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All Journal INFORMASI Jurnal Komunikasi Interaksi : Jurnal Ilmu Komunikasi Interaksi Online Jurnal Ilmu Komunikasi Communicatus: Jurnal Ilmu Komunikasi KAREBA : Jurnal Ilmu Komunikasi Jurnal Komunikasi Ikatan Sarjana Komunikasi Indonesia Jurnal Komunikasi Jurnal ASPIKOM Wacana: Jurnal Ilmiah Ilmu Komunikasi Journal of Humanities and Social Studies Jurnal Profetik Kalijaga Journal of Communication Jurnal Komunikasi Indonesia
Turnomo Rahardjo
Communication Department, Diponegoro University
Arts Humanities Computer Science & IT Economics, Econometrics & Finance Education Environmental Science Languange, Linguistic, Communication & Media Law, Crime, Criminology & Criminal Justice Library & Information Science Social Sciences Other

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PENGEMBANGANKARAKTERTOKOHUTAMAPELAKUBULLYING TERHADAPTOKOHINDIVIDUTULIDALAMANIMEKOENO KATACHI(聲の形) Fauzi, Aldi; Rahardjo, Turnomo; Suryanto Gono, Joyo Nur
Interaksi Online Vol 12, No 4: Oktober 2024
Publisher : Jurusan Ilmu Komunikasi, FISIP, Universitas Diponegoro

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Abstract

he anime Koe no Katachi is a character development movie themed, where the protagonist, Ishida Shouya, changes into a better personality after he bullies the deaf individual character, Nishimiya Shouko. This research aims to see how Ishida Shouya's character development process is depicted in the Koe no Katachi anime and find out the movie strategy/logic used in developing the protagonist's character. This type of research is descriptive qualitative with a narrative analysis method using the concept of The Positive Change Arc from K.M. Weiland to see the stages of Ishida Shouya's character development. Petrie & Boggs Character Identification Theory is used to analyze the character through the viewpoint of conflict and characterization. The results show that the movie uses three main strategies in developing its protagonist's character: (1) Bringing down the protagonist from a stable position, (2) Bringing up the character's redemption efforts after experiencing the fall, and (3) Bringing up the character's acceptance of reality. Researchers found some shortcomings: (1) Simplification of Karma in the Narrative, (2) Ignoring the Potential for Collective Recovery, and (3) Risk of Glorifying the Redemption of the Main Character. Nevertheless, overall, the Koe no Katachi anime successfully depicts an individual's journey of redemption through a complex and in-depth narrative.
ISU SEKSISME DAN RELASI GENDER DALAM KEPEMIMPINAN PEREMPUAN DI ORGANISASI MAHASISWA UNIVERSITAS DIPONEGORO Shafa Amanda, Karina; Rahardjo, Turnomo; Qurrota Ayun, Primada
Interaksi Online Vol 12, No 3: Juli 2024
Publisher : Jurusan Ilmu Komunikasi, FISIP, Universitas Diponegoro

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Abstract

The existence of women in society is still strongly entrenched as women are seen as weak individuals and are not trusted to do work outside of the domestic sphere. Among student organization structures, men are considered more appropriate to make decisions because leadership is often associated with masculine values, such as being competitive and aggressive in public life. Women should be considered as rational beings with the same abilities and rights as men, and can position themselves as leaders based on their ability to lead. This study aims to determine the issue of sexism and gender relations in women's leadership in Diponegoro University student organizations. The theories used are Feminist Viewpoint Theory, Gender Role Theory, and Leadership Theory. This research uses an interpretive paradigm with a phenomenological approach, as well as in-depth interview data collection techniques conducted on five individuals
REPRESENTASI RESISTENSI DRAG QUEEN TERHADAP DIKOTOMI GENDER PADA RAMINTEN CABARET SHOW YOGYAKARTA Nur Rahmi, Faurina; Noor Rakhmad, Wiwid; Rahardjo, Turnomo
Interaksi Online Vol 12, No 1: Januari 2024
Publisher : Jurusan Ilmu Komunikasi, FISIP, Universitas Diponegoro

