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All Journal Humaniora Cakrawala Pendidikan DIKSI Litera Humanus: Jurnal ilmiah Ilmu-ilmu Humaniora Jurnal Kawistara : Jurnal Ilmiah Sosial dan Humaniora Poetika: Jurnal Ilmu Sastra LingTera ATAVISME JURNAL ILMIAH KAJIAN SASTRA Journal of Language and Literature Aksara k@ta Diglosia: Jurnal Kajian Bahasa, Sastra, dan Pengajarannya Jurnal Onoma: Pendidikan, Bahasa, dan Sastra NOTION: Journal of Linguistics, Literature, and Culture Cakrawala Indonesia Jurnal Lingko : Jurnal Kebahasaan dan Kesastraan Prosiding Seminar Nasional Sasindo Bahasa dan Seni: Jurnal Bahasa, Sastra, Seni, dan Pengajarannya Mamangan Social Science Journal DIMASATRA Prawara: Jurnal Pendidikan Bahasa dan Sastra Indonesia Aksara Aksara
Wiyatmi Wiyatmi
Universitas Negeri Yogyakarta
Arts Humanities Education Environmental Science Languange, Linguistic, Communication & Media Law, Crime, Criminology & Criminal Justice Social Sciences

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REPRESENTASI PERAN DAN RELASI GENDER DALAM NOVEL CANTIK ITU LUKA KARYA EKA KURNIAWAN DAN NOVEL NAYLA KARYA DJENAR MAESA AYU Wiyatmi Wiyatmi
LITERA Vol 8, No 1: LITERA APRIL 2009
Publisher : Faculty of Languages and Arts, Universitas Negeri Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.21831/ltr.v8i1.1204

Abstract

This study aims to describe the representation of gender relation and gender role and Eka Kurniawan’s and Djenar Maesa Ayu’s different visions of the two. The data sources were Cantik Itu Luka, a novel by Eka Kurniawan and Nayla, a novel by Djenar Maesa Ayu. The data were analyzed by means of the qualitative descriptive technique through categorization, tabulation, and inference employing the feminist literary criticism theory. The findings are as follows. First, Cantik Itu Luka representsthe gender relation dominated by patriarchal power especially in the public domain, while Nayla represents the gender relation leading to superior women against the patriarchal power. Second, Eka Kurniawan views that men have dominant positionsin relation to women, while Djenar Maesa Ayu views that men’s domination must be opposed by presenting dominant female figures. Third, Eka Kurniawan views that patriarchal domination in gender role still cannot be opposed by women, while Djenar Maesa Ayu views that women must be able to compete with men especially in the public role.
REPRESENTASI SEJARAH INDONESIA DALAM NOVEL-NOVEL KARYA AYU UTAMI Wiyatmi Wiyatmi Wiyatmi
LITERA Vol 12, No 2: LITERA OKTOBER 2013
Publisher : Faculty of Languages and Arts, Universitas Negeri Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.21831/ltr.v12i02.1545

Abstract

This study aims to describe the form and representation of socio-political historical events in Ayu Utami’s novels. The data sources were four novels written by Ayu Utami, namely Saman, Larung, Manjali dan Cakrabirawa, and Cerita Cinta Enrico. They were analyzed using the New Historicism perspective. The findings are as follows. First, socio-political historical events in the novels are: (a) an event in Medan from 1 March to 16 April 1994, (b) 30 September Movement in 1965, (c) the tragedy of 27 July 1996 in Jakarta, (d)the rebellion by the Republic of Indonesia’s Revolutionary Government, 15 February 1958 in Padang,(e)the demonstration by students of Technology Institute of Bandung and the publication of the Student Struggle White Book in 1978. Second, the events are represented in parts integrated into the events that the characters experience. Historical events from factual events are contextualized in the novels. In the New Historicism perspective, socio-political historical events are presented to question historical truths previously recorded.
PEREMPUAN DALAM KESUSASTRAAN INDONESIA Wiyatmi Wiyatmi
Prosiding Seminar Nasional Sasindo Vol 1, No 1 (2020): Prosiding Seminar Nasional Sasindo Unpam Vol.1 No.1 November 2020
Publisher : fakultas sastra

