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International Journal of Visual and Performing Arts
Published by Association for Scientific Computing Electronics and Engineering
ISSN : -     EISSN : 26849259     DOI : https://dx.doi.org/10.31763/viperarts
Core Subject : Humanities, Education, Art,
Arts Humanities Education
nternational Journal of Visual and Performing Arts draws its contributions from academics and practitioner-researchers at the interface of new visual and performing arts. It acts as a forum for critical study, innovative practice, and creative pedagogy, addressing themes that may be domain-specific (e.g., theatre, dance, music, live art, visual arts) or situated at the convergence of two or more disciplines. The journal invites original, significant, and rigorous inquiry into all subjects within or across disciplines related to visual and performing arts.
Arjuna Subject : Seni dan Humaniora - Seni Visual dan Seni Pertunjukan
Articles 112 Documents
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The continuum relationship of aesthetic and social space in the dhikr performativity of the Sambas Malay in West Kalimantan Ansari, Isa; Abdullah, Irwan; Yusuf, Mohamad
International Journal of Visual and Performing Arts Vol 6, No 2 (2024)
Publisher : ASSOCIATION FOR SCIENTIFIC COMPUTING ELECTRICAL AND ENGINEERING (ASCEE)

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31763/viperarts.v6i2.1664

Abstract

Studies on performative issues in ritual practices often detach social practices from performative studies, emphasizing aesthetic elements instead. This separation creates a divide between aesthetic and social practices. This study seeks to describe dhikr practices that reinforce performative aspects by examining the continuum between aesthetic and social spaces. It highlights the importance of the reciprocal relationship between these two domains, which ultimately redefines the spaces where aesthetic and social practices are performed. The research employs a methodology centered on observations and interviews with informants, categorized by their use of traditional or contemporary songs in performing dhikr. Data analysis was conducted both on-site and off-site. On-site analysis involved recording local terms and describing them within their cultural context. Additionally, transcription was undertaken to convert sounds, movements, and voices into written form. Off-site analysis included verifying data completeness, classifying data based on research needs, reducing irrelevant data, coding the remaining data, and organizing it into themes before presenting it systematically. The findings reveal three key processes within the continuum. First, the configuration of traditional and contemporary songs illustrates a linear progression that reflects the formation of Sambas Malay culture. Second, the configuration of songs and cultural construction is mediated through both cultural and structural platforms. Third, this continuum extends to the internal experiences of dhikr practitioners, serving as a reflective process of their practices. The study’s results have significant implications for understanding dhikr practices, demonstrating that they are not solely religious in nature. It also opens new avenues for research, particularly exploring the political dimensions of dhikr practices and their relationship to power dynamics within the Sambas Malay community.
Bridging tradition and modernity: exploring patutan (the modal system) in Balinese music through the hybrid composition ‘cane’ Kartawan, I Made; Putra, I Made Dwi Andika; Hartini, Ni Putu
International Journal of Visual and Performing Arts Vol 6, No 2 (2024)
Publisher : ASSOCIATION FOR SCIENTIFIC COMPUTING ELECTRICAL AND ENGINEERING (ASCEE)

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31763/viperarts.v6i2.1590

Abstract

This paper examines how the composer integrates traditional Balinese gamelan elements with Western musical concepts in the creation of the piece "Cane," focusing on two main aspects: the creative process and aesthetic analysis. Several strategies are employed, such as adopting, borrowing, transforming, elaborating, ornamenting, and combining musical elements from various genres and cultural traditions. The hybrid work "Cane" exemplifies this approach by blending motifs, patterns, and ornamentation from both Balinese and Western music. Additionally, the piece incorporates the processing of patutan/patet (modal system) from the Semar Pagulingan Saih Pitu gamelan ensemble. Rooted in research and experimentation, "Cane" is structured into five distinct parts, each utilizing one or more of these strategies. The music emphasizes melodic development intertwined with rhythmic, dynamic, and tempo variations. In the context of hybridization, the combination of musical elements includes: (1) Balinese traditions such as kekenyongan, nyongcag, ngempyung, and kekilitan motifs, and (2) Western elements like unison, harmony, dissonance, polyphony, and imitation
Kacaping: traditional picked music product inspiration of the Bugis Sailing community in South Sulawesi Ihsan, Andi; Hasbi, Hasbi
International Journal of Visual and Performing Arts Vol 6, No 2 (2024)
Publisher : ASSOCIATION FOR SCIENTIFIC COMPUTING ELECTRICAL AND ENGINEERING (ASCEE)

