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All Journal Corak : Jurnal Seni Kriya Resital: Jurnal Seni Pertunjukan (Journal of Performing Arts) Harmonia: Journal of Research and Education Wawasan : Jurnal Ilmiah Agama dan Sosial Budaya Jurnal Pendidikan Usia Dini Jurnal Sejarah dan Budaya Panggung Jurnal Ilmiah Universitas Batanghari Jambi Sorai: Jurnal Pengkajian dan Penciptaan Musik Dewa Ruci : Jurnal Pengkajian dan Penciptaan Seni Gelar : Jurnal Seni Budaya International Journal of Visual and Performing Arts PROSIDING: SENI, TEKNOLOGI, DAN MASYARAKAT Gestalt : Jurnal Desain Komunikasi Visual Journal of Research in Social Science and Humanities Human Narratives Jurnal Kajian Seni Jurnal bahasa, sastra, seni, dan pengajarannya Panggung Proceeding of International Conference on Art, Media, and Culture (ICAMAC) INJECT Interdisciplinary Journal of Communication Harmonia: Journal of Arts Research and Education Jurnal bahasa, sastra, seni, dan pengajarannya Keteg : Jurnal Pengetahuan, Pemikiran dan Kajian Tentang Bunyi
Bambang Sunarto
Institut Seni Indonesia Surakarta
Religion Agriculture, Biological Sciences & Forestry Arts Humanities Civil Engineering, Building, Construction & Architecture Computer Science & IT Economics, Econometrics & Finance Education Environmental Science Languange, Linguistic, Communication & Media Law, Crime, Criminology & Criminal Justice Library & Information Science Mathematics Social Sciences Other

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Design paradigm and syntagm of woven bamboo packaging (besek) Sutrisno, Andika Agung; Sunarto, Bambang; Dharsono, Dharsono
Bahasa dan Seni: Jurnal Bahasa, Sastra, Seni, dan Pengajarannya Vol. 50, No. 1
Publisher : citeus

Show Abstract | Download Original | Original Source | Check in Google Scholar

Abstract

Communication becomes a powerful means of cultural diffusion and an alternative choice for the community. Recently, modern society has been observed to be highly consumeris­tic, where the image becomes a consideration in the decision-making to pur­chase. Visual design on the packaging has an effect on consumers' purchasing decisions. The traditional woven bamboo packaging (besek) has an exciting phenomenon in modern society today (urban). The qualitative approach was used with narrative construction or textual de­scriptions of phenomena. Formal analysis and sign interpreta­tion were used to answer research problems. The formal analytical method was used to identify the way syntag­matic shapes produce paradigms in meaning. The alternative modern packaging that follows the recent developments does not significantly replace the presence of besek as a medium to come to the collective memory of the target audi­ence. Besek is a small part of existing past cultural products that compete with the modern packaging para­digm. Every past cultural product that successfully maintains its existence enables the establishment of an image and becomes a bridge to collective memory in the contempo­rary era
Reinterpreting Abu di Ateh Tunggua: Power Relations and Male Responsibility in the Minangkabau Matrilineal System Rozalvino, Rozalvino; Sunarto, Bambang; Indrasastra, Andar; Sukerta, Pande Made
Journal of Research in Social Science and Humanities Vol 6, No 1 (2026): March 2026
Publisher : Utan Kayu Publishing

