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All Journal DIKSI Humanus: Jurnal ilmiah Ilmu-ilmu Humaniora Diglossia Lingua Jurnal Bahasa dan Sastra Rubikon: Journal of Transnational American Studies Proceeding Seminar LPPM UMP Tahun 2014 JURNAL ILMU BUDAYA MUDRA Jurnal Seni Budaya Eralingua : Jurnal Pendidikan Bahasa Asing dan Sastra Jurnal SOLMA SASDAYA: Gadjah Mada Journal of Humanities Kandai Journal of Local Government Issues ETNOREFLIKA: Jurnal Sosial dan Budaya SIASAT Journal Jurnal Penelitian Budaya DEIKTIS: Jurnal Pendidikan Bahasa dan Sastra Jurnal Lektur Keagamaan ELITE: Journal of English Language and Literature Paradigma: Jurnal Kajian Budaya Central Publisher Seshiski: Southeast Journal of Language and Literary Studies Cakrawala Listra : Jurnal Kajian Sastra, Bahasa, dan Budaya Indonesia Journal of Humanities Research Sustainability
Ms. Rasiah, Ms.
English Literature Study Program, Cultural Science Faculty, Universitas Halu Oleo
Religion Agriculture, Biological Sciences & Forestry Arts Humanities Automotive Engineering Computer Science & IT Control & Systems Engineering Decision Sciences, Operations Research & Management Education Engineering Languange, Linguistic, Communication & Media Library & Information Science Social Sciences Other

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GOLDILOCKS AND THE BEAR: TRANSFORMATION OF FAIRY TALES AND POLITICAL CODES Rasiah, Rasiah; Gratiwi, Novia; Muarifuddin, Muarifuddin
Seshiski: Southeast Journal of Language and Literary Studies Vol 1 No 1 (2021): Volume 1, Issue 1, June 2021
Publisher : Himpunan Sarjana Kesusastraan Indonesia, Komisariat Sulawesi Tenggara

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.53922/seshiski.v1i1.10

Abstract

Goldilocks and The Bear is a novel transformed from The Story of the Three Bears and Aladdin and Magic Lamp fairy tales. The novel presents a non-linear plot since it mixed up the plot and characters from those fairy tales as its hypo-grams. The process of the mixture is surely not merely innovation, but it has a politic code appeared in it. This study is investigating the transformation the fairy tales into the novel, and entails the political code behind it. Hutcheon’s concept of poetics and politics of postmodernism is used to display the novel through its double sides; its structure (as well as its contexts) and ideological sphere. This study suggests that the novel is using and distorting in the fairy tales through the women characters; Goldilocks named Victoria, a new women character Safiyya, Bear male as Ramsey as representation of white male, and Aladdin as dark-skinned man. The composition of the characters actually represented political codes of gender and white supremacy in Western narrative. It is legitimating and subverting the narrative representation of woman and dark skinned people who used to be placed as marginal people in the western narrative. The novel, reversaly, raised other possibility that those peripheral characters (women and blacks) can be competed with central character (men and whites). The narrative text of Goldilocks and the Bear displayed the deconstruction of women and black characters who used to be depicted in negative label in literature and cultural product, especially in Western representation.
POTRET PENDIDIKAN SEKS DALAM NOVEL NYAI GOWOK KARYA BUDI SARDJONO Pradani, Tia; Rasiah, Rasiah; Supriatna, Agus
Seshiski: Southeast Journal of Language and Literary Studies Vol 2 No 2 (2022): Volume 2, Issue 2, December 2022
Publisher : Himpunan Sarjana Kesusastraan Indonesia, Komisariat Sulawesi Tenggara