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Abstract

Drag queen dalam sebuah pementasan merupakan bagian dari permainan seni peran oleh seniman dalam pementasan tersebut. Dalam konteks penelitian ini drag queen sebagai penari cross gender yang membawakan peran sebagai penari perempuan dengan menggunakan atribut dan berpenampilan feminim dimana membuat mereka menjadi masyarakat minoritas. Pada lingkungan masyarakat mayoritas laki-laki yang berpenampilan seperti perempuan erat kaitannya dengan waria atau LGBT dan mereka memiliki julukan sebagai “banci lip sync”. Tujuan penelitian ini yaitu untuk mengetahui bagaimana esensi pengalaman drag queen sebagai kaum minoritas yang hidup berdampingan dengan masyarakat mayoritas dengan Teori Queer. Penelitian ini merupakan penelitian deskriptif kualitatif dengan pendekatan fenomenologi. Teknik pengambilan data yang digunakan yaitu melalui wawancara mendalam. Hasil dari penelitian ini yaitu adanya stigma negatif terhadap cross gender dari lingkungan dan keluarga yang membuat para drag queen merasa menutup identitas mereka sebagai pekerja seni. Namun, secara totalitas drag queen menampilkan yang terbaik untuk menghibur dengan cara yang berbeda, memberi karya dan mendapatkan apresiasi. Dengan adanya stigma tersebut, membuat drag queen melakukan resistensi diantaranya, yaitu memberikan edukasi di sosial media terkait cross gender, memberikan karya terbaik, serta melakukan pementasan di luar panggung pertunjukan.
REPRESENTASI PERLAWANAN TERHADAP OLIGARKI DALAM FILM “GUNDALA” Adhi Wiryawan, Yudho; Bayu Widagdo, Muhammad; Rahardjo, Turnomo
Interaksi Online Vol 12, No 2: April 2024
Publisher : Jurusan Ilmu Komunikasi, FISIP, Universitas Diponegoro

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Abstract

Superheroes are a type of popular culture are related with Great Depression in Unaited State. Superheroes represent people's hopes and dreams in solving their problems. Today's superhero movies not only focus on commercial needs but they also bring social issues into their stories. Gundala, a film directed by Joko Anwar which was released in 2019 based on the comic character written by Hasmi. Joko Anwar made adjustments in this movie and included current social issues as a form of freedom of speech that could not be done openly at the time the Gundala comic was made. Resistance as a form of social movement is carried out by society to make social changes that affect their lives. This research aims to determine resistance of oligarchy as represented in the Gundala (2019) movie and the forms of resistance carried out by society against oligarchy. Using deprivation theory as a theory of social movements in order to create social change. This qualitative research is using John Fiske's semiotic analysis method to analyse scenes that represent resistance of oligarchy in Gundala. The results of this research found that oligarchy is described as great strength and power that is difficult to fight alone. Resistance was carried out by people from various social classes as an illustration of oligarchy power that affected all levels of society. Resistance is dominated by group resistance because of the difference in power between society and oligarchy. People who resist individually tend to show their resistance behind their backs because direct individual resistance is considered to be dangerous to them. Therefore, people group together to fight back in order to have power equal to oligarchy. Gundala represent people’s hope to take the oligarchy down.
MEMAHAMI DINAMIKA HUBUNGAN BERPACARAN JARAK JAUH PADA MAHASISWA UNIVERSITAS DIPONEGORO Aisyah Nur Iswahyudi, Farah; Nur Suryanto Gono, Joyo; Rahardjo, Turnomo
Interaksi Online Vol 12, No 4: Oktober 2024
Publisher : Jurusan Ilmu Komunikasi, FISIP, Universitas Diponegoro

