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Universitas Negeri Surabaya
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PENGEMBANGAN MEDIA AUDIO VISUAL BERBASIS CANVA PADA MATERI RIAS WAJAH FANTASI (BODY PAINTING) Waluyo, Nadya Sabrine; Pritasari, Octaverina Kecvara; Puspitorini, Arita; Kusstianti, Nia
Jurnal Tata Rias Vol. 13 No. 2 (2024): Jurnal Tata Rias Volume 13 Nomer 2 Tahun 2024
Publisher : Program Studi Pendidikan Tata Rias

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26740/jtr.v13n2.63674

Abstract

IMPLEMENTASI MEDIA PEMBELAJARAN VIDEO TUTORIAL (INSTAGRAM REELS) PADA PEMANGKASAN SOLID TERHADAP HASIL BELAJAR SISWA SMKN 1 SOOKO MOJOKERTO Puspita, Vivian; Megasari, Dindy Sinta; Lutfiati, Dewi; Kusstianti, Nia
Jurnal Tata Rias Vol. 13 No. 2 (2024): Jurnal Tata Rias Volume 13 Nomer 2 Tahun 2024
Publisher : Program Studi Pendidikan Tata Rias

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26740/jtr.v13n2.63746

Abstract

PENERAPAN MEDIA PEMBELAJARAN VIDEO PADA MATERI PEMANGKASAN RAMBUT TEKNIK UNIFORM LAYER SISWA KELAS XI SMK NEGERI 2 JOMBANG Atmaka, Srinirmala Nindya; Dwiyanti, Sri; Maspiyah, Maspiyah; Kusstianti, Nia
Jurnal Tata Rias Vol. 13 No. 2 (2024): Jurnal Tata Rias Volume 13 Nomer 2 Tahun 2024
Publisher : Program Studi Pendidikan Tata Rias

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26740/jtr.v13n2.63747

Abstract

Media pembelajaran sebagai alat bantu guru pada proses mengajar kepada siswa. Di SMK Negeri 2Jombang, materi pemangkasan rambut teknik uniform layer diajarkan dengan metode teacher-centered. Untukmembuat kelas lebih aktif dan menarik perhatian siswa, digunakan media video sebagai sarana pembelajaran.Tujuan penelitian ini meliputi (1) kelayakan media, (2) hasil belajar siswa, dan (3) respon siswa terhadappenggunaan media video. Pendekatan yang digunakan adalah kuantitatif dengan metode pre-experimental design.Data dikumpulkan melalui observasi, posttest, dan angket, kemudian dianalisis menggunakan uji statistikdeskriptif rata-rata (mean). Hasil penelitian menunjukkan bahwa media video pada materi pemangkasan rambutteknik uniform layer layak digunakan dan diterima dengan baik oleh siswa, dengan skor rata-rata aspek materisenilai 4.40 dan aspek media senilai 4.46. Hasil belajar siswa kelas XI dengan nilai rata-rata 87.33, dimana semuasiswa mencapai nilai di atas 70 sebagai Kriteria Ketuntasan Minimal (KKM) yang ditetapkan sekolah, sehinggaketuntasan mencapai 100%. Respon siswa pada penggunaan media video sangat positif dengan persentase ratarata 87.03%. Kesimpulannya bahwa integrasi media video dalam pembelajaran praktik, seperti pemangkasanrambut mampu meningkatkan hasil belajar dan keterlibatan siswa dalam proses belajar mengajar, sehinggamencapai tujuan pembelajaran yang lebih efektif dan efisien.Kata Kunci : Media Pembelajaran, Pemangkasan Rambut Teknik Uniform Layer, Video
KAJIAN BENTUK DAN MAKNA TATA RIAS TARI BEDHAYA ANGRON AKUNG GAYA PURA PAKUALAMAN DI YOGYAKARTA Lailla Putri Anggita Dewi; Faidah, Mutimmatul; Kusstianti, Nia; Usodoingtyas, Sri
Jurnal Tata Rias Vol. 13 No. 3 (2024): Jurnal Tata Rias Volume 13 Nomer 3 Tahun 2024
Publisher : Program Studi Pendidikan Tata Rias

