cover
Article Per Year (5 Year)
All
Home Page
OAI Link
Editorial Team
Contact
Reviewer
Google Scholar
Contact Name
Alfian Rokhmansyah
Contact Email
jurnalilmubudaya.fibunmul@gmail.com
Phone
+6285385388335
Journal Mail Official
jurnalilmubudaya.fibunmul@gmail.com
Editorial Address
Jl. Ki Hajar Dewantara, Gunung Kelua, Kec. Samarinda Ulu, Kota Samarinda, Kalimantan Timur, Indonesia 75123
Location
Kota samarinda,
Kalimantan timur
INDONESIA
Ilmu Budaya: Jurnal Bahasa, Sastra, Seni, dan Budaya
Published by Universitas Mulawarman
ISSN : 25497715     EISSN : 25497715     DOI : -
Core Subject : Humanities, Education, Art, Social,
Arts Humanities Education Languange, Linguistic, Communication & Media Social Sciences
Jurnal Ilmu Budaya (Jurnal Bahasa, Sastra, Seni, dan Budaya) merupakan jurnal yang dikelola oleh Fakultas Ilmu Budaya sebagai media publikasi ilmiah hasil penelitian dalam bidang bahasa, sastra, seni, dan budaya, termasuk pengajarannya. Terbit sebanyak empat kali setahun, yaitu pada bulan Januari, April, Juli, dan Oktober, dan diterbitkan hanya dalam format elektronik.
Arjuna Subject : -
Articles 617 Documents
 48   49   50   51   52 
An Analysis of Idiomatic Expression in Aladdin (2019) Film Soundtrack Lyrics Rahmadina, Fadhila; Nasir, Muhammad Alim Akbar
Ilmu Budaya: Jurnal Bahasa, Sastra, Seni, dan Budaya Vol 8, No 4 (2024): Oktober 2024
Publisher : Fakultas Ilmu Budaya Universitas Mulawarman

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30872/jbssb.v8i4.16745

Abstract

This research investigated the idiomatic expressions in the song lyrics of the Aladdin (2019) film soundtrack. Aladdin (2019) is a live-action adaptation of the One Thousand and One Night tales, based on Walt Disney's 1992 animated film of the same title. The aim of this study is to identify the types of idioms and meanings in Aladdin (2019) film soundtrack lyrics. This study applied a qualitative approach, drawing on Adam Makkai's theory of idiomatic expression and Geoffrey Leech's seven types of meaning theory. The results showed that 72 idioms have been used throughout the six songs chosen in the soundtrack. The researcher discovered every form of idioms, with tournure idioms being the most common, followed by phrasal verb, pseudo, irreversible binomials, phrasal compound, and incorporating verb. The research discovered that each of the six songs picked has a unique significance. In general, Aladdin portrays timeless themes like self-discovery, love, friendship, and the desire for freedom. Readers will gain a comprehensive understanding of what idioms are, their various types and classification, their usage and function in communication, and how they are processed by the speakers. This research also explores cross-linguistics comparison and their presence in literature and media.
The Depiction of Liberal Feminism through the Main Character in the Novel Yellow Wife by Sadeqa Johnson Efanda, Riska; Zamruddin, Mardliya Pratiwi
Ilmu Budaya: Jurnal Bahasa, Sastra, Seni, dan Budaya Vol 8, No 4 (2024): Oktober 2024
Publisher : Fakultas Ilmu Budaya Universitas Mulawarman

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30872/jbssb.v8i4.14400

Abstract

In this research, the researcher analyzed the main female character named Pheby. There are two aims in this research, they are to identify the forms of liberal feminism through Pheby's character and to analyse the historical moments that influence the female main character in the novel. The researcher conducted this research using the theory of liberal feminism by Rosemarie Tong, and the Sociological Perspective by Laurenson and Swingewood. The results of this research found three aspects of liberal feminism based on Tong's theory in the form of equal education, equal liberty, and equal rights. The historical moments that occur in the novel are reflected in liberal feminism as portrayed by the main female character. 
Euphemism Uttered by March Sisters in Little Women (2019) Film Munawwarah, Alfina; Rahayu, Famala Eka Sanhadi; Sudirman, Eka Pratiwi
Ilmu Budaya: Jurnal Bahasa, Sastra, Seni, dan Budaya Vol 8, No 4 (2024): Oktober 2024
Publisher : Fakultas Ilmu Budaya Universitas Mulawarman