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Abstract

The differences in distance and limitations in physical interaction experienced by couples in long-distance relationships (LDR) encourage individuals to adjust their communication patterns, emotions, and relationship maintenance strategies to achieve the desired level of closeness. Changes in the dynamics of long-distance relationships can affect the intensity of interaction and emotional closeness, which may lead to miscommunication and conflict. This research aims to understand the relationship maintenance strategies implemented by individuals in long-distance relationships, including the maintenance of the relationship, changes in communication patterns, conflicts or tensions that arise, and the resolution strategies applied. The theories used in this study are the Triangular Theory of Love, Relationship Maintenance Theory, and Relational Dialectics Theory. This research employs an interpretive paradigm with a phenomenological approach, using in-depth interviews as the data collection technique conducted with five individuals. The results of this research show that communication adjustments in relationship maintenance are carried out by individuals from the moment they begin a long-distance relationship with their partner. Each individual accommodates their partner's communication needs by utilizing various communication technologies, such as text messages, phone calls, and video calls in their daily interactions. Despite facing challenges related to physical distance and limited face-to-face interaction, individuals strive to maintain their relationship through intensive communication and efforts to sustain emotional intimacy. Each couple in an LDR applies relationship maintenance behaviors to achieve the desired ideal state, prevent conflicts, and maintain commitment within the relationship. Physical distance is not the main cause of conflict but often leads to minor miscommunications and tensions that need to be managed. Conflict resolution in LDRs is carried out through various strategies, such as compromise, increasing communication frequency, and maintaining emotional intimacy through virtual interactions.
Negosiasi Identitas Komunitas Punk Bogor Dalam Masyarakat Dominan Makarim, Nabil; Rahardjo, Turnomo; Qurrota Ayun, Primada
Interaksi Online Vol 12, No 2: April 2024
Publisher : Jurusan Ilmu Komunikasi, FISIP, Universitas Diponegoro

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Abstract

The punk community, is a community that is included in the marginalized group in society because punk culture is a culture adopted from outside that has a different appearance from society in general and carries an ideology of resistance to the dominant culture, so that the punk community is often faced with a negative stigma from society associated with criminality and other negative things, and also the misconception of meaning by individuals in punk who commit negative actions and further muddy the name of punk in Indonesia. This research aims to find out the efforts made by the Bogor punk community in negotiating its identity to the dominant or majority society. This research uses the co culture theory proposed by Mark Orbe. This descriptive qualitative research was conducted using a phenomenological approach that focuses on the experiences of informants, researchers use data collection techniques with indepth interviews. The results of the study show that the Bogor punk community still fights against capitaslime and criticizes all forms of injustice in society, but they fight in a more positive way this is done because they want to change the negative stigma that exists in society. In negotiating the identity of the punk community using accommodation communication where they try to establish a positive relationship with society. The marginalization obtained by the Bogor punk community does not make them feel marginalized, instead they are able to survive and manage their identities well and are able to control emotions when they get marginalized by society. It can be described that they have no purpose or desire to disturb public order. Instead, they often do positive activities such as social activities to help people who are more in need.
Pemaknaan Fanbase Terhadap Isu-Isu Politik Dalam Lagu Bergenre Indie Rock Ijlal Hibatullah, Alif; Dwiningtyas Sulistyani, Hapsari; Rahardjo, Turnomo
Interaksi Online Vol 12, No 2: April 2024
Publisher : Jurusan Ilmu Komunikasi, FISIP, Universitas Diponegoro

