yang terkandung dalam Bide?; dan (2) Bagaimana makna simbolik yang terkandung dalam Bide?. Metode penelitian ini adalah kualitatif dengan pendekatan interdisiplin (antropologi, sosiologi, seni rupa dan semiotika). Teknik pengumpulan data dengan teknik observasi, wawancara, dan studi dokumen. Pemeriksaan keabsahan data menggunakan triangulasi sumber, dengan prosedur analisis data menggunakan reduksi data, penyajian data, dan verifikasi data. Hasil Penelitian menunjukan bahwa, tikar Bide bagi masyarakat Dayak Kanayatn adalah sebagai alat perekat tali persaudaraan. Dalam upacara adat, Bide sebagai alas tempat duduk dalam mempersatukan masyarakat, sehingga dengan kesatuan dapat tercipta suasana yang damai, adat merupakan aturan yang berlaku disetiap kehidupan mereka. Makna simbolik Bide adalah lambang kebersamaan dan pemersatu suatu kelompok masyarakat, dengan tujuan supaya masyarakat tetap menjaga solidaritas, kebersamaan, dan tanggung jawab. Sesuai dengan fungsinya, ketika ditempatkan dalam kontek budaya, Bide menjadi suatu identitas, karakter dan bisa juga harga diri.
TOPENG SENI BARONGAN DI KENDAYAKAN TEGAL: EKSPRESI SIMBOLIK BUDAYA MASYARAKAT PESISIRAN Murni, Endri Sintiana; Rohidi, Tjetjep Rohendi; Syarif, Muh. Ibnan
Catharsis Vol 5 No 2 (2016)
Publisher : Catharsis

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Abstract

Kehadiran seni dalam kehidupan manusia menjadi salah satu kebutuhan bagi manusia. Salah satunya topeng seni barongan di Kendayakan Tegal. Bentuk topeng mengarah pada keislaman dan masih mempertahankan bentuk terdahulu. Masalah yang dikaji dalam penelitian ini: (1) bagaimana bentuk topeng dalam seni barongan di Kendayakan Tegal?; (2) mengapa bentuk topeng dalam seni barongan di Kendayakan Tegal mengekspresikan secara simbolik budaya pesisiran?. Metode dan pendekatan penelitian adalah kualitatif dengan kajian interdisiplin. Analisis data seni dengan intra dan ekstraestetik. Hasil penelitian yang pertama, topeng seni barongan terdiri dari Capluk, Gendruwo Lanang, Gendruwo Wadon, Singa, dan Buroq. Bentuk visual topeng memiliki gaya imajinatif dan stilaisi dengan corak sederhana serta variatif. Warna topeng cerah dan tegas. Topeng juga terkait dengan nilai kosmologis, klasifikasi simbolik, dan orientasi kehidupan. Kedua, topeng seni barongan sebagai praktik budaya masyarakat Desa Kendayakan berada di kawasan pesisir menghasilkan produk budaya berupa topeng seni barongan yang mengekspresikan secara simbolik budaya pesisiran. Topeng seni barongan dahulu memiliki unsur-unsur budaya Hindu bergeser menjadi budaya dan simbol Islam sebagai legitimasi yang kuat pada masyarakat Kendayakan serta bertujuan sebagai media syiar Islam.
Orkes Puisi Sampak Gusuran : the Creativity of Processing and Symbolic Meanings in Action of Art for the Art Consumer Community Amaliani, Mina; Wadiyo, Wadiyo; Rohidi, Tjetjep Rohendi
Catharsis Vol 7 No 2 (2018)
Publisher : Universitas Negeri Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15294/catharsis.v7i2.22865

Abstract

This research raises the problem about an art group located in Pati Central Java named Orkes Puisi Sampak Gusuran. The group has created the art of musical poetry. The purpose of this study was to obtain a picture of the form of creativity and symbolic meaning of the work of the Orkes Puisi Sampak Gusuran for the society of art consumer. This research used qualitative method and used an interdisciplinary approach to find out the symbolic meaning, using symbolic interaction theory. The data collection techniques used are interviews, observation, and document studies. The results of this study indicate that; 1)there are poetry reading techniques must be maintained in order to maintain the meaning of the deepest meaning of a poetry to be away from melodic readings such as language in a songs, although the music as a companion is still presented as a builder of nuance 2)the syllable of poetry can be widened or narrow to adjust to music without reducing the essence of his poetry. From the mixing of instruments, musical genres and mixed arrangements, a new musical arrangement is created that is sometimes undetectable in its genre. This is where the originality the work of Orkes Puisi Sampak Gusuran, where the arrangement sounded flowing, following the atmosphere of poetry, strengthen it into music that is different from others but still strong as a music or as a poetry. Meanwhile the symbolic meaning that can be concluded is: 1)works of poetry Orkes Puisi Sampak Gusuran symbolize life that occurred in society and also a relation to God 2)the use of traditional instruments is a relationship with the ancestors who remain woven in the present.
Dangdut Koplo Las Vegas Pati : The Analysis of Song form Structure and Creativity of Process Tandho, Bandhu; Rohidi, Tjetjep Rohendi
Catharsis Vol 7 No 1 (2018)
Publisher : Universitas Negeri Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15294/catharsis.v7i2.23550