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30872/jbssb.v8i4.11916

Abstract

This research aims to describe the euphemism uttered by March Sisters in Little Women (2019) film, focusing on what types of euphemisms and what the functions of euphemisms appear in the film with a sociolinguistic approach using Burridge (2012) theory. The researcher then displays the findings qualitatively. The result of this research shows that, the March Sisters; Jo, Meg, Amy, and Beth used thirty six euphemisms including eight different types of euphemism out of fifteen; metaphor, underestimate, hyperbole, ellipsis, circumlocution, affixation, rhyming, and external borrowing. Meanwhile, for the functions, March Sisters used all six functions of euphemism; protective, underhand, uplifting, provocative, cohesive, and ludic. Jo is the most user of metaphor because she frequently used a non-literal sentences. Jo mostly used euphemism to protect the listener’s feeling as she is an empathetic person. Amy, as the spoilest one, she is the most underestimate user. She used it to avoid some existing fact, which is to protect herself from feeling embarrassed. Beth used metaphor and hyperbole, but for the function, she used it all as a protective euphemism to protect the listener’s feeling because all of her euphemism words are related to dead, she died in the film caused by scarlet fever. Meg is the least euphemism user. She only use hyperbole twice and circumlocution once but all of them used as a protection to her self-esteem because she is easy to be provoked. In conclusion, March Sisters used euphemism differently based on their personality.
Maskulinitas pada Budaya Kejahatan Geng Klitih: Sebuah Analisis Konstruksi Sosial Harahap, Chisa Belinda; Triyoga, Anwar Ibrahim; Prafitri, Wilma
Ilmu Budaya: Jurnal Bahasa, Sastra, Seni, dan Budaya Vol 8, No 4 (2024): Oktober 2024
Publisher : Fakultas Ilmu Budaya Universitas Mulawarman

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30872/jbssb.v8i4.17204

Abstract

This study aims to examine the social construction of masculinity in the phenomenon of klitih gang crime in Yogyakarta. Klitih crimes, involving male adolescents, are viewed as a form of criminal subculture oriented towards violence as a means of gaining recognition and social existence. This research employs a qualitative method with a case study approach. Data were obtained through document analysis, media reports, and online platforms used by klitih gang members. This descriptive qualitative approach provides in-depth insights into the motivations and perceptions of klitih perpetrators in constructing their masculine identity through violence. The findings reveal that hegemonic masculinity plays a significant role in the violent actions committed by the klitih gang. Klitih gang members tend to use violence not for economics gain but as a tool to enhance their social status and reinforce an aggressive and dominant masculine identity. This phenomenon reflects how societal norms surrounding masculinity can drive violent behavior among adolescents. This study is expected to contribute to cultural criminology studies and help in formulating social intervention strategies to address youth violence in Yogyakarta.Keywords: Cultural criminology, hegemonic masculinity, klitih gang, social construction,youth violence
Analisis Deiksis Persona Dalam Novel Tenggelamnya Kapal Van Der Wijck Karya Hamka Zafirah, Neza; Hanum, Irma Surayya; Wahyuni, Ian
Ilmu Budaya: Jurnal Bahasa, Sastra, Seni, dan Budaya Vol 8, No 4 (2024): Oktober 2024
Publisher : Fakultas Ilmu Budaya Universitas Mulawarman