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Abstract

This research aims to understand how the fanbase of .Feast, an Indonesian indie rock band, interprets political issues conveyed through their songs. Employing a qualitative approach with ethnography of communication method, this study examines the interactions and interpretations of the "Kelelawar" fanbase towards lyrics containing political and social messages. Through content analysis and in-depth interviews, this study reveals that the .Feast fanbase perceives these songs not just as artistic expressions but also as means for political education and empowerment. This perception is reflected in various interpretive codes identified, including codes of political awareness, social responsibility, and artistic expression. The findings demonstrate that .Feast's indie rock music serves as a medium for the fanbase to express and reinforce their collective identity that is critical of the political and social conditions. This research provides new insights into the role of music in shaping political and social consciousness, particularly among the young generation in Indonesia.
ADAPTASI NILAI-NILAI BUDAYA MASYARAKAT MIGRAN PERMANEN DENGAN MASYARAKAT LOKAL DI KECAMATAN TAMPAKSIRING KABUPATEN GIANYAR Elbert Adinugraha Christianto, Anthony; Naryoso, Agus; Rahardjo, Turnomo
Interaksi Online Vol 12, No 3: Juli 2024
Publisher : Jurusan Ilmu Komunikasi, FISIP, Universitas Diponegoro

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Abstract

Each person carries cultural values that are inherent to them and will take them wherever they go, including when they migrate to new areas with different cultures. On the other hand, Tampaksiring District is known for its deeply rooted cultural values, which are implemented in the social and religious life of the community. The purpose of this study is to analyze how the cultural values adaptation process occurs between permanent migrant communities and local communities in Tampaksiring District, Gianyar Regency. The theories used include Adaptation Theory, Communication Accommodation, Acculturation, Conflict, and Ethnocentrism. This study uses an interpretive paradigm with a phenomenological approach and data collection techniques involving in-depth interviews with six individuals. The results of the study indicate that aligning cultural values through adaptation and communication processes is crucial for creating harmony and avoiding conflicts in multicultural communities. Challenges faced by permanent migrant communities include discrimination, value clashes, and pressure to maintain their original cultural identity in an environment that may not be supportive. However, an appropriate adaptation process can enhance social harmony. Intercultural conflicts are often triggered by ethnocentrism and cultural value discrepancies, but familial approaches and mediation have proven in resolving these conflicts. The study concludes that intercultural communication, openness to differences, and mutual respect are key for permanent migrant communities and local communities to adapt to differing cultural values. For future research, the author hopes that subsequent studies will discover strategies or ways to enhance social familiarity within communities. Social familiarity is essential for creating strong social integration, which ultimately reduces tensions and conflicts that may arise from cultural differences.
STRATEGI KOMUNIKASI ORGANISASI INKLUSIF CAFE ONNI HOUSE SURABAYA DALAM MELIBATKAN PENYANDANG DOWN SYNDROME UNTUK MAGANG SEBAGAI WAITRESS Conny Brilliant Dwikananda, Kartika; Sunarto, Sunarto; Rahardjo, Turnomo
Interaksi Online Vol 12, No 4: Oktober 2024
Publisher : Jurusan Ilmu Komunikasi, FISIP, Universitas Diponegoro

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Abstract

Organizations require effective communication strategies to achieve their missions and goals. By involving individuals with Down syndrome in a waitress internship program, organizations need to redefine their communication strategies and policies throughout the program to create an inclusive work environment for people with disabilities. Through statements from ten informants involved in the implementation of the collaborative program involving individuals with Down syndrome for a waitress internship, this qualitative research uses an intrinsic case study method within a post-positivist paradigm to find pattern matching from. Karl Weick and James Taylor's Theory of Organizational Sensemaking, Widhawati's Concept of Inclusive Environment, and Fred R. David's Strategic Communication Planning are chosen to help explore the theoretical review. Through research, show the stages of communication strategies carried out by ONNI House Surabaya in implementing an inclusive work environment. Through communication strategies starting from planning, implementation, and evaluation, ONNI House Surabaya successfully completed the program to involve Down syndrome trainees as waitresses.
Representasi Sisterhood pada Film Yuni Tansha Nastiti, Talitha; Rahardjo, Turnomo; Sunarto, Sunarto
Interaksi Online Vol 12, No 1: Januari 2024
Publisher : Jurusan Ilmu Komunikasi, FISIP, Universitas Diponegoro

