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All Journal DIKSI Jurnal Bahasa dan Sastra Harmonia: Journal of Research and Education Jurnal Penelitian Pendidikan Lingua Franca: Jurnal Bahasa, Sastra, dan Pengajarannya Jurnal Pendidikan Sejarah dan Riset Sosial Humaniora (KAGANGA) Literasi: Jurnal Ilmiah Pendidikan Bahasa, Sastra Indonesia dan Daerah Jurnal Ilmiah FONEMA : Jurnal Edukasi Bahasa dan Sastra Indonesia Stilistika: Jurnal Pendidikan Bahasa dan Sastra Imajeri: Jurnal Pendidikan Bahasa dan Sastra Indonesia Santhet: (Jurnal Sejarah, Pendidikan Dan Humaniora) Sutasoma : Jurnal Sastra Jawa Piwulang : Jurnal Pendidikan Bahasa Jawa Varia Humanika Lingua Susastra Jurnal Genre (Bahasa, Sastra, dan Pembelajarannya) DIKSI: Jurnal Kajian Pendidikan dan Sosial Jurnal Bina Desa Kode : Jurnal Bahasa JISABDA: Jurnal Ilmiah Sastra dan Bahasa Daerah, Serta Pengajarannya Terob : Jurnal Pengkajian dan Penciptaan Seni JURNAL ILMIAH PENDIDIKAN KEBUDAYAAN DAN AGAMA Riwayat: Educational Journal of History and Humanities International Journal of Education, Language, Literature, Arts, Culture, and Social Humanities Jurnal Dharma Indonesia Jurnalistrendi: Jurnal Linguistik, Sastra dan Pendidikan Indonesian Journal of Humanities and Social Sciences Sutasoma : Jurnal Sastra Jawa Jurnal Pendidikan dan Sosial Humaniora Edumaspul: Jurnal Pendidikan Fon: Jurnal Pendidikan Bahasa dan Sastra Indonesia Visual Heritage: Jurnal Kreasi Seni dan Budaya
Sucipto Hadi Purnomo
Universitas Negeri Semarang
Religion Arts Humanities Education Environmental Science Languange, Linguistic, Communication & Media Law, Crime, Criminology & Criminal Justice Social Sciences Other

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Konstruksi Makna Guru Sejati dalam Lakon Wayang Sang Dwija Agung Ki Purbo Asmoro: Kajian Hermeneutika Eka Fatmawati; Sucipto Hadi Purnomo; Sungging Widagdo
Jurnal Bahasa dan Sastra Vol 14, No 2 (2026)
Publisher : Faculty of Languages and Arts, Universitas Negeri Padang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24036/jbs.v14i2.137949

Abstract

The role of educators in learning is not only defined by teaching skills but also by their ability to develop moral and spiritual awareness. In this context, the teacher’s role can be re-examined through local cultural values, particularly in wayang performances that contain moral, spiritual, and educational symbolism. This study aims to interpret the meaning of the “true teacher” in the wayang play Sang Dwija Agung by Ki Purbo Asmoro as a reflection of Javanese thought. The analysis focuses on Rama Bargawa using Hans-Georg Gadamer’s hermeneutic approach, including historical context, pre-understanding, horizon fusion, and the hermeneutic circle. The findings show that Rama Bargawa represents a true teacher who embodies self-awareness, humility (andhap asor), honesty (blakasuta), and wisdom (wicaksana). This meaning emerges through the interpretation of dialogue within its Javanese cultural context and the fusion between text and interpreter horizons. The study confirms that the teacher’s role in Sang Dwija Agung extends beyond teaching to include guiding the ethical use of knowledge. This research offers a new perspective on Rama Bargawa as a true teacher through Gadamerian hermeneutics. In contrast to previous studies that emphasize his role as a conflict-driven figure, this study highlights his exemplary dimension, enriching the understanding of the teacher’s role in wayang studies.
Spiritual Efforts in Coping With Disasters in The Berat Sengkala Ritual: A Perspective By Roland Barthes Rizqy Rafikasari; Sucipto Hadi Purnomo; Rahma Ari Widiastuti
International Journal of Education, Language, Literature, Arts, Culture, and Social Humanities Vol. 4 No. 1 (2026): February: International Journal of Education, Language, Literature, Arts, Cultu
Publisher : FKIP, Universitas Palangka Raya

