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All Journal Publika Budaya KARSA: Jurnal Sosial dan Budaya Keislaman (Journal of Social and Islamic Culture) UNEJ e-Proceeding qolamuna : Jurnal studi islam Jurnal Pengabdian Magister Pendidikan IPA Capture : Jurnal Seni Media Rekam Gelar : Jurnal Seni Budaya Tonil, Jurnal Kajian Sastra, Teater dan Sinema LAYAR: Jurnal Ilmiah Seni Media Rekam Jurnal Ilmiah Al-Hadi Kurikula Jurnal Pendidikan TARBIYATUNA : Jurnal Kajian Pendidikan, Pemikiran dan Pengembangan Lembaga Pendidikan Islam Indonesian Research Journal on Education SPEED: Journal of Special Education Rolling Jurnal Pengkajian dan Penciptaan Film, Televisi, dan Media Kontemporer Jurnal Audiens Jurnal Penelitian, Pengabdian dan Pemberdayaan Masyarakat TA’AWUN: Jurnal Pengabdian Journal of Education and Learning Innovation
Muhammad Zamroni
Program Studi Televisi Dan Film, Fakultas Ilmu Budaya, Universitas Jember Jln. Kalimantan 37 Kampus Tegalboto, Jember 68121
Religion Arts Humanities Chemistry Economics, Econometrics & Finance Education Energy Environmental Science Languange, Linguistic, Communication & Media Law, Crime, Criminology & Criminal Justice Library & Information Science Materials Science & Nanotechnology Mathematics Physics Social Sciences Other

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ANALISIS PENERAPAN CONTINUITY CUTTING BERDASARKAN ADEGAN DALAM MENDUKUNG UNSUR NARATIF PADA FILM CHEF Alif Fauzan; Dwi Haryanto; Muhammad Zamroni
ROLLING Vol 2 No 1 (2019): Rolling Volume 2 Nomor 1 Tahun 2019
Publisher : Program Studi Film dan Televisi Universitas Jember

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Abstract

The Chef film is a Hollywood comedy drama, telling of Carl Casper's career as a chef. This study aims to analyze the editing aspects, especially the application of continuity cutting in supporting the narrative elements in Chef film using qualitative research methods, observation, documentation, library study and interactive model data analysis. The research found that some scenes that apply continuity cutting techniques such as 180º rule, shot/reverse shot, eyeline match, establishing/reestablishing shot, match on action, point of view cutting, crosscutting, Montage sequences, and cut-ins, can support the narrative element in the film Chef, because the storytelling on the movie Chef that is mutually sustainable can be delivered well to the audience.
PENYUTRADARAAN FILM DOKUMENTER GAYA ASSOCIATION PICTURE STORY ETANAN Riandhani Yudha Pamungkas; Muhammad Zamroni; Soekma Yeni Astuti
ROLLING Vol 1 No 1 (2018): Rolling Volume 1 Nomor 1 Tahun 2018
Publisher : Program Studi Film dan Televisi Universitas Jember

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Abstract

There are so many natural resources in Tapal Kuda region. Meanwhile,Tapal Kuda also have ethnic, cultural and religious diversity, and good industrial growth in each regency. However, the education infratstructure is uneven, so there are still many areas left behind with high illiteracy rates. Documentary film with Association Style Picture Story is an alternative commentation of Tapal Kuda region. This Documentary film use Lacan’s Psychoanalis analogy which is created the phase of human development. ETANAN as an effort to deconstruct the ability of numbers that already exists. Association Picture Story style combined the numerical data and all the facts which is created a brand new view point and perspective for the audiences. ETANAN film illustrates the condition of natural resources, etnics, culture and the educations with association in Tapal Kuda region and creates the new perspective and meanings in a Association Picture Story style.
EKSPLORASI PENGAMBILAN GAMBAR DENGAN TEKNIK HANDHELD DALAM DOKUMENTER WEBSERIES POTRET PECINAN SURABAYA Milka Rosalina Boruregar; Muhammad Zamroni; Dwi Haryanto
ROLLING Vol 3 No 2 (2020): Rolling Volume 3 Nomor 2 Tahun 2020
Publisher : Program Studi Film dan Televisi Universitas Jember