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Abstract

The high rate of early marriage in Indonesia and the existence of cases of women who are perpetrators of psychological violence against other women are the background of this research. Yuni is a film that specifically addresses the main topic of the reality of women's lives in the Serang Banten area as the main premise. This research aims to determine the representation of sisterhood in the film Yuni. The main theory used is standpoint theory supported by the concept of representation and the flow of feminist existentialism. The method used is Roland Barthes' semiotic analysis through five reading codes. This research found four forms of support provided by fellow women, namely tangible support, self-esteem support, appraisal support, and belonging support. This support takes the form of praise, advice, physical assistance, physical touch, feelings of empathy that arise towards fellow women, and acceptance between women. In this research, it was found that there are myths regarding women's self-silencing due to the existence of patriarchal culture and gender norms in society. Sisterhood is described as a value that can provide a sense of calm, happiness, comfort, feeling of acceptance and can increase women's self-confidence. However, this film also illustrates that the value of sisterhood also failed to encourage women to be able to fight against existing social constructions.
Co-Authors ., Muchibuddin Abdul Malik, Aminullah Adhi Wiryawan, Yudho Adi Nugroho Adi Nugroho Adi Nugroho Adi Saputro, Topo Adinda, Sarah ADITYA FAHMI NURWAHID Adiyatma, Irfandhika Afri Setya, Rega Agus Naryoso Aisyah Monicaningsih Aisyah Nadhilah Arsyi Malik Aisyah Nur Iswahyudi, Farah Ajeng Gendari Sayang Aji Kurniawan Ade Purwanto Alif Hibatullah Alifati Hanifah Almanda Prinarenti, Aurelia Amelia Monica Amida Yusriana Andrio, Bimo Anindhita Puspasari Anjar Mukti Yuni Pamungkas, Anjar Mukti Annie Renata Siagian Annisa Widya Paramitha Annisa Zetta Afiatni Aprilla Agung Yunarto Arif Andhika, Wisnu Arlinda Nurul Nugraharini Asri Rachmah Mentari Asteria Agustin Asyhab Arno Wijaya Aurisa Hangesti Putri Avianto Aryo Wicaksono Ayu Lestari, Mega Ayu Permata Sari Ayudia Putri, Rakhma Azif, Zahra Bayu Hastinoto Prawirodigdo Bayu Widagdo, Muhammad Bening Shabilla Utami Bonaventura Paskaris Kusuma Aji Brillian Barro Vither Conny Brilliant Dwikananda, Kartika Dalil, Firas Dea Dwidinda Lutfi Desastri Ahda Ramadhan, Pimpi Destika Fajarsylva Anggraini Devi Pranasningtias Indriani DEWI IRAWATI Dhyah Shanti Nur Kartika Dimas Obwid Robertus Belarmino Malau Dinaharilala Olivia, Randrianarison Dini Tiara I Dipa Wirayatama Diva Sinar Rembulan Dizafia Zafira Mayyasya Djoko Setyabudi DONNA RADITA MERITSEBA DR Sunarto Dr. Sunarto Dra Taufik Spurihartini Dwi Amanda, Visca Dyah Woro Anggraeni Elbert Adinugraha Christianto, Anthony Elvina Ghozali Erva Maulita Eva Ratna Hari Putri Fariz Dewanto Fatia Maharani Fauzi, Aldi Febrian Aditya Putra