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All Journal CaLLs : Journal of Culture, Arts, Literature, and Linguistics Ilmu Budaya: Jurnal Bahasa, Sastra, Seni, dan Budaya Indonesian Journal of EFL and Linguistics Prosiding Seminar Nasional Sastra, Bahasa, dan Seni (Sesanti) Ruhui Rahayu: Jurnal Pengabdian Kepada Masyarakat Jurnal Riseta Soshum
Muhajir, Fatimah
Fakultas Ilmu Budaya, Universitas Mulawarman
Arts Humanities Education Environmental Science Languange, Linguistic, Communication & Media Law, Crime, Criminology & Criminal Justice Public Health Social Sciences Other

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PENGEMBANGAN POTENSI DAN KREATIVITAS PEMUDA MELALUI WORKSHOP PENULISAN KREATIF: The Development of Youth Potential and Creativity through Creative Writing Workshop Sari, Norma Atika; Natsir, M.; Suhendi, Indrawan Dwisetya; Muhajir, Fatimah
Jurnal Ruhui Rahayu: Jurnal Pengabdian Masyarakat Ilmu Humaniora Vol 1 No 1 (2022)
Publisher : Program Studi Sastra Indonesia Universitas Mulawarman

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30872/ruhuirahayu.v1i1.39

Abstract

Abstract: The main focus of this creative writing workshop activity is to recognize the potential of literary writing talents that exist in young people (students). In addition, this workshop also aims to ignite the creativity and innovation of the participants. The location of the workshop was held in Kutai Lama, Anggana Sub-district, Kutai Kartanegara on 19 - 22 June 2022. The activity plan consisted of: (1) distribution of questionnaires, (2) presentation of workshop material by trainers, (3) question and answer session (discussion with participants), and (4) creative writing practice by creating collaborative story fragments. At the end of the activity, many participants did not realize that there was potential for writing talent within them. Participants were also given a new perspective on the benefits of reading and writing literary works in exercising the power of imagination and creativity that are useful in almost all aspects of life. Keywords: creative writing; student; potential; creativity.   Abstrak: Fokus utama kegiatan workshop penulisan kreatif ini adalah mengenali potensi bakat menulis sastra yang ada di dalam diri pemuda (pelajar dan mahasiswa). Selain itu, workshop ini juga bertujuan memantik kreativitas dan inovasi para peserta. Lokasi workshop dilaksanakan di Kutai Lama, Kecamatan Anggana, Kutai Kartanegara pada tanggal 19 - 22 Juni 2022. Rancangan kegiatan berupa : (1) pembagian kuesioner, (2) pemaparan materi latihan oleh narasumber, (3) sesi tanya jawab dan diskusi dengan peserta, serta (4) praktik menulis kreatif dengan menciptakan fragmen cerita kolaboratif. Di akhir kegiatan banyak peserta yang sebelumnya tidak menyadari bahwa ada potensi bakat menulis dalam diri mereka. Peserta juga diberi pandangan baru tentang manfaat membaca dan menulis karya sastra dalam melatih daya imanijasi dan kreativitas yang berguna dalam hampir segala aspek kehidupan. Kata kunci: penulisan kreatif; pelajar; mahasiswa; potensi; kreativitas.
SOCIAL ENVIRONMENT’S INFLUENCE ON CHARLIE’S HARD TIMES IN THE PERKS OF BEING A WALLFLOWER NOVEL Putri, Yasmin Medina Anggia; Zamruddin, Mardliya Pratiwi; Muhajir, Fatimah
Ilmu Budaya: Jurnal Bahasa, Sastra, Seni, dan Budaya Vol 7, No 3 (2023): Juli 2023
Publisher : Fakultas Ilmu Budaya Universitas Mulawarman

