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All Journal Gorga : Jurnal Seni Rupa Panggung Gondang: Jurnal Seni dan Budaya Jurnal Ilmu Budaya Laga-Laga: Jurnal Seni Pertunjukan Ekspresi Seni : Jurnal Ilmu Pengetahuan dan Karya Seni Besaung : Jurnal Seni Desain dan Budaya PROSIDING: SENI, TEKNOLOGI, DAN MASYARAKAT Melayu Arts and Performance Journal Musica: Journal of Music Bercadik: Jurnal Pengkajian dan Penciptaan Seni Journal of Innovation Research and Knowledge Jurnal Al-Qayyimah Paradigma: Jurnal Kajian Budaya Panggung

Nursyirwan Nursyirwan

Institut Seni Indonesia Padangpanjang

Author-ID : 2742558

Religion Arts Humanities Economics, Econometrics & Finance Education Health Professions Languange, Linguistic, Communication & Media Law, Crime, Criminology & Criminal Justice Library & Information Science Social Sciences

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STRATEGI PERANAN KESENIAN TRADISIONAL DI KOTOTINGGI DALAM MENUNJANG INDUSTRI KREATIF: MELALUI MANAJEMEN PARIWISATA Nursyirwan
PROSIDING: SENI, TEKNOLOGI, DAN MASYARAKAT No 1 (2016): Seni, Teknologi, dan Masyarakat #1
Publisher : LP2MP3M, INSTITUT SENI INDONESIA SURAKARTA

Show Abstract | Download Original | Original Source | Check in Google Scholar

ABSTRACT those two domains inspires us to rise up the Village of Kototinggi which has various talents. Therefore, in the matter of actualizing Creative Industry program, the final aim of the program Traditional artists should be placed as business partner of tourism, not a worker of it who should obey and bow to tourism management, but they are expected to be able collaborating with the tourism instead. The exploitation of tourism operator or worker must soon be stopped due to the dense of visitation of international visitors who wish to closely see the uniqueness, speciality and high valuable of its arts and traditional cultures. The contribution of Creative Industry program in the future is to prepare Kototinggi society to be ready in collaboration with tourism department as a partner of art college: Indonesia Art Institute of Padangpanjang

Pertunjukan Kompang Bengkalis: dari Arak-Arakan ke Seni Pertunjukan Yosi Ramadona; Nursyirwan Nursyirwan
Ekspresi Seni : Jurnal Ilmu Pengetahuan dan Karya Seni Vol 16, No 1 (2014): Ekspresi Seni
Publisher : LPPMPP Institut Seni Indonesia Padangpanjang

This writing is the result of research with the purpose to describe thedevelopment of kompang music in Meskom community in Bengkalis, fromthe music of parade to Attractive Performance. The tradition of kompangparade in Bengkalis community was formerly part of Islamic religiuosteaching, an integral part of Islam-related ceremonies or parties. But nowkompang music has developed from music of parade to music ofentertainment known as Kompang Attraction Performance. In order to seethe development of kompang from the music of parade to music ofperformance, this research used a qualitative method with descriptive analysis using theories of function and performance. The development ofkompang from music of parade to Kompang Performance Attraction wasbased on the needs of community for a more attractive art performanceand entertainment. The development was done by adding some attractivemovements into the performance combined with kompang game attractionwithout reducing the essence of the performance itself, the Islamic teaching

KESENIAN RARAK (CALEMPONG) SUDUT PANDANG FUNGSI DAN GUNA DI DESA SEBERANG TALUK KUANTAN SINGINGI RIAU Nursyirwan Nursyirwan
Ekspresi Seni : Jurnal Ilmu Pengetahuan dan Karya Seni Vol 17, No 2 (2015): Ekspresi Seni
Publisher : LPPMPP Institut Seni Indonesia Padangpanjang

Rarak merupakan ensamble musik yang dimainkan dengan formasi instrumen calempong, gondang, dan oguang. Penelitian Rarak dilakukan menggunakan metode kualitatif. Pengumpulan data dilakukan melalui studi pustaka, observasi, wawancara,dan dokumentasi. Analisis pada wilayah musikal menggunakan teori fungsi, dan teori semiologi. Dalam masyarakat Kuantan Singingi, Riau, Calempong pada kesenian Rarak memiliki peran penting dalam membawakan lagu. Rarak merupakan sebuah bangunan atas asosiasi subjektif dari kesan yang mereka tangkap pada lingkungan. Interpretasi masyarakat terhadap musik Rarak menggiring sebuah kesimpulan tentang fungsi Rarak di tengah-tengah masyarakat. Fungsi-fungsi ini adalah fungsi yang bersangkutan dengan reaksi fisikal yang ditimbulkan ketika mendengar musik dan fungsi ritual sebagai bagian dari lagu mistis.

