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All Journal E-Journal of Linguistics E-Journal Of Cultural Studies Linguistika Jurnal Kajian Bali Aksara JENTERA: Jurnal Kajian Sastra Stilistika: Journal of Indonesian Language and Literature Open Access DRIVERset
I Nyoman Weda Kusuma
Udayana University, Denpasar, Indonesia
Religion Arts Humanities Languange, Linguistic, Communication & Media Social Sciences

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DISCOURSE OF AGURON-GURON SYSTEM IN GEGURITAN SIDHA YOGA KRAMA (GSYK) Ni Putu Parmini; I Nyoman Weda Kusuma; I Nyoman Kutha Ratna; I Made Suastika
e-Journal of Linguistics Vol. 8. Juli 2014 No.2
Publisher : Doctoral Studies Program of Linguistics of Udayana University Postgraduate Program

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Abstract

The object of the present study is the text of Geguritan Sidha Yoga Krama (hereinafter referred to as GSYK). This text contains narrations narrating priesthood teaching, which is interesting enough to discuss nowadays. The analysis in the present study is intended to answer the question concerning the discourse of the aguron-guron system in the GSYK text. The answer to this question is the specific objective of the present study. As a qualitative study, the data of the present study were collected using observation and interview methods. The data were also obtained through library study and using reading technique. The results of the present study are informally presented, meaning that the results of the present study are described using words which are systematically arranged in accordance with the findings. The analysis of the GSYK discourse includes the theme, plot and prominent characterization. It was found that there were three entities in the GSYK text, as far as the change in status from being walaka into being sadhaka is concerned; they are (1) the ethics of the senior priest ‘nabe’ and the prospective priest ‘sisya’; (2) the ceremony in which someone is informally acknowledged as a priest referred to as pediksan; (3) the implementation of Hinduism. The results of analysis showed that GSYK was a narrative discourse made up of pupuh (strophes),  narrating the priesthood teaching ‘ajaran kapanditaan’ with the aguron-guron system, meaning that the priesthood teaching is transmitted through informal learning. It could be concluded that GSYK could be used as a resource of the priesthood teaching which could be transmitted through the aguron-guron system, making the priesthood teaching easier and more interesting. The aguron-guron system could be observed more comprehensively through geguritan (philosophical verse); it is not only an educational medium but also an amusement. The priest ‘pandita’ is responsible for transmitting such a teaching to people.
KABA GOMBANG PATUANAN: AN ORAL LITERARY WORK OF MINANGKABAU PESISIR SELATAN REGENCY, WEST SUMATRA Eva Krisna; I Nyoman Kuta Ratna; I Wayan Cika; I Nyoman Weda Kusuma
e-Journal of Linguistics Vol. 3. Juli 2009 No. 2
Publisher : Doctoral Studies Program of Linguistics of Udayana University Postgraduate Program

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Abstract

Kaba Gombang Patuana (abbreviated to KGP) is a Minang literary genre whichis orally presented in the form of songs. Therefore, it is known as an intonational prose.As a piece of oral literary work, KGP needs a medium of presentation. The mediumneeded is in the form of a performance known as Pertunjukan Kak Oai (PKO), whichexists at Kenagarian Air Haji, Pesisir Selatan Regency, West Sumatra. Kaba GambangPatuanan tells about the socio cultural life of the community of Pesisir Selatan Regencyusing the local variety of Minangkabau language. The availability of the texts of KGP,the performance of PKO, and the collective community possessing such a literary workshows that the phenomenon of what is written and spoken about oral literary work isdifferent from the phenomenon of what is written and spoken about written literary work.Oral literary work cannot be approached from literary discipline only, but linguisticapproach and anthropological approach are also needed.The morphology of KGP is made up of stem of the story ‘batang curito’, branchof the story ‘dahan curito’ , and twig of the story ‘rantiang curito’. The batang curito(the stem of the story) is the text of GPP as a whole. The ‘Dahan Curito’ (the branch ofthe story) serves as the episodes of the story and the Ranting Curito serves as the parts ofthe episode. The functions performed by KGP are: (1) as a medium for conveying what isexpected from a king; (2) as a medium for conveying Minang tradition; (3) as a mediumfor conveying oceanic knowledge; (4) as a medium for conveying nation-lovingenthusiasm ‘chauvinism’ ; (5) as a medium for conveying henotheism towards ancestors.
LANGUAGE STYLE OF DIDEK TEXT IN THE ISLANDS OF SELAYAR, SOUTH SULAWESI PROVINCE Dra Dafirah; I Nyoman Weda Kusuma; I Nyoman Suarka; Dr Pudentia
e-Journal of Linguistics Vol. 9 Januari 2015 No. 1
Publisher : Doctoral Studies Program of Linguistics of Udayana University Postgraduate Program