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30872/jbssb.v7i3.10025

Abstract

Symbolic Interactionism theory by Cooley explains that an individual cannot be separated from society. Individuals or groups of people will interact through communication until they finally enter the social order. Through this interaction, not only actions but also mindsets are changed. This thesis discusses the influence of the social environment on Charlie's hard times in The Perks of Being a Wallflower novel. The purpose of this research is to find out and explain the influence of Charlie's social environment to help him rise from his hard times. These hard times are identified through the conflicts that Charlie faces. This thesis also focuses on Charlie's way of making new friends by interacting with his new friends, Patrick and Sam. In this case, Patrick and Sam are Charlie's social environment. Both of them provide him with various forms of social support: instrumental, tangible, informational, and emotional. The researcher uses symbolic interactionism theory with qualitative research method and a sociological approach in this thesis. Based on the analysis, Charlie, the main character, managed to get through his hard times because of his friendship with Patrick and Sam. It can be seen from the way they interact until Charlie receives all types of social support from Patrick and Sam. Charlie was given gifts, advice, entertainment, attention, love, and care. In this thesis, the researcher also found that the presence of a social environment for Charlie, who is going through hard times, has a big impact on his ability to finally be confident, feel loved by his family and friends, and be able to get along with other people around him besides Patrick and Sam. Charlie has also stated that he will begin to become preoccupied with interacting with other people in real life. He said he would not write letters so often anymore and would participate with other people.
THE PORTRAYAL OF ENGLISH GENTLEMAN IN THE NINETEENTH CENTURY AS SEEN IN DICKENS’ GREAT EXPECTATIONS NOVEL Muhajir, Fatimah
CaLLs (Journal of Culture, Arts, Literature, and Linguistics) Vol 6, No 1 (2020): CaLLs, Juni 2020
Publisher : Fakultas Ilmu Budaya, Universitas Mulawarman

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (370.326 KB) | DOI: 10.30872/calls.v6i1.3145

Abstract

This study deals with the portrayal of English gentleman in the 19th century as seen in Charles Dickens' Great Expectations. The purpose of this study is to describe a portrait of the English gentlemen that are represented by the characters such as Pip, Herbert Pocket, Dumble, Mattew Pocket, Mr. Jaggers and Compeyson as illustrated by Dickens. This research uses descriptive  qualitative method and sociology of literature theory by Diana Lawrenson and Alan Swingewood in analyzing the relationship between the portrayal of English gentelman and its social conditions in at the time. The results of this study  shows that there are several categories of gentelman title that represented by the characters in the story, namely:  Drummle is gentleman by birth (aristocrats), Pip is gentleman by wealth, Gentleman by education or the gentleman students include Pip, Herbert Pocket, and Dummle. The gentleman by profession represented by Mr. Matthew and Mr.Jaggers. While moral code ethics of the gentleman can detemine a man if he the true gentleman or  fake / wicked gentleman. In fact the true gentleman in this story is Mr. Matthew while the fake gentleman is Compeyson.
RESISTING THE OTHER: WOMEN’S EXISTENTIALISM AGAINST PATRIARCHAL CULTURE IN SELECTED DISNEY PRINCESS SONG LYRICS Muhajir, Fatimah; Tantri, Agra Liz; Yetty, Yetty
CaLLs (Journal of Culture, Arts, Literature, and Linguistics) Special Issue "SESANTI 2025"
Publisher : Fakultas Ilmu Budaya, Universitas Mulawarman

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30872/calls.v11i0.22712

Abstract

This study, “Resisting the Other: Women’s Existentialism Against Patriarchal Culture in Selected Disney Princess Soundtrack Lyrics”, examines existentialist feminist themes in three Disney Princess songs: “Reflection” (Mulan), “Speechless” (Aladdin), and “Touch the Sky” (Brave). Using Simone de Beauvoir’s concept of “the Other” in Feminist Existentialism, the research analyzes how the lyrics reflect women’s struggles against patriarchal culture by asserting identity, autonomy, and freedom. The findings reveal distinct forms of resistance in each song. “Reflection” portrays women’s rejection of objectification and their demand for self-definition against restrictive gender roles. “Speechless” emphasizes an outright refusal of patriarchal silencing, expressing determination to voice resistance and claim agency. “Touch the Sky” highlights the pursuit of individual liberty, underscoring women’s ability to transcend imposed roles and choose their own paths. Collectively, these songs construct narratives of empowerment that resist the relegation of women to “the Other.” They affirm existential freedom and authenticity as essential to women’s self-realization, illustrating how popular culture can serve as a medium of resistance. By foregrounding women’s voices, Disney Princess soundtracks not only reflect evolving portrayals of women but also contribute to wider discourses on gender equality and female agency in contemporary society.
CULTURAL TERMS IN INDONESIAN CHILDREN’S STORIES: A STUDY OF HARI ISTIMEWA SUWIDAK LORO AND MAU MASAK APA, LINTANG? Sudirman, Eka Pratiwi; Muhajir, Fatimah
CaLLs (Journal of Culture, Arts, Literature, and Linguistics) Special Issue "SESANTI 2025"
Publisher : Fakultas Ilmu Budaya, Universitas Mulawarman