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59024/ijellacush.v4i1.1998

Abstract

The Berat Sengkala tradition is a customary ritual practiced by the community of Lamuk Village, Kaliwiro District, Wonosobo Regency, Central Java, as a form of spiritual endeavor in response to calamities, particularly natural disasters, crop failures, and agricultural pest infestations. This ritual contains a system of symbols that represents the relationship between humans, nature, God, and ancestors; however, its symbolic meanings have not been extensively examined. This study aims to reveal the symbolic meanings embedded in the ritual while also understanding the community's form of spiritual endeavor in confronting calamities through the semiotic perspective of Roland Barthes. This research employed a qualitative approach using an ethnographic method. Data were collected through participant observation, in-depth interviews with community elders and local residents, and documentation of the ritual process, which were then analyzed using Roland Barthes' concepts of denotation, connotation, and myth. The findings indicate that holy water, agricultural produce offerings, and collective prayers form a system of signs representing life, divine protection, ecological awareness, gratitude, social solidarity, and respect for ancestors. At the level of myth, the ritual reinforces the collective belief that maintaining a harmonious relationship among humans, nature, God, and ancestors constitutes a form of spiritual endeavor in dealing with calamities and ensuring the continuity of community life. These calamities include natural disasters such as landslides, crop failures, and attacks by plant pests, including insects, rats, and birds, which can reduce agricultural productivity and ultimately lead to harvest failure, while simultaneously preserving the sustainability of community life.
Bentuk Simbolik Kekerasan Garuda Putih Dalam Novel Garuda Putih Karya Suparto Brata (Kajian Sosiologi Sastra Pierre Bourdieu) Sucipto Hadi Purnomo; Aulia Rizki Rahmaulidayani; Teguh Supriyanto
Visual Heritage: Jurnal Kreasi Seni dan Budaya Vol. 8 No. 2 (2026): Visual Heritage: Jurnal Kreasi Seni dan Budaya
Publisher : Universitas Indraprasta PGRI

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30998/jveygp28

Abstract

Novel Garuda Putih karya Suparto Brata merefleksikan bentuk kekuasaan dan kekerasan simbolik yang tersembunyi dalam relasi sosial masyarakat Jawa. Penelitian ini bertujuan untuk mengungkap bentuk-bentuk kekerasan simbolik yang terdapat dalam novel Garuda Putih karya Suparto Brata melalui perspektif sosiologi Pierre Bourdieu yang berfokus pada konsep habitus, modal, dan arena. Metode penelitian yang digunakan adalah deskriptif kualitatif dengan teknik close reading, pengumpulan data melalui kutipan teks, serta analisis terhadap dialog dan narasi menggunakan teori kekerasan simbolik Bourdieu. Data dianalisis dengan menelaah bagaimana praktik dominasi berlangsung secara halus melalui mekanisme sosial dan budaya yang diterima oleh masyarakat tanpa disadari. Hasil penelitian menunjukkan bahwa kekerasan simbolik dalam novel ini termanifestasi melalui habitus tokoh Garuda Putih sebagai penjahat berjiwa kesatria yang justru memperoleh legitimasi moral dari masyarakat, serta melalui modal budaya dan sosial yang dimilikinya untuk mendominasi wacana publik. Garuda Putih menggunakan simbol-simbol budaya seperti surat, narasi media, dan citra moral untuk membangun kekuasaan simbolik yang sulit ditentang, sementara masyarakat sebagai pihak terdominasi justru menormalisasi tindakan tersebut sebagai bentuk perjuangan keadilan. Dengan demikian, kekerasan simbolik tidak hanya hadir dalam bentuk penindasan langsung, tetapi juga melalui pengakuan dan legitimasi sosial terhadap figur yang dianggap heroik. Penelitian ini menegaskan pentingnya membaca karya sastra sebagai ruang reproduksi kekuasaan simbolik yang mencerminkan relasi sosial dan ideologi dalam masyarakat
Estetika Kegembiraan dan Spirit Optimisme dalam Tembang Dolanan Anak Pesisir Barat Jawa Tengah Pangestu Widya Ningrum; Sucipto Hadi Purnomo
Khatulistiwa: Jurnal Pendidikan dan Sosial Humaniora Vol. 5 No. 1 (2025): Maret : Jurnal Pendidikan dan Sosial Humaniora
Publisher : AMIK Veteran Purwokerto

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.55606/khatulistiwa.v5i1.5989