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31763/viperarts.v6i2.1655

Abstract

Kacaping is a traditional musical instrument that holds significant cultural relevance in South Sulawesi, particularly among Bugis tribe. Its boat-like shape links its origins to skilled sailors who created it long ago. Kacaping continues to play a vital role in community events such as weddings, aqiqah, and government gatherings. In the educational context, kacaping is incorporated into local content curricula, showcasing traditional performances. Recently, the evolution of kacaping into a diatonic version known as kitoka has emerged. However, many young individuals recognize kacaping merely as an art form, often unaware of its historical significance and cultural lineage. This research aims to elucidate the role of kacaping as a traditional music product reflecting the maritime heritage of the Bugis community. Employing a descriptive qualitative approach, data were collected through observations, interviews, and documentation, subsequently analyzed and verified. Participants in this study included cultural figures, instrument makers, performers, and educators. The findings confirm that kacaping is deeply rooted in the seafaring culture of the Bugis, with its historical and functional evolution evident in written documents and the presence of similar boat-like instruments in households. This research underscores the importance of fostering an appreciation for kacaping among the youth, highlighting its ancestral values beyond mere artistic expression, and encouraging academic and cultural literacy in schools.
Digitalization and down streaming of Sumatra batik motifs as symbols of cultural heritage: turtle graphics as a tool for sustainable development Prijono, Agus; Pandanwangi, Ariesa; Ratnadewi, Ratnadewi
International Journal of Visual and Performing Arts Vol 6, No 2 (2024)
Publisher : ASSOCIATION FOR SCIENTIFIC COMPUTING ELECTRICAL AND ENGINEERING (ASCEE)

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31763/viperarts.v6i2.1635

Abstract

The importance of preserving Sumatra batik motifs as a cultural heritage is facing major challenges in the digital era. The problem of this research lies in the difficulties in digitalizing and commercializing batik motifs effectively and maintaining authenticity and cultural value. This article aims to explore the use of the Turtle Graphic as a tool for digitalizing and down-streaming Sumatra batik motifs. Turtle graphics were initially crafted as an instructive instrument for educational settings, paving the way for teachers to demonstrate drawing concepts. On a different note, it also serves convenience to coders needing graphic output - offering them a solution without necessitating more complicated or external libraries in their projects. The research method involves applying graphical programming (using Turtle graphics) to produce digital representations of batik motifs. The technical aspects of digitization implemented in the Turtle Graphic are (1) data identification, which is done by creating a table to select motifs that are currently rare; (2) motifs that have been identified are revitalized through making simple sketches; (3) sketches are made in digital Turtle Graphics to make it easier for MSMEs to document and implement into prototype batik models. One example of the batik motif used in this research is the Daun Sirih Melayu batik motif. This batik motif often uses images of betel leaves that are intertwined and sticking out.  The Daun Sirih Melayu batik motif was chosen as a representative example because the philosophical meaning of the betel leaf batik motif symbolizes a form of respect. Betel leaves are also important in tradition, especially at proposals, weddings, traditional title awards, and other events. The research results show that Turtle Graphics can simplify digitalization. These contribute to the preservation and socialization of Sumatra batik and support the sustainability and popularization of batik in an increasingly digital global context.  Academics can also use this research as a basis for further research, while for MSMEs, it is a good opportunity to implement it in batik centers in the archipelago, especially on Sumatra island.
Lessons from comedy group management in Yogyakarta: a case study of organizational management practices of “Double S” group as a microenterprise Putra, Trisna Pradita; Irawanto, Budi; Haryono, Timbul
International Journal of Visual and Performing Arts Vol 6, No 2 (2024)
Publisher : ASSOCIATION FOR SCIENTIFIC COMPUTING ELECTRICAL AND ENGINEERING (ASCEE)

