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All Journal Mozaik: Kajian Ilmu Sejarah Jurnal Pendidikan Sosiologi dan Humaniora Jurnal Imajinasi Jurnal Ilmu Sosial dan Humaniora EGALITA Diglossia PROMUSIKA: Jurnal Pengkajian, Penyajian, dan Penciptaan Musik Prosodi: Jurnal Ilmu Bahasa dan Sastra Journal of Contemporary Indonesian Art Lakon : Jurnal Kajian Sastra dan Budaya Jurnal Antropologi: Isu-Isu Sosial budaya Jurnal Penelitian Humaniora Jurnal Media Gizi Indonesia (MGI) EDULITE: Journal of English Education, Literature and Culture Sosial Horizon: Jurnal Pendidikan Sosial MUDRA Jurnal Seni Budaya Gondang: Jurnal Seni dan Budaya Syntax Literate: Jurnal Ilmiah Indonesia ELS Journal on Interdisciplinary Studies in Humanities Parafrase: Jurnal Kajian Kebahasaan dan Kesastraan JURNAL PENDIDIKAN TAMBUSAI Satwika : Kajian Ilmu Budaya dan Perubahan Sosial Jurnal Artefak Sang Pencerah: Jurnal Ilmiah Universitas Muhammadiyah Buton International Journal of Cultural and Art Studies (IJCAS) Metahumaniora English Language Teaching Educational Journal Titian: Jurnal Ilmu Humaniora Santhet: (Jurnal Sejarah, Pendidikan Dan Humaniora) Ideas: Jurnal Pendidikan, Sosial dan Budaya Ghancaran: Jurnal Pendidikan Bahasa dan Sastra Indonesia Anaphora: Journal of Language. Literary and Cultural Studies Jubindo: Jurnal Ilmu Pendidikan Bahasa dan Sastra Indonesia Academia Open Chronologia Jurnal Kajian Seni Arif: Jurnal Sastra dan Kearifan Lokal Jurnal Ilmu Hukum, Humaniora dan Politik (JIHHP) Soshum: Jurnal Sosial dan Humaniora Sphatika: Jurnal Teologi ELite Journal: International Journal of Education, Language and Literature (JSM) Jurnal Seni Musik Proceeding of International Conference on Social Science and Humanity
Edi Dwi Riyanto
Faculty Of Humanities, Universitas Airlangga, Surabaya
Religion Agriculture, Biological Sciences & Forestry Arts Humanities Chemistry Computer Science & IT Earth & Planetary Sciences Economics, Econometrics & Finance Education Environmental Science Health Professions Languange, Linguistic, Communication & Media Law, Crime, Criminology & Criminal Justice Library & Information Science Mathematics Mechanical Engineering Medicine & Pharmacology Physics Public Health Social Sciences Other

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Bentuk, Fungsi, dan Makna Minuman Alkohol Tradisional dalam Prasasti Masahar Abad 10 Masehi Fatihah, Lauhil; Riyanto, Edi Dwi
Jurnal Artefak Vol 12, No 1 (2025): April
Publisher : Universitas Galuh

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.25157/ja.v12i1.16615

Abstract

Traditional alcoholic beverages are one of the culinary delights that have existed since the Ancient Javanese period, one of the proofs of the existence of these beverages is in the Masahar Inscription. The Masahar Inscription is an inscription issued by Mpu Sindhok in the 10th century AD for the inauguration of the sima land, namely Masahar. The inscription mentions three traditional alcoholic beverages, namely siddhu, cinca, and tuak. This study aims to determine the form, function, and meaning of traditional alcoholic beverages in the 10th century AD Masahar Inscription. This research is qualitative research through a case study approach. Data collection techniques, namely observation, interviews, and documentation. The study used interpretive qualitative with an analysis model of form, function, and meaning. The results of the study indicate that traditional alcoholic beverages mentioned in the Masahar Inscription are alcoholic beverages that are not only interpreted profanely, but also have sacred functions that are carried out in special ways according to the practices of ideology, politics, religion, social and culture that prevailed during the Ancient Javanese period. The study contributes to the preservation of intangible cultural heritage, especially the tradition of making and using traditional alcoholic beverages that may still exist or have changed form until now. Interdisciplinary research that combines historical, archaeological, and cultural anthropological methods is highly recommended to explore the symbolic and ritual aspects of alcoholic beverages in social and religious contexts.
Representasi Cinta dalam Lirik Lagu Kupu-Kupu oleh Tiara Andini: Analisis Semiotika Roland Barthes Ratnaduhita, Cintya; Riyanto, Edi Dwi; Khusyairi, Johny Alfian
PROMUSIKA Vol 13, No 1 (2025): April 2025
Publisher : Institut Seni Indonesia Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24821/promusika.v1i1.15213