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.47679/jrssh.v6i1.552

Abstract

This article examines the concept of Abu di Ateh Tunggua as a relational framework for understanding male position within the Minangkabau matrilineal kinship system. The role of the sumando has frequently been interpreted as a symbol of fragility or marginal status within customary structures. Using a qualitative, literature-based approach and conceptual analysis of customary norms, proverbial expressions, and the sumando typology, this study argues that Abu di Ateh Tunggua functions as an ethical metaphor that signifies responsibility, prudence, and relational awareness rather than structural subordination. In the Minangkabau context, men are not vested with proprietary authority within the wife’s lineage; instead, their legitimacy is grounded in moral obligations toward the nuclear family and the broader kin network. The article further identifies transformations in male roles in response to urbanization, education, and migration, highlighting ongoing negotiations between customary values and contemporary social change. These findings contribute to discussions of masculinity in matrilineal societies by demonstrating that authority may be constructed through social responsibility and collective recognition rather than ownership. The study underscores the importance of interpreting cultural expressions as analytical tools for examining power relations within indigenous kinship systems.
An Ethnographic Study of Didong: Body Music and the Enculturation of Gayo Children Albayan, Amris; Sunarto, Bambang; Soewarlan, Santosa; Mistortoify, Zulkarnain; Puspa Juwita, Rani
JURNAL PENDIDIKAN USIA DINI Vol 20 No 1 (2026): Jurnal Pendidikan Usia Dini Volume 20 Number 1 April 2026
Publisher : Program Studi Magister Pendidikan Anak Usia Dini

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.21009/jpud.v20i1.66096

Abstract

This study aims to investigate the practice of Didong as a form of body music and its role in the enculturation process of Gayo children in Central Aceh Regency, Indonesia. It focuses on informal social spaces where children play with their peers. To analyze how body-based Didong becomes a medium of enculturation through musical experiences and spontaneous social interactions, an ethnographic-based qualitative approach is used. Data were collected through participatory observation and informal dialogue with children aged 5-10 years who practice Didong. The results reveal that rhythmic elements such as tepok tulu, tingkah, and geretek are produced through the technique of clapping both palms together in a collectively organized manner. Through peer imitation mechanisms, children can reproduce musical patterns, which internalize the Gayo cultural identity in an embodied way. Theoretically, this study contributes by deconstructing the understanding of traditional music from merely a formal performance into an autonomous system of enculturation in children's daily lives. These findings confirm that body music functions as a crucial informal pedagogical space for the sustainability of local traditions outside formal educational institutions.
INTERPRETASI VOKALIS TERHADAP FRASA BALUNGAN CÉNGKOK MATI Nanang Bayu Aji; Bambang Sunarto
Keteg : Jurnal Pengetahuan, Pemikiran dan Kajian Tentang Bunyi Vol. 21 No. 1 (2021)
Publisher : Surakarta: Jurusan Karawitan Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/keteg.v21i1.3679

Abstract

Tulisan ini mengungkap kasus frasa balungan céngkok mati di dalam karawitan gaya Surakarta. Permasalahan yang akan dipaparkan terkait interpretasi vokalis terhadap frasa balungan céngkok mati. Pengumpulan data diperoleh dengan cara studi pustaka, wawancara, dan juga laboratoris. Analisis dilakukan dengan cara menafsirkan kembali pemikiran serta pengalaman pêngrawit vokalis yang diperoleh melalui realitas pragmatik. Penafsiran menggunakan metode interpretasi dan analisis garap. Vokal dalam ensambel gamelan mempunyai cara untuk menginterpretasi frasa balungan céngkok mati. Interpretasi tersebut digunakan dalam rangka mengeksekusi frasa balungan céngkok mati dengan garap balungan céngkok mati. Hal tersebut dikarenakan tidak semua frasa balungan céngkok mati dieksekusi dengan garap balungan céngkok mati. Kehadiran vokal mempunyai peranan penting dalam karawitan, khususnya peranan terhadap gending dan garap gending. Peranan penting vokal dalam sajian karawitan tertentu memposisikan vokal menjadi lebih berwenang dalam menginterpretasi frasa balungan céngkok mati. Kata kunci : vokalis, balungan céngkok mati,  interpretasi, peran, eksekusi
GARAP GENDING ALIH PATHET DALAM LARAS SLÈNDRO GAYA SURAKARTA Harun Isma'il; Bambang Sunarto
Keteg : Jurnal Pengetahuan, Pemikiran dan Kajian Tentang Bunyi Vol. 22 No. 1 (2022)
Publisher : Surakarta: Jurusan Karawitan Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/keteg.v22i1.4414