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30872/calls.v11i0.22760

Abstract

This study examines how Indonesian cultural identity is represented and rendered in two children’s narratives, Hari Istimewa Suwidak Loro and Mau Masak Apa, Lintang?, through the identification of culture-specific lexical items and the translation strategies applied, based on Newmark’s (1988) framework. The findings indicate that material culture—particularly culinary references such as botok, klepon, and serabi—is the most prevalent category, followed by social culture, which includes kinship terms and communal practices. These categories reflect the translators’ emphasis on tangible and relational aspects of Indonesian life, suggesting that food and familial terms serve as culturally resonant vehicles for transmitting values and traditions to young readers. Six translation strategies were identified, with functional and cultural equivalence being the most frequently employed, indicating a prioritization of accessibility. Meanwhile, transference and amplification were used to preserve cultural specificity. These findings underscore the role of translation in mediating cultural representation and enhancing cross-cultural understanding through children’s literature.
Deconstruction Perspectives toward the Characters in Langston Hughes’ Father and Son Short Story Rasyid, Muhammad Jaini; Zamruddin, Mardliya Pratiwi; Muhajir, Fatimah
Ilmu Budaya: Jurnal Bahasa, Sastra, Seni, dan Budaya Vol 7, No 2 (2023): Vol 7, No 2 (2023): April 2023
Publisher : Fakultas Ilmu Budaya Universitas Mulawarman

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30872/jbssb.v7i2.11039

Abstract

This research was concerned with the deconstruction perspective of Colonel Norwood, Bert Lewis, and Coralee Lewis’ characters' meaning in Langston Hughes’ Father and Son short story. The research aimed to describe the characters represented in the story and deconstruct to reveal a new meaning. The researcher used a qualitative research design, and the method used in this research was descriptive. The data in this research were narrations related to the three characters obtained by reading the short story and note-taking the data. The results of this study showed that Colonel Norwood held the binary opposition of superior vs. inferior, bad person vs. good person, powerful vs. powerless, and surrounded vs. lonely, while Bert Lewis and Coralee Lewis held the same binary opposition of inferior vs. superior, good person vs. bad person, but the differences Bert Lewis had the meaning of unloved vs. loved and selfish vs. selfless, while Coralee Lewis held the meaning of ugly vs. beauty. The evidence could be seen by undermining the marginal meaning in the text. Therefore, the text of Father and Son short story displayed the meaning in the text was undecidable because many possibilities by all characters could be replaced by a new meaning.
THE PORTRAYAL OF REJECTIVE BEHAVIORS TOWARD AFRICAN-AMERICAN PEOPLE IN LANGSTON HUGHES’ NOT WITHOUT LAUGHTER NOVEL Fajriati, Dwi Nor; Asanti, Chris; Muhajir, Fatimah
Ilmu Budaya: Jurnal Bahasa, Sastra, Seni, dan Budaya Vol 6, No 2 (2022): April 2022
Publisher : Fakultas Ilmu Budaya Universitas Mulawarman