Fitria Mahdiyyani, Anisah Fitria Purnama Sari Fransiska Indria Widiasari Gatikasari Mujiastuti Geta Ariesta Herdini Gilang Maher Pradana Gusti Purbo Darpitojati Handono Priambodo, Handono Hapsari Dwiningtyas Hapsari Dwiningtyas Hapsari Dwiningtyas Sulistyani Hasibuan, Anra Muliasih Sah Bakti Hedi Pudjo Santosa Hedi Pudjo Santosa Himawan, Hilmi Ika Adelia Iswari Ilham Prasetyo Indra Bagus Kurniawan Irfan Zuldi Isabela Laras Anindyo Isti Murfia Jenny Putri Avianti Jonathan Dio Sadewo Joyo Nur Suyanto Gono Kania Azzahra Wibowo Kania Salsabila Putri Rachmadi Karina Puspadiati Kartika, Muh. Medriansyah Putra Kevin Purba Khurrosidah, Sela Kusuma, Ivana Lintang Ratri Rahmiaji Lintang Ratri Rahmiaji Lucia Eka Pravitasari M Bayu Widagdo Maharani Easter Makarim, Nabil Marlia Rahma Diani Marshya Camillia Ariej Martha Caesarin Putri Yulinta Martina Aurelia Carissa Maulana Khalidin . Maulana Ocky Adhicondro Meidiza Firda Mapikawanti Miftakhul Noor Alfiana Mirtsa Zahara Hadi Monica Hayunindya Patria Paramesthi Much Yulianto Much. Yulianto MUCHAMAD MACHBUB LUTFI Muhammad Bayu Widagdo Muhammad Reza Mardiansyah Muhammad Syamsul Hidayat Mujahidah Amirotun Nisa Nadhila Prisca Anjani M Nadif Rizqulloh, Muhammad Nadila Opi Prathita Sari Naga Mulia, Wim Naomi Uli Quanti Siahaan Narayani Aberdeen, Avi Nastiti Laksmita Adi Nikolas Prima Ginting NIKOLAUS AGENG PRATHAMA NOVI ADI PUSPITANINGRUM Nur Rahmi, Faurina Nurist Surayya Ulfa Nuriyatul Lailiyah Nurrist Surayya Ulfa Nurul Athira Yahya Nurul Hasfi Nurul Hikmah Octaviani, Averina Olina Hartani Muliani Gultom Osa Patra Rikastana Pandu Hidayat Paskah M Pakpahan Pratiwi, Silvi Primada Qurrota Ayun Puspita Dea Chantika Qonita Andini, Annisa Qury Aini R. Milwanda Nadika S. Restu Ayu Mumpuni, Restu Ayu Rezeki Amalia, Annisa Ricki Apriliono Rifki Nur Pratiwi Rindiana Kiswari Rizki Fajar Bagaskoro, Sektianto Rizki Kurnia Yuniasti ROBBIANTO ROBBIANTO Rosa Humaira, Almira Rossa Oktaviyani S Rouli Manalu Sabda Nugraha, Detrina Sahfitri, Dwina Salsabila Putri Wasesa, Meidyana Salshabila Putri Persada Sarah Indah Putri Sasaningtawang, Bening Saviera Maharani Doniyar Sefti Diona Sari Sessy Refi Sanina Shafa Amanda, Karina Shafira Inas Nurina Silas Hamenyimana Sony Kusuma Anugerah Sri Budi Lestari Sri Budi Lestari Sri Devi Valentina Simamora Devi Valentina Simamora Sri Nofidiyahwati Sri Widowati Herieningsih Sri Widowati Herieningsih Sunarto Sunarto Tandiyo Pradekso Tansha Nastiti, Talitha Taufik Suprihartini Taufik Suprihartini . Taufik Suprihatini Taufik Suprihatini Theresia Karo Karo Tiara Astra Parahita Tiara Ayu Raharjo Tri Yoga Adibtya Tama Trinata Anggarwati, Bunga Triyono Lukmantoro Triyono Lukmantoro Triyono Lukmantoro Triyono Lukmantoro Triyono Lukmantoro . Viviana Ardine Mutiara K F Wahyu Satria Utama, Wahyu Satria Widya Nur Hidayati Wiwid Noor Rakhmad Wuriani, Wuriani Yanuar Luqman Yenny Puspasari Yenny Puspitasari Yobelta Kristi Ayuningtyas Yoga Yuniadi Yolanda Audrey Yuanita Putri Melati Yuliana Harianja Yusriana, Amida