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Arsen Nahum Pasaribu

Universitas HKBP Nommensen

Author-ID : 1464002

Religion Agriculture, Biological Sciences & Forestry Arts Humanities Computer Science & IT Decision Sciences, Operations Research & Management Economics, Econometrics & Finance Education Engineering Environmental Science Health Professions Languange, Linguistic, Communication & Media Law, Crime, Criminology & Criminal Justice Library & Information Science Mathematics Mechanical Engineering Medicine & Pharmacology Nursing Public Health Social Sciences Veterinary Other

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Code-Mixing in Agatha Chelsea’s Utterances on Raditya Dika’s YouTube Podcast Nababan, Sundari Daratista; Pasaribu, Arsen Nahum; Sembiring, Rony Arahta
Kajian Linguistik dan Sastra Vol. 5 No. 2 (2026): Mei 2026
Publisher : Prodi Sastra Indonesia, FKIP Universitas Jambi

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.22437/kalistra.v5i2.54197

This study aims to analyze the types and contextual patterns of code-mixing in the utterances of Agatha Chelsea on Raditya Dika’s YouTube podcast using Muysken’s (2000) typology. This study employs a descriptive qualitative method. The data consist of 173 utterances containing Indonesian-English code-mixing, collected through documentation and transcription, while data analysis is conducted using coding based on Muysken’s structural classification and contextual observation. The results show that insertion is the dominant type (67.6%), followed by alternation (15.0%) and congruent lexicalization (17.4%). In terms of conversational contexts, insertion functions as a basic strategy across all settings. Alternation appears most frequently in interpersonal and relational contexts, where it marks shifts in perspective. Congruent lexicalization is prominent in academic and scientific discourse as well as in professional and creative practice, reflecting closer structural integration between the two languages. These findings indicate that code-mixing in Agatha Chelsea’s speech is systematic and varies according to conversational context. Abstrak Penelitian ini bertujuan untuk menganalisis tipe dan pola kontekstual campur kode dalam tuturan Agatha Chelsea pada podcast YouTube Raditya Dika menggunakan tipologi Muysken (2000). Penelitian ini menggunakan pendekatan deskriptif kualitatif. Data berupa 173 ujaran yang mengandung campur kode bahasa Indonesia-Inggris dikumpulkan melalui teknik dokumentasi dan transkripsi, sedangkan analisis data dilakukan dengan teknik pengkodean berdasarkan klasifikasi struktural Muysken dan observasi kontekstual. Hasil penelitian menunjukkan bahwa insertion merupakan jenis yang paling dominan (67,6%), diikuti oleh alternation (15,0%) dan congruent lexicalization (17,4%). Dalam konteks percakapan, insertion berfungsi sebagai strategi dasar di seluruh situasi. Alternation paling banyak ditemukan dalam konteks interpersonal dan relasional, berfungsi menandai pergeseran perspektif. Congruent lexicalization muncul secara menonjol dalam wacana akademis dan ilmiah serta praktik profesional dan kreatif, mencerminkan integrasi struktural yang lebih erat antara kedua bahasa. Temuan ini menunjukkan bahwa campur kode dalam tuturan Agatha Chelsea bersifat sistematis dan bervariasi sesuai konteks percakapan.

INVESTIGATING LANGUAGE STYLE IN H3 PODCAST YOUTUBE CHANNEL Meysi Natasya Sitepu; Arsen Nahum Pasaribu; Donna Ria Pasaribu
Linguistik : Jurnal Bahasa dan Sastra Vol 11, No 2 (2026): LINGUISTIK : Jurnal Bahasa dan Sastra
Publisher : Universitas Muhammadiyah Tapanuli Selatan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31604/linguistik.v11i2.%p

This study aims to identify the types of language styles and determine the dominant style used by audiences in the YouTube comment section of the H3 Podcast channel. This research employs a descriptive qualitative approach based on Martin Joos’s theory of language style, which classifies language into five categories: frozen, formal, consultative, casual, and intimate. The data consist of English comments collected from three H3 Podcast videos with high audience engagement. The data were collected through documentation by selecting relevant comments and analyzed based on the linguistic characteristics of each language style. The findings reveal that four types of language styles are used, namely casual, intimate, consultative, and formal, with casual style being the most dominant. This dominance indicates that digital communication in YouTube comment sections tends to be informal, spontaneous, and expressive. The findings also confirm that Martin Joos’s theory remains relevant in analyzing language use in contemporary digital communication contexts.

