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All Journal Jurnal Ilmu Sosial, Politik dan Pemerintahan Enggang: Jurnal Pendidikan, Bahasa, Sastra, Seni, dan Budaya Safari : Jurnal Pengabdian Masyarakat Indonesia Prosiding Seminar Nasional Pendidikan, Bahasa, Sastra, Seni, dan Budaya Atmosfer: Jurnal Pendidikan, Bahasa, Sastra, Seni, Budaya, Dan Sosial Humaniora Bhinneka: Jurnal Bintang Pendidikan dan Bahasa Proceeding of the International Conference on Global Education and Learning
Patrisia Cuesdeyeni
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Religion Arts Humanities Decision Sciences, Operations Research & Management Economics, Econometrics & Finance Education Languange, Linguistic, Communication & Media Mathematics Public Health Social Sciences Other

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SEKSUALITAS TIGA TOKOH PEREMPUAN DALAM NOVEL SUNYI DI DADA SUMIRAH KARYA ARTIE AHMAD DAN IMPLIKASINYA PADA PEMBELAJARAN SASTRA DI SMA Anggerenie, Nerie; Cuesdeyeni, Patrisia; Misnawati, Misnawati
ENGGANG: Jurnal Pendidikan, Bahasa, Sastra, Seni, dan Budaya Vol. 1 No. 1 (2020): ENGGANG: Jurnal Pendidikan, Bahasa, Sastra, Seni, dan Budaya
Publisher : FKIP, Universitas Palangka Raya

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Abstract

This study aims to describe sexuality regarding various dimensions, namely (1) biological dimensions, (2) social dimensions, (3) psychological dimensions, and (4) cultural dimensions, in Sunyi, Sumirah, and Suntini characters, in Sunyi di Dada. Sumirah by Artie Ahmad, and the objectives (5) its implications for learning literature in high school. This study uses a feminist literary criticism approach and qualitative research types. Based on the results of data analysis, the four dimensions of sexuality are found in the novel Sunyi di Dada Sumirah by Artie Ahmad. Research findings: The most dominant data is the dimension of sexuality regarding the biological dimension because in the novel Sunyi di Dada Sumirah tells a lot about the sexual urges of the three characters, namely Sunyi, Sumirah, and Suntini. The results of this study have implications for literature learning in class XI high school with basic competencies (3.20). Analyzing the messages of the two fiction books (novels and poetry collection books) that are read, namely as teaching materials. The four dimensions of sexuality in the novel Sunyi di Dada Sumirah can be used as teaching materials in Indonesian language learning materials, as the material for analyzing moral messages in the novel. There are many life problems faced by Sunyi, Sumirah, and Suntini characters in living their lives, but they are people who never give up, even though their lives are not very pleasant, so from these stories students can take lessons to be better able to protect themselves in their lives. association, environment and people around, so that students are able to have principles so that they are not easily influenced by things that are not good for themselves.
ANALISIS CITRAAN DALAM KUMPULAN PUISI KUAJAK KAU KE HUTAN DAN TERSESAT BERDUAKARYA BOY CANDRA Maghfiroh, Lailatul; Cuesdeyeni, Patrisia; Eka Asi, Yuliati
ENGGANG: Jurnal Pendidikan, Bahasa, Sastra, Seni, dan Budaya Vol. 2 No. 1 (2021): ENGGANG: Jurnal Pendidikan, Bahasa, Sastra, Seni, dan Budaya
Publisher : FKIP, Universitas Palangka Raya

