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All Journal DIKSI Jurnal Bahasa dan Sastra Harmonia: Journal of Research and Education Jurnal Penelitian Pendidikan Lingua Franca: Jurnal Bahasa, Sastra, dan Pengajarannya Pendekar : Jurnal Pendidikan Berkarakter Jurnal Pendidikan Sejarah dan Riset Sosial Humaniora (KAGANGA) Literasi: Jurnal Ilmiah Pendidikan Bahasa, Sastra Indonesia dan Daerah Jurnal Ilmiah FONEMA : Jurnal Edukasi Bahasa dan Sastra Indonesia Stilistika: Jurnal Pendidikan Bahasa dan Sastra Imajeri: Jurnal Pendidikan Bahasa dan Sastra Indonesia Santhet: (Jurnal Sejarah, Pendidikan Dan Humaniora) Sutasoma : Jurnal Sastra Jawa Piwulang : Jurnal Pendidikan Bahasa Jawa Varia Humanika Lingua Susastra Continuous Education : Journal of Science and Research DIKSI: Jurnal Kajian Pendidikan dan Sosial Jurnal Bina Desa Kode : Jurnal Bahasa JISABDA: Jurnal Ilmiah Sastra dan Bahasa Daerah, Serta Pengajarannya Terob : Jurnal Pengkajian dan Penciptaan Seni JURNAL ILMIAH PENDIDIKAN KEBUDAYAAN DAN AGAMA Riwayat: Educational Journal of History and Humanities Jurnal Dharma Indonesia Jurnalistrendi: Jurnal Linguistik, Sastra dan Pendidikan Indonesian Journal of Humanities and Social Sciences Sutasoma : Jurnal Sastra Jawa Jurnal Pendidikan dan Sosial Humaniora Edumaspul: Jurnal Pendidikan Fon: Jurnal Pendidikan Bahasa dan Sastra Indonesia
Sucipto Hadi Purnomo
Universitas Negeri Semarang
Religion Arts Humanities Education Environmental Science Languange, Linguistic, Communication & Media Law, Crime, Criminology & Criminal Justice Social Sciences Other

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Relativitas Kelicikan Jawa: Analisis Semiotika Lakon Banjaran Sengkuni Ki Purbo Asmoro Christina Diah Pangesti; Sucipto Hadi Purnomo; Sungging Widagdo
JURNALISTRENDI : JURNAL LINGUISTIK, SASTRA, DAN PENDIDIKAN Vol 11 No 1 (2026)
Publisher : Universitas Nahdlatul Wathan Mataram

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.51673/jurnalistrendi.v11i1.2819

Abstract

Penelitian ini bertujuan mengkaji relativitas kelicikan dalam kebudayaan Jawa. Unit analisis penelitian berupa pertunjukan wayang kulit dengan lakon Banjaran Sengkuni oleh Ki Purbo Asmoro. Dengan menggunakan model analisis semiotika Roland Barthes dan Charles Charles Sanders Peirce, penelitian ini mengungkap konstruksi kelicikan pada tataran denotatif, konotatif, dan mitos yang dibangun melalui tuturan dan tindakan tokoh Sengkuni dalam lakon tersebut. Hasil penelitian menunjukkan bahwa kelicikan tokoh Sengkuni bersifat relatif, karena dalam konteks tertentu dimaknai sebagai bentuk loyalitas keluarga, instrumen kelanggengan kekuasaan, dan kecerdasan strategi untuk memperoleh kekuasaan. Ttemuan ini menegaskan bahwa wayang kulit tidak hanya berfungsi sebagai media hiburan dan pendidikan moral, tetapi juga sebagai ruang refleksi kritis terhadap dinamika sosial dan praktik kekuasaan yang terus relevan dengan kehidupan masyarakat.
Tradisi Celeng Behel di Desa Soropadan, Kecamatan Pringsurat, Kabupaten Temanggung Farida Dwi Hastuti; Sri Prastiti Kusuma Anggraeni; Sucipto Hadi Purnomo
JURNAL ILMIAH PENDIDIKAN KEBUDAYAAN DAN AGAMA Vol. 4 No. 3 (2026): Juli: Jurnal Ilmiah Pendidikan Kebudayaan dan Agama
Publisher : CV. ALIM'SPUBLISHING