OUTBACK PARTS OF SOCIAL ARRANGEMENT BEING RITUAL ART STAGE IN THE MALAY PELALAWAN RIAU Nursyirwan Nursyirwan; Delfi Enida
Ekspresi Seni : Jurnal Ilmu Pengetahuan dan Karya Seni Vol 21, No 2 (2019): Ekspresi Seni : Jurnal Ilmu Pengetahuan dan Karya Seni
Publisher : LPPMPP Institut Seni Indonesia Padangpanjang

This research globally examines sounds and deals with the fact that inland tribes functioned in medical rituals that were transformed into stage art entertainment. Certain sounds and movements by the Inland Tribe in medicine have meaning and importance. Why the sounds were functioned in a medical ritual which was later changed the function of medicine in the interior to stage art. How is the interaction and form in the ritual of treatment that requires sounds. Research wants to give the same social attention to art and culture to the tribal civilization, which is sometimes considered backward. This research answers the social prejudices of the transfer of treatment locations from the interior to the stage art. The research technique / method uses qualitative techniques with studies in ethnomusicology, ethnography, art anthropology and art sociology. In the study found a management system that leads to a new theory of "Performance Art for the transfer of issues regarding the existence of Malay Tribal Culture"; practically building a model of the composition of the art of the Tribal Inland tradition as a consumption of urban communities, in the context of the new art culture in the present. Outcomes Research can conclude the uplift of the Tribal Civilization both in terms of music, other arts and all aspects of art do have values that are worth showing, but on the side or behind it turns out there is a certain mission by parties related to arts and culture in the study area Malay.

KREATIVITAS SENIMAN SALAREH AIA (AGAM) DALAM PENGEMBANGAN MUSIK RONGGEANG RANTAK SAIYO Nora Anggraini; Nursyirwan Nursyirwan
Ekspresi Seni : Jurnal Ilmu Pengetahuan dan Karya Seni Vol 16, No 2 (2014): Ekspresi Seni
Publisher : LPPMPP Institut Seni Indonesia Padangpanjang

Kajian ini membahas tentang kreativitas seniman Salareh Aia (Agam) dalammengembangkan musik Ronggeang Rantak Saiyo pada acara pesta perkawinanbaralek gadang. Kajian ini dibahas dari sudut keilmuan musikologi denganmenggunakan metode penelitian kualitatif dan kuantitatif serta pendekatanmultidisiplin, dengan perspektif disiplin ilmu musikologi, etnomusikologi,sosiologi,antropologi dan cabang ilmu lain yang dapat memperkuat tulisan.Ronggeang pada dasarnya bukanlah kesenian yang lahir dari tradisi masyarakatSalareh Aia, namun kesenian ini dapat diterima secara baik dan dikembangkansecara kreatif oleh para senimannya serta telah menjadi bagian dari tradisimasyarakat Salareh Aia sampai sekarang. Musik Ronggeang Rantak Saiyo sangatdihargai oleh masyarakat Salareh Aia, terbukti musik tersebut diperbolehkanbermain pada acara pesta perkawinan baralek gadang. Dalam kenyataannyamusik Ronggeang Rantak Saiyo Nagari Salareh Aia berbeda dengan Ronggenglainnya yang ada di Sumatera Barat, maupun Ronggeng yang ada di Jawa dariberbagai macam aspek. Kreativitas seniman masyarakat Salareh Aia berdampakbaik bagi perkembangan musik Ronggeang Rantak Saiyo hingga sekarang.

SALINGKA KATO Laila Okta Triani; Asep Saepul Haris; Nursyirwan; Ediwar
Journal of Innovation Research and Knowledge Vol. 1 No. 4: September 2021
Publisher : Bajang Institute

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (750.446 KB)

Salingka Kato is the title of a compositional creation of Indonesian music originating from the phenomenon of the customary system in Jorong Pabalutan, Kanagarian Rambatan. The choice of title was related to the context and consideration of the form of working for the creation as a whole. The customary system found in the Jorong Pabalutan Kanagarian Rambatan community became the source of the work creation. The contexts obtained from the research were regeneration, socialization and synchronization. The creation effort which was done to interpret the context was to make an analogy into the work of music by considering the musical capital and the form of the work. The first part is about interpreting the deal that developed in the demands of regeneration with tittle of work Babalah Sibak Baju. The second part is about interpretation effort on dialectics that happen because of dissent in deliberation and congregation. On the third part, the interpretation about the differences can be accepted by the public with a Sasuai tittle. The work approach used in the embodiment of Salingka Kato's work was Re-Interpretation and the form of the work creation presented was not related to the musical culture used.

