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All Journal Prosodi: Jurnal Ilmu Bahasa dan Sastra Semantik : Jurnal Ilmiah Program Studi Pendidikan Bahasa dan Sastra Indonesia KEMBARA ISLLAC : Journal of Intensive Studies on Language, Literature, Art, and Culture Pendas : Jurnah Ilmiah Pendidikan Dasar SELAPARANG: Jurnal Pengabdian Masyarakat Berkemajuan Silampari Bisa: Jurnal Penelitian Pendidikan Bahasa Indonesia, Daerah, dan Asing Jurnal Pena Indonesia MEDAN MAKNA: Jurnal Ilmu Kebahasaan dan Kesastraan Community Development Journal: Jurnal Pengabdian Masyarakat Jurnal Pengabdian UNDIKMA Jurnal Dharma Bhakti Ekuitas Metafora: Jurnal Pembelajaran Bahasa Dan Sastra Kontribusi: Jurnal Penelitian dan Pengabdian Kepada Masyarakat Jurnal Disastri: Pendidikan Bahasa dan Sastra Indonesia Wacana : Jurnal Bahasa, Seni, dan Pengajaran Kode : Jurnal Bahasa Kajian Linguistik dan Sastra Jurnal Bastra (Bahasa dan Sastra) Tsaqofah: Jurnal Penelitian Guru Indonesia Jurnal PENEROKA: Kajian Ilmu Pendidikan Bahasa dan Sastra Indonesia Kopula: Jurnal Bahasa, Sastra, dan Pendidikan Jurnal Sadewa: Publikasi Ilmu Pendidikan, Pembelajaran dan Ilmu Sosial Jurnal Pengabdian Masyarakat Indonesia Jurnal Pembelajaran Bahasa dan Sastra Jurnal Pengabdian Masyarakat Nusantara JURNAL PENDIDIKAN BAHASA Asa Jurnal Penelitian Pendidikan dan Pembelajaran Dimar : Jurnal Pengabdian Masyarakat Fon: Jurnal Pendidikan Bahasa dan Sastra Indonesia ALFABETA Peneroka
Marista Dwi Rahmayantis
Universitas Nusantara PGRI Kediri
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KAJIAN PSIKOLOGI DALAM SINETRON ASMARA GEN Z SUTRADARA VEMMY SAGITA TAYANG DI SCTV (TEORI GUSTAV JUNG) Dina Maharani; Nur Lailiyah; Marista Dwi Rahmayantis
Jurnal PENEROKA Vol. 6 No. 2 (2026): Juli 2026
Publisher : Institut Agama Islam Darussalam Blokagung Banyuwangi

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30739/peneroka.v6i2.5271

Abstract

This study aims to describe the intrinsic elements and personality structure of the characters in the television series Asmara Gen Z, directed by Vemmy Sagita, based on Carl Gustav Jung's analytical psychology theory. The study falls within the scope of literary studies, particularly literary psychology, with a focus on analyzing characters and their personalities through an audiovisual medium. Asmara Gen Z was selected because it represents various psychological and social issues experienced by Generation Z adolescents, including identity exploration, family conflicts, social pressure, and interpersonal relationship dynamics. This study employed a descriptive qualitative method, with data consisting of dialogues, scenes, and characters' behaviors presented throughout the series. Data were collected through observation and note-taking techniques and analyzed by classifying, coding, interpreting, and describing them according to the research categories. Data validity was ensured through methodological and theoretical triangulation. The findings reveal that the intrinsic elements, including theme, plot, setting, and characterization, are closely interconnected in constructing the psychological dynamics of the characters. The identified personality structures consist of consciousness, the personal unconscious, the collective unconscious, the archetypes of persona and shadow, as well as the attitudes of introversion and extraversion. The findings further indicate that introversion and extraversion are the most dominant personality attitudes, while the persona and shadow archetypes most frequently influence the characters' inner conflicts and decision-making processes. These findings suggest that identity exploration, social pressure, and the need for social acceptance constitute the most prominent psychological characteristics of Generation Z as represented in the television series.
Tindak Tutur Perlokusi Pidato Joko Widodo dalam Unggahan Instagram tentang Peresmian Persemaian Mentawir, Penajam Paser Utara, Kalimantan Timur Brenada Anggelika Refita Lasytiara; Marista Dwi Rahmayantis; Nur Lailiyah
TSAQOFAH Vol 6 No 4 (2026): JULI
Publisher : Lembaga Yasin AlSys