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.53922/seshiski.v2i2.31

Abstract

The article tries to reveal the Javanese sex education portrayed in the novel Nyai Gowok written by Budi Sardjono. Nyai Gowok tells of a teenage boy named Bagus Ssasongko, the son of a highly respected Wedana in Randu Pitu, Central Java, in the 1950s. The newly circumcised boy is said to be entrusted to a guy to learn about sex and to realize himself as a auctioneer of the universe (a real man). Sociology of literature was used to describe the portraiture of sex education in the novel qualitatively. It is revealed that Nyai Gowok is depicting sex education through several point, the first, the sex educator through two figures of women; Nyai Lindri and Martinah, while the character to being educated is Bagus Sasongko. Gowok has duty to teach the boy boy starting from acquainting woman's body, from head to toe, from sensitive parts to the level of sex as well as another supporting items to extend the quality of sex; consuming Jamu, using mantra and tembang Jawa. An intimate relationship in Javanese philosophy is something that is sacred, noble, and at the same time has a function in maintaining life harmony.
BLACKS' PROTEST SONGS: THE EXPRESSION OF LYNCHING AND CRIMINAL JUSTICE SYSTEM IN THE USA Lawolyo, Dave Gideon Shermant; Rasiah, Rasiah
Seshiski: Southeast Journal of Language and Literary Studies Vol 3 No 1 (2023): Volume 3 Issue 1 June 2023
Publisher : Himpunan Sarjana Kesusastraan Indonesia, Komisariat Sulawesi Tenggara

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.53922/seshiski.v3i1.46

Abstract

The protest has become the main, dominant inner-structure, and predominant theme not only in black writings, especially literary works, like; novels and poetry but also in the song writings. The protest is rooted in black slavery and racism has been felt and may continue to be felt throughout U.S. history. This article sought to indicate the mode of racism and ways of black in resisting it reflected in three protest songs written by blacks. Looking at the three decades of protest songs, three are standing out as important examples for this study: “Strange Fruit” (1937), “Say It, I’m Black and I’m Proud” (1968), and “Blue Lights” (2018). These protest songs are consistent in messaging the racism in the criminal justice system and black resistance against it over time. Critical race theory enables how racism as a legal, cultural, and political condition is reproduced and maintained, primarily in the US context. Strange Fruit portrays about lynching in the era of Jim Crow. They were tortured and lynched, reflecting how black people were experiencing discriminatory treatments and extrajudicial punishment after the civil war. Say It, I’m Black and I’m Proud portrays racial inequality in the post-Civil Rights Movement. Whites are still privileged and blacks are undervalued. More advances, Blue Lights portrays the concern of black people in facing racism that affects institutions like law enforcement, which leads to arbitrary shooting of black people in crime scenes in the present time. Taken together, the songs reflect the dynamic nature of racism, as well as the shifting mode and attitude of blacks in struggling against racism from the past up to the present time in the US from passive, radical, and subtler
FORMULA OF CLASSICAL DETECTIVE IN KNIVES OUT MOVIE DIRECTED BY RIAN JOHNSON Aidin, Amar Handika; Rasiah, Rasiah; Gultom, Eva Solina
Seshiski: Southeast Journal of Language and Literary Studies Vol 3 No 2 (2023): Volume 3 Issue 2, December 2023
Publisher : Himpunan Sarjana Kesusastraan Indonesia, Komisariat Sulawesi Tenggara

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.53922/seshiski.v3i2.47

Abstract

This study aims to analyze the formula of classical detective in the Knives Out movie. The problem of this study is what are classical detective formula that appear in Knives Out movie. This study used descriptive qualitative method by using Cawelti’stheory.The data source is taken from the Knives Out movie and analyzed thedata by describing, interpreting, analysis, drawing a conclusion. Based on this analysis, the researcher found out 14 classical detective formula according to Cawelti. This formula includes 11 conventionsas follows: situation, crime and clues, investigation, announcement of the solution, explanation of the solution, denouement, the victims, the criminal, the detective, those threatened by crime but incapable of solving it, setting. In addition, there are 3 inventions found as follows: the victims, the detective, setting and situation. Based on the analysis results, the classical detective formula that appear in Knives Out still maintained the prevaling pattern based on Cawelti’s theory but there are new invention that exist as a response to the development of the classical detective genre from time to time.
BLACK’S SELF-RESILIENCE IN MAYA ANGELOU’S POEM STILL I RISE: A MIMETIC ANALYSIS Aulia, Ela Manikam; Rasiah, Rasiah; Putra, Ansor; Koso, Halijah
Seshiski: Southeast Journal of Language and Literary Studies Vol 4 No 1 (2024): Volume 4 Issue 1 June 2024
Publisher : Himpunan Sarjana Kesusastraan Indonesia, Komisariat Sulawesi Tenggara