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Abstract

Penelitian ini bertujuan untuk mendeskripsikan citraan dalam kumpulan puisi Kuajak Kau ke Hutan dan Tersesat Berdua Karya Boy Candra. Citraan yang dimaksud adalah (1) Citraan penglihatan, (2) citraan pendengaran, (3) citraan perabaan, (4) citraan penciuman, (5) citraan rasaan/pencecapan, (6) citraan gerak. Pendekatan yang digunakan dalam penelitian ini yaitu pendekatan kualitatif. Sumber data dalam penelitian ini yaitu puisi Kuajak Kau ke Hutan dan Tersesat Berdua Karya Boy Candra yang diterbitkan pada tahun 2016. Wujud data dalam penelitian ini berupa baris yang menunjukan adanya aspek citraan dalam kumpulan puisi Kuajak Kau ke Hutan dan Tersesat Berdua Karya Boy Candra. Teknik pengumpulan data yang digunakan dalam penelitian ini adalah teknik baca dan catat. Teknik analisis data menggunakan metode deskriptif-kualitatif. Berdasarkan hasil penelitian terdapat 121 data dan enam jenis citraan pada kumpulan puisi Kuajak Kau ke Hutan dan Tersesat Berdua yaitu (1) Citraan penglihatan berjumlah 60 data, (2) citraan pendengaran berjumlah 23 data, (3) citraan perabaan 30 data, (4) citraan penciuman berjumlah 2 data, (5) citraan rasaan/pencecapan berjumlah 3 data, (6) citraan gerak berjumlah 3 data. Citraan yang paling dominan digunakan dalam kumpulan puisi Kuajak Kau ke Hutan dan Tersesat Berdua Boy Candra adalah citraan penglihatan.
ANALISIS KEPRIBADIAN TOKOH UTAMA DALAM NOVEL PERAHU KERTAS KARYA DEWI LESTARI Warnita, Siti; Linarto, Lazarus; Cuesdeyeni, Patrisia
ENGGANG: Jurnal Pendidikan, Bahasa, Sastra, Seni, dan Budaya Vol. 2 No. 1 (2021): ENGGANG: Jurnal Pendidikan, Bahasa, Sastra, Seni, dan Budaya
Publisher : FKIP, Universitas Palangka Raya

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Abstract

Penelitian ini secara khusus bertujuan untuk (1) mendeskripsikan kepribadian tokoh utama Kugy dalam novel Perahu Kertas karya Dewi Lestari, (2) mendeskripsikan kepribadian tokoh Keenan dalam novel Perahu Kertas karya Dewi Lestari. Jenis penelitian ini menggunakan teknik pustaka, simak, dan catat. Penelitiannya adalah mengkaji aspek kepribadian tokoh dalam karya sastra. Pendekatan ini akan memberikan gambaran bagaimana proses berpikir yang dialami tokoh utama yang merupakan bentuk dari aspek kepribadian id, ego, dan superego. Hasil penelitian menunjukkan bahwa kepribadian tokoh utama dalam novel Perahu Kertas karya Dewi Lestari mencakup id, ego, dan superego. Pada tokoh Kugy dan Keenan kepribadian superego yang paling dominan pada novel ini, superego Kugy 70 data dan superego Keenan 55 data. Superego merupakan nilai-nilai moral yang berlaku di masyarakat dalam bentuk larangan atau perintah. Superego menentukan pilihan pelaku dan tindakan seseorang apakah baik dan pantas atau sebaliknya. Kepribadian id tokoh Kugy dan Keenan juga dominan pada novel ini, id Kugy 68 data dam id Keenan 37 data. Id merupakan kepribadian yang dibawa sejak lahir dan memiliki dorongan untuk berbuat serta menghindari rasa tidak nyaman. Sedangkan kepribadian ego tokoh Kugy dan Keenan paling sedikit ditemukan pada novel ini, Kugy 48 data dan ego Keenan 28 data. Ego merupakan pengendali perilaku dan pikiran yang tidak rasional menjadi rasional. Ego berkembang dari id agar orang mampu menangani realita; sehingga ego beroperasi mengikuti prinsip realita; usaha memperoleh kepuasan yang dituntut Id dengan mencegah terjadinya tegangan baru atau menunda kenikmatan sampai ditemukan objek yang nyata-nyata dapat memuaskan kebutuhan.
GAYA BAHASA PERBANDINGAN DALAM NOVEL GARIS WAKTU KARYA FIERSA BESARI Nababan, Veni Debora; Diman, Paul; Cuesdeyeni, Patrisia
ENGGANG: Jurnal Pendidikan, Bahasa, Sastra, Seni, dan Budaya Vol. 2 No. 1 (2021): ENGGANG: Jurnal Pendidikan, Bahasa, Sastra, Seni, dan Budaya
Publisher : FKIP, Universitas Palangka Raya