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.58578/tsaqofah.v6i4.11543

Abstract

Political speeches not only function to convey information but also produce certain effects on listeners’ thoughts, attitudes, emotions, and actions through perlocutionary speech acts. This study aimed to describe the forms and functions of perlocutionary speech acts in President Joko Widodo’s speech on the Inauguration of the Mentawir Nursery in Penajam Paser Utara, Kalimantan, which was uploaded through the official Instagram account @jokowi. The study employed a pragmatic approach with a qualitative descriptive design. The research data consisted of utterances containing perlocutionary speech acts in the speech video. Data were collected using the observational method with a note-taking technique and were subsequently analyzed based on the Miles and Huberman model through the stages of data reduction, data display, and conclusion drawing. Data validity was examined through theoretical triangulation. The results showed that the forms of perlocutionary speech acts comprised persuading in 7 instances, raising awareness in 10 instances, mobilizing in 12 instances, influencing in 12 instances, evoking emotions in 9 instances, and motivating in 13 instances. Meanwhile, the functions of perlocutionary speech acts comprised persuading in 15 instances, inviting in 7 instances, influencing in 7 instances, inspiring in 8 instances, and touching emotions in 8 instances. These findings indicate that President Joko Widodo’s speech was used not only to convey information but also to shape the public’s ways of thinking, attitudes, emotions, and tendencies to act through persuasive, communicative, and contextual language. This study contributes to the development of pragmatic studies, particularly to the understanding of the use of perlocutionary speech acts in political communication through social media.
Sufi symbolism of the beloved and the sea in Ahmadun Yosi Herfanda’s poetry: A perspective of Braginsky’s theory Sujarwoko Sujarwoko; Suhartono Suhartono; Marista Dwi Rahmayantis
KEMBARA: Jurnal Keilmuan Bahasa, Sastra, dan Pengajarannya Vol. 12 No. 1 (2026): April
Publisher : Universitas Muhammadiyah Malang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.22219/kembara.v12i1.41914

Abstract

Studies on Sufi poetry indicate that symbolism functions not only as an aesthetic expression but also as a medium of complex spiritual experience. However, previous research often separates religious symbols from existential imagery, resulting in fragmented interpretations of meaning. This study aims to analyze the symbols of the Beloved and the sea in the poetry of Ahmadun Yosi Herfanda using a Sufi symbolic approach. This research employs a qualitative method of textual analysis grounded in Vladimir Braginsky's symbolic-Sufi framework. The data consist of selected poems analyzed through symbol identification, interpretation of meaning, and their relation to Sufi concepts. The findings reveal that the Beloved's symbol represents the ultimate goal of union with the Divine. At the same time, the sea symbolizes the spiritual journey characterized by longing, trials, and alienation. Both symbols are integrated into a unified mystical structure connecting journey and union. The study concludes that mystical experience in Ahmadun Yosi Herfanda’s poetry is integrative and multidimensional. Its scholarly contribution lies in developing a Sufi symbolic reading that combines relational (Beloved) and processual (sea) dimensions within a systematic analytical framework.
NILAI MORAL HUBUNGAN MANUSIA DENGAN MANUSIA LAIN DALAM NOVEL SISI TERGELAP SURGA KARYA BRIAN KHRISNA Setyaningrum, Elsa; Dwi Rahmayantis, Marista; Muarifin, Moch.
Pendas : Jurnal Ilmiah Pendidikan Dasar Vol. 11 No. 02 (2026): Volume 11 No. 02 Juni 2026
Publisher : Program Studi Pendidikan Guru Sekolah Dasar FKIP Universitas Pasundan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.23969/jp.v11i02.52137