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Abstract

This article aims to describe the language aesthetic elements of didek. Didek is an oral tradition that is presented in the form of song of unrequited-reply. One of the peculiarities of this oral tradition is the emphasis on aesthetic elements or beauty. The speakers / singers are required to always use a beautiful language while singing. Berangkat dari pandangan Roman Jakobson penulis membahas unsur estetika yang ditemukan dalam teks didek. Artikel ini akan berfokus pada pembahasan tentang estetika bahasa dalam teks didek yang mencakup penggunaan gaya bahasa berupa: diksi dan majas. Departing from the view of Roman Jakobson this article is  focused on a discussion of the aesthetic language of the didek text including the use of language style: diction and figures of speech.
Cohesion and Metaphor Aspects in Andabhuana Text Ida Bagus Mahardika; I Nyoman Weda Kusuma; I Nyoman Mulyono; Ida Bagus Rai Putra
e-Journal of Linguistics Vol.7. Januari 2013 No. 1
Publisher : Doctoral Studies Program of Linguistics of Udayana University Postgraduate Program

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Abstract

Cohesion and metaphor are the unique and interesting parts of language aspects in Andhabhuan text to research. They are quite dominant aspects in the story in developing its literature aesthetic. This research is based on the arts technical and analytical method. The result of the research on those two aspects shows that traditional aesthetic style in arts, as described in Andabhuana verses emphasize on the reference, meaning, selection and variation of words. The language parts used are aimed at bringing the text ideology to humanity perspective, especially the ?iwatattwa values as parts of Hindu teaching. Hence the cohesion and metaphor in Andabhuana text  are  semiotic description to transform to Balinese Hindus as most of them follow ?iwatattwa belief.
SKETCH OF INTERTEXTUALITY OF TEXTS WITH ISLAMIC DISCOURSES IN TRADITIONAL BALINESE LITERATURE Ida Bagus Jelantik SP; Nyoman Kutha Ratna; I Nyoman Suarka; I Nyoman Weda Kusuma
e-Journal of Linguistics Vol. 8. Januari 2014 No. 1
Publisher : Doctoral Studies Program of Linguistics of Udayana University Postgraduate Program

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Abstract

Researchers have identified the existence of Islamic discourses in the texts of the traditional Bali literature since a long time ago; however, attention has not been properly paid to them. It has been identified that a number of oral texts (kesusastraan gantian) in the forms of poem and prose contain Islamic discourses. Likewise, a number of written texts in the form of manuscripts (kesusastraan sasuratan) have also been identified to contain the same literary genre. Historically, the texts containing Islamic discourses in the traditional Balinese literature belong to the Old Balinese literature (kesusastraan Bali purwa) rather than the Modern Balinese literature (kesusastraan Bali anyar). The most striking phenomenon in the existence of the texts of Islamic discourses in the traditional Balinese literature is their relationship to other texts. Explicitly, several texts in their manuscripts direct their readers in such a way that they will consider them related to other texts. In other words, the texts with Islamic discourses in the traditional Balinese literature are the transformed ones reflecting the fact of intertextuality. This present study was intended to give a general picture of the intertextual relationship of the texts with Islamic discourses to other texts; their relationship to the texts within the discursive scope of the Balinese culture and the other texts which belong to the treasures of the traditional Javanese literature and the Old Malay literature.  
City Strunggle: Rural and Urban Cultural Space in Bali In the Modern Indonesian Poetry of the 1960s—2012 Puji Retno Hardiningtyas; I Nyoman WEda Kusuma; I Gusti Ayu Agung Mas Triadnyani
e-Journal of Linguistics Vol 14 No 1 (2020): e-jl January
Publisher : Doctoral Studies Program of Linguistics of Udayana University Postgraduate Program