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.32493/sns.v1i1.7856

Abstract

Membaca Simone de Beauvoir Membaca Simone de Beauvoir adalah membaca sebuah dongeng kutukan yang melekat pada sebuah tubuh tempat rahim bersemanyam yang menyebabkan namanya berakhiran vocal i, Dewi, Lakmi, atau Putri. Membaca Simone de Beauvoir adalah membaca sebuah takdir yang diciptakan sejarah tentang oposisi biner kelas dan kasta, kiri dan kanan, emosi dan logika, inferior dan superior yang melekat pada payudara dan dada. Membaca Simone de Beauvoir adalah membaca sebuah perlawanan yang tetap terbelenggu dalam penjara asmara Sang Sartre hingga eksistensimu terbaca samar. Membaca Simone de Beauvoir adalah membaca sebuah mimpi yang terlambat karena betahun lalu telah ada Ratu Shima dan Ratu Kalinyamat yang tak lagi tinggal di kelas dua yang membuatmu selalu gelisah dan inferior tak berkesudahan. Wiyatmi, Yogyakarta, 20 Desember 2019Puisi tersebut adalah salah satu puisi yang saya tulis ketika sedang mengerjakan penelitian Hibah Penelitian Dasar Dikti tahun lalu yang berjudul “Konstruksi Gender Perempuan Super dalam Folkore Indonesia dan Transformasinya dalam Sastra Indonesia Mutakhir.” Dari penelitian ini, saya menemukan sejumlah tokoh perempuan dalam folklore dari berbagai daerah di Indonesia, dengan latar waktu berpuluh abad lampau yang telah menduduki tahta kerajaan atau pun kepala suku, dan panglima perang melawan kolonialisme asing. Saya mememukan lagi (karena sebelumnya pernah mendengar namanya, tetapi tidak begitu paham eksistensinya) adanya seorang gadis dari abad XVI, Renta Kencana, putri Sultan Trenggana, Sultan Demak salah satu kesultanan Islam di Jawa, yang diangkat sebagai seorang raja di Kerajaan Kalinyamat (sekarang wilayah Jepara). Selain itu, di pedalaman Kalimantan juga ada seorang perempuan bernama Asung Luwan yang diangkat sebagai Kepala Suku Dayak Kayan. Di Pulau Kupang, Kalimantan Tengah juga ada seorang perempuan, Nyai Undang yang menjadi raja dari sejak sebelum menikah. Selain mereka bertiga, masih bias ditemukan sejumlah raja dan pemimpin perempuan di beberapa kerajaan dan daerah di Nusantara (Indonesia), seperti pernah dikaji oleh salah seorang arkeolog di UI, Titi Sari Nastiti (2009).Setelah menemukan sejumlah hasil penelitian tersebut, saya pun menyimpulkan bahwa ternyata nenek moyang kita sudah lama memraktikkan kesetaraan gender atau yang sering dikenal dengan istilah feminisme, jauh sebelum konsep dn gerakan feminisme lahir di Eropa dan Amerika. Salah satu tokohnya adalah Simone de Baeboir di Perancis. Sebelum feminisme sebagai gerakan, cara pandang, dan ideologi kesetaraan gender lahir dan digaungkan di Eropa dan Amerika, kita sudah melaksanakan feminisme, yang dapat disebut feminisme nusantara. Selain artikel ilmiah yang dikirimkan ke jurnal internasional, dan menunggu publish, saya dan tim peneliti menulis temuan tersebut dalam buku berjudul Para Raja dan Pahlawan Perempuan, serta Bidadari dalam Folkolre Indonesia  (Wiyatmi, Sari, Liliani, 2020).Pertanyaan selanjutnya, kalau dalam sastra rakyat, sastra lama hasil kreasi nenek moyang sudah kental isu feminisme, bagaimana dengan sastra Indonesia modern? Penelitian lanjutan yang kami kerjakan tahun ini akan mengungkap hal tersebut. Sudah ada beberpa temuan yang bias dicatat.
DEKONSTRUKSI SISTEM PATRIARKI DAN PENCARIAN IDENTITAS NOVELIS PEREMPUAN INDONESIA TAHUN 2000-AN Wiyatmi Wiyatmi
Bahasa dan Seni: Jurnal Bahasa, Sastra, Seni, dan Pengajarannya Vol 40, No 1 (2012)
Publisher : Fakultas Sastra Universitas Negeri Malang