Abstract

Dangdut Koplo is part of dangdut music genre that grows due to the influence of culture and music industry. The purpose of the study is to gain the understanding about the song form structure and process creativity of Dangdut Koplo “Las Vegas” performance in Pati. This research used interdisciplinary approach in the fields of music and psychology with qualitative descriptive analytic method. The technique of data collection was through observation, interview, and documentation. The data validity technique used triangulation of source and theory triangulation, while data analysis technique was done by textual analysis,i.e., musical analysis and contextual with interactive data analysis model using the process of data reduction, data presentation, and draw conclusion/verification. Research results show that the song form structure of Dangdut Koplo “Las Vegas” has different in its musical composition form. The process creativity of Dangdut Koplo “Las Vegas” is through 4 (four) dimensions of definition based on its emphasis,they are person, process, product and press. The steps to express the process creativity are: (1) idea of process, (2) process, (3process goal and, (4) process results. Research results show that Dangdut Koplo group “Las Vegas” is a dangdut music group that occurs due to the enthusiastic from Pati society’swith Dangdut Koplo musical entertainment. The above reason makes this music group grows fast in Pati. The research results are hoped to become a reference for the next research by using another different method in order to explore more the creativity values from other groups of Dangdut Koplo.
Passport Skill Assisted Project Based Learning to Improve the Punctuality of Time and Product Quality of Three Dimensional Craft Riyatmoko, Joko; Rohidi, Tjetjep Rohendi; Utomo, Udi
Catharsis Vol 7 No 2 (2018)
Publisher : Universitas Negeri Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15294/catharsis.v7i2.23561

Abstract

The inaccurate timing of task collection and the low quality of 3D craft products is due to the fact that most of the students have not been able to manage the timely completion of tasks and lack of optimal control over the tasks assigned. This study aims to determine whether the use of passport skills in project-based learning can improve the timeliness and quality of 3D craft products. An action research conducted in class X Animation 2 SMK N 11 Semarang is done in 2 cycles. Each cycle consists of planning, implementation, observation, and reflection on project based learning with applied passport skill. The data were taken in the form of the timeliness of task collection and product quality measured from the aspect of tidiness, proportion, and uniqueness. The data obtained were analyzed in descriptions. The results show that project-based learning through passport skills can improve the timeliness of X-Animation students of SMK Negeri 11 Semarang. It is proven that students who submitted the task on time rose from 75% to 92%. The learning also improves the quality of three-dimensional craft products, proven by the average in cycle I of 74.31 increased to 85.19. Percentage of completeness in the first cycle reached 64% and in the second cycle increased to 92%. The level of tidiness in cycle I reached 83% increased to 88%, while the proportion aspect increased from 78% to 86%, and the uniqueness aspect increased from 62% to 81%. It was concluded that project-based learning using passport skill enhances the timeliness and quality of 3D craft products in students of X-Animation class of SMK N 11 Semarang.
Ceramics as a Medium for Teaching Fine Arts to Elementary School Students in “SDIT” Permata Hati Banjarnegara Puspita, Ratna; Rohidi, Tjetjep Rohendi; Triyanto, Triyanto
Catharsis Vol 7 No 3 (2018)
Publisher : Universitas Negeri Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15294/catharsis.v7i2.24498

