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Preserving Gambang Semarang Music Through The Process of Enculturation in The Society Raharjo, Eko; Soesanto, Soesanto; Rohidi, Tjetjep Rohendi; Utomo, Udi
Harmonia: Journal of Arts Research and Education Vol 21, No 1 (2021): June 2021
Publisher : Department of Drama, Dance and Music, FBS, Universitas Negeri Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15294/harmonia.v21i1.27722

Abstract

This study was devoted to investigating the preservation of gambang Semarang music through the enculturation process comprehensively. Two basic strategies were employed in examining research problems: using theoretical approaches in traditional music, preservation, and enculturation and a qualitative approach. Further, the target and site comprised gambang Semarang music preservation through the enculturation process among Semarang people. The data were collected from observation, interviews, documentation, and library research. Data validity applied source, time, theory, and researcher triangulation. The collected data and information were then analyzed inductively by relying on an interactive analysis model with the following steps: data reduction, display, and verification. It was suggested that the enculturation process of gambang Semarang music within three generations in the nang nok gambang Semarang group served as the activity of cultural awareness of society, artists, and performers. It was to carry out the enculturation process towards young generations, even children, as the future generations. The approaches to the teaching and learning process were modeling, conditioning, and internalization. Such an enculturation process was proven to function effectively as the cultural mechanism and enculturation model in preserving gambang Semarang music as the cultural identity of Semarangan.
Representation and Ideology of Feminism in the Remake of the First Indonesian Heroine Character "Sri Asih" Setyanto, Daniar Wikan; Rohidi, Tjetjep Rohendi; Haryadi, Toto; Tinarbuko, Sumbo; Yogananti, Auria Farantika; Tari, Eszter
Harmonia: Journal of Arts Research and Education Vol. 24 No. 2 (2024): December 2024
Publisher : Universitas Negeri Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15294/harmonia.v24i2.18531

Abstract

The figure of Sri Asih became a pioneer in the symbolism of women's strength free from the influence of marital status, which was a reaction to the strong patriarchal culture in Indonesia. The figure of Sri Asih was then remade by Studio Bumi Langit and shown in Indonesian cinemas in 2022. The figure of Sri Asih was chosen because she is the first superhero figure from Indonesia. The aspects studied are the elements that form an identity, such as the representation of beauty, characteristics, and the role of women that appear in the figure of Sri Asih. This study uses a descriptive qualitative method and John Fiske's code theory. The urgency of this study is to reveal how the figure of Sri Asih is able to reconstruct the values ​​of women's identity in Indonesian society in the millennial era. The purpose is to explain what codes of reality, representation, and ideology exist in the figure of Sri Asih, and the research study results are the ideas for applying John Fiske's code theory to the figure of Sri Asih. In conclusion, the ideology of feminism in the character of Sri Asih is represented in the form of women's empowerment, gender equality, rejection of violence against women and the collapse of gender stereotypes.
Karakteristik Sosio-Budaya, Pergeseran dan Pola Adaptasi Kriya Gerabah Pagelaran Malang Iriaji, Iriaji; Rohidi, Tjetjep Rohendi; Florentinus, Totok Sumaryanto; Kartika, Dharsono Sony
Bahasa dan Seni: Jurnal Bahasa, Sastra, Seni, dan Pengajarannya Vol. 47, No. 1
Publisher : citeus

Show Abstract | Download Original | Original Source | Check in Google Scholar

Abstract

This research is aimed to study the phenomena of the socio-cultural characteristics, the shift of shape variety, techniques of production, function, as well as the adaptation pattern of the pottery makers of Pagelaran. The study is done holistically and in depth by using qualitative approach through the design of phenomenology. The factual data is gained through in depth interviews, observation and study of documentation with the researchers acting as the key instrument. The validity of the data is maintained by using the source triangulation technique, triangulation of methods, and triangulation of theory. The data are analyzed through the process of reduction, presentation, verification, and paradigmatic theory analysis by using the perspective of the theory of socio-culture, aesthetic of crafting art, and adaptation. This research resulted some points, first is the characteristics of the community of pottery craft of Pagelaran that is heavily holding the Malangan local culture, yet the Javanese culture still heavily attached especially in the behavior of mutual cooperation and the practice of traditional ceremony. Second, the presence of shifting of pottery shaping, technique, and the function of the pottery craft of Pagelaran from the point that they are only making the traditional pottery products into making the creative and innovated pottery products. Third is the findings of two adaptation patterns that is done by the pottery craft community of Pagelaran, that is the functional adaptation pattern through the concept of revitalization and the adaptation pattern processual through the concept of reinterpretation.