Abstract

Penelitian ini bertujuan untuk menganalisis representasi cinta dalam lirik lagu Kupu-kupu oleh Tiara Andini melalui pendekatan semiotika Roland Barthes. Fokus utama penelitian ini adalah untuk mengidentifikasi makna denotatif, konotatif, dan mitos yang terkandung dalam simbol-simbol yang ada dalam lirik lagu tersebut. Metode penelitian yang digunakan adalah kualitatif dengan analisis semiotika, di mana data penelitian berupa lirik lagu yang diambil dari laman internet. Teknik pengumpulan data dilakukan melalui observasi terhadap lirik lagu Kupu-kupu yang kemudian dianalisis secara mendalam menggunakan teori semiotika Roland Barthes. Teknik analisis data melibatkan tiga tahap: pertama, analisis makna denotatif yang mengungkapkan arti harfiah dari setiap simbol; kedua, analisis konotatif untuk menggali makna yang lebih dalam terkait dengan perasaan cinta yang digambarkan; ketiga, identifikasi mitos-mitos yang terbentuk melalui simbol-simbol dalam lagu. Hasil penelitian menunjukkan bahwa lirik lagu ini menggambarkan cinta sebagai perasaan yang mempengaruhi fisik dan emosional, dengan simbol-simbol seperti pipi merona, jantung terpompa, dan kupu-kupu yang menggambarkan kebebasan cinta. Cinta digambarkan sebagai kekuatan yang memperkuat hubungan, memberikan ketulusan, dan menjaga kebahagiaan. Kesimpulannya, lirik lagu Kupu-kupu menciptakan representasi cinta yang mendalam, dinamis, dan bebas berkembang sesuai dengan mitos-mitos cinta dalam budaya populer. Temuan ini berkontribusi pada pengembangan kajian semiotika musik Indonesia dengan memperkaya pemahaman tentang bagaimana simbol-simbol dalam lirik lagu membentuk konstruksi makna sosial dan emosional dalam konteks budaya lokal.The Representation of Love in the Lyrics of the Butterfly Song: Barthes's Semiotic AnalysisAbstractThis study aims to analyze the representation of love in the lyrics of the song Kupu-kupu by Tiara Andini through Roland Barthes' semiotic approach. The primary focus of this research is to identify the denotative, connotative meanings, and myths contained in the symbols within the song's lyrics. The research method used is qualitative with a semiotic analysis, where the research data consists of song lyrics taken from an online source. Data is collected by observing the Kupu-kupu lyrics, which are then analyzed in depth using Roland Barthes' semiotic theory. The data analysis technique involves three stages: first, the analysis of denotative meaning, which reveals the literal meaning of each symbol; second, the connotative analysis to explore deeper meanings related to the feelings of love depicted; third, the identification of myths formed through the symbols in the song. The results show that the lyrics of this song depict love as a feeling that affects both the physical and emotional aspects, with symbols such as blushing cheeks, a pumping heart, and butterflies representing the freedom of love. Love is portrayed as a force that strengthens relationships, offers sincerity, and maintains happiness. In conclusion, the lyrics of Kupu-kupu create a profound, dynamic, and freely evolving representation of love in line with the myths of love in popular culture. This finding contributes to the development of semiotic studies of Indonesian music by enriching the understanding of how symbols in song lyrics construct social and emotional meanings within the context of local culture.Keywords: Barthes' semiotics; love in music; lyric symbolism; pop culture; Indonesian songs
Modernization the Cinema Medium through Visual Transformation of NOAH’s Album Remake Version Teddy Afriansyah; Meyrasyawati, Dewi; Dwi Riyanto, Edi
Jurnal Seni Musik Vol. 14 No. 1 (2025): June 2025
Publisher : Universitas Negeri Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15294/3dpv9n37