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (918.161 KB) | DOI: 10.24843/e-jl.2020.v14.i01.p09

Abstract

This research is based on the space discourse that represents the city and its environment in modern Indonesian literature in Bali in the 1960s—2012. City and Bali are presented as a setting of events through space that shows the city as a social configuration of its people. The research problem formulation is (1) rural and urban concepts in the appearance of tourist cities in Bali and (2) decentering Bali and Bali's changes in the poems of the 1960s—2012. The data collection of this research used the library method with note taking technique. Descriptive analytic analysis is used as a method with critical interpretive techniques. To analyze the data Derrida's deconstruction theory was used, specifically decentering the rural and urban cultural paradigm which places the text as a social construction. The results and discussion of this research show that, first, poems of Balinese poets have a tendency not to place cities as spaces as centers of progress, but cities that show individual awareness in the middle of the city. Second, decentering Bali is a hierarchical struggle that places rural and urban culture as a contradiction of urban spatial policy with the efforts of the community to defend its culture. Therefore, the poems of the 1960s—2012 about Bali was a battle of discourses that put the binary opposition to form because of the concept of rural and urban areas.
CULTURAL DIVERSITY IN THREE MOTINGO BUSYE’S ROMANCE “POPULAR” NOVELS Maizufri -; I Nyoman Kutha Ratna; I Wayan Cika; I Nyoman Weda Kusuma
e-Journal of Linguistics Vol. 7. Juli 2013 No. 2
Publisher : Doctoral Studies Program of Linguistics of Udayana University Postgraduate Program

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Abstract

This study is entitled Cultural Diversity in Three Motingo Busye’s Romance “Popular” Novels and explored three novels written by Motingo Busye (hereinafter abbreviated to MB), Fatimah Chen Chen, Hotel Halekulani, and Seribu Senja di Roma. It aimed at identifying the cultural styles used in the three novels using the theory of intertextuality proposed by Julia Kristeva. It investigated how the writer described the images of many cultures in the world narrated in the three novels using the sociological approach and psychological approach. It revealed the characterization of the main characters during their lives through the sequence of id, ego, and super ego. Apart from that, several cultural forms as to how the writer named the characters in the three novels were also investigated. The forms of cultural diversity found in the present study are as follows (1) out of 76 characters in the three novels coming from four countries, seven cities and regions, 38 forms of images coming Europe, America, and Asia (Taiwan and Indonesia) were found; (2) from the process of characterization of the main characters, as far as their images were concerned, it was found that the forms of cultural pluralism varied; they were samen leven (living together), polygamy, and the phenomenon of illegitimate children; (3) Apart from that, with regard to how the characters were named (the naming process), the three novels showed the nuance of cultural pluralism involving various cultures in the world. It turned out that how the so many characters were named needed high and wide awareness and knowledge of various cultures as the material of the essence of the images.
USADA BHUDA KACAPI: BALINESE TRADITIONAL THERAPY (USADA) LITERARY TEXT I Ketut Jirnaya; I Made Suastika; I Wayan Cika; I Nyoman Weda Kusuma
e-Journal of Linguistics Vol. 5. Juli 2011 No. 2
Publisher : Doctoral Studies Program of Linguistics of Udayana University Postgraduate Program

