Articles
<![CDATA[Budaya Lokal dan Film: Respon Penonton terhadap Film Yowis Ben Karya Bayu Skak ]]>
<![CDATA[Nathania Chelsea Mineri]]>;
<![CDATA[Edi Dwi Riyanto]]>
<![CDATA[ Ideas: Jurnal Pendidikan, Sosial dan Budaya Vol 9 No 4 (2023): Ideas: Pendidikan, Sosial, dan Budaya (November) ]]>
Publisher : <![CDATA[Ideas Publishing ]]>
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DOI: 10.32884/ideas.v9i4.1477
<![CDATA[This study examines the audience’s response to the representation of local culture, especially the city of Malang, which are shown in the movie Yowis Ben. The purpose of this study is to find out the responses given by the audience to the local Malang’s culture in the movie. This study used a qualitative descriptive method with Stuart Hall’s reception analysis approach. The results of the study show that cultural representation of the use of Javanese language with the representation of local culinary of pecel is dominated by a dominant-hegemonic position where the audience fully accepts the message conveyed, meanwhile using local swear words known as pisuhan is dominated by negotiated position where the audience can accept the dominant code but reject it by making a selection. Researcher viewed that this movie is a good media in introducing a local culture of Malang to a wider audiences.]]>
<![CDATA[Persepsi Individu Generasi Z Terkait Penerapan Strawless ]]>
<![CDATA[Nur Rizky Dewi Angelita]]>;
<![CDATA[Edi Dwi Riyanto]]>;
<![CDATA[Nadya Afdholy]]>
<![CDATA[ PARAFRASE : Jurnal Kajian Kebahasaan & Kesastraan Vol 24 No 1 (2024): Parafrase Vol. 24 No. 1 Mei, 2024 ]]>
Publisher : <![CDATA[Universitas 17 Agustus 1945 Surabaya ]]>
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DOI: 10.30996/parafrase.v24i1.10660
<![CDATA[The strawless policy is believed to be an effort to prevent environmental problems in Indonesia. This campaign targets generation Z as a group that is closely related to the use of the internet and technological advances. The strawless campaign collaborated with Generation Z's coffee consumption lifestyle is expected to create a new culture. This research aims to find out generation Z’s views towards the strawless policy and examine the realization of strawless as a cultural element to create a new way of life. The researcher used qualitative methods with instruments of in-depth interview and observation. Data analysis uses circuit of culture theory by Stuart Hall (1997) consists by five aspects in examining cultural phenomena, namely regulation, representation, identity, production, consumption. The results of the study show that from the five elements of the circuit of culture, it proves that strawless has succeeded in becoming a new culture in the coffee activities of generation Z. However, many reviews and developments are still needed regarding regulations and other alternatives for the convenience of producers and consumers.]]>
<![CDATA[PENGARUH FAKTOR EKONOMI PADA POLA KONSUMSI: PERILAKU PEMAKAIAN BRAND SEPATU IMITASI CONVERSE DI KOTA SURABAYA ]]>
<![CDATA[Insani, Nataya Khuria]]>;
<![CDATA[Riyanto, Edi Dwi]]>
<![CDATA[ Metahumaniora Vol 14, No 2 (2024): METAHUMANIORA, SEPTEMBER 2024 ]]>
Publisher : <![CDATA[Universitas Padjadjaran ]]>
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DOI: 10.24198/metahumaniora.v14i2.54061
<![CDATA[Sepatu saat ini menjadi trend fashion, terutama di kalangan masyarakat urban. Berbagai model sepatu banyak bermunculan karena telah menjadi salah satu kebutuhan fashion yang penting sama halnya dengan busana pakaian. Dengan trend sepatu yang saat ini marak menjadikan harga sepatu mahal, apalagi brand sepatu luar negeri. Bagi orang berpendapatan tinggi, tentu tidak masalah karena bisa membelinya. Namun, bagi orang berpendapatan rendah mungkin akan berpikir ulang untuk membeli produk tersebut. Maka dari itu muncul cara alternatif untuk masyarakat kelas bawah dan menengah yang berpendapatan rendah agar bisa tetap bergaya mengikuti trend fashion yang ada. Cara tersebut adalah dengan membeli dan menggunakan produk sepatu imitasi dari merek sepatu terkenal, salah satunya ialah sepatu imitasi dari merek Converse. Munculnya sepatu imitasi ini menunjukkan bahwa saat ini masyarakat menginginkan sepatu bermerek tetapi mereka juga melihat keadaan ekonomi mereka yang seutuhnya. Penelitian ini bertujuan untuk mengetahui pola pembentukan identitas yang dimunculkan oleh para konsumen pada produk sepatu imitasi dari merek Converse dengan menggunakan teori simulakrum Jean Baudrillard. Penelitian ini merupakan penelitian deskriptif kualitatif. Lokasi penelitian ini di kota