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59024/jipa.v4i3.1807

Abstract

The Celeng Behel tradition is a form of local wisdom practiced by the people of Soropadan Village, Pringsurat District, Temanggung Regency, and is carried out through the Sadranan Kali ritual. This study aims to explain the form and function of the Celeng Behel tradition in the community’s daily life. The research uses a qualitative descriptive method with folklore and semiotic approaches. Data were collected through interviews, observations, and documentation, then analyzed to understand the cultural meanings behind the tradition. The results show that the Celeng Behel tradition has two main forms. First, it exists as oral folklore in the form of stories passed down from generation to generation. Second, it appears as a ritual practice, namely Sadranan Kali, which is held every year on the 10th of Sapar at Bendung Pondoh. The ritual includes communal prayers, the preparation of offerings, and the release of ducks into the river. These activities symbolize the community’s gratitude for the water that supports their farming and daily needs. The tradition also has important functions. It serves as a way for the community to express their hopes and concerns about nature, especially related to water and agriculture. It also strengthens social rules and cultural values that have been passed down over time. From a semiotic point of view, the symbols used in the ritual have both direct meanings and deeper cultural meanings that form shared beliefs in the community. In conclusion, the Celeng Behel tradition is not only a cultural activity, but also an important way to maintain harmony between humans, nature, and spiritual values in the life of the Soropadan community.
Estetika Gaya Bahasa dan Simbol dalam Geguritan "Dom" dalam Antologi Mendut-mendut Karya R. Djoko Prakoso Ro’Aida Nur Aini; Ucik Faudhiyah; Sucipto Hadi Purnomo
JURNAL ILMIAH PENDIDIKAN KEBUDAYAAN DAN AGAMA Vol. 4 No. 3 (2026): Juli: Jurnal Ilmiah Pendidikan Kebudayaan dan Agama
Publisher : CV. ALIM'SPUBLISHING

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59024/jipa.v4i3.2300

Abstract

Geguritan is a form of modern Javanese poetry that utilizes the beauty of language and symbols to convey inner experiences and life values. The geguritan anthology Mendut-mendut by R. Djoko Prakoso is rich in aesthetic and symbolic elements that are worth studying, particularly in the geguritan titled “Dom”. This study aims to describe the aesthetics of stylistic language and symbols in the geguritan “Dom”. The study employs a qualitative descriptive method using a stylistic and semiotic approach. The research data consist of words, phrases, lines, and stanzas containing aesthetic elements of stylistic language and symbolism in Dom’s geguritan. Data were collected through documentation and literature review, then analyzed descriptively. The results of the study indicate that the aesthetics of the geguritan are constructed through the use of connotative diction, metaphors, imagery, repetition, and wordplay, which shape aesthetic and emotional experiences. Additionally, symbols such as night, heart, eyes, soul, torch, pancer, and seed were identified, representing longing, love, loss, hope, reflection, and the process of inner maturation. The findings indicate that stylistic and semiotic aspects complement one another in constructing the depth of meaning and artistic value of geguritan. It is hoped that these findings will serve as a reference for the development of Javanese literary studies, particularly research on the aesthetics of stylistic features and symbols in modern geguritan.
Co-Authors Agus Maladi Irianto Al Fanny, Afifah Angelica, Wina Vinola Anggun Sila Falentina Astuti, Tri Marhaeni Awalliyah, Dia Balighah Nur Fitriyati , Hikmatun Cahyaningtyas, Annisa Dwi Christina Diah Pangesti Dinda, Dinda Fitri Nurul Pramesti Dwi Cahyanti, Arizki Eko Haryanto Fachriz, Retma Inayati Farida Dwi Hastuti Fauziyah, Naisaa Sanna Gusti Ayu Made Puspawati Hartono Hartono Hayati, Meyla Nur Hendy Rifki Hidayat I Ketut Lanus Ida Fariha Imani, Asri Nur jenikainge febrianti Joko Sukoyo Khoirunisa, Milu Komang David Darmawan, David Latifah Nur Baeti Lestari Handayani listiadah, Siti inzali Lutfi Sindu Saputri Malarsih Malarsih Malarsih Meishinta Alvionita Junia Mirantika Muhamad Hilmi Zamzami Muhammad Luthfi Mujimin - Nabilla Dewi Kanaya Putri Nafik Salafiyah Naimah, Lailatun Ningsih, Santini Ayu Nur Afandi Pangestu Widya Ningrum Putri Fania Rahman, Awening Wulan Nurhana Rahmat, Laodemuh Rio Candra Ro’Aida Nur Aini Sinatrya Farhan Pramudito Siti Hasnaningtiyas Sri Mulyani Sri Prastiti Kusuma Anggraeni Sri Suharni Sungging Widagdo Sungging Widagdo Suparti Suparti Syamsiar, Syamsiar Teguh Supriyanto Tita Sapriyanti Toni Hartanto Tristyesha, Lekas Ucik Faudhiyah Widodo Widodo Wina Vinola Angelica Yahaya, Samsur Rijal Yana, Anggun Mega Yuli Yusro Edy Nugroho Zain, Intan Syara Zustiyantoro, Dhoni