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (91.987 KB)

Abstract

This article is intended to understand the phenomena of women writers in Indonesian literature within the period of year 2000. Their works of literature emerge among the works of art dominated by male writers. Seeing through thefeminism point of view, those women writers strive their position by attempting to deconstruct the patriarch system. By producing their works, they seek their identity through the literary writing and literary critics. Their existence in Indonesian literaryworks in 2000s becomes the pioneer of women’s rebelious action against the patriarch system in Indonesian literary history. Through their works which have got some awards from Dewan Kesenian Jakarta or Khatulistiwa Awards, theircapability in writing is recognized. However, their skill in producing works of art does not necessarily get positive respond from both the society and the literary critics. There are many prickly critics which try to marginalize their works.
KONSTRUKSI FEMININITAS TOKOH KARTINI DALAM NOVEL ATHEIS KARYA ACHDIAT K. MIHARDJA Lovinea Mega Putri; Wiyatmi Wiyatmi
Aksara Vol 34, No 1 (2022): AKSARA, EDISI JUNI 2022
Publisher : Balai Bahasa Provinsi Bali

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (33.104 KB) | DOI: 10.29255/aksara.v34i1.685.29-40

Abstract

Penelitian ini bertujuan untuk mendeskripsikan dan memahami karakter tokoh Kartini dan konstruksi femininitas tokoh Kartini dalam novel Atheis karya Achdiat K. Mihardja. Penelitian ini menggunakan metode deskriptif kualitatif dengan sumber data primer Atheis karya Achdiat K. Mihardja. Analisis data dilakukan dengan kategorisasi, tabelisasi, dan interpretasi yang kemudian dideskripsikan. Keabsahan data diperoleh dari melalui pembacaan berulang-ulang hingga menemukan data yang valid. Validitas tersebut kemudian diuji dengan teknik analisis yang disesuaikan dengan teori yang digunakan. Hasil penelitian adalah (1) penggambaran karakter tokoh Kartini yang secara fisik cantik dan memiliki tubuh yang proporsional; secara psikologis cerdas, tegas, dan mudah tersinggung; secara sosiologis Kartini adalah seorang penganut Marxisme, kaya raya, sempat bersekolah di MULO, dan merupakan aktivis sosial dan politik, (2) wujud konstruksi femininitas tokoh Kartini dalam Atheis menujukkan bahwa kecantikan dan kecerdasan Kartini dikontruksi berdasarkan mitos perempuan Sunda; Kartini diidentifikasi sebagai seorang perempuan double burden; melalui aspek-aspek sosial, Kartini mampu mempengaruhi Hasan hingga menjadi atheis.
Learning Environmental Ethics from "Sebuah Wilayah yang Tidak Ada di Google Earth" by Pandu Hamzah Rahastri Fajar Puspasari; Wiyatmi Wiyatmi
Journal of Language and Literature Vol 20, No 1 (2020): April
Publisher : Universitas Sanata Dharma

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (783.127 KB) | DOI: 10.24071/joll.v20i1.2385