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Abstract

Usada Budha Kacapi (abbreviated to UBK) text, which contains the basic Balinese traditional therapy, is a text which is in the form of narration. The Balinese traditional therapy (usada) texts generally contain collections of names of diseases, medicinal substances, and how to cure such diseases; however, the UBK is in the form of narration, containing characters, setting, themes, and literary language. The UBK text, after being edited, is recorded in a number of palm-leaf manuscripts. The title is the same but the content varies. Budha Kecapi is the main character, which has inspired many other writers; therefore, the works produced still use the same language units as used by Budha Kacapi. Such works are Budha Kacapi Cemeng, Budha Kacapi Putih, and Budha Kacapi Sastrasanga . It is this which has inspired the researcher to explore the UBK in order to know who and what Budha Kacapi is. In order to be able to identify the message transmitted to the reader or the community, and its totality, it is necessary to know, understand, and analyze the signs it contains. Therefore, two theories are used in this study; they are the theory of intertextuality and the theory of semiotics. The results of analysis show that the writers wish to teach and guide those who desire to be professional indigenous medical practitioners ‘dukun’, namely, the ones who are highly knowledgeable of traditional therapy, ethical and not easily defeated by diseases. That, according to Budha Kacapi, can be achieved through ‘yogasastra’. The indigenous medical practitioners should improve their quality through yoga (meditation) and aksara suci (holy scripts) as the means. A set of learning materials related to the basic knowledge needed by the indigenous medical practitioners are systematically organized, starting from how to recruit the prospective learners, the learning method, how to diagnose (nenger), the philosophy of life and death, the philosophy of diseases, the concept of being healthy and sick, the compensation, types of diseases, and how to cure diseases. As a whole, the UBK text contains the basic and advanced levels of learning materials for indigenous medical practitioners. The advanced level means that if they study the UBK text and are able to apply it properly, they will not by all means be defeated by diseases.
THE STRUGGLE OF GENDER EQUALITY IN FIVE NOVELS OF Nh. DINI Siti Norma Nasution; I Nyoman Kutha Ratna; I Nyoman Weda Kusuma
e-Journal of Linguistics Vol.7. Januari 2013 No. 1
Publisher : Doctoral Studies Program of Linguistics of Udayana University Postgraduate Program

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Abstract

This study explores the problems of women , patriarchal culture and the fight for gender equality as exposed in Nh. Dini’s novels. There are still many women who are trapped in domestic sector and loose their rights to manage their own lives with their own way. There have been many women who are successful working in public sector, but the number are still very small compared to the number of men who are successful. This study tends to expose the problems of women to reach gender equality for women. This study is importantly conducted because Nh. Dini’s literary works reveal the problems of women related to patriarchal culture which hampers the progress of women. The present study is different with the previous one, because this study explores feminism ideology which is against patriarchal culture and tradition which is still adopted by people as portrayed in five novels of Nh. Dini. The theory of Dinamic Structuralism is used to explain the interconnection of all aspects and components of the novels to get the complete meaning. The theory of Sociology of Literature is used to relate the social problems in the novels to the realities in the real world. The theory of Feminism is used to understand the novels related to women problems, patriarchal culture and gender equality. Text analysis based on the problems of the study revealed that many women are still trapped in domestic sector, still dominated by patriarchal culture. They loose their fundamental rights to manage their own lives and to improve their lives quality to become qualified women. Consenquently the women are so dependent on other people. Analysis about the factors which caused the poverty and misery of women revealed that the main cause of the women problems in the novels is patriarchal culture. The women are not permitted to work in public sector to earn their own lives. Consenquently many women become poor for being jobless. The fight for gender equality that revealed in five novels are in agreement with the thought of feminism ideology, among others is the fight to get education and job. Feminism ideology also fight to free women from patriarchal domination by living without marriage or claiming for divorce from the husband who can not protect their wives anymore.
FORM AND MEANING OF TI'I KA DISCOURSE IN MBASA WINI RITUAL OF RONGGA ETHNIC IN FLORES Ni Wayan Sumitri; I Nyoman Weda Kusuma; I Nyoman Suarka; Fransiscus Bustan
e-Journal of Linguistics Vol. 9 Januari 2015 No. 1
Publisher : Doctoral Studies Program of Linguistics of Udayana University Postgraduate Program

