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All Journal CaLLs : Journal of Culture, Arts, Literature, and Linguistics Ilmu Budaya: Jurnal Bahasa, Sastra, Seni, dan Budaya Indonesian Journal of EFL and Linguistics Prosiding Seminar Nasional Sastra, Bahasa, dan Seni (Sesanti) Ruhui Rahayu: Jurnal Pengabdian Kepada Masyarakat Jurnal Riseta Soshum
Muhajir, Fatimah
Fakultas Ilmu Budaya, Universitas Mulawarman
Arts Humanities Education Environmental Science Languange, Linguistic, Communication & Media Law, Crime, Criminology & Criminal Justice Public Health Social Sciences Other

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SOCIAL CLASS REFLECTED ON TONY MONTANA IN BRIAN DE PALMA’S SCARFACE FILM (1983) Hafiezd, Rizki Chaidier; Natsir, M.; Muhajir, Fatimah
Ilmu Budaya: Jurnal Bahasa, Sastra, Seni, dan Budaya Vol 5, No 2 (2021): April 2021
Publisher : Fakultas Ilmu Budaya Universitas Mulawarman

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30872/jbssb.v5i2.3378

Abstract

This research analyze social class as the social phenomena, where social class became life purposes for someone to achieve to be prominent among the society, love and financially. Those phenomenon shows on a film called Scarface, that the researcher uses as the object of the research. From those movie social class portrayed as the most important things to their society life. This research purposed to understand social class on the main character of Scarface movie. This research uses descriptive qualitative method with sociological approach. Sociological approach that researcher uses, was Marx, and Max Weber concept of social class. Which the researcher use to look and identify the condition of the main character on Scarface. The researcher also uses seven tool of character assessment from Literary Element of Characterization from Francis Bacon to dig the reflection of social class on Tony Montana character in Scarface film. Conclusion of this research is The Scarface film, shows social class reflection of how an immigrant from communist Cuba reflected life of his social class and affects his social life in capitalist country The America.
DISCRIMINATION TOWARDS DR. DON SHIRLEY AND TONY LIP AS THE MAIN CHARACTERS AS PORTRAYED IN GREEN BOOK FILM Rahmawati, Santi; Kuncara, Singgih Daru; Muhajir, Fatimah
Ilmu Budaya: Jurnal Bahasa, Sastra, Seni, dan Budaya Vol 7, No 2 (2023): Vol 7, No 2 (2023): April 2023
Publisher : Fakultas Ilmu Budaya Universitas Mulawarman

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30872/jbssb.v7i2.7320

Abstract

ABSTRACT In this research, the researcher analyzed the discrimination based on a true story. The researcher only analyzed and discussed the discrimination that happened to the main characters. They are Dr. Don Shirley (African-American) and Tony Lip (Italian-American). The purposes of this research are to identify and describe the types of discrimination that happened to Dr. Don Shirley and Tony Lip and to understand their responses against it. The researcher used theories types of discrimination and types of responses against discrimination declared by Feagin. To analyze this research, the researcher used qualitative research and mimetic approach in this research. Based on the analysis, the researcher found out that all the types of discrimination happened in this film. It also appeared that all the types of responses against discrimination were found in this film. The discrimination in this film was done by both white and black people against Dr. Don Shirley (African-American) and also was done by white people against Tony Lip (Italian-American). The analysis also showed that at first, Tony Lip also discriminated Dr. Don Shirley. Hence, at the end of the film, the analysis showed that Tony Lip has changed. He became more tolerant towards Dr. Don Shirley and stopped discriminating against him. Key words: discrimination, race, African-American, Italian-American  ABSTRAK Dalam penelitian ini, peneliti menganalisis diskriminasi berdasarkan kisah nyata. Peneliti hanya menganalisis dan mendiskusikan diskriminasi yang terjadi pada karakter utama. Mereka adalah Dr. Don Shirley (Afrika-Amerika) dan Tony Lip (Italia-Amerika). Tujuan dari penelitian ini adalah untuk mengidentifikasi dan menggambarkan tipe diskriminasi yang terjadi pada Dr. Don Shirley dan Tony Lip dan untuk memahami tanggapan mereka terhadapnya. Peneliti menggunakan teori-teori tipe diskriminasi dan tipe tanggapan terhadap diskriminasi yang dinyatakan oleh Feagin. Untuk menganalisis penelitian ini, peneliti menggunakan penelitian kualitatif dan pendekatan mimetik dalam penelitian ini. Berdasarkan analisis, peneliti menemukan bahwa semua tipe diskriminasi terjadi dalam film ini. Tampaknya semua tipe tanggapan terhadap diskriminasi juga ditemukan dalam film ini. Diskriminasi dalam film ini dilakukan oleh orang kulit putih dan kulit hitam terhadap Dr. Don Shirley (Afrika-Amerika) dan juga dilakukan oleh orang kulit putih terhadap Tony Lip (Italia-Amerika). Pada analisis juga menunjukkan bahwa pada awalnya, Tony Lip juga mendiskriminasi Dr. Don Shirley. Namun, di akhir film, pada analisis menunjukkan bahwa Tony Lip telah berubah. Dia menjadi lebih toleran terhadap Dr. Don Shirley dan berhenti mendiskriminasinya. Kata kunci: diskriminasi, ras, Afrika-Amerika, Italia-Amerika
COMPARISON BETWEEN CRAZY RICH ASIAN NOVEL BY KEVIN KWAN AND CRAZY RICH ASIAN MOVIE Fitriana, Tyas; Surya, Satyawati; Muhajir, Fatimah
Ilmu Budaya: Jurnal Bahasa, Sastra, Seni, dan Budaya Vol 6, No 4 (2022): Oktober 2022
Publisher : Fakultas Ilmu Budaya Universitas Mulawarman