Abstract

This research discusses how NOAH gave a modern change (modernization) sentiment in video clips, so it can be enjoyable by fans of NOAH. The objectives are, 1) Explain the visual modernization change in NOAH’s video clips remake version; and 2) Explain the visual modernization that is able to reconstruct NOAH's identity. This research uses a qualitative method with a musicological approach. The research data was collected through virtual observation from video clips of NOAH’s remake music video. This research showed that 1) a visual comparison was conducted across six NOAH music videos comparing original and remake versions, such as "Bintang di Surga," "Khayalan Tingkat Tinggi," "Yang Terdalam," "Di Atas Normal," "Menghapus Jejakmu," and "Kota Mati." The analysis identified significant transformations across five dimensions: a) technological implementation, b) visual aesthetics, c) narrative structure, d) performer roles, and e) symbolic representation. Other than, 2) the modernization elements present in NOAH's remake album successfully reconstructed the band's identity as a cross-generational act through three strategic approaches: an aesthetic transition from "organic" to "digital" paradigms, implementation of visual hybridity strategies, and symbolic reinterpretation. So, the visual modernization effectively bridges generational divides, the transformation has not been without criticism from segments of NOAH's fanbase.
Reverse Culture Shock Shaping Personal Traits and Views: A Case Study of Malang Returnees from Surabaya : KEJUTAN BUDAYA TERBALIK YANG MEMBENTUK PANDANGAN DAN KEPRIBADIAN: STUDI KASUS PERANTAU MALANG DARI SURABAYA Arrasyid, Muhammad; Edi Dwi Riyanto; Nadya Afdholy
Santhet: (Jurnal Sejarah, Pendidikan Dan Humaniora) Vol 9 No 4 (2025): SANTHET: (JURNAL SEJARAH, PENDIDIKAN DAN HUMANIORA) 
Publisher : Proram studi pendidikan Sejarah Fakultas Keguruan Dan Ilmu Pendidikan Universaitas PGRI Banyuwangi

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.36526/santhet.v9i4.5649

Abstract

Reverse culture shock is the next level of culture shock phenomenon that is commonly caused by asymmetric locations and frequently happens to sojourners returning to their homeland. Cities like Malang and Surabaya are examples of asymmetrical locations that are highly contrasted in terms of life pace as Malang is slow-paced while Surabaya is fast-paced. This circumstance potentially establishes such culture shock phenomena. This study, therefore, aims to examine the culture shock and reverse culture shock phenomena experienced by sojourners by focusing on its influence in shaping their personal traits and views. This study is categorized as qualitative research. The data collection technique is in the form of interviews with the sojourners who have met the criteria. This study applied Mizerow’s theory of transformative learning to analyze the data. The result of this study reveals that all participants had undergone both culture shock and reverse culture shock experiences. They also showed indications of which phenomena have influenced their personal traits and views in certain perspectives, specifically in shaping gratitude traits..
The Inscription of Word Gempeng and 899 as Petirtaan Jolotundo’s Cultural Identity Fatihah, Lauhil; Riyanto, Edi Dwi
Mudra Jurnal Seni Budaya Vol 40 No 3 (2025)
Publisher : Institut Seni Indonesia Denpasar

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31091/mudra.v40i3.2914

Abstract

Petirtaan Jolotundo is one of two petirtaans (sacred bathing places) on Mount Penanggungan. It is an important archaeological heritage site, known for having the oldest recorded date in the Penanggungan Mountain area—899 Saka or 977 AD. Within the petirtaan is an inscription carved on its eastern wall, visually prominent and written in Old Javanese (Kawi) script, containing the word Gempeng and the number 899. This research aims to uncover Petirtaan Jolotundo's cultural identity through the interpretation of these two inscriptions. The study was conducted at the site of Petirtaan Jolotundo, located in Biting Hamlet, Seloliman Village, Trawas District, Mojokerto Regency, East Java Province. This qualitative research adopts a case study approach, focusing specifically on Petirtaan Jolotundo. Data collection techniques include observation, literature review, and interviews. The data analysis method follows an interpretative qualitative approach, applying Norman Fairclough's theory of critical discourse analysis, which comprises three levels: textual analysis, discursive practice, and social practice. The results of this study show that the inscriptions—Gempeng and 899—serve as cultural markers that reveal the identity of Petirtaan Jolotundo and the Old Javanese community. These inscriptions highlight the community's role in shaping and preserving the site's cultural significance across generations.
Reclaiming Betawi Identity: A Critical Discourse Analysis of Si Doel Anak Sekolahan Original Soundtrack Pratiwi, Cysakaren Diva; Riyanto, Edi Dwi; Meyrasyawati, Dewi
Arif: Jurnal Sastra dan Kearifan Lokal Vol. 5 No. 1 (2025): Arif: Jurnal Sastra dan Kearifan Lokal
Publisher : Fakultas Bahasa dan Seni