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Abstract

Abstrak Potret Pecinan Surabaya adalah dokumenter webseries yang menceritakan potret sejarah dan realita etnis Tionghoa yang ada di Surabaya. Teknik pengambilan gambar yang digunakan pengkarya adalah teknik handheld. Penggunaan teknik handheld dipilih dengan tujuan memvisualkan interaksi sosial yang terjadi di dalam masyarakat etnis Tionghoa di Pecinan Surabaya. Teknik handheld akan sangat efektif disaat menangkap sebuah momen interaksi antar individu di lokasi kejadian yang terjadi tanpa bisa direncanakan. Gaya Penyutradaraan dokumenter webseries Potret Pecinan Surabaya adalah partisipatori. Oleh karena itu, teknik handheld dirasa sangat cocok untuk memvisualkan setiap situasi dan suasana, serta membawa penonton seakan ikut berada langsung di lapangan. Kata Kunci: Film, penata kamera, handheld, etnis Tionghoa Abstract Potret Pecinan Surabaya is webseries documentary that tells a portrait of the history and reality of Chinese ethnicity in Surabaya. The shooting technique that applied in this documentary is handheld technique. The use of handheld techniques was chosen with the aim of visualizing the social interactions that occur within Chinese communities in Surabaya Chinatown. Handheld techniques will be very effective when capturing a moment of interaction between individuals at the location without being planned. The directing style of the webseries documentary of the Potret Pecinan Surabaya is participatory. Handheld techniques are considered very suitable for visualizing every situation and vibes, and bring the audience as if they were directly in the field.. Keywords: film, director of photography, handheld, Chinese ethnic
Directing a Short Movie Rawuh (Aplication Central Character One Pont of View On Jumarno Character) Agung Kurniawan; Fajar Aji; Muhammad Zamroni
ROLLING Vol 2 No 2 (2019): Rolling Volume 2 Nomor 2 Tahun 2019
Publisher : Program Studi Film dan Televisi Universitas Jember

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Abstract

Indonesia is one of the countries which discloses migrant workers as an insolubility issue where several laborers are choosing illegality way of being migrant apprentices. Most reasons are caused by lack of understanding placement and protection procedures, limited information to access international job vacancy, inequitable registration through the unauthorized bureau, and lack of government involvement. As a result, many workers were unpaid and faced violent. In addition, human trafficking is also encountered migrant workers. Consequently, they are deported to their origins. Based on those backgrounds, the author would convey these issue into fiction movie through parents viewpoint as the person who left by migrant workers (Rabiger and Cheerrier, 2013:115). cinematic point of view, central character one point of view will be used to build narrative elements and cinematic elements in the film Rawuh, from the pre-production, production and post-production stages. RAWUH could depict Indonesian civilization, especially migrant worker issue that happened in Jember. The creator believes that directing with central character one viewpoint technique needs to develop in the future, especially on the storytelling scheme, mise en scene, cinematography, exploration of sound design, and editing.
REALITAS DAN IMAJINASI DALAM FILM DOKUMENTER “ANAK MERAK” DENGAN PENDEKATAN OBSERVATORI DAN PARTISIPATORI saleksa srengenge; Muhammad Zamroni; Denny Antyo Hartanto
ROLLING Vol 3 No 2 (2020): Rolling Volume 3 Nomor 2 Tahun 2020
Publisher : Program Studi Film dan Televisi Universitas Jember