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31763/viperarts.v6i2.1645

Abstract

Performing arts organizations at the micro level often face challenges threatening their sustainability. The big challenge is how good organizational management practices can be done with limited resources, local competition, and changing market dynamics. This research aims to examine and improve the effectiveness of micro-organizational management in the context of performing arts, focusing on a case study of the comedy group “Double S” in Yogyakarta. This research is exploratory, using a qualitative approach and case studies as an analytical framework. Data were collected through in-depth interviews with group members, direct observation of performances, and document analysis related to organizational management. Organizational management concepts, such as strategic planning, organizing, and leadership, were applied in the context of micro-performing arts. The results showed that comedy groups as micro organizations have unique characteristics of organizational management practices, namely, organizational management in the context of a very flexible comedy group and the emergence of the central role of the artist who doubles as the group manager. Although it is done with complete improvisation and tends to be unstructured, the flexibility of organizational management has become a strength for the comedy group. The flexibility of management allows the comedy group to adapt to various uncertainties. Microorganizations need managers who have improvisational skills in organizational management. This research contributes to understanding organizational management at the micro level in the performing arts industry. The practical implication is to guide similar performing arts groups to improve competitiveness and sustainability. This study can also serve as a reference for further research on micro-level performing arts organization management and its influence on the development of local performing arts.
The impact of cinematic media on the learning process: raising students’ awareness of music industry professions through musical films de Fretes, Daniel; Elviani, Elviani; Swara, Lintang Pramudia; Dhani, Kurnia Rahmad
International Journal of Visual and Performing Arts Vol 6, No 2 (2024)
Publisher : ASSOCIATION FOR SCIENTIFIC COMPUTING ELECTRICAL AND ENGINEERING (ASCEE)

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31763/viperarts.v6i2.1600

Abstract

Music criticism serves as a cornerstone of higher education music programs. Its discourse is indispensable for maintaining a stable music ecosystem, especially within journalistic and curatorial contexts. The Music Department at the Indonesian Institute of the Arts Yogyakarta, a research-oriented institution, has integrated a music criticism course into its core curriculum. Moreover, this course is an elective and accessible to students from diverse disciplines and institutions participating in the Kampus Merdeka program. An innovative pedagogical approach is imperative to ensure the relevance of music criticism to society and academia.  This research explores film's potential as an alternative tool and approach for music criticism education. Film can enhance student engagement and learning experiences by combining auditory and visual elements. The research investigates the narrative structure of musical films and explores how these films can cultivate critical thinking among students. This study delves into dramatic structure and musicological perspectives using a qualitative descriptive methodology. This research involves the stages of film observation and focus group discussions with students in the classroom to determine which films are representative and can be used as study materials. The analysis involves Vogler's classification theory and Vladimir Propp's narrative structure. The data conclusions triangulate the analysis results using theory and data interpretation based on observations as well as focus group discussions. Findings reveal that supporting characters, often overlooked in cinematic narratives, play a significant role in mapping the music profession. This study underscores the pivotal roles of journalists and critics, demonstrating their tangible contributions to the social and cultural landscape.  The study will offer a new approach to innovative music criticism education by incorporating the appreciation of musical films as a medium to enhance the ability to analyze phenomena within the arts.
Sumatran batik motif design and documentation using turtle graphics algorithm based on local wisdom Ratnadewi, Ratnadewi; Prijono, Agus; Pandanwangi, Ariesa
International Journal of Visual and Performing Arts Vol 6, No 2 (2024)
Publisher : ASSOCIATION FOR SCIENTIFIC COMPUTING ELECTRICAL AND ENGINEERING (ASCEE)

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31763/viperarts.v6i2.1633

Abstract

Using the Turtle Graphic algorithm to digitize and develop Sumatra batik motifs is an innovative step in preserving local wisdom. This algorithm, which was originally used in graphics programming to educate children about computer concepts, is now being utilized to design and reproduce intricate and detailed batik motifs. The problem is that most existing batik motifs have not been digitally stored. Therefore, the purpose of the research here is to digitize Sumatra batik motifs using the Turtle Graphics algorithm. Turtle graphics utilizes command-based programming principles to draw geometric shapes. As an icon for North Sumatra Province, the basic motif of the existing water tower batik is the focus of this pattern accuracy. It is documented using a Python program that uses the turtle graphics algorithm, and a new Sumatran batik motif design is created from this basic motif. The benefits of research results with this approach are that designers can digitally modify and reproduce traditional batik motifs. This algorithm allows the drawing of patterns with high accuracy, making creating consistent and precise motifs easier. This digitization process also helps document and preserve batik motifs. The use of this technology not only speeds up the design process but also provides wider access to the younger generation and the international community to appreciate and learn about Sumatra batik. By integrating modern technology and local wisdom, the digitization of rare batik motifs has the potential to strengthen cultural identity and increase the economic value of traditional batik products. The specific steps in the motif digitization or pattern-making process are as follows: determine the motif to be digitized, select the starting point of the moving turtle, determine the turtle's direction of motion in relation to the curve to be formed, execute the program, and if the turtle curve does not move in the desired direction, change the program and execute again until the turtle motion curve matches the desired curve. This process is repeated multiple times.
Mapping the scientific footprint: a bibliometric study of self-regulated learning in music education using network analysis Syafitri, Andini Isti; Rahmadonna, Sisca; Pujiriyanto, Pujiriyanto
International Journal of Visual and Performing Arts Vol 6, No 2 (2024)
Publisher : ASSOCIATION FOR SCIENTIFIC COMPUTING ELECTRICAL AND ENGINEERING (ASCEE)