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30872/jbssb.v6i2.5862

Abstract

This research analyzed Langston Hughes’ novel Not Without Laughter. The novel was published in1930. The novel talks about the condition of the black American family in the early twentieth century. This research discussed the issue of rejective behaviors occurring towards white people towards African-American family life. Meanwhile, the researcher focused on analyzing two research questions. First, the researcher analyzes the kinds of rejective behavior portrayed in Not Without Laughter novel. Second, the researcher analyzed how the responses of black people characters towards the rejective behavior portrayed in Not Without Laughter novel. Under the paradigm of qualitative research, this research employed a mimetic approach. The data were obtained from words, sentences, clauses, phrases, and paragraphs that are related to the act of rejective behaviors experienced by African-American people and their reaction toward these rejective behaviors that are suitable with Allport’s theory. The results of this research showed that there are three types of rejective behavior they are verbal rejection, discrimination, and physical attack. The results also showed that the response of rejective behavior toward African-American family life in the novel are obsessive concern response, withdrawal and passivity response, clowning response, self-hate response, sympathy response, and fighting back response. From the results it can be implied that both male and female characters responded differently to the rejective behaviour that happened to them.
CLASS EXPLOITATION IN RON RASH’S SERENA NOVEL: A MARXIST CRITICISM Nurman, Muniralizah; Kuncara, Singgih Daru; Muhajir, Fatimah
Ilmu Budaya: Jurnal Bahasa, Sastra, Seni, dan Budaya Vol 5, No 1 (2021): Januari 2021
Publisher : Fakultas Ilmu Budaya Universitas Mulawarman

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30872/jbssb.v5i1.3144

Abstract

This study examined Serena novel written by Ron Rash as the object of the research. The aimed of this research was to find out the portrayal of class distinction and labor exploitation in the novel. To achieve the purposes of the study, the research applied Marx’s Social Class and Exploitation theory, and International Labor Organization or ILO’s Indicators of Labor Exploitation. This research used descriptive qualitative research method and Marxist criticism to analyze the social issue of class exploitation reflected in the novel. The data in this research were words, phrases, sentences and paragraphs that indicated social class and exploitation. The result of this research showed two social classes, they were bourgeoisie and proletariat. Bourgeoisie referred to Serena, Pemberton, Buchanan and Wilkie who were owner of timber business, while proletariat were the workers whose life only depended on bourgeoisie for employment. Meanwhile, there were four forms of labor exploitation. First was excessive working hour, like worked eleven hours shift a day and only fifteen minutes break. Second was low salary, like cheap labor and inappropriate wages. Third was bad living condition, like limited and uncomfortable living condition, live in cheap and ragged wooden boxcar. And fourth was hazardous work, like no safety equipment, manual and dangerous tools, forced to work in moody ground and against extreme cold.Keyword: Marxist criticism, Capitalism, Class distinction, Exploitation, Mode of production.
The Portrayals of Amistad Case in Amistad (1997) Film: A New Historicism Study Amalia, Anisa; Muhajir, Fatimah; Sudirman, Eka Pratiwi
Ilmu Budaya: Jurnal Bahasa, Sastra, Seni, dan Budaya Vol 7, No 2 (2023): Vol 7, No 2 (2023): April 2023
Publisher : Fakultas Ilmu Budaya Universitas Mulawarman