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Abstract

Film dokumenter merupakan film yang didasarkan pada suatu pengalaman atau peristiwa dengan perlakuan kreatif namun masih menjunjung fakta yang nyata. Film dokumenter “Anak Merak” merupakan film dokumenter dengan gayaobservatori dan partisipatori. Gaya observatori menekankan pada kehidupan sehari-hari subjek yang diamati tanpa terganggu oleh keberadaan kamera sedangkan gaya partisipatori menekankan pada interaksi antara pengkarya dengan subjeknya. Penggunaan perpaduan dua gaya tersebut sebab pengkarya merasa dengan perpaduan dua gaya tersebut materi yang dibawakan dalam film dokumenter ini dapat tersampaikan sesuai dengan keinginan pengkarya. Gaya observatori digunakan untuk menunjukkan keseharian anak-anak Labuhan Merak sedangkan gaya partisipatori digunakan untuk menujukkan kegiatan yang dilakukan anak-anak Labuhan Merak bersama pengkarya. Film ini merupakan usaha untuk menunjukkan hubungan antara imajinasi dengan realitas yang dialami oleh anak-anak Labuhan Merak. Pengkarya meyakini bahwa bentuk imajinasi yang dimiliki manusia dipengaruhi oleh realitas yang terjadi di sekitarnya ataupun sebaliknya. Bentuk imajinasi anak-anak Labuhan Merak yang dituangkan dalam bentuk sebuah karya film menjadi landasan pengkarya dalam menemukan hubungan antara imajinasi mereka dengan kesehariannya. Film dokumenter “Anak Merak” juga merupakan usaha pengkarya untuk menginformasikan isu yang dihadapi oleh anak-anak Labuhan Merak.
PENGGUNAAN GAYA PENYUTRADARAAN OBSERVASI DALAM FILM DOKUMENTER “SISAN NGEDHUR” Rizki Mei Kurniawan; Muhammad Zamroni; Sigit Setiawan
ROLLING Vol 2 No 1 (2019): Rolling Volume 2 Nomor 1 Tahun 2019
Publisher : Program Studi Film dan Televisi Universitas Jember

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Abstract

Kabupaten Bojonegoro memiliki sebuah kesenian tradisional bernama Sandhur yang dahulu sempat punah tetapi kini telah mampu hidup dan digandrungi kembali oleh masyarakat Kabupaten Bojonegoro. Film Sisan Ngedhur mampu mengenalkan kesenian Sandhur dan upaya-upaya pelestariannya kepada masyarakat di luar Kabupaten Bojonegoro, serta sebagai upaya bentuk dokumentasi kesenian Sandhur. Penyampaian informasi kesenian Sandhur kepada penonton diberikan dengan pengaplikasian gaya penyutradaraan observasi. Gaya penyutradaraan observasi ini ditujukan untuk memberikan informasi apa adanya kepada penonton film Sisan Ngedhur sehingga mampu menginterpretasi sendiri informasi yang diberikan oleh film Sisan Ngedhur.
Dynamic Shot pada Sinematografi Film Fiksi "Bhâko" Daris Dzulfikar; Muhammad Zamroni; Denny Antyo Hartanto
ROLLING Vol 2 No 2 (2019): Rolling Volume 2 Nomor 2 Tahun 2019
Publisher : Program Studi Film dan Televisi Universitas Jember

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Abstract

Bhâko adalah film fiksi yang menceritakan kerasnya kehidupan petani tembakau di Kabupaten Jember. Teknik sinematografi yang digunakan pengkarya adalah teknik dynamic shot. Penggunaan dynamic shot dipilih dengan tujuan memvisualkan rutinitas dan konflik yang terjadi di dalam masyarakat khususnya petani tembakau di Kabupaten Jember. Untuk mencapai dynamic shot, pengkarya menggunakan beberapa teknik seperti handheld, follow shot, pan and tilt, dan tracking. Selain menggunakan dynamic shot, pengkarya juga menambahkan aspek pendukung lain seperti pencahayaan, aspek ratio cinemascope (2,35:1), dan komposisi. Alur cerita film Bhâko menggunakan alur multiplot. Oleh karena itu, teknik dynamic shot dirasa sangat cocok untuk memvisualkan setiap situasi dan suasana, serta membawa mood di setiap scene.
Analisis Komparatif Perspektif KHI dan Fiqih Imam Syafi’i tentang Hukum Ihdad bagi Perempuan Zamroni, Muhammad; Ulum, Hairul
Qolamuna : Jurnal Studi Islam Vol. 7 No. 1 (2021): Juli 2021
Publisher : STIS MIFTAHUL ULUM LUMAJANG PRESS (STISMU PRESS)