Abstract

This study aims to describe (1) the manifestations of environmental wisdom and (2) the role of the characters in environmental preservation contained in the novel Sebuah Wilayah yang Tidak Ada di Google Earth by Pandu Hamzah. This research is included in the type of descriptive qualitative research. The data source of this research is the novel Sebuah Wilayah yang Tidak Ada di Google Earth by Pandu Hamzah published by Literati in 2015. This research is focused on the manifestation of environmental wisdom and the role of characters in the novel by using ecocritical analysis. The data collection techniques are the technique of reading and taking notes. The data analysis technique used is descriptive qualitative. The validity of the data is obtained through semantic validity and intrarater reliability tests. The data were analyzed with description, categorization, and data presentation. The results of the study indicate the following matters. First, the manifestation of environmental wisdom found in the novel includes nine principles of environmental ethics, including (1) respect for nature; (2) the attitude of responsibility towards nature; (3) cosmic solidarity; (4) the principle of compassion and care for nature; (5) the principle of no harm; (6) the principle of living simply and in harmony with nature; (7) the principle of justice; (8) democratic principles; and (9) the principle of moral integrity. Among these principles, the most dominant principle is the principle of respect for nature. Second, the role of the characters in environmental preservation contained in the novel is divided into two categories, namely the role of pro-environment and non pro-environment.
REVITALIZATION OF DRUPADI’S FEMINISM IN THE NOVEL OF DRUPADI PEREMPUAN POLIANDRIS BY SENA GUMIRA AJIDARMA Wiyatmi Wiyatmi; Afendi Widayat; Andrian Eka Saputra
Humanus: Jurnal Ilmiah Ilmu-ilmu Humaniora Vol 18, No 2 (2019)
Publisher : Pusat Kajian Humaniora FBS Universitas Negeri Padang

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (1532.586 KB) | DOI: 10.24036/humanus.v18i2.103577

Abstract

Drupadi is one of the female characters who have important roles and positions in the epic Mahabharata or wayang purwa in Java. In the Indian version Drupadi married five Pandavas. However, in the Javanese version she was only married to Yudhisthira. This paper discuss Drupadi Perempuan Poliandris novel as one of the works which is the reception and transformation of Mahabharata version of India and Java, as a form of reception and transformation of Mahabharata version of India and Java, its existence is considered as a form of revitalization of the classic literary works, especially the character Drupadi using the perspective of feminist literary criticism. The results show that the Drupadi character depicted in the novel tends to return the identity of Drupadi in the Mahabharata of India as the wife of Pandawas after they won the competition held by King Drupada. This is in contrast to Drupadi in the Javanese wayang story depicting Drupadi as the wife Yudhisthira as the oldest Pandawa. In this  novel Drupadi figure is also described as a woman who not only has perfect beauty, but also very critical of her destiny that must be lived.
Queens in Folklores as Representation of Indonesian Feminism Wiyatmi Wiyatmi
POETIKA Vol 11, No 1 (2023): Issue 1
Publisher : Faculty of Cultural Sciences, Universitas Gadjah Mada

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.22146/poetika.v11i1.81810

Abstract

The view that the patriarchic system has dominated human life is untrue. Evidence has been found that, in the history of human civilization, women have been raised to the royal throne and ruled a kingdom. The existence of a queen has also been found in folklore in Indonesia. Using the qualitative research design with the perspectives of feminist literary criticism, the present study analyzes four folklore titles with a queen as the main character, such as: (1) The Legend of the Hermitage of Queen Kalinyamat, (2) Queen Kencanawungu, (3) Madam Undang Beautiful Queen from Kupang Island, and (4) The Legend of Princess Rengganis. Findings show no gender bias in the transfer of the royal inheritance or in choosing the successor of the royal throne in some kingdoms of regions in Indonesia. The crowning of a new ruler is more based on kinship and leadership qualities. This research also shows that before the emergence and development of feminism in the West, it has been existed in the archipelago, which can be called Indonesian feminism, i.e, feminism that gave women rights and voices not only in the domestic sphere but also in the public sphere, as a queen whose power was recognized. 
Queen Shima as Nusantara feminist pioneer: Feminist literary study on the novels Putri Kalingga and Avatar Keadilan Wiyatmi, Wiyatmi; Sudiati, Sudiati; Artanti, Yeni
Diksi Vol. 32 No. 1: DIKSI (MARCH 2024)
Publisher : Fakultas Bahasa, Seni, dan Budaya, Universitas Negeri Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.21831/diksi.v32i1.66349