EFEKTIVITAS MEDIA BERBASIS INFORMATION COMMUNICATION AND TECHNOLOGY DALAM MENINGKATKAN MOTIVASI DAN PRESTASI BELAJAR SISWA PADA PEMBELAJARAN PENDIDIKAN AGAMA ISLAM DI SMKN 1 BONE Karnisah, Karnisah; Nursyirwan, Nursyirwan
JURNAL AL-QAYYIMAH Vol 4, No 1 (2021): Edisi Juni
Publisher : Institut Agama Islam Negeri (IAIN) Bone

This thesis discusses the Effectiveness of Media-Based Information Communication and Technology in Improving Student Learning Motivation and Achievement in Islamic Education Learning in Public Vocational Secondary Schools 1 Bone. Aiming to find out learning by using ICT media in order to improve motivation and learning achievement of class X students of Public Vocational Secondary Schools 1 Bone, learning achievement of Islamic religious education of class X students of Public Vocational Secondary Schools 1 Bone, and Effectiveness of ICT Media on student motivation and learning achievement at Public Vocational Secondary Schools 1 Bone.To obtain answers to the three main problems, the authors used the method of field research, this study included a type of qualitative research using three approaches namely; pedagogical, psychological, and sociological approaches. Data obtained through secondary data, namely questionnaires and interviews directly to respondents using four data collection techniques, cluster techniques, stratified, proportional and random techniques.Research results saw the most effective use of ICT is important. The computer and network media used in ICT learning are: Al-Qur'an program in word, Al-Qur'an Flash, Laptop, cellphone, E-Learning and video learning. And than The effectiveness of ICT Media on students' motivation and learning achievement, significantly increases the textbooks, given by the teacher they can have and given to students via WhatsApp. Therefore, increasing motivation and learning achievement through ICT media in Public Vocational Secondary Schools Bone is more effective compared to traditional and conventional learning.

PERANAN GURU PENDIDIKAN AGAMA ISLAM DALAM PENGEMBANGAN KEPRIBADIAN PESERTA DIDIK DI SMP AL- ISLAM BENTENG TELLUE KEC. AMALI KABUPATEN BONE Hasna, Hasna; Nursyirwan, Nursyirwan; Sulaeman, Sulaeman
JURNAL AL-QAYYIMAH Vol 4, No 2 (2021): Edisi Desember
Publisher : Institut Agama Islam Negeri (IAIN) Bone

This paper examines the Role of Islamic Religious Education Teachers in Personality Development of Students at SMP Al-Islam Benteng Tellue, Kec. Amali, Bone Regency. Aims to determine the shape of the role of PAI teachers in Personality Development of Students at Al-Islam Middle School Benteng Tellue, Kec. Amali, Bone Regency. This research belongs to the type of field research using a qualitative approach. Data collection was carried out using several instruments including; interview guide, observation guide and related document search using documentation tools. The results showed that the form of the role of PAI teachers in the development of the personality of students at Al-Islam Middle School Benteng Tellue, Kec. Amali Bone Regency can be measured from the behavior patterns shown by students, which include; Discipline, Politeness, and Neatness.

AYUN-AYUN JO GALITIAK: EKSPRESI MUSIKAL DALAM BABIOLA PADA MASYARAKAT KABUPATEN PESISIR SELATAN Kurniawan, Al Wahyu; Sastra, Andar Indra; Nursyirwan, Nursyirwan
Jurnal Ilmu Budaya Vol. 14 No. 2 (2018)
Publisher : Universitas Lancang Kuning

This analysis entitled ''Ayun-ayun jo galitiak'' musical expression in Babiola in the society of Pesisir Selatan regency. It aims to show the musical expression in that Babiola by formulizing the empirical experience of the respondents. It is a qualitative analysis to explore the form of ayun-ayun jo galatik in the song of Sikambang. Data collecting is done by library research, observation, interview and documentation. The result shows that Ayun-ayun jo galatik has contour melody up and down in slow tempo with free rhythm the musical expression.

Implementasi Mode Hexatonic Scale Pada Musik Tradisional Sirompak (Implementation of Hexatonic Scale Mode in Traditional Sirompak Music) Guslian, Indra; Irwan, Irwan; Nursyirwan, Nursyirwan
Musica: Journal of Music Vol 3, No 1 (2023): MUSICA : JOURNAL OF MUSIC
Publisher : Institut Seni Indonesia Padangpanjang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26887/musica.v3i1.3511

