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All Journal E-Journal Of Cultural Studies Linguistika Jurnal Kajian Bali Aksara JENTERA: Jurnal Kajian Sastra Stilistika: Journal of Indonesian Language and Literature Open Access DRIVERset
I Nyoman Weda Kusuma
Udayana University, Denpasar, Indonesia
Religion Arts Humanities Languange, Linguistic, Communication & Media Social Sciences

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Journal : E-Journal Of Cultural Studies

 1 
REPRODUCTION OF KAKEBYARAN ART IN MATARAM CITY, WEST NUSA TENGGARA YUDARTA, I GEDE; Kusuma, Nyoman Weda; Dibia, I Wayan; Parimartha, I Gde
E-Journal of Cultural Studies Vol 9, No 2 (2016): May 2016
Publisher : Cultural Studies Doctorate Program, Postgraduate Program of Udayana University

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Abstract

Kakebyaran art is a performing art with the Balinese identity; it is not only popular in Bali but also in the other provinces in Indonesia and different parts of the world. In Indonesia, such a performing art is also performed in Mataram City, West Nusa Tenggara. The policy with the jargon “Maju, Religious and Berbudaya” (Being Developed, Religious, and Cultured),  which was issued by the ruler of Mataram City, affirms that the development in Mataram City is oriented toward the Islamic religious values, meaning that the other religious and cultural symbols are reduced. Such a situation has motivated the Balinese ethnic community to develop its art, tradition, and culture in general and the kekebyaran art in particular. Such a phenomenon is a domain of cultural studies which is very interesting to be explored in depth. There are three problems related to such a phenomenon. They are 1) the form and function of the reproduction of the kekebyaran art, 2) the factors contributing to the reproduction of the kekebyaran , 3) the impact of the reproduction of the kekebyaran art on and its meaning to the society of Mataram City, West Nusa Tenggara. The present study was conducted using the qualitative method, in accordance with the scientific norm and paradigm of cultural studies. Three theories were used to analyze such problems; they are the theory of cultural reproduction, the theory of identity, and the theory of semiotics. They were eclectically used to discuss the substance of the topic of discussion. The results of analysis were formulated as follows: first, the form of the reproduction of the kekebyaran art is made up of musicality, the instrumental form, the way of presenting it, its function as part of a ritual and a performing art, and its function to strengthen the local culture. Second, the factors contributing to the reproduction of the kakebyaran art are as follows:  the culture, economy and cultural communication. Third, the impact and meaning of the reproduction of the kakebyaran art are as follows:  the spiritual impact, the socio-cultural impact, the economic impact, the aesthetic meaning, and the cultural meaning.
SA NGAZA IN RELIGIOUS AND TRADITIONAL RITUALS PERFORMED BY THE NGADA ETHNIC PEOPLE IN FLORES Banda, Maria Matildis; Kusuma, I Nyoman Weda; Ratna, I Nyoman Kutha; Pudentia, Pudentia
E-Journal of Cultural Studies Volume 9, Number 4, November 2016
Publisher : Cultural Studies Doctorate Program, Postgraduate Program of Udayana University

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This cultural study was conducted based on the primary data kasa’o (the traditional house bestowal of blessing) and wo’soDewa (the church bestowal of blessing).  The study was intended to reveal the elements causing the oral tradition Sa Ngaza (TLS) in the traditional ritual ‘ritual adat’ (RA) are still performed in the religious ritual ‘ritual keagamaan’ (RKA), the function and meaning of TLS in RA and RKA, how it has been inherited. The study used the theory of formula, the theory of semiotics, and the theory of practice, especially the practice of capital. The data were collected using the techniques of observation, interview, and documentation. Sa Ngaza is unique in regard to its pattern of formula in the same dimension in general and in the opening and closing formulas in particular. These formulas support the transmission of TLS, causing mori Sa Ngaza (the Sa Ngaza reporter) to be able to maintain the continuity of TLS and its growth in RA and RKA. The opening formula explains the identities of the characters. The thematic formula in RA and RKA reports different contents. TLS in RA emphasizes patadela (the ancestor’s massage); TLS in RKA emphasizes the Biblical massage. The meaning plurality in RA and RKA explains the acculturative relationship between the tradition and religion. In this relationship there is a shift in the identities of the characters, sa’o (the traditional house), and patadela. The hierarchy of leadership in the tradition and religion can save and hamper the oral tradition. Therefore, TLS can be generally inherited based on the role of leadership through families and society, religious institutions, and education.
RITES OF SHIFT PERFORMED BY THE MUNA ETHNIC PEOPLE IN MUNA REGENCY, SOUTHEAST PROVINCE: CONTINUITY AND CHANGE Aso, La Aso; Kusuma, I Nyoman Weda; Ardhana, I Ketut Ardhana; Wiasti, Ni Made Wiasti
E-Journal of Cultural Studies Vol 8 No 1 (2015): Volume 8, Number 1, Februari 2015
Publisher : Cultural Studies Doctorate Program, Postgraduate Program of Udayana University