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.21009/Arif.051.09

Abstract

This article analyzes the cultural significance of the theme song of Si Doel Anak Sekolahan using an ethnomusicological approach, specifically focusing on the representation of Betawi society. The main problem addressed is how the song's lyrics reflect the identity, values, and social changes of the Betawi people within an urban context. Additionally, this study explores how music functions as a form of cultural storytelling, representing the daily experiences and social dynamics of the Betawi community. This research aims to understand the role of music as a medium of cultural expression that mirrors social realities while preserving cultural identity in the face of modernization. The method used is a qualitative lyrical text analysis to identify prominent cultural themes. The findings reveal that the lyrics are not merely entertainment but also a means to reinforce community identity and reflect complex social dynamics.
Budaya Suku Laut Kepulauan Riau di Ambang Perubahan: Tantangan dan Harapan Haqi, Annisa Maulidina; Puryanti, Lina; Riyanto, Edi Dwi
Jurnal Ilmu Sosial dan Humaniora Vol 14 No 2 (2025)
Publisher : Universitas Pendidikan Ganesha

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.23887/jish.v14i2.92281

Abstract

The Riau Archipelago, rich in marine biodiversity and cultural heritage, has long been home to the Orang Suku Laut, a nomadic maritime community deeply connected to their aquatic environment. This study explores the cultural transformations experienced by the Orang Suku Laut amid rapid modernization and industrialization, with particular attention to their traditional practices, environmental challenges, and strategies for resilience. Employing a qualitative approach grounded in cultural ecology theory, this research draws on extensive library-based data—including peer-reviewed journals, government reports, and ethnographic studies—to analyze the socio-cultural and ecological impacts of development on this indigenous community. Through thematic content analysis, the study reveals significant disruptions to cultural practices, reduced access to marine resources, and identity struggles in the face of urbanization. Nevertheless, the findings highlight opportunities for resilience through community-led heritage preservation, eco-tourism, and adaptive integration into modern governance. This study argues for development policies that uphold indigenous cultural integrity while promoting inclusive sustainability in maritime regions.
PEACEFUL LIFE LEARNING ABOUT TENGGER CULTURE AND ITS CHALLENGES Suwarta, Nyoman; Riyanto, Edi Dwi; Santoso, Listiono
Proceeding of International Conference on Social Science and Humanity Vol. 2 No. 3 (2025): Proceeding of International Conference on Social Science and Humanity
Publisher : PT ANTIS INTERNATIONAL PUBLISHER

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.61796/icossh.v2i3.120

Abstract

Objective: This study aims to analyze the current life habitus of the Tengger Indigenous People amid the growing tourism industry in the Bromo area. Method: Employing a qualitative approach, data were collected through observation, in-depth interviews, and focus group discussions (FGDs), then analyzed using a social and cultural reproduction framework. Results: The findings reveal five core habitus that characterize the Tengger Indigenous lifestyle: Maintaining Politeness, Obeying the Rules, Straightforward and Relatively Smooth Language, Simple Reasoning, and Peaceful Living. However, transformations—referred to as a “shock” to the habitus—have emerged, triggered by external influences such as the ownership of luxury vehicles, culturally insensitive behavior by foreign tourists, and the discovery of illicit drug cultivation. These phenomena indicate social tensions disrupting the community’s traditional harmony. Novelty: This research offers a comprehensive understanding of the transformation in indigenous cultural habitus due to tourism, emphasizing the urgent need for balanced and respectful interactions among stakeholders in the TNBTS area to preserve traditional values while accommodating modern demands.
Pelindungan Cagar Budaya Masa Konflik Bersenjata dalam Paradigma UU Nomor 11 Tahun 2010 tentang Cagar Budaya Fatihah, Lauhil; Basundoro, Purnawan; Dwi Riyanto, Edi
Jurnal Ilmu Hukum, Humaniora dan Politik Vol. 5 No. 3 (2025): (JIHHP) Jurnal Ilmu Hukum, Humaniora dan Politik
Publisher : Dinasti Review Publisher