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Abstract

Tujuan dari penelitian ini (1) Untuk mendeskripsikan gaya bahasa perbandingan apa sajakah yang digunakan dalam novel Garis Waktu karya Fiersa Besari, (2) Mendeskripsikan fungsi gaya bahasa perbandingan yang digunakan dalam novel Garis Waktu karya Fiersa Besari. (3) Mendeskripsikan implikasi gaya bahasa perbandingan dan fungsi gaya bahasa perbandingan dalam novel Garis Waktu karya Fiersa Besari pada pembelajaran Bahasa Indonesia di SMA. Penelitian ini menggunakan pendekatan deskriptif kualitatif, Sumber data yang digunakan adalah novel Garis Waktu karya Fiersa Besari. Wujud data berupa tuturan dalam novel Garis Waktu karya Fiersa Besari yang mengandung gaya bahasa. Teknik pengumpulan data yang digunakan dalam penelitian ini adalah teknik baca dan teknik catat. Hasil penelitian menunjukkan: 1) Jenis gaya bahasa perbandingan pada novel Garis Waktu karya Fiersa Besari ditemukan sebanyak 85 data, yaitu: (a) perumpamaan 13 data, (b) metafora 53 data, (c) personifikasi 5 data, (d) depersonifikasi 2, (e) alegori 2 data, (f) pleonasme dan tautalogi 1 data, (g) perifrasis 9 data. 2) fungsi gaya bahasa perbandingan pada novel Garis Waktu karya Fiersa Besari ditemukan sebanyak 58 data, yaitu: a) fungsi informasi 16 data, b) fungsi ekspresif 10 data, c) fungsi direktif 8 data, (d) fungsi fatis 5 data, (e) fungsi estetika 19 data. Adapun jumlah keseluruhan data yang ditemukan yaitu sebanyak 143 data. 3) Implikasi gaya bahasa perbandingan novel Garis Waktu karya Fiersa Besari dalam pembelajaran sastra Indonesia kelas XII pada standar kompetensi membaca dan menyimak berbagai novel. Kompetensi dasar menganalisis isi dan kebahasaan yang terkandung dalam novel. Tujuan dalam kegiatan pembelajaran yaitu menemukan jenis gaya bahasa perbandingan yang terdapat dalam novel, menemukan fungsi gaya bahasa perbandingan dalam novel, dan mempresentasikan hasil penemuan yang terkandung dalam novel.
ANALISIS PERUBAHAN POLA PIKIR DAN SIKAP TOKOH KABUL DALAM NOVEL ORANG-ORANG PROYEK KARYA AHMADTOHARI PATRISIA CUESDEYENI; RENY YULIANTI MAYANG
Journal Ilmu Sosial, Politik dan Pemerintahan Vol. 3 No. 2 (2014): JISPAR
Publisher : Fakultas Ilmu Sosial dan Ilmu Politik, Universitas Palangka Raya

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.37304/jispar.v3i2.374

Abstract

Penelitianyang berjudul ?AnalisisPerubahan Pola Pikir dan Sikap TokohKabul dalam Novel Orang-Orang Proyek Karya Ahmad Tohari? bertujuan untuk mendeskripsi-kan perubahan pola pikir dan sikap tokoh dalam novel yang dapat dijadikan contoh dan digunakan untuk meningkatkan kemampuan menganalisis unsur intrinsik dan ekstrinsik novel Indonesia. Penelitian ini menggunakan pendekatan kualitatif; data kualitatif--tentang kaidah stratifikasi sosial, yang terdapat dalam sumber penelitian yaitu novel Orang-Orang Proyek karya Ahmad Tohari, yang berupa gambaran perubahan pola pikir dan sikap tokoh utama--; wujud data kualitatif dalam penelitian ini ialah kutipan-kutipan yang berkaitan dengan perubahan pola pikir dan sikap tokoh Kabul dalam bentuk kata, kalimat, dan paragraf; teknik pengumpulan data yang digunakan adalah teknik dokumentasi; teknik analisis: mendeskripsikan, menganalisis, meninjau ulang, menyimpulkan, dan memaparkan hasil penelitian. Hasil penelitian menunjukkan bahwa terdapat delapan data perubahan pola pikir dan tujuh data perubahan sikap tokoh Kabul dalam novel Orang-Orang Proyek karya Ahmad Tohari. Kelima belas data ini dapat digunakan sebagai contoh dalampembelajaran.
Campur Kode Dalam Web Series Kaget Nikah Karya Vemmy Sagita dan Implikasinya Dalam Pembelajaran Bahasa Indonesia Di SMA Alicia Margareta; Albertus Purwaka; Patrisia Cuesdeyeni; Petrus Poerwadi; Nirena Ade Christy
PROSIDING SEMINAR NASIONAL PENDIDIKAN, BAHASA, SASTRA, SENI, DAN BUDAYA Vol. 3 No. 1 (2024): Mei : PROSIDING SEMINAR NASIONAL PENDIDIKAN, BAHASA, SASTRA, SENI, DAN BUDAYA
Publisher : Universitas Palangka Raya