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26740/jtr.v13n3.64464

Abstract

Bedhaya Angron Akung merupakan tarian sakral dari Kadipaten Pakualaman yang diciptakan oleh PakuAlam II. Gaya tari Bedhaya Angron Akung merupakan perpaduan antara gaya Yogyakarta dan Surakarta,yang dikenal sebagai gaya Pura Pakualaman. Tarian ini mengisahkan pernikahan Raden Panji Inu Kertapatidengan Dewi Sekartaji. Penelitian ini bertujuan mengkaji bentuk serta makna dari tata rias, tatanan rambut,busana, dan aksesoris yang digunakan dalam tarian tersebut. Pendekatan deskriptif kualitatif melaluiwawancara dan observasi terhadap narasumber yang ahli di bidang tata rias dan seni tradisionalmenunjukkan bahwa setiap elemen tarian, seperti tata rias wajah Paes Ageng, tatanan rambut, busana, danaksesoris, memiliki makna filosofis yang mendalam, erat kaitannya dengan nilai-nilai spiritual dan budayaJawa. Penelitian ini menegaskan bahwa Tari Bedhaya Angron Akung tidak hanya sekadar pertunjukanestetis, tetapi juga berfungsi sebagai media penyampaian pesan moral, filosofi kehidupan, dan spiritualitasyang diwariskan dari generasi ke generasi.
KAJIAN BENTUK DAN MAKNA TATA RIAS, BUSANA, DAN AKSESORIS TOKOH DEWI SEKARTAJI PADA UPACARA ADAT CEPROTAN DI DESA SEKAR KOTA PACITAN Verina Mayang Sari; Lutfiati, Dewi; Kusstianti, Nia; Wilujeng, Biyan Yesi
Jurnal Tata Rias Vol. 13 No. 3 (2024): Jurnal Tata Rias Volume 13 Nomer 3 Tahun 2024
Publisher : Program Studi Pendidikan Tata Rias

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26740/jtr.v13n3.64880

Abstract

This research aims to determine the form and meaning of (1) facial make-up (2) hair styling (3) clothing (4) accessories for the figure of Dewi Sekartaji at the Ceprotan traditional ceremony. The research method uses a qualitative descriptive approach. Data collection techniques use interviews, observation and documentation. The results of the research on Dewi Sekartaji's make-up are: (1) base makeup, light colored powder, mangot eyebrows meaning beautiful brown curves, green eyeshadow meaning fertility and yellow meaning wisdom. Nose shading is dark brown, blush is red and pink. Double stacked eyelashes, black and white eyeliner. Chili red lip blush, godeg sungu embu. The meaning of facial makeup shows the character of Dewi Sekartaji who was full of devotion throughout her life. (2) Hair styling using a bun sticking up means high aspirations and flowing hair symbolizes the long journey that has been taken. (3) Clothing includes; kemben, kace, and batik skirts from tumurun revelation mean getting a gift. Cover skirt. The meaning of green clothing means abundant fertility in Sekar village. (4) Accessories include; The mountains mean the majesty of God, the siger-shaped crown symbolizes the Goddess Sekartaji throughout the land of Java, the sumping sticks out upwards, the red tendrils of the shoulders mean strength. Belts, bracelets, buttocks, sampurs and scarves. The overall meaning of gold accessories is prosperity, white symbolizes a kind character and positive aura and green is a harmony in make-up and clothing. Keywords: Makeup, Goddess Sekartaji, Ceprotan Traditional Ceremony
HUBUNGAN TINGKAT PENGETAHUAN MAHASISWA TATA RIAS UNESA TERHADAP SIKAP PENGGUNAAN TABIR SURYA Rekhananda , Karin; Dwiyanti, Sri; Usodoningtyas, Sri; Kusstianti, Nia
Jurnal Tata Rias Vol. 13 No. 3 (2024): Jurnal Tata Rias Volume 13 Nomer 3 Tahun 2024
Publisher : Program Studi Pendidikan Tata Rias