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31763/viperarts.v6i2.1733

Abstract

This study aims to analyze bibliometric trends and thematic relationships in studies on self-regulated learning and self-directed learning in music. Data collected from Scopus include 145 documents published between 2002 and 2024 and analyzed using Biblioshiny and VosViewer tools with the PRISMA approach. The results reveal six main thematic clusters that show a variety of research focuses. The first cluster highlights students' experiences and ease of use of learning technologies. The second cluster focuses on motivation, self-directed learning, and the integration of technologies such as artificial intelligence. The third cluster reviews the role of social robots in supporting self-directed learning. The fourth cluster discusses music teaching and education systems. The fifth cluster connects medical and psychological research with educational contexts, while the sixth cluster, the largest cluster, highlights humans as the main subject, focusing on music, psychology, and learning. This study contributes to understanding global trends, collaboration patterns, and main themes in the literature, as well as opening up opportunities for the development of self-directed learning strategies in music education.
Art therapy facilities as a supportive environment for teen mental health recovery Farida, Ariesa; Lestari, Indah Puji; Haristianti, Vika; Rangga, Firmansyah; Liritantri, Widyanesti
International Journal of Visual and Performing Arts Vol 7, No 1 (2025)
Publisher : ASSOCIATION FOR SCIENTIFIC COMPUTING ELECTRICAL AND ENGINEERING (ASCEE)

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31763/viperarts.v7i1.1797

Abstract

The prevalence of mental health issues among adolescents in Indonesia has significantly increased; however, this rise has not been accompanied by adequate recovery facilities, particularly for this vulnerable age group. Existing mental health recovery facilities predominantly emphasize conventional psychotherapy methods. In contrast, art therapy provides a more engaging and interactive approach by utilizing art as a medium to facilitate the recovery process. Therefore, this study aims to identify the essential facilities required in an art therapy center, particularly in supporting the recovery of mental health disorders among adolescents in Indonesia. The research approach was conducted using an inductive qualitative method, including observation and field surveys at established art therapy facilities. This method, is analyzes data, essentially involving producing an overall summary of the content of the data set. The findings indicate that art therapy is a deeply personal experience for each individual, as it involves expressing emotions. Because of this, the approach should be personalized to each person's unique needs and supported with a variety of art media and appropriate facilities to support a meaningful and effective creative process. Due to the complexity of various methods that can be used in art therapy, further research is needed to explore the relationship between art therapy methods and the design of specialized art therapy spaces.
Eco-design furniture and interior elements: aesthetics and innovation of splitting waste rattan weaving and production efficiency Sumarno, Sumarno; Budi Prasetyo, Raden Ersnathan
International Journal of Visual and Performing Arts Vol 7, No 1 (2025)
Publisher : ASSOCIATION FOR SCIENTIFIC COMPUTING ELECTRICAL AND ENGINEERING (ASCEE)

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31763/viperarts.v7i1.1597

Abstract

Rattan is a natural material with high fiber content.  Rattan is cut into various sizes and types to be utilized. The process of cutting and slicing generally leaves waste in the form of elongated rattan hearts of irregular shapes and sizes. The amount is large, almost 30%, and is not utilized. However, waste from the splitting process in the rattan industry is usually disposed of through burning, leading to substantial waste. Therefore, this study aims to reduce rattan splitting waste through weaving techniques and then use it as a basis for innovation in furniture products and interior elements. The study was conducted using an experimental research method to produce woven sheets. Karen weaving has been applied to materials with similar characteristics, such as lidi, vetiver, and bamboo. Data were obtained through observation, interviews, and documentation. Data analysis, with inferential analysis, tests the hypothesis by generalizing. Following the weaving experiment, natural coloring and interior product design were conducted. The design process included sketching, creating shop drawings, modeling, and bringing the design to life through prototypes. The results consist of woven rattan fiber strip sheets with a striped pattern, light brown color, textured, somewhat rigid, yet flexible enough to be folded or rolled lengthwise. Various techniques can be applied to crafting products, such as gluing, bending, rolling, folding, and sewing. The most effective application of woven rattan fiber sheets is fixed attachment on a flat surface with a flat direction. The contribution of research results can add alternative materials for the creation of craft products, furniture, and interiors made from rattan waste woven sheets. These rattan fiber strip sheets can be applied in 2D and 3D homeware product designs, serving decorative and protective functions.

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