Article Per Year (5 Year)
p-Index From 2020 - 2025
4.691
P-Index
This Author published in this journals
All Journal Edukasi Lingua Sastra Jurnal Syntax Fusion : Jurnal Nasional Indonesia Journal of Artificial Intelligence and Engineering Applications (JAIEA) Seminar Nasional Ilmu Terapan Surakarta English and Literature Journal International Journal of Accounting, Management, Economics and Social Sciences (IJAMESC) Argopuro: Jurnal Multidisiplin Ilmu Bahasa Jurnal Garasi Buku dan Obrolan Keilmuan Jurnal Hidrografi Indonesia Jejak digital: Jurnal Ilmiah Multidisiplin Jurnal Ilmu Sosial dan Humaniora Sujud: Jurnal Agama, Sosial dan Budaya Argopuro : Jurnal Multidisiplin Ilmu Bahasa Journal of Literature Review Paradigma: Jurnal Filsafat, Sains, Teknologi, dan Sosial Budaya
Nurholis
Unknown Affiliation
Religion Arts Humanities Automotive Engineering Civil Engineering, Building, Construction & Architecture Computer Science & IT Control & Systems Engineering Decision Sciences, Operations Research & Management Earth & Planetary Sciences Economics, Econometrics & Finance Education Electrical & Electronics Engineering Engineering Environmental Science Languange, Linguistic, Communication & Media Law, Crime, Criminology & Criminal Justice Library & Information Science Social Sciences Other

Published : 37 Documents Claim Missing Document
Claim Missing Document
Check
Articles

Found 37 Documents
Search

 1   2   3   4 
VISUALISASI ALEGORI POLITIK DALAM NOVEL ANIMAL FARM KARYA GEORGE ORWEL Cucu Nurhayati; Ari Ruben N; Muhammad Abi Asyakir; Tsalisa Azkiya Ismail; Nurholis
Argopuro: Jurnal Multidisiplin Ilmu Bahasa Vol. 5 No. 4 (2024): Argopuro: Jurnal Multidisiplin Ilmu Bahasa
Publisher : Cahaya Ilmu Bangsa Institute

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.6734/argopuro.v5i4.8849

Abstract

Abstract In George Orwell's novel Animal Farm, the animals are used as symbols of historical figures to illustrate the dynamics of power and the transformation of idealism into tyranny. Orwell explores themes of rebellion against tyranny, betrayal of the principles of equality, and the manipulation of power through characters such as Napoleon and Snowball. The novel portrays events that reflect the Russian Revolution, with symbols such as the farm representing society. Orwell demonstrates how decision-making, manipulation, and changes in roles influence the transition from hopes for equality to oppressive power. Animal Farm not only critiques the mechanisms of power in politics but also offers insights into the inherent risks of corruption in governance systems. With its strong allegorical elements, the novel provides a universal lesson on the dynamics of power and the betrayal of revolutionary ideals Keywords: Political Allegory, Character Visualization, Main Themes, Symbols Abstrak Dalam novel Animal Farm karya George Orwell, hewan-hewan dijadikan simbol tokoh-tokoh sejarah untuk mengilustrasikan dinamika kekuasaan dan transformasi idealisme menjadi tirani. Orwell mengeksplorasi tema pemberontakan terhadap tirani, pengkhianatan terhadap prinsip kesetaraan, serta manipulasi kekuasaan melalui karakter seperti Napoleon dan Snowball. Novel ini menggambarkan peristiwa yang mencerminkan Revolusi Rusia, dengan simbol-simbol seperti peternakan yang mewakili masyarakat. Orwell menunjukkan bagaimana pengambilan keputusan, manipulasi, dan perubahan peran memengaruhi transisi dari harapan akan kesetaraan menuju kekuasaan yang represif. Animal Farm tidak hanya mengkritik mekanisme kekuasaan dalam politik tetapi juga menawarkan wawasan tentang risiko korupsi yang melekat dalam sistem pemerintahan. Dengan elemen alegoris yang kuat, novel ini memberikan pelajaran universal tentang dinamika kekuasaan dan pengkhianatan terhadap cita-cita revolusi. Kata Kunci: Alegori Politik, Visualisasi Karakter,Tema utama,simbol
LACK OF MORALITY IN THE GREAT GATSBY NOVEL Muhammad Raka Iqbal Fadil Muharom; Nazelia Lestari Budiawan; Aghnia Awalliyah Salsabila; Radja Fatni Al Fazri; Nurholis
Argopuro: Jurnal Multidisiplin Ilmu Bahasa Vol. 6 No. 3 (2025): Argopuro: Jurnal Multidisiplin Ilmu Bahasa
Publisher : Cahaya Ilmu Bangsa Institute