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30872/jbssb.v8i4.8626

Abstract

Deiksis adalah suatu kata yang referennya berubah-ubah atau tidak tetap. Dalam kehidupan sehari-hari, deiksis banyak digunakan dalam percakapan, surat kabar, dan karya sastra salah satunya adalah novel. Novel Tenggelamnya kapal Van Der Wijck karya Hamka ini memiliki 224 halaman. Dalam novel ini Hamka menceritakan kisah Zainuddin (tokoh dalam novel) dengan menggunakan beberapa jenis deiksis. Deiksis dapat diketahui maknanya jika diketahui pula siapa, di mana, dan kapan deiksis itu diucapkan. Jadi, pusat orientasi deiksis adalah penutur. Penelitian ini bertujuan untuk mendeskripsikan bentuk dan fungsi deiksis persona yang terdapat dalam Novel Tenggelamnya Kapal Van Der Wijck Karya Hamka.Metode yang digunakan adalah deskriptif kualitatif dengan jenis penilitian kepustakaan. Data yang digunakan dalam penelitian ini berupa kalimat dialog yang terdapat dalam Novel Tenggelamnya kapal Van Der Wijck karya Hamka. Teknik pengumpulan data yang digunakan adalah teknik baca dan teknik catat. Teknik analisis data dalam penelitian ini menggunakan metode padan ekstralingual.Hasil dari penelitian ini ditemukan bentuk-bentuk deiksis yang digunakan dalam Novel “Tenggelamnya Kapal Van Der Wijck” karya Hamka antara lain deiksis persona pertama tunggal (aku, -ku, saya dan nya), deiksis persona pertama jamak (kami, dan kita), deiksis persona kedua tunggal (kau, anda, kamu, dan -mu), deiksis persona kedua jamak (kalian), deiksis persona ketiga tunggal (ia, dia, dan - nya), deiksis persona ketiga jamak (mereka). Ditemukan juga tiga fungsideiksis dalam penelitian ini, diantaranya, fungsi emotif, fungsi referensial, dan fungsi konatif. Secara keseluruhan hasil analisis dalam Novel Tenggelamnya Kapal Van Der Wijck Karya Hamka dapat disimpulkan bahwa bentuk deiksis persona tidak bergantung pada kata ganti orang pertama, kedua dan ketiga. Berdasarkan referen yang diacunya, deiksis persona dapat dengan bebas memilih sebagai bentuk kata ganti persona ke berapa ia memosisikan keberadaanya dalam konteks. Dalam bahasa Indonesia penggunaan sistem deiksis persona merujuk pada penggunaan sistem bentuk kata ganti persona yang memiliki bentuk dan fungsi yang berbeda- beda. Hal ini disebut dengan pembalikan deksis.Kata kunci : bentuk persona, deiksis persona, fungsi deiksis persona, novel. 
Gugon Tuhon: Transmisi Nilai pada Budaya Jawa dalam Perspektif Psikologi Primadasa, Arizal
Ilmu Budaya: Jurnal Bahasa, Sastra, Seni, dan Budaya Vol 8, No 4 (2024): Oktober 2024
Publisher : Fakultas Ilmu Budaya Universitas Mulawarman

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30872/jbssb.v8i4.13738

Abstract

Transmisi nilai pada budaya Jawa menggunakan media secara lisan. Salah satu transmisi nilai pada budaya Jawa adalah gugon tuhon, yaitu larangan atau pantangan diberikan oleh orang tua kepada anak yang meliputi makna tersirat dengan ciri khas mistis dan irasional dengan tujuan agar anak berperilaku yang seharusnya sesuai dengan norma. Tujuan penelitian ini adalah untuk mengulas transmisi nilai pada budaya Jawa melalui gugon tuhon dalam perspektif psikologi. Penelitian ini menggunakan metode library research. Temuan dari penelitian adalah gugon tuhon digunakan sebagai transmisi nilai pada budaya jawa oleh orang tua untuk memberikan nilai-nilai pada anak agar mereka dapat bertindak sepatutnya relevan dengan berbagai teori psikologi yang meliputi teori pengondisian operan, tahapan perkembangan moral dan kognitif, serta konformitas terhadap norma sosial. Penggunaan gugon tuhon juga memiliki tantangan yang dipengaruhi oleh kematangan rasional, pendidik, dan globalisasi.
The Syntax Analysis on Sentence Patterns Used in Louis Tomlinson Song Lyrics Therendy, Therendy; Masrur, Masrur; Alamsyah, Alamsyah
Ilmu Budaya: Jurnal Bahasa, Sastra, Seni, dan Budaya Vol 8, No 4 (2024): Oktober 2024
Publisher : Fakultas Ilmu Budaya Universitas Mulawarman