Abstract

This study aims to explain the moral values of human relationships in Brian Khrisna’s novel Sisi Tergelap Surga. The study identifies four indicators: friendship, kinship, loyalty, and betrayal. The research method employed is qualitative descriptive, with data collection techniques involving reading, note-taking, and categorizing data according to the indicators of moral values in human relationships. The research data was obtained from the characters’ dialogues and behaviors in the story. The results show that the value of friendship is depicted through relationships between characters who care for one another. The value of kinship is evident in attitudes of mutual affection and sacrifice. The value of loyalty is evident in the attitude of remaining with loved ones during difficult times. The value of betrayal arises due to personal interests that lead to a loss of trust.
TINDAK TUTUR ILOKUSI DALAM KOMENTAR WARGANET TERHADAP UNGGAHAN VIDEO KINERJA JOKOWI PADA AKUN CNN INDONESIA DI MEDIA SOSIAL TIKTOK Nur Rohmah, Zunita Anggreni; Dwi Rahmayantis, Marista; Lailiyah, Nur
Pendas : Jurnal Ilmiah Pendidikan Dasar Vol. 11 No. 02 (2026): Volume 11 No. 02 Juni 2026 Press
Publisher : Program Studi Pendidikan Guru Sekolah Dasar FKIP Universitas Pasundan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.23969/jp.v11i02.52142

Abstract

The aim of this study is to describe the forms and functions of illocutionary speech acts in netizens’ comments on a video of Jokowi’s performance posted on the CNN Indonesia account on the social media platform TikTok. A pragmatic approach was employed in this study. This is a qualitative study. The forms of speech acts were analysed using Searle’s theory (1979) and Leech’s functions (2016). The data source consisted of TikTok comments. The observation and note-taking technique was used in this study. The findings were categorised into five forms of illocutionary speech acts: assertive (17), directive (2), commissive (22), expressive (75), and declarative (0), with a total of 117 data points, and illocutionary function categories: competitive (0), convivial (26), collaborative (6), and conflictive (0), with a total of 32 data points. The category with the most data was the expressive category (75), and the one with the least was the directive category (2). The category with the most data in terms of function was the convivial category (26), and the one with the least was the collaborative category (6).
Perubahan Bervariasi Aspek Ekranisasi Novel ke dalam Film Aruna dan Lidahya Wulandari, Aprelia Dwi; Rahmayantis, Marista Dwi; Sujarwoko, Sujarwoko
Kajian Linguistik dan Sastra Vol. 5 No. 3 (2026): September 2026
Publisher : Prodi Sastra Indonesia, FKIP Universitas Jambi

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.22437/1hzbgs19

Abstract

This study examines the various changes involved in the screen adaptation (ecranisation) of Laksmi Pamuntjak’s novel Aruna dan Lidahnya into the film of the same name directed by Edwin. This study is significant because the process of adapting a novel into a film entails not merely transferring the story but also transforming various narrative elements to suit the characteristics of the film medium. The objective of this research is to describe the diverse forms of change that occurred during this screen adaptation process. A qualitative descriptive method was employed. The data consisted of excerpts from the novel and scenes from the film that demonstrated changes in characters, plot, and setting. Data were collected using reading, viewing, and note-taking techniques, and subsequently analyzed by comparing elements found in both the novel and the film. The results indicate that these varied changes were achieved through character modifications, plot reordering, and setting adjustments, all while preserving the story's core. These changes were implemented to enhance storytelling effectiveness, strengthen visualization, and accommodate the film's runtime. The findings demonstrate that such varied changes serve as an adaptation strategy, allowing the film to retain the novel's essence while offering a distinct experience for the audience.
The Difference in Intrinsic Elements Between the Korean and Indonesian Versions of the Film Miracle in Cell No. 7 (A Comparative Literature Study Michella, Arina Martha; Muarifin, Moch; Rahmayantis, Marista Dwi
Kajian Linguistik dan Sastra Vol. 5 No. 3 (2026): September 2026
Publisher : Prodi Sastra Indonesia, FKIP Universitas Jambi