Abstract

Up to the present time, the public is more familiar with the figures of Kartini, Dewi Sartika, and Cut Nyak Dien as icons of Indonesian women emancipation fighters. In reality, for hundreds of years before Kartini was born, in the 7th century, the Kingdom of Kalingga has been led by a woman, Queen Shima. Not much of the historical data has recorded her name and roles. In the midst of this condition, there were published two novels which enumerate the way of life of Queen Shima, entitled Putri Kalingga (Wibidharma, 2022) and Avatar Keadilan: Pesona Kebajikan Maharatu Shima dari Negeri Kalingga (Nararosa, 2010). The present study is aimed at understanding the existence of Queen Shima as a pioneer of Nusantara feminism by using the perspectives of feminist literary approach. The study was qualitative feminist research. The data sources of the study were the two novels Putri Kalingga and Avatar Keadilan: Pesona Kebajikan Maharatu Shima dari Negeri Kalingga. Data were the narratives that tell about the characteristics and way of life of Queen Shima as King of Kalingga Kingdom which contain information about her position and roles in Nusantara women history. Findings of the study show that Queen Shima, whose life story is told in the two novels Putri Kalingga and Avatar Keadilan is not only a fictitious character, but also a historical figure from the 7th century, who is hauled up as King of Kalingga Kingdom not because of inheriting the crown from her parents, but because of the intelligence, wisdom, and leardership capacities she has. In the perspectives of feminist literary criticism, Queen Shima represents Nusantara feminisim that has been practiced in the era of the Kalingga kingdom.
PELATIHAN MENULIS CERPEN BERWAWASAN MITIGASI BENCANA PANDEMI COVID-19 UNTUK GURU MATA PELAJARAN BAHASA INDONESIA Liliani, Else; Wiyatmi, Wiyatmi; Yulianeta, Yulianeta; Budiyanto, Dwi; Kusmarwanti, Kusmarwanti
Dimasatra Vol 2, No 1 (2021): OKTOBER
Publisher : Faculty of Language and Literature Education, Universitas Pendidikan Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (368.694 KB) | DOI: 10.17509/dm.v2i1.47503

Abstract

One of the creative and productive ways to deal with boredom and avoid stress during self-quarantine due to the COVID-19 pandemic is creative writing. The Indonesian Literature Study Program, Faculty of Language and Arts, Yogyakarta State University held a short story writing training activity with the insight of the COVID-19 pandemic for Indonesian language subject teachers. The benefits of this activity, among others, are expected to be a trauma healing for residents who are currently experiencing self-quarantine, a recreational and productive activity, as a medium for disseminating knowledge of pandemic disaster mitigation to the wider community. This activity was carried out online using the zoom meeting application and was attended by 44 teachers from various regions in Indonesia. Described in a qualitative descriptive manner, the training designed with an intensive mentoring model was considered capable of improving the participants' short story writing skills. The success in the implementation of this activity is not only influenced by technology and social support, but the enthusiasm of the participants to take part in the training activities as well as the human resources of resource persons who are competent in their fields.
Co-Authors Afendi Widayat Alade, Salman Aminudin, Muhammad Fauzan Andrian Eka Saputra Anggraeni, Nureza Dwi Ary Kristiyani Aulia Angriani Waridin Dwi Budiyanto Else Liliani Esti Swatika Sari Indra, Andi Batara Kusmarwanti Kusmarwanti Latifah Latifah Latifah, Rahma Meutia Lovinea Mega Putri Mubarock, Wildan Fauzi Nurhadi Nurhadi Puspasari, Rahastri Fajar Rahastri Fajar Puspasari Ridlo, Muhammad Rasyid Safei, Mawar Sanubarianto, Salimulloh Tegar Siti Anafiah, Siti Sri Harti Widyastuti Sudiati Sudiati Suminto A. Sayuti Suri, Dian Ratna Syamsul Hadi Triana Susanti Yeni Artanti Yulianeta