Surabaya. Penelitian ini menggunakan beberapa metode untuk pengumpulan data. Pertama observasi, yaitu dengan melakukan pengamatan terhadap subjek yang akan diteliti. Kedua wawancara, yaitu dengan melakukan tanya jawab kepada subjek yang akan diteliti. Ketiga interprestasi, yaitu memberikan pendapat maupun pandangan tentang hasil observasi dan wawancara yang telah dilakukan. Setalah itu melakukan analisis dengan mendeskripsikan dan memaknai data yang telah diperoleh. Hasil dari penelitian ini menunjukkan bahwa penggunaan produk sepatu imitasi dari merek Converse merupakan akibat munculnya konsumerisme, yakni pola konsumsi yang tidak sesuai dengan makna dari konsumsi, namun lebih mengarah pada simbol atau tanda.]]>
<![CDATA[Child Rape Cases in News Text: Sara Mills’ Critical Discourse Analysis ]]>
<![CDATA[Azzahra, Syifa Shafira]]>;
<![CDATA[Riyanto, Edi Dwi]]>;
<![CDATA[Afdholy, Nadya]]>;
<![CDATA[Salsabila, Nur Shafa]]>
<![CDATA[ GHANCARAN: Jurnal Pendidikan Bahasa dan Sastra Indonesia Vol. 5 No. 2 (2024) ]]>
Publisher : <![CDATA[Tadris Bahasa Indonesia, Fakultas Tarbiyah, Institut Agama Islam Negeri Madura ]]>
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DOI: 10.19105/ghancaran.v5i2.11971
<![CDATA[Sexual violence against children has become a world problem that can occur anytime, anywhere, and be carried out by anyone, and the number of cases is increasing continuously. This phenomenon is a critical problem because child victims who are still in the phase of adolescence can be at risk of disrupting the child's growth and development process and changing the child's behavior. This study aims to analyze news articles on child rape cases in the online media portal Liputan6.com and Merdeka.com using the Critical Discourse Analysis approach, specifically the Sara Mills model. This study employs qualitative research with a descriptive qualitative approach. The data utilized consists of news articles on child rape published on the online news portals Liputan6.com and Merdeka.com. The Critical Discourse Analysis by Sara Mills is employed to comprehend the language construction and ideologies of these articles. The findings of this study are that the subject-object position in the two news discourses reveals that girls are positioned as objects and journalists and third person as subjects. Then, the Writer-Reader Position in Liputan6.com's news discourse reveals that the writer is the subject and the reader is positioned as the reader acts as the perpetrator, while in the Merdeka.com news discourse, it is revealed that the writer places women as subjects and men as objects. Readers are positioned as women, and the author views the audience as women. In this research, three strategies for presenting victims of sexual harassment were also found, namely character, focalization, and schemata (scheme).]]>
<![CDATA[The Combination of Culture and Art in Muludan Mask Dance as a Strategy for Preserving Tradition: Muludan Mask tradition as a component of Surabaya's place identity ]]>
<![CDATA[Santiana, Anindra Candrika]]>;
<![CDATA[Riyanto, Edi Dwi]]>;
<![CDATA[Afdholy, Nadya]]>
<![CDATA[ International Journal of Culture and Art Studies Vol. 8 No. 1 (2024): International Journal of Culture and Art Studies (IJCAS) ]]>
Publisher : <![CDATA[Talenta Publisher ]]>
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DOI: 10.32734/ijcas.v8i1.15216
<![CDATA[Festivals and celebrations are among many ways for a culture or tradition to be presented to society. Muludan Mask is a Surabaya culture where children often play with these masks when celebrating the Prophet’s Birthday. But unfortunately, this culture is starting to be eroded by the times along with the development of the globalization era. Many efforts have been made by both the Surabaya government and communities in Surabaya to preserve the Muludan mask tradition. One of the efforts made by the Arbaya Dance Community in 2017 and 2018 was to celebrate the Prophet's birthday at Balai Pemuda Surabaya by dancing the Muludan Mask dance together. The qualitative method with interviews as a data collection method was applied to collect data from within the Arbaya Dance Community as the source to determine how effective and sustainable the efforts to preserve the Muludan mask tradition are. This article wants to show how art and culture are combined to preserve a tradition since tradition is one of the components composing a place identity. The results of this research show that the existence of the Muludan Mask tradition needs to be reaffirmed so that it doesn’t fade completely from Surabaya society because it can affect the identity of Surabaya. This tradition's small number of cultural practitioners causes this article to have only one source from one community. It is hoped that this article can provide further information about the Muludan Mask and help this tradition to be noticed by the Surabaya people.]]>