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26740/jtr.v13n3.65180

Abstract

This study aims to investigate the relationship between the knowledge level of UNESA cosmetics students and their attitudes toward sunscreen use. This quantitative correlational research involved 64 cosmetics education students from UNESA who had taken cosmetology courses. Purposive sampling was employed, and data collection utilized questionnaires distributed to respondents. Product moment correlation analysis measured the relationship between knowledge and attitudes. Results showed 93.53% of respondents demonstrated high knowledge, while 70.23% exhibited inadequate attitudes toward sunscreen use. Pearson correlation (2-tailed) yielded 0.0001, with a strength coefficient of 0.657, indicating significant and strong correlation between knowledge and attitudes. Therefore, a strong relationship exists between UNESA cosmetics students' knowledge and their attitudes toward sunscreen use. Keywords: Knowledge, Attitude towards Use, Sunscreen.
IMPLEMENTASI METODE DEMONSTRASI PADA PRAKTIK PENATAAN RAMBUT FREE STYLE HALF UP DI SMKN 1 BUDURAN SIDOARJO Balqois, Ratu; Kusstianti, Nia; Faidah, Mutimmatul; Windayani, Novia Restu
Jurnal Tata Rias Vol. 13 No. 3 (2024): Jurnal Tata Rias Volume 13 Nomer 3 Tahun 2024
Publisher : Program Studi Pendidikan Tata Rias

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26740/jtr.v13n3.65548

Abstract

Abstrak Penelitian ini bertujuan untuk mengkaji implementasi metode demonstrasi dalam meningkatkan keterampilan siswa dalam penataan rambut gaya free style half up di SMKN 1 Buduran Sidoarjo. Desain penelitian ini menggunakan metode eksperimen dengan pendekatan kuantitatif. Sampel penelitian terdiri dari 35 siswa kelas XI Tata Kecantikan yang mengikuti pembelajaran penataan rambut. Hasil observasi penerapan metode demonstrasi menunjukkan nilai rata-rata sangat baik pada setiap aspek (pendahuluan: 3,72, kegiatan inti: 3,85, penutupan: 3,83). Tes keterampilan siswa menunjukkan 100% kelulusan dengan nilai rata-rata 85,09. Uji t one sample menghasilkan t hitung 16,424 yang lebih besar dari t tabel 1,69092, dengan signifikansi 0,05, sehingga hipotesis alternatif (Ha) diterima. Respon siswa terhadap metode demonstrasi mencapai 94,28%, menunjukkan ketertarikan dan pemahaman yang baik. Dengan demikian, penerapan metode demonstrasi terbukti efektif dalam meningkatkan keterampilan siswa dalam penataan rambut free style half up. Kata kunci : Metode Demonstrasi, Penataan Rambut, Free Style Half Up
KONSEP KECANTIKAN DAN PERAWATAN KULIT WAJAH ; STUDI ANALISIS MAHASISWA UNIVERSITAS NEGERI SURABAYA Jayanti, Khusmira Dwi; Faidah, Mutimmatul; Wilujeng, Biyan Yesi; Kusstianti, Nia
Jurnal Tata Rias Vol. 14 No. 1 (2025): Jurnal Tata Rias Volume 14 Nomer 1 Tahun 2025
Publisher : Program Studi Pendidikan Tata Rias