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.55606/mateandrau.v3i1.1966

Abstract

The general aim of this research is to describe the phenomenon of code-mixing in the dialogue of the main characters of the web series "Kaget Nikah" by Vemmy Sagita. The specific objectives of this research are: (1) to describe the forms of code-mixing in the web series "Kaget Nikah" by Vemmy Sagita. (2) to describe the factors causing code-mixing to occur in the web series "Kaget Nikah" by Vemmy Sagita. (3) to understand the implications of the forms of code-mixing and its contributing factors in drama education in eleventh-grade high school during the second semester. This research adopts a qualitative approach with a descriptive method. The data source for this research is the web series "Kaget Nikah" by Vemmy Sagita. The data in this research consist of code-mixing instances, including words, phrases, and clauses, as well as the factors causing code-mixing in the web series "Kaget Nikah" by Vemmy Sagita. Data analysis involves collecting, identifying, classifying, and describing the data. The results of this research indicate that (1) code-mixing occurs primarily at the word level, especially in the context of marriage; at the phrase level, particularly in the context of family; and at the clause level, especially in the context of sibling relationships in the dialogue of the main characters of the web series "Kaget Nikah" by Vemmy Sagita. (2) there are factors causing code-mixing in the dialogue of the main characters of the web series "Kaget Nikah" by Vemmy Sagita. (3) the findings of this research are utilized in drama education in eleventh-grade high school during the second semester, specifically focusing on competency 3.19.
Feminisme Peran Tokoh Perempuan dalam Sinetron Jangan Bercerai Bunda Disutradarai oleh Amin Ishaq dan Implikasinya pada Pembelajaran Cerpen di SMA Septi Apriliani; Lazarus Linarto; Paul Diman; Alifiah Nurachmana; Patrisia Cuesdeyeni
PROSIDING SEMINAR NASIONAL PENDIDIKAN, BAHASA, SASTRA, SENI, DAN BUDAYA Vol. 3 No. 1 (2024): Mei : PROSIDING SEMINAR NASIONAL PENDIDIKAN, BAHASA, SASTRA, SENI, DAN BUDAYA
Publisher : Universitas Palangka Raya