Abstract

In the school-based curriculum of fine arts, a school can teach its material to students, including making crafts from ceramics. This research discusses the use of ceramics as a medium for teaching fine arts to elementary school students in “SDIT” Permata Hati, Banjarnegara. This research employed qualitative design with the interdisciplinary approach. It used observation, interview, and literature reviews to collect the data. The data were validated using triangulation. The research followed the sequence of analysis starting from data reduction, data presentation, and verification. This research found that ceramics, as the medium of teaching fine arts, can initiate ideas and creativity for the children. Then, the teaching of fine arts teaches the students to appreciate and create artworks in SDIT Permata Hati inside and outside of the school in the centre of ceramics artisans.
Local Wisdom Values of Rumoh Aceh Maria Ulfahmi, Cut Gesti; Rohidi, Tjetjep Rohendi; Triyanto, Triyanto
Catharsis Vol 7 No 3 (2018)
Publisher : Universitas Negeri Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15294/catharsis.v7i2.24742

Abstract

The purpose of this article is to reveal the local wisdom values of Rumoh Aceh architecture in Garot Cut village. Local wisdom means the wisdom to face something. Aceh’s local wisdom is a reflection of Aceh’s cultural tradition that is manifested in Aceh’s traditional architecture, in this case is Rumoh Aceh in Garot Cut village. The formulation of problems in this research is local wisdom values that is expressed through Rumoh Aceh. This research aims at analyzing the local wisdom values in Rumoh Aceh. The method used in this research is qualitative with ethnographical approach. Data collecting techniques are observation, interview, and document study with primary and secondary data sources. The technique of data validity is through source triangulation and data analysis technique through the stage of data reduction, data presentation, and verification. The research is situated in Garot Cut village. Indrajaya district Pidie regency. The research findings show that Rumoh Aceh has local wisdom values. Those values are in the components of building shape and the traditional ceremony of Rumoh Aceh, the values are religious, moral, social, traditional, and sensitive on nature. The knowledge, attitude, and local wisdom behavior Rumoh Aceh teach the society to adapt, to care with cultural inheritance, and to form the system of social familial system.
Preserving Gambang Semarang Music Through The Process of Enculturation in The Society Raharjo, Eko; Soesanto, Soesanto; Rohidi, Tjetjep Rohendi; Utomo, Udi
Harmonia: Journal of Arts Research and Education Vol 21, No 1 (2021): June 2021
Publisher : Department of Drama, Dance and Music, FBS, Universitas Negeri Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15294/harmonia.v21i1.27722

Abstract

This study was devoted to investigating the preservation of gambang Semarang music through the enculturation process comprehensively. Two basic strategies were employed in examining research problems: using theoretical approaches in traditional music, preservation, and enculturation and a qualitative approach. Further, the target and site comprised gambang Semarang music preservation through the enculturation process among Semarang people. The data were collected from observation, interviews, documentation, and library research. Data validity applied source, time, theory, and researcher triangulation. The collected data and information were then analyzed inductively by relying on an interactive analysis model with the following steps: data reduction, display, and verification. It was suggested that the enculturation process of gambang Semarang music within three generations in the nang nok gambang Semarang group served as the activity of cultural awareness of society, artists, and performers. It was to carry out the enculturation process towards young generations, even children, as the future generations. The approaches to the teaching and learning process were modeling, conditioning, and internalization. Such an enculturation process was proven to function effectively as the cultural mechanism and enculturation model in preserving gambang Semarang music as the cultural identity of Semarangan.
Co-Authors Agus Cahyono Amaliani, Mina Auria Farantika Yogananti, Auria Farantika Bambang Prihadi Bambang Priyono Daniar Wikan Setyanto Dedy Firduansyah Dodo Dodo, Dodo Dwi Retno Sri Ambarwati Eko Raharjo Eko Sugiarto Endang Widiyastuti Endri Sintiana Murni Eny Kusumastuti Etty Soesilowati Hartono Hartono Ijah Hadijah Ijah Hadijah, Ijah Imran, Fitrya Ali Imran, Fitrya Ali KARDIYONO, K. LUCKY RACHMAWATI Maria Ulfahmi, Cut Gesti Mudjahirin Thohir Muh. Ibnan Syarif, Muh. Ibnan Muhammad, Fan Naa Na Muhammad, Fan Naa Na Pamadhi, Hajar Ratna Puspita, Ratna Riyatmoko, Joko Slamet Haryono Soesanto Soesanto Sofyana Fatahillah, Rizal Sri Iswidayati Sumbo Tinarbuko syakir syakir Tahrir, Romas Tahrir, Romas Tandho, Bandhu Tari, Eszter Toto Haryadi, Toto Totok Sumaryanto Florentinus, Totok Sumaryanto Totok Sumaryanto, Totok Tri Hartiti Retnowati Tutik Tarwiyah, Tutik Udi Utomo Victorius Ganap Wadiyo Wadiyo