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.22437/k1gxy658

Abstract

This study aims to describe the differences in setting, plot, and characters and characterization between the Korean version of the film Miracle in Cell No. 7, directed by Lee Hwan-kyung, and the Indonesian version, directed by Hanung Bramantyo. This study employs a qualitative approach using descriptive methods and a comparative literary approach. The research data consists of dialogue, scenes, and visuals that illustrate the differences in the intrinsic elements of the two films. Data collection was conducted through observation and note-taking, while data analysis utilized Burhan Nurgiyantoro’s structural theory and a comparative literary approach.The research findings indicate that differences in setting elements including setting of place, setting of time, and social setting are adapted to the cultural context of each country. Differences in plot elements were found in the situation, generating circumstances, rising action, and denouement stages, while the climax stage remains the core of the story’s conflict. Regarding characters and characterization, no significant differences were found in the main characters, while changes were evident in the secondary characters and the characterization of supporting characters as a form of adaptation to dramatic needs and local culture. The research findings indicate that film adaptation is a process of reinterpretation that preserves the essence of the story but adapts its intrinsic elements to the social and cultural context of the target audience.   Abstrak Penelitian  ini  bertujuan untuk  mendeskripsikan  wujud  perbedaan unsur latar, alur, serta tokoh dan penokohan dalam film Miracle in Cell No. 7 versi Korea yang disutradarai Lee Hwan-kyung dan versi Indonesia yang disutradarai Hanung Bramantyo. Penelitian ini menggunakan pendekatan kualitatif dengan metode deskriptif serta pendekatan sastra bandingan. Data penelitian berupa dialog, adegan, dan visual yang menunjukkan perbedaan unsur intrinsik kedua film. Pengumpulan data dilakukan melalui teknik simak dan catat, sedangkan  analisis  data  menggunakan  teori  struktural  Burhan Nurgiyantoro dan pendekatan sastra bandingan. Hasil penelitian menunjukkan bahwa perbedaan unsur latar meliputi latar tempat, latar waktu, dan latar sosial yang disesuaikan dengan konteks budaya masing-masing negara. Perbedaan unsur alur ditemukan pada tahap situation, generating circumstances, rising action, dan denouement, sedangkan  tahap  climax  tetap dipertahankan  sebagai  inti  konflik cerita. Pada unsur tokoh dan penokohan, tidak ditemukan perbedaan yang signifikan pada tokoh utama, sedangkan perubahan tampak pada tokoh  tambahan dan penokohan tokoh pendukung sebagai bentuk penyesuaian terhadap kebutuhan dramatik dan budaya lokal. Temuan penelitian  menunjukkan bahwa adaptasi film merupakan proses reinterpretasi yang mempertahankan esensi cerita, tetapi menyesuaikan unsur intrinsiknya dengan konteks sosial dan budaya masyarakat penerima.
Konstruksi Citra Sosial Perempuan dalam Film Budi Pekerti Karya Wregas Bhanuteja: Perspektif Feminisme: The Construction of Women’s Social Image in Wregas Bhanuteja’s Film Budi Pekerti: A Feminist Perspective Vinanda Ariyani; Marista Dwi Rahmayantis; Moch. Muarifin
Jurnal Bastra (Bahasa dan Sastra) Vol. 11 No. 4 (2026): JURNAL BASTRA EDISI OKTOBER 2026
Publisher : Program Studi Pendidikan Bahasa dan Sastra Indonesia, FKIP, Universitas Halu Oleo Kampus Bumi Tridharma Andounohu Kendari, Provinsi Sulawesi Tenggara – Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar

Abstract

Penelitian ini mengkaji konstruksi citra sosial perempuan dalam film Budi Pekerti karya Wregas Bhanuteja melalui perspektif feminisme. Kajian ini dilatarbelakangi oleh relevansi film dengan budaya digital masa kini, ketika identitas dan posisi moral perempuan dapat dibentuk, dihakimi, serta digeser melalui opini publik di media sosial. Penelitian ini bertujuan mendeskripsikan citra sosial Bu Prani sebagai tokoh utama perempuan dalam konteks keluarga dan masyarakat. Penelitian menggunakan metode deskriptif kualitatif dengan pendekatan feminisme. Data dikumpulkan melalui kegiatan menonton film secara berulang, teknik simak-catat, dan dokumentasi tangkap layar terhadap adegan serta dialog yang merepresentasikan peran sosial perempuan. Hasil penelitian menunjukkan bahwa Bu Prani direpresentasikan sebagai istri, ibu, penjaga emosi keluarga, penopang ekonomi, guru, subjek moral, sekaligus korban penghakiman digital. Citra sosialnya bergeser dari pendidik yang dihormati menjadi objek kesalahan publik. Implikasinya, Budi Pekerti mengkritik budaya digital yang kerap membungkam suara perempuan dan mengabaikan kebenaran kontekstual.
KAJIAN PSIKOLOGI DALAM SINETRON ASMARA GEN Z SUTRADARA VEMMY SAGITA TAYANG DI SCTV (TEORI GUSTAV JUNG) Dina Maharani; Nur Lailiyah; Marista Dwi Rahmayantis
Jurnal PENEROKA Vol. 6 No. 2 (2026): Juli 2026
Publisher : Institut Agama Islam Darussalam Blokagung Banyuwangi