Abstract

This paper contains an explanation of the garap gending alih pathêt. The problems revealed are related to changes of the system garap gending and considerations for doing of alih pathêt. The two problems are studied using the concept of garap and supported by other concepts including: balungan, sèlèh, and phrase. The garap alih pathêt is focused in the gending-gending laras slèndro. The gending used as the analysis material was selected based on the phenomenon of presentation carried out by pêngrawit. This study uses a qualitative research method with a descriptive analysis approach. The results showed that there were several categories of changes system garap gending in the laras sléndro. First, the change of the system garap gending by raising or lowering (N/T) one note bar in the case of Sinom Parijatha pathêt manyurå to pathêt sångå. Second, the change of the system garap gending by raising or lowering (N/T) two tone bars in the case of the Mugirahayu pathêt manyurå to Grompol pathêt nêm. One element of consideration for garap gending alih pathêt is the similarity of the contours of the balungan melody. Garap gending alih pathêt cannot occur when the contour elements of the balungan melody are not the same.
Visual Repetition and Quantitative Descriptive Analysis of Visual Discourse in Environmental Activism Posters: The Work of Nobodycorp.org in the Bali Rejects Benoa Bay Reclamation I Gusti Ngurah Tri Marutama; Bambang Sunarto; Bambang Sugiharto
INJECT (Interdisciplinary Journal of Communication) Vol. 11 No. 1 (2026)
Publisher : FAKULTAS DAKWAH UIN SALATIGA

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.18326/inject.v11i1.6513

Abstract

This article examines twelve environmental activism posters from the "Bali Rejects Benoa Bay Reclamation" campaign (2014–2018) produced by Nobodycorp.org as a limited visual corpus within the communication system of the ForBALI movement. This study establishes the corpus as an object of analysis through scope limitation to maintain analytical rigor. This analysis integrates descriptive-quantitative mapping with critical discourse analysis through the tracking of visual relations, thereby structurally identifying ideological meanings. This procedure applies quantitative visual discourse methods through frequency distribution and co-occurrence networks, systematically detecting dominant elements. These findings indicate the red color system, the black color system, and the excavator image as the main elements, with the excavator appearing in 91.7% of the data. This analysis shows a relational intensity between the excavator and the red color of 0.92, and between the excavator and the black color of 0.74, thus forming a stable pattern of visual interconnection. These results demonstrate the stabilization of visual meaning through repeated relational grouping, so that signification does not depend on isolated symbolic units. This research formulates an operational model of visual meaning based on measurable relations through limited generalization, allowing visual communication studies to obtain replicable analytical instruments. This analysis shows the formation of ideological coherence through systematic visual organization, thereby articulating the framework of ecological conflict consistently. This analysis shows peripheral elements as low-connectivity components through relational measurement, thereby forming a structured asymmetry in the representation system. This research limits the analysis to a single producer corpus through data delimitation, so broad generalizations and reception dynamics are not covered.
Representing and mediating political memory through visual activism: a hermeneutic analysis of Ambara's Wiji Thukul: planting words poster I Gusti Ngurah Tri Marutama Rai; Bambang Sunarto; Mudji Sutrisno
Gelar: Jurnal Seni Budaya Vol. 24 No. 1 (2026)
Publisher : Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/glr.v24i1.7945

Abstract

This study examines how Ambara's Wiji Thukul: Planting Words poster represents and supports the mediation of political memory through visual activism in post New Order Indonesia. Previous studies of Indonesian action posters have primarily focused on symbolism, visual rhetoric, and political messaging, while giving limited attention to how activist posters mediate historical memory through their visual form. Using a qualitative case study design and a Ricoeurian hermeneutic approach, the study analyses the poster alongside historical documents, artist statements, and literature on Indonesian political activism. The findings show that political memory is mediated through a recurring visual structure centred on the figure of Wiji Thukul, stencil aesthetics, resistance-oriented textual fragments, agricultural imagery, and a red–black color palette. These elements organize narratives of disappearance, state violence, democratic resistance, and social justice into a coherent visual framework. The study demonstrates that activist posters function not only as commemorative artefacts but also as mnemonic media that represent historical experience and support the circulation of political memory within contemporary Indonesian political culture.  
From Da’wah to Spectacle: Negotiating Sacred Space and Ritual Meaning in The Commodification of Sekaten Mukhlis Anton Nugroho; Bambang Sunarto; Budi Setiyono
Wawasan: Jurnal Ilmiah Agama dan Sosial Budaya Vol 10 No 2 (2025)
Publisher : the Faculty of Ushuluddin, UIN Sunan Gunung Djati Bandung