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30872/jbssb.v8i4.15533

Abstract

Syntax is the structure of sentences, the established rules of usage for arrangement of the words of sentence into their proper forms and relation. To get more understanding about syntax, the writer presents the syntax analysis on sentence patterns used in Louis Tomlinson song lyrics with album Walls by using the theory of sentence patterns by Quirk and Greenbaum. This research also used the theory of tree diagram by O’Grady, Dobrovolsky, and Katamba to help the writer in analysing sentence patterns. In this study the writer used qualitative method. The data of this research are words, phrases, and sentences related to the analysis of sentence pattern especially in Two of Us, Defenceless, and Kill My Mind song. From the result, through the sentences selected by the writer, the writer found that the most number of the sentence pattern in Louis Tomlinson’s song lyrics is sentence pattern number 3: S + Vt + dO which is used for 5 times.
Archetypal Analysis of Amy Dunne in Gone Girl Film Syaputri, Yoshsyta Eka Ahdiyat Virzinia; Kuncara, Singgih Daru; Dewi M., Jonathan Irene Sartika
Ilmu Budaya: Jurnal Bahasa, Sastra, Seni, dan Budaya Vol 8, No 4 (2024): Oktober 2024
Publisher : Fakultas Ilmu Budaya Universitas Mulawarman

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30872/jbssb.v8i4.9102

Abstract

This research analyzes the Gone Girl film protagonist character which is Amy Dunne. The purpose of this research is to find the archetypes representation of Amy Dunne using Jung's theory. The data were generated from the actions and dialogues from the film script and Amy's representation of the archetypes. There are four kinds of archetypes in order to acknowledge the representation of archetypes. They are ‘persona’, ‘shadow’, ‘anima and animus’, and ‘self’. With the archetypes and characterization assistance in analyzing the archetypes represented by the main characters, it is found that Amy Dunne shows archetypes from her. The archetype itself has four types, and Amy shows four types which are persona, shadow, animus, and self. While analyzing this film, with the help film’s characterization method the researcher found that the ‘shadow’ dominates Amy Dunne’s character. It can be stated that the shadow was the archetype that most accurately depicted Amy's personality. the researcher hopes that this research will be useful for readers about those archetypes that can occur in everyday life and that people can show different personalities to their surroundings.
Fungsi Sintaksis, Kategori Sintaksis, dan Peran Semantik pada Tagline Iklan Rokok di Indonesia (Kajian Sintaksis) Rohmah, Nada Humaida; Rahayu, Anita; Ainurrahma, Shinta; Sumarlam, Sumarlam
Ilmu Budaya: Jurnal Bahasa, Sastra, Seni, dan Budaya Vol 8, No 4 (2024): Oktober 2024
Publisher : Fakultas Ilmu Budaya Universitas Mulawarman