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30872/jbssb.v6i4.6616

Abstract

Recently, there have been many movies that are made based on novels. Crazy Rich Asian is one of the movies based on a novel because the novel came first, then that was made into the movie. The purposes of this research are to find out the similarities and differences of the intrinsic elements in the movie and the novel and reveal the plot changes. This research used Robert Stanton’s theory to describe the intrinsic elements that cover facts, themes, and literary devices. Meanwhile, the ecranisation theory by Pamusuk Eneste is employed to reveal the plot changes, thus including additions, reductions, and changes of both works. The data sources come from novels and movies, shown by quotes, narration, dialogue, and scenes. The results found in this research between the novel’s plot and movies show twenty-six differences in intrinsic elements of both works. After that, seven additions, five reductions, and six changes or modifications occurred in the story’s plot. In conclusion, this research implies that differences, similarities, and changes can occur when a novel is made into a movie. 
THE UNFAIR TREATMENT ISSUES TOWARDS AFRICAN-AMERICAN WOMEN AS PORTRAYED IN HIDDEN FIGURES FILM Sari, Indah; Surya, Satyawati; Muhajir, Fatimah
Ilmu Budaya: Jurnal Bahasa, Sastra, Seni, dan Budaya Vol 6, No 2 (2022): April 2022
Publisher : Fakultas Ilmu Budaya Universitas Mulawarman

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30872/jbssb.v6i2.5628

Abstract

This study describes the types of gender discrimination and racial discrimination that are obtained by African-American women characters the in Hidden Figures film. In order to describe the two unfair treatments, this study uses two theories such as Lorber’s gender inequality and Miles’ racism. The research design was descriptive qualitative. The data of this study were taken from Hidden Figures film in the forms of words and scenes related to the two concerns of unfair treatment. This study found eight data of gender discrimination and ten data of racial discrimination that were obtained by the three African-American women characters of Hidden Figures film. The result of this study showed that: (1) Katherine obtained the treatments of gender discrimination through educational and cultural aspects and racially discriminated through the institutional and ultimately teleological racisms; (2) Dorothy obtained the gender discrimination treatments through the aspect of culture and racially discriminated by the institutional and ultimately teleological racisms; and (3) Mary obtained the gender discrimination treatments through the educational, cultural, and racial aspects and racially discriminated by the institutional racism. This study concludes that the three African-American women experience unfair treatments in two forms which are the gender discrimination and racial discrimination.
Character Development of the Main Character in Edgar Allan Poe’s Selected Short Stories Ermina, Yeni; Natsir, Muhammad; Muhajir, Fatimah
Ilmu Budaya: Jurnal Bahasa, Sastra, Seni, dan Budaya Vol 7, No 2 (2023): Vol 7, No 2 (2023): April 2023
Publisher : Fakultas Ilmu Budaya Universitas Mulawarman