<![CDATA[Relasi Kuasa Wacana Trauma Tubuh dalam Film Ku Cumbu Tubuh Indahku ]]>
<![CDATA[Afifah, Wahyuning]]>;
<![CDATA[Riyanto, Edi Dwi]]>
<![CDATA[ Jurnal Pendidikan Tambusai Vol. 5 No. 2 (2021): 2021 ]]>
Publisher : <![CDATA[LPPM Universitas Pahlawan Tuanku Tambusai, Riau, Indonesia ]]>
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<![CDATA[Penelitian ini mengkaji tentang relasi kuasa yang terdapat dalam film Ku Cumbu Tubuh Indahku. Kekuasaan dapat dimaknai dan diulas sebagai sebuah kekuatan atau pengaruh yang dimiliki oleh individu ataupun organisasi yang berusaha untuk memaksakan kehendaknya kepada pihak lain. Secara tidak sadar, kekuasaan bekerja dalam jaringan kesadaran publik. Dalam hal ini kekuasaan tidak datang dari luar, akan tetapi dari dalam untuk menentukan struktur, aturan dan sebuah hubungan. Tujuan dari penelitian ini adalah; a) mengetahui bentuk relasi kuasa dalam film Ku Cumbu Tubuh Indahku (b) menjelaskan dampak relasi kuasa film Ku Cumbu Tubuh Indahku. Untuk mencapai tujuan penelitian tersebut, penelitian ini menggunakan teknik melihat, observasi dan catat. Metode analisis data penelitian ini menggunakan teknik analisis deskriptif. Hasil penelitian ini adalah (1) Bentuk relasi kuasa dalam film Ku Cumbu Tubuh Indahku ada dua, yaitu relasi kuasa atas pikiran dan relasi kuasa atas tubuh. Bentuk relasi kuasa atas pikiran dalam film Ku Cumbu Tubuh Indahku berupa stigmatisasi, dan kontrol. Selanjutnya bentuk relasi kuasa atas tubuh sosial dan seksual berupa objektifikasi, dominasi dan kontrol. (2) Dampak relasi kuasa. Dampak tersebut dilakukan terhadap dua representasi kuasa yaitu sebagai berikut: a) Budaya, yaitu melawan norma-norma yang berlaku di masyarakat terkait dengan norma gender dan seksualitas. b) Lembaga, melawan keinginan Lurah sehingga di cap komunis.]]>
<![CDATA[Hibriditas Budaya Jaran Kepang Turonggo Budoyo Sebagai Pelestarian Budaya Masyarakat Suku Tengger ]]>
<![CDATA[Fatihah, Lauhil]]>;
<![CDATA[Riyanto, Edi Dwi]]>
<![CDATA[ CHRONOLOGIA Vol 5 No 3 (2024): Chronologia ]]>
Publisher : <![CDATA[Universitas Muhammadiyah Prof. Dr. Hamka ]]>
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DOI: 10.22236/jhe.v5i3.14297
<![CDATA[Jaran Kepang Turonggo Budoyo is one of the Jaran Kepang performing arts which was founded by the people of Sapikerep Village, Sukapura District, Probolinggo Regency as an effort to preserve the culture of the Tengger Tribe community. As the Tengger Tribe people who live in the Probolinggo Regency area, the geographical and socio-cultural conditions also influence the cultural color of the Tengger Tribe people who live in the area and produce various cultural hybridities, including in the field of culture. This research aims to determine the hybridity of the Jaran Kepang Turonggo Budoyo culture as a cultural preservation of the Tengger Tribe community. This research method uses field methods, namely case studies. Data collection techniques were carried out through interviews, observation and literature study. The analytical method used in this research is an interpretive qualitative method which is using a cultural studies analysis model. The results of this research are that the cultural hybridity that occurs in the Tengger Tribe community who live in Sapikerep Village, Sukapura District, Probolinggo Regency has influenced all aspects of the community's life. One of them is the cultural aspect in the field of performing arts, namely Jaran Kepang Turonggo Budoyo. The cultural hybridity that occurs in Jaran Kepang Turonggo Budoyo is a form of cultural preservation in the field of performing arts as an effort to maintain the preservation and resilience of the Tengger Tribe's culture.]]>
<![CDATA[NEO EVOLUSI BUDAYA TARIAN PERANG DALAM TRADISI OJUNG DI DESA BLIMBING KECAMATAN KLABANG KABUPATEN BONDOWOSO ]]>
<![CDATA[Fatihah, Lauhil]]>;
<![CDATA[Dwi Riyanto, Edi]]>
<![CDATA[ Jurnal Kajian Seni Vol 10, No 2 (2024): Jurnal Kajian Seni Vol 10 No 2 April 2024 ]]>
Publisher : <![CDATA[Universitas Gadjah Mada ]]>
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DOI: 10.22146/jksks.92631