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.55120/qolamuna.v7i1.1620

Abstract

The article discusses the comparison of Ihdad provision between KHI and Imam Syafi’i. KHI states that Ihdadmust be done during ‘iddah for wives left by theirhusband due to death as a symbol of grief and avoidingslender. These wives, according to Imam Syafi’i, must doIhdad in case they are adults, children, kafir dzimmis, orslaves. The distinctive is also found in the lawconsequence that should be accepted during Ihdad. InKHI there is no law that sets things forbidden duringIhdah in details as Imam Syafi’i’s fiqh provision. Keywords : KHI, Fiqh, Ihdad Law.
TEKNIK LEITMOTIF SCORING SEBAGAI PENANDA PERUBAHAN SUASANA DALAM FILM THOR LOVE AND THUNDER (2022) Ramdhan, Gracia Nuzula; Zamroni, Muhammad; Rozi, Romdhi Fatkhur
ROLLING Vol. 7 No. 1 (2024): ROLLING Volume 7 Nomor 1 Tahun 2024
Publisher : Universitas Jember

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.19184/rolling.v7i1.46377

Abstract

Film is an audio-visual product that cannot be separated from the audio and visual elements themselves. Audio in films is something important, because audio or sound in films can provide an experience that is captured by the human listener's senses in addition to the visualization of the film. The beauty of films is captured by the visual senses, while the beauty of music is captured by the auditory senses. Apart from being an illustration of a scene, music in films can also manipulate the audience's emotions without realizing it. The interaction between visual and auditory experiences has its own charm in every setting. Thor Love and Thunder (2022) film marks changes in atmosphere in the film by using leitmotif techniques in the music or score. Leitmotif is a technique of bringing together meaning, memory, and emotion in music that can produce a richer listening experience and a better understanding of the enduring appeal of dramatic music (Stull, 2015:2). Leitmotif is a term that describes music as a marker of the presence of an idea, concept, character or motif in a story.
Performances and Rituals for Environmental Campaigns: Structures, Discourses, and Postcolonial Ecocriticism: Setiawan, Ikwan; Suwargono, Eko; Zamroni, Muhammad; Suharto, Suharto; Hartanto, Denny Antyo
KARSA Journal of Social and Islamic Culture Vol. 31 No. 1 (2023)
Publisher : Universitas Islam Negeri Madura

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.19105/karsa.v31i1.7154

Abstract

This paper discusses some performing arts and rituals that carry the environmental theme in Jember. Artists and village governments respond creatively to environmental problems by creating several multi-form events, combining performances and certain rituals. We will use postcolonial ecocriticism as a theoretical framework to discuss some of their produced show events. Postcolonial ecocriticism emphasizes analysis to reveal how cultural texts present current ecological problems as a legacy of colonialism in aesthetic works that can function as advocacy and activism. The results of this study show that the performances and rituals develop critical awareness regarding environmental threats and problems in Jember and Indonesia. They bring the topic of the environment to invite the community to jointly maintain the sustainability of the human environment and criticize government policies to legitimize the destruction of nature in the name of development.
Co-Authors Abdullah Abdullah Agung Kurniawan Agus Sariono Alga Lilis Kusuma Dewi Alif Fauzan Alif Septian Raksono Putra Ariyanti Mulyaningtias, Wahyu Badrul Wajdi Bambang Aris Kartika Barnoto Binti Nurul Mukarromah Darajat, Muhaiminah Daris Dzulfikar Davin Rofi’ul Hidayah Didik Suharijadi Dwi Haryanto Edy Hariyadi Fajar Aji Hafid Hafid, Hafid Hartanto, Denny Antyo Hartanto, Denny Antyo Hendro Juwono Heru S.P. Saputra Ikwan Setiawan Ilham, Mochamad Ismatullah, Kholida Megaswarie,, Rosika Novia Milka Rosalina Boruregar Mohammad Riza Oktavianto Muhammad Arifin NENY ENDRIANA Ni Luh Ayu Sukmawati Nuraini Nuraini Primadewi, Nerfita Prof. Dr. U. Maman Kh M.si Purbajati, Hafizh Idri Raden Mohamad Herdian Bhakti Ramdhan, Gracia Nuzula Ratu Ageng Manila Riandhani Yudha Pamungkas Rizki Mei Kurniawan Romdhi Fatkhur Rozi Safitri, Maharani saleksa srengenge Sigit Setiawan Soekma Yeni Astuti Soekma Yeni Astuti Suharto Suharto Suwargono, Eko Titik Maslikatin Tsabita Nurul Imani Ulum, Hairul Urfa Firdatunnisa Wafi, Boni Hibatul Wardani SWW, L. Dyah Purwita Zahratul Umniyyah Zusfindhana, Inna Hamida