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30872/jbssb.v7i2.8302

Abstract

Hollywood cinema during the late 20th century started to re-create the historical events of African-American’s past, make it a historical films genre, and deliver the history of Amistad case about Mende’s mutiny in Amistad film. The film becomes receptive to addressing another side of Africans slavery history in the western country. To understand the historical event, the researcher sees it through the New Historicism’s lens as an approach of this research. This research uses a qualitative method through collecting the data from audio-visual materials and document analysis to answer the research questions. The research questions of this research are; first, how is the comparison of the Amistad case event in the Amistad film and historical records. Secondly, why does the Amistad film portray a different angle of the Amistad case. Seeking the answers, the researcher compares the representations of the past event and found the contradictory the Amistad film and the historical. The results of this research indicate that Amistad film presents events about the Amistad case differently to opposed the historical records and get positive results through adding moral values from historical events.Sinema Hollywood pada akhir abad ke-20 mulai mengkreasi ulang peristiwa sejarah masa lalu orang Afrika-Amerika dengan menjadikannya genre film sejarah, dan menyampaikan sejarah kasus Amistad tentang pemberontakan Mende dalam film Amistad. Film ini menjadi reseptif untuk membahas sisi lain dari sejarah perbudakan Afrika di negara barat. Untuk memahami peristiwa sejarah, penulis melihatnya melalui kacamata New Historicism sebagai pendekatan penelitian ini. Penelitian ini menggunakan metode kualitatif melalui pengumpulan data dari bahan audio visual dan analisis dokumen untuk menjawab permasalahan penelitian. Rumusan masalah penelitian ini adalah; pertama, bagaimana perbandingan kasus Amistad dalam film Amistad dan catatan sejarah. Kedua, mengapa sutradara, produser, dan penulis naskah menampilkan sudut pandang cerita film Amistad yang berbeda dari catatan sejarah. Untuk menjawabnya, penulis membandingkan representasi peristiwa masa lalu dan menemukan kontradiksi antara film Amistad dan catatan sejarah. Hasil penelitian ini menunjukkan bahwa film Amistad menyajikan peristiwa tentang kasus Amistad secara berbeda untuk menentang catatan sejarah dan mendapatkan hasil positif melalui penambahan nilai moral dari peristiwa sejarah.
The Anxiety and Defense Mechanism of Gilmore in Happy Gilmore Movie Siregar, Rusnandar; Astuti, Anjar Dwi; Muhajir, Fatimah
Ilmu Budaya: Jurnal Bahasa, Sastra, Seni, dan Budaya Vol 6, No 4 (2022): Oktober 2022
Publisher : Fakultas Ilmu Budaya Universitas Mulawarman

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30872/jbssb.v6i4.6354

Abstract

ABSTRACTHappy Gilmore is a movie that tells the story of Gilmore whose ambition was to become a professional hockey player. However, he had to leave it to find money to pay for his grandmother's house. Then, he jumped into golf tournaments because he could raise money quickly. In his struggle, Gilmore must experience a lot of anxiety and he must fight these feelings to achieve his goals. The first purpose of this study is to determine the type of anxiety experienced by Gilmore in the Happy Gilmore movie (1997). Besides, this study also aimed to determine the type of defense mechanism Gilmore used to overcome his anxiety. This study was qualitative research because it focused on analyzing the psychological aspect of a character in a movie. Accordingly, the approach  used here was the psychological approach. In this study, the researcher used Freud's theory about anxiety and defense mechanisms. Based on the results of the study, it was found that Gilmore experienced neurotic anxiety, moral anxiety, and realistic anxiety. To overcome his anxiety, Gilmore used several types of defense mechanisms. These defense mechanisms were sublimation, displacement, projection, rationalization, reaction formation, regression, denial, and compensation. Keyword: Anxiety, Defense Mechanism, Happy Gilmore movie
Co-Authors Alamsyah - Anisa Amalia Anjar Dwi Astuti, Anjar Dwi Anjeliani Azzahra, Karina Annisa Bayu Aji Nugroho, Bayu Aji Chris Asanti Chris Asanti, Chris F. Sandro Asshary Fajriati, Dwi Nor Fitriana, Tyas Fransisca, Candra Hafiezd, Rizki Chaidier Hafiz Naufal Anshoor Husnul Khatimah Husnul Khatimah Imas Romlah Indah Sari Indrawan Dwisetya Suhendi, Indrawan Dwisetya Jonathan Irene Sartika Dewi Max Juliastuti Juliastuti M. Natsir Manalu Yerico Calvin Mardliya Pratiwi Z Merlin Octafiani Ruata Muhammad Natsir Muhammad Wildan Nur Hajjah Nurman, Muniralizah Putra, Aprilian Kurnia Putri, Yasmin Medina Anggia Rahayu, Famala Eka Sanhadi Rasyid, Muhammad Jaini Rattania Dwi Hutami Richi Paglinawan Ririn Setyowati Ruqoyyah, Ruqoyyah Rusmini Rusmini Santi Rahmawati Sari, Norma Atika Satyawati Surya, Satyawati Setya Ariani Sili, Surya Singgih Daru Kuncara Siregar, Rusnandar Sudirman, Eka Pratiwi Surya Sili Surya Sili Tantri, Agra Liz Theodorick Ardavid Manullang Wati, Nurhaliza Fajar Wilma Prafitri Yeni Ermina Yetty Yetty Yuliyana, Yuliyana Zamruddin, Mardliya Pratiwi