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.6734/argopuro.v6i2.9648

Abstract

The aim of this paper is to analyze the lack of morality in F. Scott Fitzgerald's The Great Gatsby as seen from the social and economic context, the morals of the main characters, the theme of betrayal and disappointment, moral symbolism, and modern relevance. The social and economic context highlights the background of the Jazz Age and the American Dream and the impact of materialism on the behavior and values of society at that time. The morals of the main characters: Jay Gatsby, Daisy Buchanan, and Tom Buchanan are described in detail about their lack of morality. The theme of betrayal and disillusionment which is a common topic in the novel exposes the relationships between characters and moral betrayal, Gatsby's disillusionment with the idealism of love, and society's reaction to moral offences. Moral symbolism examines the symbol of Dr. T.J. Eckleburg's eyes as a representation of moral surveillance and the colors and visual elements depicting moral helplessness. Finally, modern relevance provides an overview of how the themes of morality in the novel are still relevant to modern society. The results of this analysis are presented to provide new insights into how the Jazz Age and the idea of the American Dream affect aspects of morality.
RACIAL TENSIONS IN 19TH CENTURY AMERICA AS DEPICTED IN TWAIN’S WORKS Fakhri Ahmad Baihaqi; Leilani Azalia Putri; Resti Rosmawati; Nurholis
Argopuro: Jurnal Multidisiplin Ilmu Bahasa Vol. 6 No. 3 (2025): Argopuro: Jurnal Multidisiplin Ilmu Bahasa
Publisher : Cahaya Ilmu Bangsa Institute

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.6734/argopuro.v6i3.9651

Abstract

This study aims to provide an overview of 19th century life in the novel The Adventure of Huckleberry Finn by Mark Twain from the conflict experienced by the main character. The researcher explored the relationship between characters and how it led to the issue of racial conflict as discussed in this study. The results of this study found that life in the 19th century as depicted in the novel The Adventure Of Huckleberry Finn shows the life of the people of the United States of America which is very full of racism and slavery of white people against black people.
LOCAL COLOR AND AMERICAN SLAVERY IN THE ADVENTURES OF HUCKLEBERRY FINN Alya Nurhalimah; Nabila Githa Fasya; Nurholis; Windy Novia Ramadhanti
Argopuro: Jurnal Multidisiplin Ilmu Bahasa Vol. 6 No. 3 (2025): Argopuro: Jurnal Multidisiplin Ilmu Bahasa
Publisher : Cahaya Ilmu Bangsa Institute

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.6734/argopuro.v6i3.9670

Abstract

This paper discusses the use of local color and American slavery in Mark Twin's ‘The Adventure of Huckleberry Finn’. The novel uses local color to create a real picture of life in the American South in the 19th century, through the use of local dialects, descriptions of scenery and environments, and local community habits. Huck Finn, as the main character in the novel, is young and innocent, and he does not enslave black people, which in 19th century South America still existed. His friendship with Jim, a slave trying to escape from being caught by slave hunters, is central to the story and social issues. Jim is not only Huck's friend and protector, but also a character who represents the injustice experienced by slaves. By combining the discussion of local color and American slavery, we as readers discover and reflect on the social and moral values of the time.
IRONY IN ANIMAL FARM BY GEORGE ORWELL Shidqi Fauzia Ruliff; Sofa Nur Alfiah; Fadly Yusuf Thoziry; Nurholis
Argopuro: Jurnal Multidisiplin Ilmu Bahasa Vol. 6 No. 3 (2025): Argopuro: Jurnal Multidisiplin Ilmu Bahasa
Publisher : Cahaya Ilmu Bangsa Institute

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.6734/argopuro.v6i3.9773

Abstract

This study discusses the use of irony in George Orwell’s Animal Farm, illustrating how Orwell engages various forms of irony to critique politics and human nature. Through three types of irony, specifically verbal, dramatic, and situational irony. The novel exposes the hypocrisy and corruption of the pigs, particularly in their manipulation of language and principles. Verbal irony that shows the exaggerated praises that showered the pigs. Also, the transformation of the pigs into a tyrant is shown as a powerful example of situational irony, while the animal’s blind acceptance of the pigs leadership deepens the dramatic irony, as the reader understands the truth behind the facade. This study also explores how the novel uses irony to critique the cynical nature of power and oppression. The research method of this study is a descriptive qualitative method. This data was obtained from the novel as the main source and research journals as supporting theories for this research.
Comparing Spiritual Narratives of Ibn Jubayr and Nizami Muhammad Ihwan Safrudin; Muhammad Haidar Gibran; Aria Raizal Muhammad; Nurholis
Journal of Literature Review Vol. 1 No. 1 (2025): JUNI 2025
Publisher : Indo Publishing