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15575/jw.v10i2.46339

Abstract

Abstract: This study examines how the Sekaten ritual in Surakarta has shifted from an Islamic da’wah-centred ceremony into a commodified cultural festival shaped by mass tourism and urban entertainment. Using a qualitative socio-cultural design grounded in cultural ethnography, the research draws on participatory observation conducted during the 2023–2025 celebrations at the alun-alun (town square), the Grand Mosque, the night market, and Bangsal Pagongan (theatre ward), alongside purposive interviews with abdi dalem (palace retainers), mosque administrators, vendors, and festival attendees. The analysis applies cultural transformation theory (Nasukah & Winarti, 2021), Lefebvre’s theory of the social production of space (Lefebvre, 1991), and ritual commodification theory (D. Picard & Robinson, 2006) to trace how shifts in actors, spatial organisation, and symbolic interpretation reorient the ritual’s meanings. Findings indicate that municipal institutions and market stakeholders are increasingly governing Sekaten through the dominance of the night market, commercial stages, and sponsorships, while traditional custodianship by the Kraton (palace) and Masjid Agung is becoming more marginal. Sacred elements, such as the Gamelan Sekaten (traditional music), Miyos Gangsa (ritual procession), and ritual symbols including nginang (chewing betel nut) and janur (decorated palm leaves), persist; yet, they often operate as aesthetic markers within a spectacle economy rather than as central media of religious pedagogy. This reconfiguration produces spatial secularisation as the alun-alun transitions from a sacred zone into a consumerist arena, and public participation shifts from spiritual aspiration towards leisure-oriented consumption, particularly among younger visitors. This study advances debates on religion, space, and heritage governance by demonstrating that ritual changes in contemporary Java reflect negotiated struggles over symbolic power—rather than mere cultural decline. It advocates for participatory preservation strategies that sustain both ritual meaning and physical form amid tourism-driven urban development.
Co-Authors Abdul Ghofar Ade Kurniawan Suhardi Ahmad Faiz Muntazori Amris Albayan Andhika Putra Herwanto Andika Agung Sutrisno Arif Suharson Ario Wibisono Asep Saepul Haris, Asep Saepul Bambang Sugiharto Budi Setiyono Catur Nugroho Dharsono Dharsono Dharsono, Dharsono Febri Yulika Harun Isma'il Harun Isma'il I Gusti Ngurah Tri Marutama I Gusti Ngurah Tri Marutama Rai Indra Gunara Rochyat Indrasastra, Andar Irawati Kusumorasri Joko Daryanto Joko Daryanto Kiswanto Kiswanto Kiswanto Kiswanto Kusumorasri, Irawati Midhang Langgeng Sembodo Mistortoify, Zulkarnaen Mudji Sutrisno Mukhlis Anton Nugroho Nanang Bayu Aji Nanik Sri Prihatin Nanik Sri Prihatini Ni Nyoman Srayamurtikanti Pande Made Sukerta Prihatini, Nanik Sri Primamona, Dea Lunny Pujiyanto Pujiyanto Pujiyanto Pujiyanto Puri Kurniasih Rahayu Supanggah Rahayu Supanggah, Rahayu Rani Puspa Juwita Rozalvino, Rozalvino Rustopo Rustopo Rustopo Rustopo Rustopo Rustopo Santosa Santosa Santosa Soewarlan Santoso, Iwan Budi Sembiring, Kristina Sembodo, Midhang Langgeng Siswanto, Silo Soewarlan, Santosa Sugeng Nugroho Sunarmi Sunarmi Sunarto, Budi Setiyono Suranto Sutrisno, Andika Agung Taufik Murtono Tommy Christomy Tommy Christomy Wibawa, Mahendra Widyastutieningrum, Sri Rochana Zulkarnain Mistortoify Zwingli Tarigan