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26740/jtr.v14n1.68208

Abstract

A woman and beauty are two inseparable things. The concept of beauty is often seen as a relativity. That is, each person's view of the concept of beauty is different. But at the same time, beauty is also a universal thing. This is because there are standards and criteria that are used as a benchmark to be considered beautiful. Almost all women want to look beautiful all the time. Although every woman's nature is instinctively beautiful, most women try hard to be beautiful. As with students who also want to look beautiful, one of the efforts made is facial skin care. This research aims to find out: 1) the concept of beauty according to students of Surabaya State University 2) the effort of facial skin care according to students of Surabaya State University. This research uses a qualitative approach using descriptive qualitative research methods. Data were collected through in-depth interviews. The research subjects were 10 active students of Surabaya State University. The data collection method used was interview. The analysis method uses data reduction, data presentation and conclusions. Based on the results of the data analysis, Based on the results of data analysis, it is found that the concept of beauty is interpreted as something broad and relative. Which means there is no same description for each individual in interpreting the concept of beauty. However, there are aspects that become benchmarks in formulating the concept of beauty, namely the conception of the concept of beauty, beauty criteria, and aspects of beauty types. And based on the data analysis, Based on the results of data analysis, it is found that the concept of facial skin care is understood as part of an effort to look beautiful. The perception of the importance of facial skin care is very diverse and not the same for each individual. However, it can be described into aspects that become the benchmark of understanding and facial skin care efforts made. These aspects are the place of treatment, budget/special funds, beauty products, and treatment motivation. Keywords : Beauty, Care, Facial Skin
press on nail, water marble, dra Perbandingan Teknik Water Marble Dengan Drawing Marble Pada Hasil Jadi Press On Nails di Faux Nail Studio Nofitasari, Sonia; Kecvara Pritasari, Octaverina; Kusstianti, Nia; Megasari, Dindy Sinta
Jurnal Tata Rias Vol. 14 No. 1 (2025): Jurnal Tata Rias Volume 14 Nomer 1 Tahun 2025
Publisher : Program Studi Pendidikan Tata Rias

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26740/jtr.v14n1.70642

Abstract

In the last five years, marble nail art has become a trend that is increasingly in demand by nail art lovers. The purpose of this study was to determine the results of press-on nails with the water marble technique, the results of press-on nails with the marble drawing technique, and a comparison of the results of press-on nails with the water marble and drawing techniques. This study employed a quantitative approach and used an experimental research design. The results of press-on nails with water marble and drawing were assessed using a questionnaire with four aspects: design suitability, surface evenness, neatness of the finished result, and preference. Faux Nail Studio customers who like nail art and are and are and are aged 18 to 30 years were the subjects of this study who came to Faux Nail Studio on February 28, 2025. The data obtained from the questionnaire were processed using IBM SPSS 27. The t-test was used to determine the comparison of the finished results of press-on nails with the water marble and marble drawing techniques, and the average test was used to determine the finished results of each technique. The results of the study showed that (1)he finished results of press-on nails with the water marble technique had an average value of 2.96 out of 4, (2) the finished results of press-on nails with marble drawing had an average value of 3.68 out of 4, and (3) there was a significant difference between the two techniques, with a significance value of 0.000 < 0.05. (3) According to the panelists, the suitability of the design, surface flatness, and neatness of the results were 2.96 for the water marble technique and 3.68 for the marble drawing technique. (4) The panelists preferred the finished results of press-on nails with the marble drawing technique to the water marble technique.
Tata Rias Wajah, Foundation Liqu PERBANDINGAN PROPORSI FOUNDATION LIQUID DAN CREAM TERHADAP HASIL TATA RIAS WAJAH MODEL KATALOG PRODUK Alfin Afifi, Astrida; Dwiyanti, Sri; Kusstianti, Nia; Wilujeng, Biyan Yesi
Jurnal Tata Rias Vol. 14 No. 1 (2025): Jurnal Tata Rias Volume 14 Nomer 1 Tahun 2025
Publisher : Program Studi Pendidikan Tata Rias