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.55606/mateandrau.v3i1.1975

Abstract

The purpose of this study was to obtain an overview of the role of women in the soap opera Don't Divorce Mother directed by Amin Ishaq. The specific objectives of this study are: (1) describe the role of women as wives who accompany their husbands in the soap opera Don't Divorce Mother, (2) describe the role of women as mothers educators and coaches for their children in the soap opera Don't Divorce Mother, (3) describe the role of women as members of society in the soap opera Don't Divorce Mother, and (4) the implications for learning short stories in high school. The approach used in this study is a qualitative descriptive approach to reveal and analyze the picture of women's roles with the form of women's roles as wives who accompany their husbands, women's roles as mothers, educators and coaches for their children, and women's roles as community members. This study uses the theory of Katjasungkana (1989) in this theory there are five roles of women, namely; (1) Women as wives who accompany husbands, (2) Women as mothers educators and coaches for their children; (3). Women as housekeeping mothers; (4) Women as labor/breadwinners; (5) Women as members of society, but after conducting research, researchers obtained three forms of data contained in the soap opera Don't Divorce Mother, namely (1) the form of women's roles as wives who accompany their husbands. (2) the manifestation of women's role as mothers, educators and coaches for their children. (3) the role of women as members of society. As well as (4) the implications for short story learning in high school, especially in K.D 3.9 which is related to the material of analyzing the building blocks of short stories in short story collection books. This is in accordance with soap operas with the theme of women's feminism, the most dominant data obtained is w.
Konflik Batin Tokoh Dalam Novel Teluk Alaska Karya Eka Aryani: Kajian Psikologi Sastra dan Implikasi Pembelajarannya di SMA Lola Ivanka; Alifiah Nurachmana; Patrisia Cuesdeyeni; Albertus Purwaka; Nerlin Tauke; Lestari Lestari
Bhinneka: Jurnal Bintang Pendidikan dan Bahasa Vol. 1 No. 2 (2023): April : Bhinneka
Publisher : Universitas Palangka Raya

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59024/bhinneka.v1i2.616

Abstract

What is the id of the main character in the novel Teluk Alaska by Eka Aryani and (2) What is the ego of the main character in the novel Teluk Alaska by Eka Aryani (3) What is the superego of the main character in the novel Teluk Alaska by Eka Aryani (4) How to trigger learning about the inner conflict of the main character in the novel Teluk Alaska by Eka Aryani in high school. The method used is a descriptive method using qualitative analysis which describes the inner conflict that occurs in the main character. Data collection is used by reading and taking notes. The data source for this research is the novel Teluk Alaska by Eka Aryani with 408 pages published by Coconut Books, first printed in 2019. Based on the study and discussion of research results, it can be concluded that the characters Ana and Alister are protagonists who have id, ego and superego personality aspects. The most prominent personality aspect of Ana's character is the superego aspect, so that Ana's character has a patient attitude and is more concerned with other people's feelings than her own. Meanwhile, the most prominent personality aspect of the character Alister is the id aspect, so Alister has a personality that tends to be difficult to control himself and easily influences situations. The novel Teluk Alaska by Eka Aryani is suitable to be used as literature teaching material in high school, it can clearly help and support as a means of supporting the enrichment of students' reading in addition to certain novels which are used as learning material by literature teachers. It can be seen from the perspective of language, mental maturity (psychology) of students, and cultural background.
Perilaku Toxic Dalam Permainan Online Mobile Legends Bang Bang Maulana Abdul Arifin; Linggua Sanjaya Usop; Patrisia Cuesdeyeni; Rini Susilawati; Suryanata Suryanata; Umega Umega
Bhinneka: Jurnal Bintang Pendidikan dan Bahasa Vol. 1 No. 3 (2023): Juli: Bhinneka
Publisher : Universitas Palangka Raya

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59024/bhinneka.v1i3.628

Abstract

This research was carried out against the background of player behavior in the Mobile Legends Bang Bang game, in the Mobile Legends Bang Bang game Toxic behavior often occurs in the Mobile Legends Bang Bang Online Game, where this behavior often occurs when in a team there is a player who plays very aggressively. bad, doing feeders, differences in countries, differences in ethnicity, even differences in religion and so on. This research aims to find out (1) How toxic behavior takes the form of sarcasm in the online game Mobile Legends Bang Bang, (2) How toxic behavior takes the form of cynicism in the online game Mobile Legends Bang Bang. This research is field research and uses a qualitative approach. The research location is the barracks/boarding house where you live. Data sources in this research include data on the research location and data regarding mobile legends from players and barrack/boarding house owners. Secondary data consists of data from the online game Mobile Legends and toxic behavior obtained from other sources. The data collection technique used is through observation and documentation. For technical data analysis using data reduction, data presentation and drawing conclusions. Toxic in the form of sarcasm is a rude insult intended to hurt other people in the Mobile Legends game. The team is annoyed at players who are considered bad and burden the team. Toxic cynicism criticizes in a frank language style that fits the facts. Cynicism or excessive skepticism is a condescending attitude that is detrimental and hurts the feelings of others. It involves negative or cynical judgments of other people, ideas, or situations with the aim of ridiculing or feeling better than the other person. This text will be shortened to a few sentences or important points, while maintaining the essence of the information conveyed.
Analisis Prinsip Kesantunan Tuturan dalam Film Ngeri-Ngeri Sedap Yang Disutradarai Oleh Bene Dion Rajagukguk Vinolia Mega Putri; Albertus Purwaka; Alifiah Nurachmana; Patrisia Cuesdeyeni; Widiapuspita Widiapuspita; Yumima Yumima
Bhinneka: Jurnal Bintang Pendidikan dan Bahasa Vol. 1 No. 4 (2023): Oktober: Bhinneka
Publisher : Universitas Palangka Raya