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30739/peneroka.v6i2.5271

Abstract

This study aims to describe the intrinsic elements and personality structure of the characters in the television series Asmara Gen Z, directed by Vemmy Sagita, based on Carl Gustav Jung's analytical psychology theory. The study falls within the scope of literary studies, particularly literary psychology, with a focus on analyzing characters and their personalities through an audiovisual medium. Asmara Gen Z was selected because it represents various psychological and social issues experienced by Generation Z adolescents, including identity exploration, family conflicts, social pressure, and interpersonal relationship dynamics. This study employed a descriptive qualitative method, with data consisting of dialogues, scenes, and characters' behaviors presented throughout the series. Data were collected through observation and note-taking techniques and analyzed by classifying, coding, interpreting, and describing them according to the research categories. Data validity was ensured through methodological and theoretical triangulation. The findings reveal that the intrinsic elements, including theme, plot, setting, and characterization, are closely interconnected in constructing the psychological dynamics of the characters. The identified personality structures consist of consciousness, the personal unconscious, the collective unconscious, the archetypes of persona and shadow, as well as the attitudes of introversion and extraversion. The findings further indicate that introversion and extraversion are the most dominant personality attitudes, while the persona and shadow archetypes most frequently influence the characters' inner conflicts and decision-making processes. These findings suggest that identity exploration, social pressure, and the need for social acceptance constitute the most prominent psychological characteristics of Generation Z as represented in the television series.
Co-Authors Achmad Fathoni Achmad Fathoni Firmansyah Achmad Fathoni Firmansyah Achmad Fathoni Firmansyah Agan, Subardi Andri Pitoyo Anggi Prasetya Anggun Mustika Dewi Armansyah, Fery Auziah, Wahdatul Ayuningtyas, Elisabet Cornilia Ayuwulandari, Siti Putri Azizah, Sherly Nur Beyonda Proudy Sujianto Brenada Anggelika Refita Lasytiara Chelya Ilham R. P. Chelya Ilham Ramdani Putra Chelya Ilham Ramdani Putra Chelya Ilham Ramdani Putra David Rindu Kurniawan Dimas Sandi Pradana Dina Maharani Dinso, Junio Boy Smara Encil Puspitoningrum, Encil Endang Wariyanti Endang Waryanti Fadila Ardinaning Putri Faisol Faisol Farida Yufarlina Rosita Fauji, Diah Ayu Septi Firmansyah, Achmad Fathoni Gigik, Yolanda Rensia Hanggara Budi Utomo Ilma, Alfika Fatkhiyatul Irfan, Moh. Bagus Jatmiko Khoiriyah Khoiriyah Khoiriyah Kurniawan, David Rindu Kusmiaji, Ingghar Ghupti Nadia Merdian Yozima Sugeng Abrianto Michella, Arina Martha Moch. Muarifin Mukmin, Bagus Amirul Mutiara Etikasari Nisa, Fitri Tsalasatun NUR LAILIYAH Nur Rohmah, Zunita Anggreni Pitaloka, Riska Eka Widya Pramesti, Yasinta Sindy Pratiwi, Wahyu Adi Putra, Chelya Ilham Ramadani Putra, Chelya Ilham Ramdani Putri, Fadila Ardinaning Ramdani Putra, Chelya Ilham Ria Wahyuning Budiasri Risky Aswi Ramadhani Rista Amameli Kartika Rohmiati, Rohmiati Rury Aisyaturida Sanjaya, Fiko Revinda Dea Sardjono Sardjono Sardjono Sardjono Sardjono Sasongko, Sempu Dwi Sempu Dwi Sasongko Septian Hadi Nurwanto Setyaningrum, Elsa Subardi Agan Sucipto Sucipto Suhartono Suhartono Suhartono Sujarwoko Sujarwoko, Sujarwoko Sukma Intan Nurima, Alifia Surjawoko Suryaningsih, Sukmawati Adi Sutrisno Sahari, Sutrisno Tegar Wahyu Nugroho Trisnaning Wahyuni Uswatun Kasanah, Uswatun Vianie, Daniella Cristie Vinanda Ariyani Wahyu Nugraha, Bima Wahyu Nugroho, Tegar Waryanti, Endang Wulandari, Aprelia Dwi Yeni Puspitasari Puspitasari