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Abstract

This article describes the results of research on the form and meaning of Ti'i ka discourse (TD) that is the food offering ritual to the ancestors in mbasa wini rituals in Rongga ethnic of Flores. Mbasa wini ritual is the new-year ritual of traditional agricultural in Rongga ethnic. Theoretical framework to guide is cultural linguistic supported by discourse, symbolic interactions and hermeneutics theories. This research is a descriptive study based on the philosophy of phenomenology. The location of the study is in the distribution of Rongga ethnic region with the main location in the Sambi Village sub-District of Kota Komba, East Manggarai regency. Methods of data collection are observation, interviews, and documentary studies. The data collection technique is recording and note-taking. The main data sources are Rongga ethnic residing in Sambi village that were represented by four key informants. The data were analyzed qualitatively using induction method. The results showed that the form and meaning of TD is unique in the context of the situation of mbasa wini ritual and socio-cultural context of Rongga ethnic. The specificity of the form is characterized by the use of complex sentences as meaning container that exposed Rongga ethnic conceptualization of the world. Type meanings include religious meaning, social, economic, and aesthetic. Religious significance related to the conceptualization of the existence of God, the spirit of ancestors, and nature spirits. The social significance is marked by the presence of people gathered as rituals participants and communication between them by using language of Rongga as a medium. Economic significance with regard to the economic system that was involved by Rongga ethnic is agricultural and farming systems. Political meaning is marked by power differences between ritual leaders and rites participants. Aesthetical meaning is reflected in the use of phonological parallelism in the form of assonance, rhyme, and alliteration. It is recommended that the Government of East Manggarai district document TDMW in printed and electronic, as well as the Rongga ethnic to make the mechanism of inheritance through mbasa wini rituals regularly and intensively every year.
Co-Authors A.A. Gde Alit Geria Alit Geria A.A. Kade Sri Yudari Anwar, Khairil Ayu Sutarto Dr Pudentia Dra Dafirah Eva Krisna Fransiscus Bustan Gde Artawan Hamiruddin Udu Hutasoit, Evalina Franciska I Gde Parimartha I Gede Yudarta, I Gede I Gusti Ayu Agung Mas Triadnyani I Ketut Ardhana Ardhana, I Ketut Ardhana I Ketut Jirnaya I Made Suastika I Made Suyasa I Nengah Sudipa I Nyoman Darma Putra I Nyoman Kuta Ratna I Nyoman Kutha Ratna I Nyoman Mulyono I Nyoman Suarka I Wayan Artika I Wayan Cika I Wayan Dibia I Wayan Suardiana Ida Bagus Jelantik Ida Bagus Kade Gunayasa Ida Bagus Mahardika Ida Bagus Nyoman Mantra Ida Bagus Rai Putra Intan Ayu Puspita Kamidjan Kamidjan Komang Dian Puspita Candra Komang Dian Puspita Candra, Komang Dian Puspita La Aso Aso, La Aso M Fatkhur Rohman Made Henra Dwikarmawan Sudipa Made Henra Dwikarmawan Sudipa Maizufri - Maria Matildis Banda Muh Alifuddin NI MADE WIASTI Ni Nyoman Karmini Ni Nyoman Seri Astini Ni Putu Ayu Ariasih Ni Putu Parmini Ni Wayan Sumitri Novena Ade Fredyarini Soedjiwo Nyoman Kutha Ratna Pudentia, Pudentia Puji Retno Hardiningtyas Puji Retno Hardiningtyas Puji Retno Hardiningtyas, Puji Retno Setya Yuawana Setya Yuwana Siti Norma Nasution Sugiarti - Sukardiasih, Luh Gede