<![CDATA[The Ojung tradition is a ritual tradition of requesting rainfall which is carried out by the Madurese and Pandalungan communities in East Java. When tracing the cultural genealogical roots of the tradition, it seems to remind people's collective memory of war dance movements from the classical period, but it is possible that the Ojung tradition is thought to have originated from a much older period of time, which is in prehistory. This study aims to determine the Neo Evolution of War Dance in the Ojung Tradition found in Blimbing Village, Klabang District, Bondowoso Regency. This research uses data collection methods in the form of field methods, namely case studies and uses data collection techniques, namely triangulation techniques. This research uses an analysis method in the form of an interpretative qualitative analysis method and uses a historical analysis model. The results of this study indicate that the Ojung Tradition which is still preserved in Blimbing Village, Klabang Subdistrict, Bondowoso Regency is an evolved culture rooted in the war dance of the Austronesian Nation which has undergone various processes of change and development while maintaining the main concept or core value of the tradition itself.]]>
<![CDATA[MULTIDIMENSIONAL POVERTY IN T. S. ELLIOT’S MORNING AT THE WINDOW ]]>
<![CDATA[Abdika Taslih Amrullah]]>;
<![CDATA[Christinawati]]>;
<![CDATA[Edi Dwi Riyanto]]>
<![CDATA[ ELite Journal : International Journal of Education, Language, and Literature Vol. 2 No. 1 (2022): ELite Journal (Volume 2 Number 1, January 2022) ]]>
Publisher : <![CDATA[Universitas Negeri Surabaya ]]>
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DOI: 10.26740/elitejournal.v2n1.p62-72
<![CDATA[Poverty is a phenomenon of human suffering that is often brought up as the main theme in the works of literature. The study examines how poverty is manifested in the poem entitled Morning at the Window by T. S. Elliot. The analysis focuses on interpreting the poem’s meaning and further analyses the portrayal of poverty. The theoretical framework used to analyze the poem's meaning is the semiotics of poetry by Michael Riffaterre. The dimensions of poverty by Robert Chambers are also used to analyze the elements of poverty that constructed the main issue of the poem. The analysis focuses on the unsustainability of meaning and interpretation from heuristic and hermeneutic reading. The overall meaning is drawn to reveal how the poem portrays the issue of poverty. Besides, the concept of poverty depicted in the poem is demystified based on the dimensions of poverty by Chambers. The analysis shows that the poem illustrates its main issue by strongly depending on the objective, representing poverty’s dimensions. The identified dimensions of poverty that constructed the issue are powerlessness, isolation, vulnerability, and poverty. These dimensions are illustrated by depicting the maids’ physical and mental state caused by living in poverty.]]>
<![CDATA[Zoning of Trowulan Cultural Heritage Area as an Effort to Regulate the Function of Space in Cultural Paradigm ]]>
<![CDATA[Fatihah, Lauhil]]>;
<![CDATA[Riyanto, Edi Dwi]]>;
<![CDATA[Arifin, Muhammad Thohir]]>
<![CDATA[ Titian: Jurnal Ilmu Humaniora Vol. 8 No. 2 (2024): Desember 2024 ]]>
Publisher : <![CDATA[Fakultas Ilmu Budaya, Universitas Jambi ]]>
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DOI: 10.22437/titian.v8i2.39644
<![CDATA[Zoning of Cultural Heritage is one of the government's efforts to protect Cultural Heritage from various factors that can threaten the existence of Cultural Heritage in the current era of modernization. One of the Cultural Heritage zonings implemented by the government is the Trowulan National Cultural Heritage Area Zoning. The zoning is implemented to regulate the function of space by considering the preservation of Cultural Heritage as a fundamental aspect in the Trowulan National Cultural Heritage Area. This research aims to find out how the zoning of Cultural Heritage is implemented in the Trowulan National Cultural Heritage Area to regulate the function of space through the cultural paradigm. This research uses qualitative research methods with a case study approach, namely the Trowulan National Cultural Heritage Area. The techniques used to collect data in this research are observation, interviews, and documents. The analysis method used in this research is interpretative qualitative method. The results of this research show that through the cultural paradigm, the zoning of the Trowulan National Cultural Heritage Area really needs to be done to provide regulations that regulate the function of space to maintain the existence of Cultural Heritage so that it can be passed down to the next generation of the Indonesian Nation.]]>