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26740/jtr.v14n1.70652

Abstract

Currently, many people use make-up as the main support for their profession, one of which is the product catalog model that makes make-up the main thing, so a perfect appearance is needed and gives a good impression to support the value of the product worn. This study aims to determine the difference in the results of the comparison of the proportion of liquid and cream foundations on the results of make-up on the product catalog model with oily skin types, using 2 samples of foundation proportions with different ratios of liquid and cream foundations. This type of research is a quantitative descriptive study with a quasi-experimental design of the one-shot case study type. The subjects of the study were 30 people, consisting of 3 make-up lecturers, 27 make-up experts or active students of make-up education at the State University of Surabaya. The data collection technique used an instrument sheet/questionnaire to assess the results of make-up with indicators of coverage, smoothness, evenness, durability, photo results and observer preferences. The results of the study obtained an average score of aspects that were averaged of 3.2 in sample X1 (proportion of foundation 2gr liquid: 2gr cream) and 3.57 in sample X2 (proportion of foundation 1gr liquid: 3gr cream). The calculation of statistical test results shows a Mann Whitney U value of 213.500 and a significance value (Asymp, Sig. 2-tailed) of less than 0.001 (p < 0.05). So there is a significant difference between sample data X1 and sample data X2 with sample data X2 having a higher score than sample data X1.
Co-Authors Afida, Ummu Nadia Afkarina, Risqa Alfin Afifi, Astrida AMELIA, LINDA Ampouw, Debby Arita Puspitorini Ascaya, Made Milenia Candrawati Atmaka, Srinirmala Nindya Azizah, latiffany Balqois, Ratu Bella, Yuniar Anisa Binagdy, Vennas Amalla Chasanah, Ilfa Damaranti, Angger dewayana, Agatha Dewi Lutfiati DIAH DWI JAYANTHI, KADEK Dindy Sinta Megasari Edo Shamsidar, Afzalur EKI PURBOSETYO, MIFTASYA ELOK PUTRI BAHARI, RUSYNTA Evanggelista, Delaya FAJAR MAGFIROH, SITI Fatin, Hanani Auliya Febriana, Aulia Rizqiika Febrianti, Mitha Indah Festiana, Ailsa FilaHasena Fitriyani, Pramitha Anisa Hartanti Wulandari, Ririn Noor Helmi, Dian Atika Ikbar, Idel Eg Nidia Imansari, Inez Dwina Inayati, Indah Indra, Zahra Natasya Jayanti, Khusmira Dwi KECVARA PRITASARI, OCTAVERINA Lailla Putri Anggita Dewi Leony, Dita Angie Luftha Rudiyanto, Michelle Grezanda Madani, Ekki Febijay MASPIYAH Maspiyah Maspiyah Megasari, Dindy Muliana, Amma Mutimmatul Faidah Ningrum, Fatichatul Ilma Wahyu ningrum, Yuliana Ni’mah, Alfiatun Nofitasari, Sonia Novia Restu Windayani, Novia Restu Nurul Indawati Nurwulandari, Laily Dewi Oktavia, Rhelen Bunga Piwi, Adela Sanya Prahesti, Salsabila Prajastiwi, Handika Pramesti, Adetyas Prastyani, Desi Nur Pratiwi, Evita Citra Pritasari, Octaverina Pritasari, Octaverina Kecvara Puspita, Vivian Putri Ardiana putri, Monique Jingga Trifinda QOLBI, TSAMROTUL Qoyyimah, Millah Rachmawati, Eka Yolanda Sakila Ramadhanti, Rizqullah Rekhananda , Karin Safitri, Binti Inna safitri, Yesi intan SILVI GHONI MAHFIRO, KHAFIDHATUL SOFIA MAHARANI, NITA Sri Dwiyanti Suhartiningsih Suhartiningsih SUZENTY, INDRYA swardika, Farah SYAH PRASTIKA NOOR SHOLIKIN, WENDI Trishantini, namira Usodoingtyas, Sri Usodoningtyas, Sri VEGATAMI, PRADITA VENTIANA WATI, DICHA Verina Mayang Sari VIA LAKSHITA, YUNANDA WAHYUNIH, SRI Waluyo, Nadya Sabrine Wardani, Annisa Aprilia Wijaya, Nieke Andina Wilujeng, Biyan Wilujeng, Biyan Yesi windayani, novia yuhaa, Fastami limaa YUSNI, ALIFIA SHAFIRA