Penggarapan Musik Sirompak For Orchestra And Minangkabau Tradition adalah komposisi yang berangkat dari unsur musikal pada kesenian tradisional Kanagarian Taeh Kabupaten Lima Puluh Kota. Kesenian tersebut telah bertransformasi dari ritual magis menuju kesenian tradisional masyarakat Kanagarian Taeh. Unsur musikal kesenian tradisional tersebut ialah dendang dan saluang sirompak. Metode penciptaan komposisi terdiri atas empat tahap, diantaranya; persiapan, perancangan, perwujudan, dan penyajian. Tahap persiapan penciptaan diantaranya; observasi, studi pustaka, dan wawncara. Informasi yang diperoleh kemudian dirancang pada tahap perancangan. Perwujudan penciptaan komposisi ini terbagi atas beberapa tahap; transkripsi, penulisan score, orkestrasi, dan latihan praktik intrumen dalam formasi orkestra. Hasil penciptaan komposisi musik “Penggarapan Musik Sirompak For Orchestra And Minangkabau Tradition” adalah komposisi bentuk bebas dua bagian (biner). Pada setiap bagian terdiri dari periode A-B-C, dan terdiri dari beberapa sectional sebagai unit penyusun struktur komposisi. Tanda waktu yang digunakan adalah adagio, dan moderato pada tanda biarama 4/4. Harmoni yang diterapkan ialah bagian part I (in D minor) dan part I (in G minor). Penempatan dendang pada paduan suara, adalah wujud melestarikan kebudayaan pada suatu masyarakat.Kata kunci: Dendang, Sirompak, Dan Bentuk Biner ABSTRACTThe creationof Sirompak Music for Orchestraand Minangkabau Traditionis a composition that departs from musical elements in the traditional arts of Kanagarian Taeh, Fifty City District. The art has transformed from a magical ritual to the traditional arts of the Kanagarian Taeh people. The musical elements of the setraditional arts are the singing and the sirompak saluang. The composition creation method consists off ourstages, including; preparation, design, embodiment, andpresentation. The preparation stage of creation includes; observation, literature study, and interviews. The information obtained is then design edat the design stage. The embodiment of the creation of this composition is divided into several stages; transcription, score writing, orchestration, and instrument practice exercises in orchestral formations. The result of the creation of the musical composition "The Composition of Sirompak Music For Orchestra And Minangkabau Tradition" is a two-part (binary) free-form composition. Each section consists of periods A-B-C, and consists of several sectionals as structural units of composition. The time signature used is the adagio, and the moderato is the 4/4 monastic sign. The harmony applied is part I (in D minor) and part I (in G minor). Placement of singing in the choiris a form of preserving culture in a society.Keywords: Incident; Program Music; Multimedia Music; Sound fx; Virtual Sound Technology.

Co-Authors Abdul Majid Abdul Majid Abdul Majid, Abdul Majid Ahmad Wanda Alfalah Alfalah Aluna, Aluna Andar Indra Sastra Andiko, Benny Arnia Hartipa Iskandar Asep Saepul Haris, Asep Saepul Asral, Kairul Auliyaa ul Laytsy Benny Andiko Darmansyah Darmansyah Darmansyah Darmansyah, Darmansyah Darmansyah DASYI PURNAWIRAWAN Delfi Enida Delfi Enida Deria sepdwiko Ediwar Ediwar Emridawati Emridawati Erlinda Erlinda Ernida, Ernida Fadilla, Siti Fattahul Anughara Fauzan Alhaq Bukharla Febri Yulika Febriani, Hanirma Guslian, Indra Hanefi Hanefi Hanefi, Hanefi Haqqi, Iqbal Rahmatull Hasna, Hasna Herawati Herawati Herawati Herawati Hidayat, Hengki Armez Hidayat, Hengki Armez HR, Hafif Ibnu Sina IMAL YAKIN In, Wilman Intan Rizki Intan Intan, Intan Rizki Irwan Irwan Kairul Asral Karnisah, Karnisah Karya Mansyah Kumala, Ofa Yutri Kumala, Ofa Yutri Kumala Yutri Kurniawan, Al Wahyu KUSTILO, ANTON Laila Okta Triani Lidiantari, Aulini Mahdi Bahar Mahdi Bahar Mahdi Bahar Mahdi Mahdi, Mahdi Bahar Martarosa Martarosa Martion Martion Megi - Hardani Nainggolan, Daniel Steven Nilawati Nilawati Nilawati Nilawati, Nilawati Nilawati NOFRIDAYATI, NOFRIDAYATI Nora Anggraini Novatianus, Wilman Ismira Nurkholis Nurkholis Nurwijayanti Ofa Yutri Kumala Rahmanda, Fajri Rizdki Rizdki Rizdki, Rizdki Rosmegawaty Tindaon Rosta Minawati Roza Muliati Rustim Rustim Safina, Vanesha Sastra Munafri, Sastra sepdwiko, Deria Silva Yusalim Sulaeman Sulaeman Sulaiman Juned Sulaiman Sulaiman Supriando, Supriando Suranti Utami Susas Rita Loravianti SYAHPUTRA, DWIVA NANDA Utami, Suranti Vani Sasri Wahyuni Wahyuni, Vani Sasri Yoga Surya Dirgantara Yogian Hutagama Yogian Hutagama Yosi Ramadona Yosi Ramadona Yosi Ramadona Yusril, Yusril Zebua, Ester Oniati

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