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30872/jbssb.v7i2.8904

Abstract

In literary works, characters undergo significant changes in their life. Some aspects influenced the changes personality of the characters. One of the literary works that showed this situation is a short story by Edgar Allan Poe. The researcher analyzed the main character of each short story from Edgar Allan Poe. They are The Black Cat, The Tell-Tale Heart, and William Wilson. This research aimed to find the characterization and personality development of the main character in Poe’s selected short stories. Hence, the researcher used Kenan’s characterization theory and Hurlock’s personality development. This research used qualitative research design and content analysis study as an approach. The researcher found the characteristics of the main character: sensitive, impulsive, uncontrollable behavior, easily tempered, insane, anxious and stubborn. Those are presented through indirect characterizations: action, external appearance, and environment. From the characterization, the main character in Poe’s selected short stories changed from good to bad, affecting character changes. In the first short story, The Black Cat, the personality development happened because the character “I” was influenced by alcohol. In the second short story, The Tell-Tale Heart, the personality development happened because the “I” character got irritated by the old man’s eye. In the third short story William Wilson, the personality development happened because William was influenced by his environment, which is a significant influence as he got ignored by his family. 
The Mumbai Terrorist Attacks in Hotel Mumbai Film: A New Historicism Study Hutami, Rattania Dwi; Muhajir, Fatimah; Max, Jonathan Irene Sartika Dewi
Ilmu Budaya: Jurnal Bahasa, Sastra, Seni, dan Budaya Vol 7, No 2 (2023): Vol 7, No 2 (2023): April 2023
Publisher : Fakultas Ilmu Budaya Universitas Mulawarman

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30872/jbssb.v7i2.7588

Abstract

This study attempts to analyze the portrayal of the Mumbai attacks and the contradiction points in the Hotel Mumbai film. This film is made based on the true events of the Mumbai terrorist attacks in 2008. Related to these huge events, there are a lot of historical books that have covered the Mumbai terrorist attacks. The study aims to find the contradictive representation of the film based on the official history. This research was conducted by using a descriptive method and qualitative approach. In this research, the researcher took data from conversations of characters and the framing of mise-en-scene in the film. This study is conducted by applying a new historicism approach and intrinsic elements of literature, the researcher compares the official history and the film. Through the new historicism approach, the researcher discovers that the Hotel Mumbai film places a lot of differences. First, there is a difference regarding the characters positioning, Arjun’s character in the film is the amalgam of the real story of Karambir Kang and Amit Pashave. Second, there is a difference in the narrative structure of Zahra – Seyfi & Meltem in which Zahra’s character was not killed because she said two sentences of creed. While, as what is told in the historical record, there was a Turkish couple named Seyfi and Maltem Muezzinoglu who were held as hostages and witnessed the murder of another hostage but they were not killed by the terrorist because they prayed in Arabic loudly. Third, there is a very clear difference between the setting of place and time. The report Mumbai terrorist attacks in history happened in six places and lasted for four days, meanwhile, the portrayal in the film happened in three places and lasted for a day. Lastly, this film has picked up the narrative elements to show what has not been known by the public only by reading the official version of history. The goal is to show that a historical-based film can be aimed to gain equal representation of historical narratives from a different point of view.
REJECTIVE BEHAVIORS TOWARD AFRICAN-AMERICAN SLAVES IN COLSON WHITEHEAD’S THE UNDERGROUND RAILROAD NOVEL Khatimah, Husnul; Sili, Surya; Muhajir, Fatimah
Ilmu Budaya: Jurnal Bahasa, Sastra, Seni, dan Budaya Vol 4, No 3 (2020): Juli 2020
Publisher : Fakultas Ilmu Budaya Universitas Mulawarman

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30872/jbssb.v4i3.3099

Abstract

This study aimed to identify types of rejective behavior that depicted in Colson Whitehead’s The Underground Railroad and analyzed how the African-American slaves react toward these rejective behaviors. To conduct this research, the researcher used qualitative method, content analysis approach and multicultural criticism. The data source of this research was The Underground Railroad novel written by Colson Whitehead. The data were taken in the forms of words, sentences, clauses, phrases and narration that related to act of rejective behaviour experienced by African-American slaves and their reaction toward this rejective behaviour that suitable with Allport’s rejective behaviour theory and responses to rejective behavior theory. As analyzed, the results showed that all types of rejective behaviors were depicted in the novel. First, verbal rejection where in the action there were an indication of verbally insult like name calling, making fun of cultural makers and joking about physical attribute. Second, discrimination where in the action there were an indication of segregation and unfairly treatment between whites and blacks. Last, physical attack where in the action there were the indications of violence acts. Furthermore, the result also showed how African-American slaves react to these rejective behaviors that they experienced.
DECONSTRUCTION PERSPECTIVE TOWARD THE CHARACTERS IN GILMAN’S THE YELLOW WALLPAPER SHORT STORY Romlah, Imas; Kuncara, Singgih Daru; Muhajir, Fatimah
Ilmu Budaya: Jurnal Bahasa, Sastra, Seni, dan Budaya Vol 3, No 2 (2019): April 2019
Publisher : Fakultas Ilmu Budaya Universitas Mulawarman

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (217.496 KB) | DOI: 10.30872/jbssb.v3i2.1787