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.53922/seshiski.v4i1.65

Abstract

This research is intended to showcase the reflection of Black self-resilience through Still I Rise poem written by Maya Angelou. Mimetic approach and the concept of self-resilience were used to analyze the problem of this research. Self-resilience was seen in two points; physical and psychological ones. Black self-resilient performed in the poem is considered as the mimetic rendition of the dynamic process of black struggle that leads to the positive adaptations within the context of significant adversity in their life context of the US. Type of this research is included in library research with using descriptive qualitative-interpretive method in analyzing the data. It suggests that Maya Angelou in the poem Still I Rise pictured two kinds of Black self-resilience; physical resilience is showed through some selected words, like; dust, sun, moon, tide, they still arise in their place and time. Black did not and could not be destroyed by the bitter treatment of racism. These words also represented the psychological resilience by adding some other words; having gold mine, walk like I've got oil wells, certainty of tides, and the repeating word, I rise, to show their inner self-motivation, affection, and actualization. This study concluded that Black self-resilience both physically and psychologically reflected by Maya Angelou in her Poem Still I Rise is dealing with the racism. Blacks are destroyed not only physically but also mentality, so, they have to endure themselves by leading to a positive adaptation to exist in the United States.
The Representation of Racism in The Man Who Knew Infinity Movie by Matthew Brown Siti Ayu Wulandari; Rasiah Rasiah; Rahmawati Azi
ELITE: Journal of English Language and Literature Vol 7 No 2 (2022): Vol. 7 No. 2 December 2022
Publisher : English Literature Study Program, Faculty of Humanities, Universitas Halu Oleo

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33772/elite.v7i2.1547

Abstract

This study aimed to analyze racism in The Man Who Knew Infinity movie used Paradies, Harris, and Anderson's theory. The Man Who Knew Infinity released in 2016 is a film directed by Matthew Brown that features the character of a genius mathematician from India named Srinivasa Ramanujan who wants to publish his formula about mathematics at Trinity College. As an Indian, Ramanujan experienced various acts of racism committed by the British, both mentally and physically. This study used a descriptive qualitative method. The data was collected through four steps, such as watching, screenshotting, note-taking, and identifying the data. The result of this study showed that the main character experienced racism because of his race and nationality. The kinds of racism that the main character experienced namely stereotypes, prejudice, and discrimination.  
Register in The Good Doctor Movie Muhammad Fadli Hasan; Ansor Putra; Rasiah Rasiah
ELITE: Journal of English Language and Literature Vol 8 No 2 (2023): Vol. 8 No. 2, December 2023
Publisher : English Literature Study Program, Faculty of Humanities, Universitas Halu Oleo

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33772/elite.v8i2.2216

Abstract

This study aims to describe the types and functions of register used in The Good Doctor (season 5 episode 18). This research is qualitative and descriptive with The Good Doctor movie as the data source. The data were collected by watching, annotating, and coding. Analysis by presenting, describing, analyzing, and concluding the data. This research found there are 60 utterances of type of registers used in the movie such as Frozen, Formal, Consultative, Casual, and Intimate. Then, the researcher also found that there are sixty-six data on the function of the register including Emotive (13), Directive (21), Referential (26), Peotic (1), and Phatic (5). In this movie, the researcher found all types of registers used by characters. For the function of the register, the researcher only found five of six functions in the movie. The most used type of register is the casual register with twenty-eight data and referential is most used by characters in the movie with twenty-six data. The use of a casual register can reflect a more relaxed speaking style, not overly formal, and closer to everyday conversation. The metalinguistic function was not found because there are no situations where characters have a conversation that refers to the metalinguistic function in the movie.
Discourse and Racism in Hidden Figures Nur Rachmatiya Rosa Zahra; Rasiah Rasiah
ELITE: Journal of English Language and Literature Vol 8 No 1 (2023): Vol. 8 No. 1, June 2023
Publisher : English Literature Study Program, Faculty of Humanities, Universitas Halu Oleo