Abstract

Children's dolanan songs are a form of traditional oral literature that grew and developed in the west coastal communities of Central Java, especially in Tegal Regency. However, along with the times, the existence of dolanan songs is increasingly rarely sung by children, both in the school and home environment, so that the positive values contained in it began to be neglected. This study aims to reveal the formula of joy and the spirit of optimism in dolanan songs for children on the west coast of Central Java through Roland Barthes' semiotic approach. The research method used is qualitative with the techniques of observation, recording, and content analysis of the lyrics of dolanan songs that are still sustainable in the community. The results show that the aesthetics of joy is reflected through simple lyrics, full of cheerfulness, and rhythms that invite children to move and interact socially. Meanwhile, the spirit of optimism can be seen in the moral messages that teach hope, enthusiasm, and togetherness in facing everyday life. Thus, dolanan songs not only function as entertainment, but also as a medium for character building and strengthening local cultural values amid the challenges of modernization.
Representasi kesetiaan dan perjuangan perempuan dalam lakon wayang kulit Sinta Obong Ki MPP Bayu Aji: Kajian semiotik Novia Indriana Putry; Sucipto Hadi Purnomo; Widodo Widodo
Jurnal Genre (Bahasa, Sastra, dan Pembelajarannya) Vol. 8 No. 2 (2026): JURNAL GENRE: (Bahasa, Sastra, dan Pembelajarannya)
Publisher : Universitas Ahmad Dahlan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26555/jg.v8i2.16419

Abstract

Penelitian ini bertujuan untuk mengungkap makna kesetiaan dan perjuangan tokoh perempuan, khususnya Dewi Sinta melalui tanda visual dan verbal dalam pertunjukan wayang kulit sebagai bagian dari nilai budaya Jawa. Metode yang diterapkan adalah pendekatan kualitatif deskriptif menggunakan analisis semiotik dari Roland Barthes. Data penelitian diperoleh dari pertunjukan Sinta Obong oleh Ki MPP Bayu Aji. Data dikumpulkan melalui teknik dokumentasi berupa rekaman video dan transkripsi dialog, kemudian dianalisis dengan mengidentifikasi makna denotatif, konotatif, dan mitos yang terkandung dalam pertunjukan tersebut secara sistematis. Hasil penelitian menunjukkan bahwa Dewi Sinta direpresentasikan sebagai sosok perempuan yang setia, kuat, sabar, dan rela berkorban dalam menghadapi berbagai ujian kehidupan, yang mencerminkan nilai-nilai budaya Jawa tentang idealitas perempuan serta memperlihatkan adanya konstruksi sosial terhadap peran perempuan dalam masyarakat. Dalam wacana kesetiaan dan perjuangan perempuan, representasi tersebut menegaskan bahwa perempuan diposisikan sebagai penjaga moral dan keharmonisan kehidupan melalui pengorbanan dan keteguhan hati, serta memperkaya kajian semiotika dan analisis serta tradisional dalam memahami representasi perempuan dan nilai budaya yang terkandung didalamnya.
Co-Authors Agus Maladi Irianto Angelica, Wina Vinola Anggun Sila Falentina Astuti, Tri Marhaeni Aulia Rizki Rahmaulidayani Awalliyah, Dia Balighah Nur Fitriyati , Hikmatun Cahyaningtyas, Annisa Dwi Christina Diah Pangesti Dinda, Dinda Fitri Nurul Pramesti Dwi Cahyanti, Arizki Eka Fatmawati Eko Haryanto Fachriz, Retma Inayati Farida Dwi Hastuti Fauziyah, Naisaa Sanna Gusti Ayu Made Puspawati Hartono Hartono Hayati, Meyla Nur Hendy Rifki Hidayat I Ketut Lanus Ida Fariha Imani, Asri Nur jenikainge febrianti Khoirunisa, Milu Komang David Darmawan, David Latifah Nur Baeti Lestari Handayani listiadah, Siti inzali Lutfi Sindu Saputri Malarsih Malarsih Malarsih Meishinta Alvionita Junia Mirantika Muhamad Hilmi Zamzami Muhammad Luthfi Mujimin - Nabilla Dewi Kanaya Putri Nafik Salafiyah Naimah, Lailatun Ningsih, Santini Ayu Novia Indriana Putry Nur Afandi Pangestu Widya Ningrum Putri Fania Rahma Ari Widiastuti Rahman, Awening Wulan Nurhana Rahmat, Laodemuh Rio Candra Rizqy Rafikasari Ro’Aida Nur Aini Sinatrya Farhan Pramudito Siti Hasnaningtiyas Sri Mulyani Sri Prastiti Kusuma Anggraeni Sri Suharni Sungging Widagdo Sungging Widagdo Sungging Widagdo Suparti Suparti Syamsiar, Syamsiar Teguh Supriyanto Tita Sapriyanti Toni Hartanto Ucik Faudhiyah Widodo Widodo Widodo Widodo Wina Vinola Angelica Yahaya, Samsur Rijal Yana, Anggun Mega Yuli Yusro Edy Nugroho Zain, Intan Syara Zustiyantoro, Dhoni