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30872/jbssb.v8i4.14125

Abstract

Penelitian ini bertujuan untuk memahami fungsi, kategori, peran gramatika pada tagline iklan rokok di Indonesia. Data penelitian berupa kalimat pada tagline iklan rokok yang dipasarkan di Indonesia dipilih sesuai topik penelitian. Penelitian ini menggunakan teori fungsi, kategori, dan peran sintaksis yang dikemukakan oleh Verhaar (2016) dan Sawardi (2021). Metode yang digunakan dalam penelitian ini adalah kualitatif deskriptif. Data penelitian dikumpulkan dengan metode simak dan catat. Data penelitian ini dianalisis menggunakan metode agih dan teknik sisip, teknik lesap, teknik perluas. Hasil dari penelitian menunjukkan fungsi sintaksis berpola S-P-O, S-P, dan S-P-K. Hasil penemuan (1) berdasarkan kategori: S berkategori nomina, P berkategori verba, kategori verba, adjektiva, frasa verba, dan frasa adjektiva, sedangkan O berkategori nomina, (2) berdasarkan peran: S berperan sebagai agentif dan reseptif, P berperan sebagai aktif, dan predikatif, sedangkan O berperan sebagai objektif.  Fungsi, kategori, dan peran tersebut tetap dipatuhi oleh beberapa tagline iklan rokok di Indonesia, namun ada juga beberapa tagline yang tidak menggunakan struktur sintaksis suatu bahasa.
Discrimination toward the Monster Character in Mary Shelley's Frankenstein Novel Putra, Aprilian Kurnia; Ariani, Setya; Muhajir, Fatimah
Ilmu Budaya: Jurnal Bahasa, Sastra, Seni, dan Budaya Vol 8, No 4 (2024): Oktober 2024
Publisher : Fakultas Ilmu Budaya Universitas Mulawarman

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30872/jbssb.v8i4.7265

Abstract

This qualitative study aims to analyze discrimination aspects received by the monster character using discrimination theory. The result of this study showed that the monster character received discriminative treatment from the other characters in the form of alienation. The types of discrimination found namely direct and indirect discrimination. Direct discrimination is a type of discrimination committed by someone against another person in direct action, such as bullying, and making a person is rejected in society. On the other hand, indirect discrimination is discrimination that takes the form of a policy or attitude, which has an indirect effect on someone but also does not get equality in society. The use of two types indicates that the creature is discriminated against due to its external appearance, which is very ugly and creepy and cannot be accepted by other characters that come into contact with the discriminated monster. 

Page 50 of 62 | Total Record : 617

 48   49   50   51   52 

Filter by Year

2017 2026


Reset
Filter By Issues
All Issue Vol 10, No 2 (2026): April 2026 Vol 10, No 1 (2026): Januari 2026 Vol 9, No 4 (2025): Oktober 2025 Vol 9, No 3 (2025): Juli 2025 Vol 9, No 2 (2025): April 2025 Vol 9, No 1 (2025): Januari 2025 Vol 9 (2025): Special Issue "SESANTI 2025" Vol 8, No 4 (2024): Oktober 2024 Vol 8, No 3 (2024): Juli 2024 Vol 8, No 2 (2024): April 2024 Vol 8, No 1 (2024): Januari 2024 Vol 7, No 2 (2023): Vol 7, No 2 (2023): April 2023 Vol 7, No 4 (2023): Oktober 2023 Vol 7, No 3 (2023): Juli 2023 Vol 7, No 1 (2023): Januari 2023 Vol 6, No 4 (2022): Oktober 2022 Vol 6, No 3 (2022): Juli 2022 Vol 6, No 2 (2022): April 2022 Vol 6, No 1 (2022): Januari 2022 Vol 5, No 4 (2021): Oktober 2021 Vol 5, No 3 (2021): Juli 2021 Vol 5, No 2 (2021): April 2021 Vol 5, No 1 (2021): Januari 2021 Vol 4, No 4 (2020): Oktober 2020 Vol 4, No 3 (2020): Juli 2020 Vol 4, No 2 (2020): April 2020 Vol 4, No 1 (2020): Januari 2020 Vol 3, No 4 (2019): Oktober 2019 Vol 3, No 3 (2019): Juli 2019 Vol 3, No 2 (2019): April 2019 Vol 3, No 1 (2019): Januari 2019 Vol 2, No 4 (2018): Oktober 2018 Vol 2, No 3 (2018): Edisi Juli 2018 Vol 2, No 2 (2018): Edisi April 2018 Vol 2, No 1 (2018): Edisi Januari 2018 Vol 1, No 4 (2017): Edisi Oktober 2017 Vol 1, No 3 (2017): Edisi Juli 2017 Vol 1, No 2 (2017): Edisi April 2017 Vol 1, No 1 (2017): Edisi Januari 2017 More Issue