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Abstract

Nowadays the Muna ethnic people who live in Muna Regency, Southeast Sulawesi Province can be divided into two groups; they are the Muna ethnic people who still perform the rite of shift completely, and the Muna ethnic people who perform the rite of shift partially; the letter have modified the rite of shift. The rites which are performed to show the shift in status from the time before a baby is born to the time after it is born, when someone enters childhood and adulthood, when someone is married and when someone is dead. Such rites are referred to as the rites of shift. The problems of the present study can be formulated into three; they are (1) what the rites of shift performed by the Muna ethnic group is like; (2) the factors contributing to the continuity of the rites of shift; and (3) the factors causing the change in the rites of shift performed by the Muna ethnic people to take place. This study is a qualitative study with the paradigm of cultural studies. The theory of semiotics, the theory of hegemony, and the theory of deconstruction were used in the present study. The result of the study shows that there are six forms of the rites of shift performed by the Muna ethnic people; they are the rite of what is locally referred to as kasambu (feeding or eating with the hand), the rite of what is locally referred to as kampua (the hair cutting), the rite of what is locally referred to as kangkilo (circumcision), the rite of what is locally referred to as karia (being secluded), the rite of what is locally referred to as kagaa (marriage), and the rite of what is locally referred to as mate (death). The factors contributing to the continuity of such rites are ideology and belief. And the factors causing such rites to be changed are religion, economy, education, and science and technology.
Co-Authors A.A. Gde Alit Geria Alit Geria A.A. Kade Sri Yudari Anwar, Khairil Ayu Sutarto Dr Pudentia Dra Dafirah Eva Krisna Fransiscus Bustan Gde Artawan Hamiruddin Udu, Hamiruddin Hutasoit, Evalina Franciska I Gde Parimartha I Gede Yudarta, I Gede I Gusti Ayu Agung Mas Triadnyani I Ketut Ardhana Ardhana, I Ketut Ardhana I Ketut Jirnaya I Made Suastika I Made Suyasa I Nengah Sudipa I Nyoman Darma Putra I Nyoman Kuta Ratna I Nyoman Kutha Ratna I Nyoman Mulyono I Nyoman Suarka I Wayan Artika I Wayan Cika I Wayan Dibia I Wayan Suardiana Ida Bagus Jelantik Ida Bagus Kade Gunayasa Ida Bagus Mahardika Ida Bagus Nyoman Mantra Ida Bagus Rai Putra Intan Ayu Puspita Kamidjan Kamidjan Komang Dian Puspita Candra Komang Dian Puspita Candra, Komang Dian Puspita La Aso Aso, La Aso M Fatkhur Rohman Made Henra Dwikarmawan Sudipa Made Henra Dwikarmawan Sudipa Maizufri - Maria Matildis Banda Muh Alifuddin NI MADE WIASTI Ni Nyoman Karmini Ni Nyoman Seri Astini Ni Putu Ayu Ariasih Ni Putu Parmini Ni Wayan Sumitri Novena Ade Fredyarini Soedjiwo Nyoman Kutha Ratna Pudentia, Pudentia Puji Retno Hardiningtyas Puji Retno Hardiningtyas Puji Retno Hardiningtyas, Puji Retno Setya Yuawana Setya Yuwana Siti Norma Nasution Sugiarti - Sukardiasih, Luh Gede