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Departemen Teknik Sipil Institut Teknologi Sepuluh Nopember
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Peninggian Jalan Prof. Hamka Kota Probolinggo Jawa Timur untuk Membantu Akses Kendaraan pada Jalan Keluar-Masuk RSUD Kota Probolinggo Buana, Cahya; Prastyanto, Catur Arif; Istiar; Rahardjo, Budi; Kartika, Anak Agung Gde; Widyastuti, Hera; Herijanto, Wahju; Lasminto, Umboro; Iranata, Data; Rahmawati, Farida; Sari, Putu Tantri Kumala; Ansori, Mohamad Bagus
Sewagati Vol 8 No 1 (2024)
Publisher : Pusat Publikasi ITS

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.12962/j26139960.v8i1.830

Abstract

Saat ini pembangunan RSUD Kota Probolinggo terdapat issue terkait akses masuk ke rumah sakit. Pada kondisi eksisting terdapat jembatan yang menghubungkan Jalan Prof. Hamka dengan rumah sakit yang memiliki perbedaan elevasi cukup besar. Hal ini mengakibatkan kendaraan yang akan keluar-masuk dari rumah sakit mengalami kesulitan untuk melewati jembatan tersebut. Berdasarkan hal tersebut maka Pemerintah Kota Probolinggo melalui Dinas Pekerjaan Umum, Penataan Ruang, Perumahan dan Kawasan Permukiman Pemerintah Kota Probolinggo melakukan kerja sama pengabdian kepada masyarakat dengan DKPU ITS untuk membuat kajian detail desain peninggian jalan pada Jl. Prof. Hamka, agar mempunyai beda elevasi yang tidak besar dengan jembatan jalan akses menuju RSUD Kota Probolinggo. Desain jalan ini dilakukan dengan menggunakan data topografi area sekitar jalan, data tanah, data hujan dan data lalu lintas serta diskusi dengan pihak BBPJN VIII Wilayah Jawa Timur dan Bali. Hasil dari desain peninggian jalan didapatkan tebal perkerasan kaku adalah 55 cm dengan perkuatan geotekstil dan dinding penahan tanah, dimensi saluran tepi dengan menggunakan U-ditch 50x50x120 cm dan box culvert 80x100x120, pemasangan rambu, marka dan penerangan jalan umum. Hasil dari studi tersebut digunakan untuk membantu operasional RSUD Kota Probolinggo terkait perbaikan akses masuk rumah sakit dari jalan nasional.
Pesan Harapan Anak Korban Perang Suriah dalam Video Musik Lagu Daqat al-Qalb (Heartbeat)Karya Zade Dirani: Message of Hope from Children Victims of the Syrian War in the Music Video for the Song Daqat al-Qalb (Heartbeat) by Zade Dirani Nurusy-Syifa, Takhsya; Buana, Cahya; Humaerah, Prameswari Dwi Auliya; Liza, Fitri; Azis, Rifa Salma
JBSI: Jurnal Bahasa dan Sastra Indonesia Vol. 5 No. 02 (2025): Artikel Riset Periode November 2025
Publisher : Information Technology and Science(ITScience)