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.63822/zfxwc548

Abstract

This comparative study analyzes the narrative and spiritual themes in two foundational works of Islamic literary tradition: A Pilgrimage to Mecca (a rihla or travelogue) by the 12th-century Andalusian scholar Ibn Jubayr, and Star-Crossed Lovers or Layla and Majnun (a masnavi or epic poem) by the Persian poet Nizami Ganjavi. Despite originating from different genres, languages, and purposes, one being a factual travel account and the other being an allegorical romance. Both masterpieces convergently explore the transformative journey of the human soul. Ibn Jubayr's work presents the physical Hajj as a profound spiritual pilgrimage. Through meticulous empirical observation of sacred sites and Muslim communities, his narrative transcends mere reportage to become a reflection on divine order, personal piety, and the unity of the Ummah. Conversely, Nizami's tragic tale of the "Star-Crossed Lovers" uses the framework of unrequited worldly love as a powerful Sufi metaphor. Majnun's madness and his longing for Layla symbolize the soul's total and self-annihilating (fana) quest for union with the Divine. By analyzing the narrative structures, thematic parallels, stylistic devices, and socio-historical contexts of both texts drawing upon analyses by Netton (1996) and Chelkowski (1975). This research aims to demonstrate how the journey narrative, whether literal or metaphorical, functions as a primary vehicle for spiritual articulation. Ultimately, this comparison highlights the diversity and depth of spiritual expression in the classical Islamic world, where the path to God could be mapped through both a real journey in the world and through the inner landscape of the human heart.
Poverty Representation and Social Issues in Jesmyn Ward’s Sing, Unburied, Sing Raihan Syach Bustami Harahap; Nurholis; Badri Khaeruman
Paradigma: Jurnal Filsafat, Sains, Teknologi, dan Sosial Budaya Vol. 30 No. 2 (2024): Paradigma: Jurnal Filsafat, Sains, Teknologi, dan Sosial Budaya
Publisher : Universitas Insan Budi Utomo

Show Abstract | Download Original | Original Source | Check in Google Scholar

Abstract

Literature provides a unique perspective on the social issues of the time in which it was written. This research will explore the representation of poverty and social issues in a novel using the theoretical framework provided by literary analysis and social context. Poverty and social issues in the novel Sing, Unburied, Sing, by Jesmyn Ward will be one of the variables with a large role. The novel explores aspects of race, family, and social issues that emphasise the effects of poverty on the characters. This research was conducted using a descriptive qualitative research approach with a text analysis design. The subject of this research is poverty and social issues. Meanwhile, the data or object of research is Jesmyn Ward’s nove entitled Sing, Unburied, Sing. The technique for collecting data is observation and noting technique. Based on the findings, the author concludes that there are at least several representations of poverty and social issues depicted through the narrative and dialogue in this novel. Some of these issues are represented by the depiction of Jojo's home environment, situated in a remote forest area, with a lack of basic hygiene standards.
Co-Authors Aghnia Awalliyah Salsabila Alika Marsya Salsabila Aliyyah Khoirunnisaa Alya Hasna Firdaus Alya Nurhalimah Alya Rahmawati Anisa Triani Ari Ruben N Aria Raizal Muhammad Arrochim Aryanti, Dewi Cipto Wardoyo Cucu Nurhayati Eriska Yani Safitri Esti Himawan Fadia Raihan Aqrandista Fadly Yusuf Thoziry Fakhri Ahmad Baihaqi Fathurrohman, Fathurrohman Firman Tatariyanto Gina Aulia Fadilla Hannifa Rojwa Thalib Holiludin Irman Nurhapitudin Iswantono Khaeruman, Badri Leilani Azalia Putri Lintang Asmaradana Lutfi Ahmad Muhammad Abi Asyakir Muhammad Haidar Gibran Muhammad Haikal Muhammad Ihwan Safrudin Muhammad Rafif Athallah Muhammad Raka Iqbal Fadil Muharom Nabila Githa Fasya Nadhira Azwa Irfani Nashar Utamajaya, Joy Nazelia Lestari Budiawan Nisa Nuraeni Nofryanti Nurhasanah Nurul Aulia Permana Putri Farida Nur Afifah Radja Fatni Al Fazri Rafi Almas Izzatullah Raghib Fadhil Rahma Aulia Raihan Syach Bustami Harahap Resti Rosmawati Reva Nur Alfiany Ridwan Arief Rianaldi Rima Putri Pertiwi Rizky Abid Taufik Rizkya Halimatus Syadi’ah Salma Fauziah Rahmalia Salsabila Fauziyah Ihya Sarah Novian Chand Shidqi Fauzia Ruliff Sihite, Maureen Sondang Natalie Silvia Syifa Nur Padilah Sindi Pebriani Siti Alma Sofa Nur Alfiah Sri Nita Tamaji, Tamaji Tsalisa Azkiya Ismail Vicko Destrada Willy Prihartono Windy Novia Ramadhanti Wita Meilina Laura