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59024/bhinneka.v1i4.634

Abstract

Humans use language as a means of communication. When communicating, speakers should use polite language because with polite language, speakers will maintain their dignity and respect their interlocutor. Apart from being an entertaining spectacle, films can also be used as a medium for learning and disseminating information today. This research aims to describe forms of compliance and violation of politeness principles in the film Ngeri-Ngeri Sedap directed by Bene Dion Rajagukguk. This research uses a qualitative descriptive method with the aim of explaining the forms of compliance and violation of Leech's (1993) politeness principles in the film Ngeri-Ngeri Sedap. The data collection method used in this research uses the note-taking technique. The listening method is done by watching or listening to the speech of the characters in the film and then using note-taking techniques as a continuation. The data obtained is described and determined whether it constitutes compliance or a violation of politeness. The results of the research show that there is compliance with the principles of politeness in the film Ngeri-Ngeri Sedap, amounting to 20 data consisting of 1 utterance of the maxim of wisdom, 3 utterances of the maxim of generosity, 8 utterances of the maxim of praise, 1 utterance of the maxim of simplicity, 2 utterances of the maxim of agreement and 5 utterances of the maxim of sympathy . Apart from compliance, there were also violations of politeness principles, totaling 12 pieces of data consisting of 1 utterance of the maxim of generosity, 1 utterance of the maxim of praise, 2 utterances of the maxim of simplicity, 7 utterances of the maxim of agreement, and 1 utterance of the maxim of sympathy.
Co-Authors Albertus Purwaka Alicia Margareta Alifiah Nurachmana Amalia Kartika sari Andi Indah Jayanti Andia Misy Anggerenie, Nerie Anwarsani Anwarsani Arianto Wibowo Chaterine Valentina Silalahi Christian Adi Saputra Devina Putri Dhani Susilowati Diah Puspita Ayu Diman, Paul Dwi Nurlita Febriyanti Eka Asi, Yuliati Elmi Khoirina Elva Febri Erenda Hana Pertiwi Icha Fina Fanesha Indah Rahmawati Indra Perdana Isti Rahayu Ita Sasmita Ivan Qoriul Amrin Justatia Hakiki Kardalimah Kardalimah Kharisma Devi L. Akbar Hardin LAILATUL MAGHFIROH Laura I.M.F Simanjuntak Lazarus Linarto Lestari Lestari Levi Alkausar Linarto, Lazarus Linggua Sanjaya Usop Lola Ivanka M. Hafidz Rahman Maulana Abdul Arifin Melinda Febriani Melinda Melinda Misnawati Misnawati Misnawati Misnawati Misnawati Monaratue Hutasoit Nababan, Veni Debora Nabila Salwa Nani Hidayati Nerlin Tauke Nirena Ade Christy Novian Fikri Fadilah Ocviarissa Rivera Olga Dona Retsi Paul Diman Petrus Poerwadi Proyekta Oktorina purwaka, albertus Puteri Nur Syifa N.A RENY YULIANTI MAYANG Ruliyani Ruliyani Sahiratun Nissa Septi Apriliani Silvia Norma Leli Siti Rahmawati Sugeng, Santoso Sumiati Sumiati Sumiati Sumiati Suryanata Suryanata Susi, Susilawati Syarah Veniaty Tiffany Ramadina P Umega Umega Vinolia Mega Putri Warnita, Siti Widiapuspita Widiapuspita Yuliani Yuliani Yuliati Eka Asi Yumima Yumima Yunita Sari