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.47709/jbsi.v5i02.7347

Abstract

This study examines the messages of hope expressed by Syrian child victims of war in the music video Daqat al-Qalb (Heartbeat) composed by Zade Dirani in collaboration with UNICEF. Using a descriptive qualitative method, the research applies Ferdinand de Saussure’s semiotic framework to analyze how linguistic and visual signs interact to construct meaning. The analysis focuses on two primary components: (1) signifiers in the Arabic lyrics that articulate pain, fear, emotional struggle, and aspirations for change, and (2) visual symbols such as rubble, white flowers, collective movement, and bright colors that reinforce the thematic representation of hope. The data were obtained through close reading and repeated observation of the video, with additional secondary sources providing contextual support on the Syrian conflict and semiotic theory. The findings reveal five dominant categories of hope represented in the video: the hope to escape suffering and destruction; the desire to eliminate fear; the yearning to be heard and acknowledged by the world; the aspiration to gain strength and rise together; and the vision of rebuilding a brighter, more vibrant life. These categories demonstrate that the children are not merely depicted as passive victims but as active agents articulating their trauma, resilience, and collective dreams. The study contributes to visual-verbal semiotic research by showing how audiovisual media can effectively convey humanitarian messages and represent lived experiences of children in conflict zones. Despite the limitation of using non-official Arabic lyric sources, the findings highlight the power of symbolic interaction in shaping emotional and humanitarian meanings within music videos.
An Analysis of Politeness Principles in the Film Wadjda Based on Leech’s Theory NH, Nurhofifah; Buana, Cahya
Litteratura: Jurnal Bahasa dan Sastra Vol. 4 No. 2 (2025): LITTERATURA
Publisher : Fakultas Adab dan Humaniora, Universitas Islam Negeri Syarif Hidayatullah Jakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15408/ltr.v4i2.34856

Abstract

Wadjda is a Saudi Arabian film directed by Haifaa al-Mansour and is the first film to be selected as the official representative of the Kingdom of Saudi Arabia at an international film festival. The dialogues in this film contain numerous instances of linguistic politeness principles. Therefore, this study aims to identify utterances that employ politeness principles and to describe the forms of those utterances. This research employs a qualitative descriptive method, with the film Wadjda as the data source. The data consist of utterances produced by the main and supporting characters that contain politeness principles. Data were collected using an observation technique, while data analysis was conducted through orthographic transcription followed by data classification based on Leech’s (1983) theory of politeness. This study applies Leech’s (1983) politeness principle, which comprises six maxims: the tact maxim, generosity maxim, modesty maxim, approbation maxim, agreement maxim, and sympathy maxim. The results reveal 13 utterances that employ politeness principles, consisting of three utterances of the tact maxim, three of the generosity maxims, three of the modesty maxims, three of the approbation maxims, one of the agreement maxims, and one of the sympathy maxims. Based on these findings, the most dominant politeness principles are the tact maxim, generosity maxim, modesty maxim, and approbation maxim. The findings of this study are consistent with the research conducted by Setiyono et al. (2021), which states that main and supporting characters tend to adhere to the tact maxim, generosity maxim, and modesty maxim.
Dinamika Habitus dan Modal dalam Hara: Analisis Struktur Sosial Pierre Bourdieu terhadap Tiga Cerpen Najib Mahfuz: The Dynamics of Habitus and Capital in Hara: Pierre Bourdieu's Social Structure Analysis of Three Short Stories by Najib Mahfuz Zaid, Muhammad; Buana, Cahya; Mawardi , Mawardi; Daulay, Heeral Manna; Faiz, Mohammad
JBSI: Jurnal Bahasa dan Sastra Indonesia Vol. 5 No. 02 (2025): Artikel Riset Periode November 2025
Publisher : Information Technology and Science(ITScience)