The Analysis of Slang Variation and Emotional Expression in Selected Song Lyrics by Billie Eilish[ Sinta Elsalina Sinulingga; Arsen Nahum Pasaribu; Rotua Elfrida Pangaribuan
Journal of English Language Teaching, Literatures, Applied Linguistic (JELTLAL) Vol. 4 No. 1 (2026): May
Publisher : Merwinspy Publisher

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.69820/jeltlal.v4i1.526

This study analyzes slang variation and emotional expression in selected song lyrics by Billie Eilish using sociolinguistic and pragmatic approaches. Previous studies have generally examined slang usage and emotional expression separately, with limited attention to how slang contributes to emotional meaning construction in contemporary popular music. This study addresses that gap by investigating the relationship between slang variation, emotional expression, and identity representation in Billie Eilish’s lyrics. The study also contributes theoretically by integrating sociolinguistic theories of slang with pragmatic analysis of emotional meaning. This research employs a qualitative descriptive method with data collected from nine selected songs: “Bad Guy,” “Bury a Friend,” “Therefore I Am,” “Lost Cause,” “Your Power,” “Happier Than Ever,” “My Strange Addiction,” “idontwannabeyouanymore,” and “Six Feet Under.” The findings reveal three types of slang: General Slang (45%), Creative Slang (32.5%), and Group Slang (22.5%). General Slang is dominant because it creates conversational authenticity and emotional closeness with listeners. The emotional expressions identified include sadness (30%), anger (22.5%), fear or anxiety (17.5%), frustration (12.5%), insecurity (7.5%), emotional vulnerability (5%), and confidence or rebellion (5%). The findings demonstrate that slang functions not only as informal language but also as a sociolinguistic and pragmatic strategy for intensifying emotional meaning, expressing identity, and representing youth culture in contemporary song lyrics.

Co-Authors Agnes Caroline Baene Agnes Shinta Sibarani Agustina Septua Sapta Sihotang Agustinus Gea AMANDO SINAGA Amos Ruben Panjaitan Anita Purba Ardiwan Halawa Argatha Samuel Riandika asaribu, Tiara K Bakara, Julita Cici Melysa Desminar Debora Rangkuti Desminar Debora Rangkuti Dicky Armey S Brahmana Donna Pasaribu Donna Ria Pasaribu Donna Ria Pasaribu Dorayanti Lumban Gaol Dwi Handayani Silitonga Elfrida, Rotua Elisabet Dakhi Endang Rotua Panjaitan Epi Hetnawati Simangunsong Erika Sinambela Erikson Saragih Ester Alischa M Eston Hernandes Panggabean Fadhila, Fara Febrika Dwi Lestari Fider Putri Hartati Gea Frilia, Yudithy Galingging, Kamaluddin Gea, Agustinus Geby Apriyanti Sigalingging Ginting, Dameria Gunawati Gho Halawa, Ardiwan Happy Waruwu Harefa, Febriwan Hulu, Mey Trisnawati Hutauruk, Melisa Novriarta Immanuel Padang Jakub Širlo Jednostranná Jeli Elvira Mangaraja Jessica Tryadi Joseph Anderson Gulo Jubil Ezer Sihite Jubil Ezer Sihite Jubilizer Sihite Junianti Naibaho Junita Batubara Kammer Tuahman Sipayung Kartini Manalu Kathleen Phoibe Manullang Keren Febrian Mendrofa Ketaren, Selfiyani Kevin Yvonnaha Harefa Khadijah Kristiani Lisma Vera Br Ginting Kristina Butar Butar Laia, Dewi Purnamasari Lastri Wahyuni Manurung Leriana Leriana Leriana Marbun Leriana Marbun Lismawati Sarumaha Mangaraja, Jeli Elvira Manullang, Vitri Rosalina Marbun, Leriana Maria Elizabet Silitonga Martina Holcová Libeř, Libeň č.p Melissa Sidauruk Melysa, Cici Metta Indah Jayanti Meysi Natasya Sitepu Milala, Herian Bastanta Miranda Wangisari Padang Mutiara Zai Nababan, Ester Maria Nababan, Sundari Daratista Nainggolan, Lasmaida Nainggolan, Putri Novita Napitupulu, Agustin Praspinsa Napitupulu, Eka Sarinah Niadaniati Silitonga Nova Claudia Tampubolon nurasid, Ami Pandia, Yuly Enjelina Br Pangaribuan, Rotua Elfrida Panggabean, Desy Deria Panggabean, Nurmayanti Margaret Pasaribu, Dusman PASARIBU, TIARA K Poster Sagala Putri M Situmeang Ray Josua Putra Sidabutar Rikky Yosep Munthe Rini Saragih Rismauli Tinambunan Rizky Munthe Rony Arahta Sembiring Rotua Elfrida Rowinda Nicayana Simarmata Sabam Simandalahi Sahlan Tampubolon Samuel Situmeang Saragih, Yohana Insani Sarma Panggabean Septian Mangaratua Panjaitan Siahaan, Restu Berkah Sibagariang, Ruth Olga Sigalingging, Jernih Sihite, Jubil Ezer Silalahi, Wulan Sari Simamora, Era Mita Theresia Sinaga, Eunike Angita Sinta Elsalina Sinulingga Sintia Friskila Rajagukguk Sipahutar, Ike Nurmayanti Sitompul, Dewi Sartika Sondang Manik Surbakti, Tiara Sari Tarigan, Enina Putri Aurora Br Tiara K asaribu Tiara K Pasaribu TIARA K. PASARIBU Tiara K. Pasaribu Tinambunan, Rismauli Tresha Elyenta Rumapea Tumanggor, Titin Dismayanti Vitri Rosalina Manullang Wag, Yong Wiwik Damanik Yosia Rajagukguk Yuni Siregar Zamorano, Alex Žaneta Kváčová Budovatelů Zour, Minliw

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