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Humor Discourse in Art Performances of Shadow Puppets Cenk Blonk Gede Wira Ady Saputra; Aron Meko Mbete; I Nyoman Muliana
Austronesian: Journal of Language Science & Literature Vol. 1 No. 2 (2022): Austronesian: Journal of Language Science & Literature
Publisher : CV Wahana Publikasi

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59011/austronesian.1.2.2022.56-73

Abstract

Humor discourse as non-bonafide discourse is frequently found daily. The existence of humor, besides for entertainment purposes, is also being used for educational purposes, also culture and language conservation. Some approaches can be implied to understand how discourse humor is created. One of them is through language elements and pragmatism flouting. This research of humor discourse in art performances of shadow puppets aims to analyze the utilization of language elements and pragmatism flouting. This study uses a mixed-method approach. The data of this research are in the form of conversation found in the dialogue of shadow puppets performances. As the results, it was found that humor discourse is formed by the first utilization of language elements such as phonological utilization (5.56%), lexical ambiguity (3.70%), grammatical ambiguity (31.48%), rhyme utilization, and language style (59.26%); secondly, Maxim flouting such as quantity flouting (39.13%), quality flouting (21.74%), manner flouting (17.39%), relevance flouting (21.74%).
The Kinship Relationship between The Malay Language of Riau and The Sundanese Language A Comparative Historical Linguistic Study Efendi, Syahrul; Afri, Evan; Dardanila, Dardanila; Dwiwidayati, Dwiwidayati; Meko MBete, Aron
International Journal of English and Applied Linguistics (IJEAL) Vol. 5 No. 2 (2025): Volume 5 Nomor 2 Agustus 2025
Publisher : ITScience (Information Technology and Science)

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.47709/ijeal.v5i2.6546

Abstract

This study aims to reveal the kinship relationship between Riau Malay and Sundanese languages ??seen from some vocabularies similarities. The method used is descriptive qualitative and quantitative with note-taking technique. The research data is formed of vocabulary in BMR and BS obtained from various written sources and informant interviews. Based on 200 Swadesh words for BMR and BS, there are 12,5%, namely 25 identical pairs words. This data proves that BMR and BS are not closely related because the vocabulary similarities are less than 36% or part of the sub-grouping. Vowel relatives couples different by 16 data or about 18%; 3 relatives couples have different pairs of consonants or about 1.5%; 5 relatives couples or about 2.5% who have one syllable difference; and 9 relatives couples or about 4.5% who have one consonant phoneme difference. The results of the study found that the percentage of kinship between the two languages ??was 29% which indicated that the BMR and BS were the languages ??of the family from one family (stock).BMR and BS are thought to be the same prelanguage around 2,856 years ago and are estimated to have started to separate from their parent languages ??in 833 BC (calculated in 2023)
Humor Discourse in Art Performances of Shadow Puppets Cenk Blonk Gede Wira Ady Saputra; Aron Meko Mbete; I Nyoman Muliana
Austronesian: Journal of Language Science & Literature Vol. 1 No. 2 (2022): Austronesian: Journal of Language Science & Literature
Publisher : CV Wahana Publikasi

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59011/austronesian.1.2.2022.56-73

Abstract

Humor discourse as non-bonafide discourse is frequently found daily. The existence of humor, besides for entertainment purposes, is also being used for educational purposes, also culture and language conservation. Some approaches can be implied to understand how discourse humor is created. One of them is through language elements and pragmatism flouting. This research of humor discourse in art performances of shadow puppets aims to analyze the utilization of language elements and pragmatism flouting. This study uses a mixed-method approach. The data of this research are in the form of conversation found in the dialogue of shadow puppets performances. As the results, it was found that humor discourse is formed by the first utilization of language elements such as phonological utilization (5.56%), lexical ambiguity (3.70%), grammatical ambiguity (31.48%), rhyme utilization, and language style (59.26%); secondly, Maxim flouting such as quantity flouting (39.13%), quality flouting (21.74%), manner flouting (17.39%), relevance flouting (21.74%).