Abstract

This research concerned on the deconstruction of characters in Gilman’s The Yellow Wallpaper short story in which the aim was to describe deconstruction toward the characters of the story. The method in this research was qualitative. Then for the data in this research were quotations such as words, texts, or narrations that were obtained from The Yellow Wallpaper short story. Furthermore, for the analysis, this research was focused to analyze the story by using Derrida’s deconstruction theory. In this research, the researcher analyzed three characters through binary oppositions in which arising the opposite views of the previously fixed views. The findings showed that there were ten characteristics of the narrator that were opposite each other, six from John and two from Jennie. From the fixed views, the narrator was considered as an isolated woman, inferior and weak woman, mad woman, even imaginative woman, however after they were deconstructed the narrator precisely was also proven as a free woman, superior woman, strong woman, normal woman, even realistic woman. Then John who was considered as a bad husband, superior and strong man, apparently after the characteristics were deconstructed he was also a very good husband, inferior man and weak man. Likewise, Jennie who was originally considered a good and perfect woman, apparently she could be considered as a bad woman. Penelitian ini berkonsentrasi pada dekonstruksi dari karakter-karakter yang ada didalam cerpen The Yellow Wallpaper-nya Gilman yang mana tujuannya adalah untuk menggambarkan dekonstruksi terhadap karakter-karakter dari cerita tersebut. Metode dalam penelitian ini adalah kualitatif. Kemudian, untuk data dalam penelitian ini adalah kutipan-kutipan seperti kata-kata, teks-teks, atau narasi-narasi yang diambil dari cerpen The Yellow Wallpaper. Selanjutnya, untuk analis, penelitian ini difokuskan untuk menganalisa cerita tersebut dengan menggunakan teori dekonstruksinya Derrida. Didalam penelitian ini, peneliti menganalisis tiga karakter melalui oposisi-oposisi biner yang mana memunculkan pandangan-pandangan yang sebaliknya dari pandangan yang sudah ditetapkan sebelumnya. Temuan-temuan penelitian menunjukkan bahwa ada sepuluh karakteristik dari narrator yang saling berkontradiksi, enam dari John, dan dua dari Jennie. Berdasarkan pandangan-pandangan yang sudah ditetapkan, narrator dianggap sebagai seorang perempuan yang terkekang dan terpenjara, inferior dan lemah, perempuan gila, bahkan perempuan pengimajinasi, namun setelah mereka semua didekonstruksi ternyata narrator juga justru terbukti sebagai seorang perempuan yang bebas, superior dan kuat, perempuan normal, bahkan perempuan yang realistis. Kemudian John yang dianggap sebagai seorang suami yang jahat, superior dan kuat, ternyata setelah didekonstruksi dia juga terbukti sebagai seorang suami yang baik, inferior dan lemah. Begitupun juga, Jennie yang mana sebelumnya dianggap sebagai seorang perempuan yang baik dan sempurna, ternyata setelah didekonstruksi dia bisa menjadi dianggap sebagai seorang perempuan yang jahat.
Co-Authors Alamsyah - Anisa Amalia Anjar Dwi Astuti, Anjar Dwi Anjeliani Azzahra, Karina Annisa Bayu Aji Nugroho, Bayu Aji Chris Asanti Chris Asanti, Chris Ermina, Yeni F. Sandro Asshary Fajriati, Dwi Nor Fitriana, Tyas Fransisca, Candra Hafiezd, Rizki Chaidier Hafiz Naufal Anshoor Husnul Khatimah Hutami, Rattania Dwi Indah Sari Indrawan Dwisetya Suhendi, Indrawan Dwisetya Jonathan Irene Sartika Dewi Max Juliastuti Juliastuti M. Natsir Manalu Yerico Calvin Mardliya Pratiwi Z Merlin Octafiani Ruata Muhammad Natsir Muhammad Wildan Nur Hajjah Nurman, Muniralizah Putra, Aprilian Kurnia Putri, Yasmin Medina Anggia Rahayu, Famala Eka Sanhadi Rasyid, Muhammad Jaini Richi Paglinawan Ririn Setyowati Romlah, Imas Ruqoyyah, Ruqoyyah Rusmini Rusmini Santi Rahmawati Sari, Norma Atika Satyawati Surya, Satyawati Setya Ariani Sili, Surya Singgih Daru Kuncara Siregar, Rusnandar Sudirman, Eka Pratiwi Surya Sili Tantri, Agra Liz Theodorick Ardavid Manullang Wati, Nurhaliza Fajar Wilma Prafitri Yetty Yetty Yuliyana, Yuliyana Zamruddin, Mardliya Pratiwi