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Estetika Sakral dalam Tari Bedhaya Ketawang sebagai Media Relasi Manusia dan Dunia Spiritual Ratnayu, Adela Sukma; Trisakti, Trisakti
Jurnal Cerano Seni : Pengkajian dan Penciptaan Seni Pertunjukan Vol 5 No 1 (2026): Jurnal Cerano Seni: Pengkajian dan Penciptaan Seni Pertunjukan
Publisher : Universitas Jambi

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.22437/jcs.v5i1.56103

Abstract

This study aims to analyze the sacred aesthetics of the Bedhaya Ketawang Dance as a medium for connecting humans and the spiritual world in Javanese culture. The study used a Systematic Literature Review (SLR) method with a qualitative descriptive approach. Data were obtained from books, journals, and previous research related to Nusantara aesthetics, Javanese spirituality, and traditional ritual dance. The results show that the sacred aesthetics of the Bedhaya Ketawang Dance are reflected through gentle, slow, and harmonious dance movements and performance symbols that contain spiritual values. The dancer's body functions as both an artistic and symbolic medium, presenting the human relationship with the transcendental world. Performance elements such as floor patterns, the number of dancers, costumes, and gamelan accompaniment shape the aesthetic and spiritual experience in Javanese culture. Thus, the Bedhaya Ketawang Dance is not only an artistic performance but also a representation of human harmony with the spiritual world. Keywords: sacred aesthetics, Bedhaya Ketawang, Javanese spirituality, dance
TRANSFORMATION OF EMOTIONAL AWARENESS THROUGH THE CREATIVE PROCESS OF PAINTING: A LITERATURE REVIEW ON EXPRESSION, REFLECTION, AND EMOTIONAL REGULATION Rahmatullah, Dhea Ananda; Martadi, Martadi; Trisakti, Trisakti
Jurnal Ilmiah Ilmu Terapan Universitas Jambi Vol. 10 No. 4 (2026): Volume 10, Nomor 4, August 2026
Publisher : LPPM Universitas Jambi

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.22437/jiituj.v10i4.54077

Abstract

This study aims to analyze the role of the creative painting process in transforming emotional awareness through the expression, reflection, and interpretation of personal experiences. A descriptive qualitative approach based on a literature review was employed. Data sources consisted of scholarly articles and academic materials selected purposively for their relevance to three key areas: visual art as a medium for emotional expression, the creative process as a mechanism for emotional regulation, and the therapeutic or educational implications of painting. Research instruments included a literature review matrix and a data extraction sheet; data collection involved searching, selecting, documenting, and classifying sources, while analysis was conducted thematically through data reduction, thematic grouping, interpretation, and synthesis. The results indicate that painting does not merely produce aesthetic objects but provides a non-verbal medium for externalizing emotional experiences, observing symbols and visual choices, reflecting on experiences, and constructing new meanings. Recent empirical findings demonstrate that painting can reduce anxiety more effectively than non-creative control activities, while systematic reviews highlight the benefits of art therapy for emotional regulation and psychological well-being. Thus, the novelty of this study lies in its synthesis of the emotional awareness transformation process—conceptualized as a sequence of expression, reflection, meaning reconstruction, and psychological integration—rather than focusing solely on art's cathartic function.