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.38035/jihhp.v5i3.4091

Abstract

Cagar Budaya merupakan kekayan bangsa yang harus dilindungi, oleh karena nilai penting Cagar Budaya bagi bangsa, negara, dan dunia. Kondisi masyarakat Indonesia yang majemuk, sarat dengan multikulturalisme, dan kondisi dunia yang tidak stabil, serta tidak dapat diprediksi dapat memicu timbulnya konflik. Pada masa konflik bersenjata pelindungan Cagar Budaya yang termasuk warisan dunia memiliki hukum pelindungan ganda, yaitu hukum nasional dan hukum internasional, namun bagi Cagar Budaya yang tidak termasuk dalam warisan budaya dunia hanya memiliki payung hukum berupa hukum nasional, yaitu Undang-Undang Cagar Budaya No. 11 Tahun 2010 tentang Cagar Budaya. Penelitian ini bertujuan untuk mengetahui bagaimana pelindungan Cagar Budaya masa konflik bersenjata dalam paradigma Undang-Undang Cagar Budaya No. 11 Tahun 2010 tentang Cagar Budaya. Hasil dari peneltiian ini adalah bahwa hukum nasional juga memiliki status hukum yang sama kuat dalam melindungi Cagar Budaya pada masa konflik bersenjata, baik konflik tingkat regional, nasional, maupun internasional.
Cultural Hybridity in Music Accompaniment of Performing Arts Bantengan Putro Taruno Satrio Lintang Mojokerto City Fatihah, Lauhil; Riyanto, Edi Dwi
Gondang: Jurnal Seni dan Budaya Vol. 8 No. 2 (2024): GONDANG: JURNAL SENI DAN BUDAYA, DECEMBER 2024
Publisher : Universitas Negeri Medan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24114/gondang.v8i2.57564

Abstract

Bantengan is one of the performing arts that developed in several regions of East Java, one of the communities that preserve Bantengan is the Bantengan Putro Taruno Satrio Lintang Community from Mojokerto City. One of the important elements in the performance art is the music which functions as a determinant of the dynamics of the performance art game, but along with the times the music presented has undergone cultural transformation due to the process of cultural hybridity in the music. This research aims to find out the cultural hybridity contained in the music accompaniment of Bantengan Putro Taruna Satrio Lintang performance art in Mojokerto City. In this study, researchers used ethnographic methods, namely field methods in the form of case studies, namely the Bantengan Putro Taruno Satrio Lintang Community in Mojokerto City. The techniques used in this research are observation, interview, document, and triangulation techniques. In this study, researchers used an analysis method in the form of interpretative qualitative methods and used an analysis model in the form of cultural studies analysis. The result of this research is that the cultural hybridity contained in the music accompaniment of Bantengan Putro Taruna Satrio Lintang performance art is influenced by three factors, such as space, cultural agents, and time.
Co-Authors Abdika Taslih Amrullah Adiyani, Lady Khairunnisa Afifah, Talitha Afifah, Wahyuning Afriansyah, Teddy Ahmad Nurefendi Fradana Alexei Wahyudiputra Arifin, Muhammad Thohir Arrasyid, Muhammad Astutiek , Dwi Astutiek, Dwi Azzahra, Syifa Shafira Bambang Kusbandrijo Bunga Farida Christinawati, Christinawati Dewi Meyrasyawati Emy Trisna Juwita Fatah, Mohammad Zainal Fatihah, Lauhil Hapsari Putri, Nina Dwi Haqi, Annisa Maulidina Ika Savitri Salsabil Insani, Nataya Khuria Ira Nurmala Irene Shendy Kharista Johny Alfian Khusyairi Joko Susilo Liana, Patricia Lina Puryanti Maharani Dewi Mochammad Bagus Qomaruddin Muhammad Luthfi Abdul Ghaffar Muhammad Maftukhan Nadya Afdholy Nathania Chelsea Mineri Nur Rizky Dewi Angelita Petrik Mahisa Akhtabi Pradana, Ahmad Nurefendi Pratiwi, Cysakaren Diva Purnawan Basundoro Puspita, Yulia Mega Putu Ayu Agung Amoretta Putri Marlindra Rahmi Febriani Ratnaduhita, Cintya Romiana, Romiana Sa'idah Zahrotul Jannah Salsabila, Nur Shafa Santiana, Anindra Candrika Santoso, Listiono Sekartaji, Pembayun Retno Ambarsari Shrimarti Rukmini Devy Silvia Lubaba Siti Rahayu Nadhiroh Subargo, Yopi Lutfi Suwarta, Nyoman Teddy Afriansyah Wasudewa Bhattacarya Yuanita Albhar Yuniar, Dea Hernawati Zuchra Zuchra