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.47709/jbsi.v5i02.7183

Abstract

This study aims to analyze the dynamics of complex social structures in Najib Mahfuz's literary works through the lens of Pierre Bourdieu's sociological approach to literature. The background of this study is based on Hara's central position in Mahfuz's narrative, which serves as a microcosm of Egyptian society, marked by value conflicts and power struggles. Using a qualitative descriptive method with a textual approach, this study dissects three selected short stories: "Zakirat al-Jiran" (Memories of Neighbors), "Al-Hutaf" (The Call), and "Sada al-Nisyan" (Echoes of Forgetfulness). The analysis specifically applies Bourdieu's triadic concept of Habitus, Capital (economic and Symbolic), and Field, or Arena, to uncover the hidden mechanisms of domination. The study's results reveal diverse manifestations of social structures. "Zakirat al-Jiran" depicts the phenomenon of hysteresis of habitus, where conflicts continue to be reproduced blindly despite the loss of their historical roots, indicating the stagnation of tradition. "Al-Hutaf" highlights the violent clash between Economic Capital and Symbolic Capital, where the moral integrity of society successfully resists the wealth obtained from corruption, proving that social legitimacy cannot always be bought with money. Finally, "Sada al-Nisyan" criticizes the cycle of tyranny; the return of the main character's cruelty after amnesia proves that changes in individual behavior are meaningless without a transformation of the structure of the power arena itself. In conclusion, Mahfouz describes a social structure that is resistant to change, where the position of social agents is largely determined by the accumulation of symbolic capital and habitus that have been firmly institutionalized in society.
Illocutionary Speech Acts in the Novel Irtitām Lam Yusma‘ Lahu Dawiyy by Bothayna Al-Essa: A Pragmatic Analysis Study Binta Thaila Khotrunnada; Buana, Cahya; Raharja, Hatta; Thamrin, Muhammad Husni
Maharaat: Jurnal Pendidikan Bahasa Arab Vol. 8 No. 2 (2026): April
Publisher : Universitas Muhammadiyah Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.18196/mht.v8i2.31295

Abstract

This study analyzes illocutionary speech acts in the novel “Irtitām Lam Yusma‘ Lahu Dawiyy” (A Crash That He Did Not Hear) by Bothayna Al-Essa, using John Searle's speech act theory as the analytical framework. The research employs a descriptive qualitative approach with library research as the method. Data were collected through an in-depth reading of the novel, the identification of utterances containing illocutionary speech acts, and classification according to Searle's theory. The findings show that three examples of utterances were found for each type of illocutionary speech act: assertives, directives, expressives, and commissives, along with one utterance classified as a declarative illocutionary speech act. This study concludes that language in the novel not only functions as a means of communication but also serves as a tool for building emotional relationships and representing sociocultural tensions. Theoretically, this research contributes to the study of Arabic literary pragmatics, while practically, it can be utilized in the teaching of Arabic language and literature at the university level.
Co-Authors Ahfa Rahman Syah Akhmad Zadhi Nashruddin Aldila Riana Prabawati, Aldila Riana Alir Ahmad Nafis Azis, Rifa Salma Azizah Sagita Amani Basachroh, Ahmad Muhammad Beryl Visa Ariza Binta Thaila Khotrunnada Budi Rahardjo Budi Rahardjo Budi Raharjo Catur Arif P., Catur Catur Arif Prastyanto, Catur Arif Catur Arif, Catur Daniel Pratama Sinaga Data Iranata Daulay, Heeral Manna Dea Vita Aji Fauzi Putri Dyah Iriani Widyastuti El Hafizah, Nafilah Faiz, Mohammad Farida Rahmawati Fiany Dara Novelita Fransisco Pascalino Adriana Fuddoly Fuddoly Hatta Raharja Hera Widyastuti Huda, Rizki Fathul Humaerah, Prameswari Dwi Auliya I Made Avadhuta Austinov Mahagana Irfan Abubakar Isnarti, Isnarti Istiar Istiar Istiar Istiar Istiar, Istiar Kurnia Hadi Putra Liza, Fitri Lusiana Widari M. Dwi Nugroho Mawardi , Mawardi Michael Arcos Tappangrara Mohamad Bagus Ansori Muhammad Dwi Nugroho Muhammad Husni Thamrin, Muhammad Husni NH, Nurhofifah Nurusy-Syifa, Takhsya Prastyanto, Catur Arif Prayoga, Hadi Yudha Rahmad Handika Rizki Gusti Rizky Dwi Zhafira Rohman, Mohammad Arif Rohmatul Bulgis Rokhim, Minatur Safira Qurrata Ainnisa Salman Alfarizi Sari, Putu Tantri Kumala Sekartadji, Ratih Shaafiyah Zahroo Khairunnisa T, M Husni Umboro Lasminto Umi Kulsum Ummatus Solikhah, Ummatus Utami, Adita Wahju Herijanto Wilyan Bayu Dwi Perwira Wiwi Aulia Zaid, Muhammad Zaldy Purwa