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Escapism Towards the Surreal Arena in Negeri Senja: A Literary Psychology Approach Nina Dwi Hapsari Putri; Edi Dwi Riyanto
ELS Journal on Interdisciplinary Studies in Humanities Vol. 5 No. 1 (2022): March
Publisher : Hasanuddin University

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (314.632 KB) | DOI: 10.34050/elsjish.v5i1.20462

Abstract

“Negeri Senja” tells the story of a country that never has morning, noon, or night because there is only dusk every day. The surreal arena built into the story brings anxiety during the reading process even to the end of the open ending. The problems in this novel are framed textually. This research aims to express these concerns based on textual analysis of the novel “Negeri Senja” by Seno Gumira Ajidarma. The research method used is literary psychology, specifically Carl Gustav Jung's psychoanalysis of consciousness and unconsciousness. Content and discussion are presented in the form of qualitative descriptive analysis. The results of the textual study show that the main character in the story is undergoing a process of escapism or attitude that avoids reality and avoids all difficulties. The surreal arena in the form of “Negeri Senja” is interpreted as the center of the main character's escapism so that all reading concerns can be explained.
Budaya Suku Laut Kepulauan Riau di Ambang Perubahan: Tantangan dan Harapan Annisa Maulidina Haqi; Lina Puryanti; Edi Dwi Riyanto
Jurnal Ilmu Sosial dan Humaniora Vol 14 No 2 (2025)
Publisher : Universitas Pendidikan Ganesha

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.23887/jish.v14i2.92281

Abstract

The Riau Archipelago, rich in marine biodiversity and cultural heritage, has long been home to the Orang Suku Laut, a nomadic maritime community deeply connected to their aquatic environment. This study explores the cultural transformations experienced by the Orang Suku Laut amid rapid modernization and industrialization, with particular attention to their traditional practices, environmental challenges, and strategies for resilience. Employing a qualitative approach grounded in cultural ecology theory, this research draws on extensive library-based data—including peer-reviewed journals, government reports, and ethnographic studies—to analyze the socio-cultural and ecological impacts of development on this indigenous community. Through thematic content analysis, the study reveals significant disruptions to cultural practices, reduced access to marine resources, and identity struggles in the face of urbanization. Nevertheless, the findings highlight opportunities for resilience through community-led heritage preservation, eco-tourism, and adaptive integration into modern governance. This study argues for development policies that uphold indigenous cultural integrity while promoting inclusive sustainability in maritime regions.
Structural Opression of Women in Surat Dari Tini Chen: Siapa Saya: A Feminist Literary Criticism Putu Ayu Agung Amoretta Putri Marlindra; Edi Dwi Riyanto
Soshum: Jurnal Sosial dan Humaniora Vol. 11 No. 3 (2021): November 2021
Publisher : Unit Publikasi Ilmiah, P3M, Politeknik Negeri Bali

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31940/soshum.v11i3.217-225

Abstract

Women in a patriarchal system have a close relationship with domestic roles. This study aims to describe the construction of women's roles faced by a woman before becoming a prisoner in a short story entitled Surat dari Tini Chen: Siapa Saya written by Tini (pseudonym), a former convict. This research is descriptive qualitative in nature and has qualitative data taken through library techniques. The approach used in this study is structural story analysis and feminist literary criticism with an intersectionalism approach to explaining social phenomena that become the factor of oppression. The results show that three factors (i.e., education, power relations, and psychology) support the formation of structural oppression on Tini. The economic condition is the estuary that underlies the emergence of the factors.
PELESTARIAN MANUSKRIP LONTAR: STUDI KASUS KAWASAN CAGAR BUDAYA NASIONAL TROWULAN Fatihah, Lauhil; Riyanto, Edi Dwi
Metahumaniora Vol 15 No 3 (2025): METAHUMANIORA, DESEMBER 2025
Publisher : Universitas Padjadjaran

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24198/metahumaniora.v15i3.63894

Abstract

Palm manuscripts are one of the rich cultural treasures of the Indonesian Nation that needs to be preserved, because they contain important values as a cultural heritage from the past and the preservation of palm manuscripts has currently been carried out, both by the community and the government. The Trowulan National Cultural Heritage Area is a conservation area protected by the Indonesian Government which also has cultural heritage in the form of palm manuscripts. Currently, the lontar manuscripts preserved in the area are managed by the Majapahit Information Management Unit, which is one of the units of Balai Pelestarian Kebudayaan Wilayah XI. This research aims to find out how the process of preserving lontar manuscripts, both as Cultural Heritage and Cultural Promotion Objects in the Trowulan National Cultural Heritage Area. This research is a quantitative research that uses a case study of lontar manuscripts in the Trowulan National Cultural Heritage Area. The data sources used in this research are primary data in the form of direct observation of palm manuscript collections and in-depth interviews with related parties, while secondary data are archival documents, policy reports, scientific publications, and other references related to palm manuscript preservation. This research uses data collection methods in the form of participatory observation, in-depth interviews, and document studies. The data analysis methods used in this research are data reduction, thematic categorization, contextual interpretation, verification and triangulation. The results of this study are that the preservation of palm manuscripts in the Trowulan National Cultural Heritage Area is carried out through efforts to preserve palm manuscripts as Cultural Heritage and as Objects of Cultural Advancement, but there are obstacles and challenges in the preservation process, namely in the form of natural factors and limited human resources.
From Stage to Screen: Analysis of Women's Commodification in Dangdut Koplo via TikTok Pembayun Retno Ambarsari Sekartaji; Edi Dwi Riyanto; Nadya Afdholy
Anaphora : Journal of Language, Literary, and Cultural Studies Vol. 7 No. 2 (2024): DECEMBER
Publisher : Universitas 17 Agustus 1945 Surabaya, Prodi sastra Inggris, Fakultas Ilmu Budaya

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30996/anaphora.v7i2.12233

Abstract

Dangdut is a genre of music that has evolved into a cultural phenomenon within Indonesian society, particularly among the middle and lower socioeconomic classes. Dangdut music first featured lyrics with significant meaning and later evolved into dangdut koplo. Dangdut koplo is frequently linked to a rapid tempo and captivating vocalists. The objective of this study is to examine the commodification of female dangdut koplo singers within TikTok app. The research employed a visual ethnography approach to examine the commodification of female dangdut singers, focusing on their dress, cosmetics, and body motions that were captured in the video. The result of this study shows that there are elements or concepts of commodification of biduanita in dangdut koplo videos in TikTok. When performing on the stage, the singers generally utilized clothing, makeup, and body movements, to attract money or saweran from the crowds and increase popularity with their attractiveness. However, when the clip of the performance is used by unofficial accounts that do not belong to the artists or their production companies, it becomes a form of commodity for these accounts to acquire popularity on TikTok through likes and views. The bodies of these biduanitas then transform into commodity objects on social media platforms, promoting the sexualization and objetification of female dangdut singers.