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33772/elite.v8i1.2268

Abstract

This research aims to describe discourse and racism in the Hidden Figures movie using discourse and racism theory based on Dijk's approach. The results showed that the ten aspects of Dijk's theory of discourse and racism could be found in several characters such as speech, expressions, and actions that refer to the use of discourse and racism in the Hidden Figures movie. Two aspects of discourse and racism are most dominantly depicted in this movie, namely aspects of nonverbal structure and aspects of syntax. In the nonverbal structure aspect, the visible form of racism is the depiction of facial expressions such as anger, annoyance, and dislike as well as body movements refusing to interact for a long time with black people. Discourse and racism in the Hidden Figures movie also display racist behavior towards black people as a reflection of a system of prejudice, namely negative emotional reactions and stereotypes, namely judgments or assumptions based on groups and people's characteristics. This is illustrated by the experiences of Katherine, Dorothy, and Mary regarding the separation of public facilities such as toilets, libraries, and education.  
Feminity & Nature in Moana Movie: An Analysis of Ecofeminism Komang Artini; Rasiah Rasiah; Ansor Putra
ELITE: Journal of English Language and Literature Vol 9 No 2 (2024): Vol. 9 No. 2 December 2024
Publisher : English Literature Study Program, Faculty of Humanities, Universitas Halu Oleo

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33772/mb455k53

Abstract

The study focused on how femininity and nature are portrayed in the Moana movie. The research method used is descriptive qualitative, where data is collected by watching films critically to achieve desired results, taking screenshots and taking notes, and identifying and classifying to support the analysis. Researchers found several aspects of the relationship between femininity and nature in the film Moana after conducting an analysis. Twenty-one data points were identified and classified into three main data groups to support the analysis process carried out by the researcher. One of the important discoveries in this movie is that nature is portrayed as a mother, the same as a woman who will not be angry for no reason. This is reflected in the character of Te Fiti, which also represents motherhood and interconnectedness with nature. Nature is portrayed as a mother, and the film depicts the entire relationship between Moana and nature.
The Formula of Romance in The Redeeming Love (2022) Movie Jusrianti Jusrianti; Rasiah Rasiah; Arman Arman
ELITE: Journal of English Language and Literature Vol 9 No 1 (2024): Vol. 9 No. 1 June 2024
Publisher : English Literature Study Program, Faculty of Humanities, Universitas Halu Oleo

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33772/elite.v9i1.2630

Abstract

This research aims to analyze the formula of romance in the Redeeming Love (2022) movie. The focus of the problem is the convention and invention formula of romance in the Redeeming Love (2022) movie. The theory of Formula from John G. Cawelti analyzes the problem. This research method is descriptive qualitative. From the analysis results, the researcher found convention and invention in the movie. In terms of convention, this movie still maintains the romance formula, such as (1) The romance plot still consists of their first meeting, the man winning the woman, the conflict, and the happy ending. (2) The figure of romance still the presence of the hero and heroine namely Michael and Angel. (3) The setting of romance consists of a place or setting on a hill, a time setting such as in the morning, afternoon, and evening, and an atmosphere setting such as happy, regretful, angry, tense, sad, worried, and afraid. As for the invention of new romance elements found in the movie, such as  (1) Romance narrative structure using a mixed pattern of Cinderella pattern, Pamela pattern, and contemporary pattern, (2) The character of romance, such as the hero is described as an ordinary, popular and beautiful heroine, and heroine who has a stubborn nature, (3) The plot of romance, such as Hero gives up on heroine.
Co-Authors Adrian Tawai Afriani Ulya Aidin, Amar Handika Akhmad Marhadi Aldi Ibrahim Arman Arman Arman Arman Aulia, Ela Manikam Azi, Rahmawati Bilu, La Boy Candra Ferniawan Ela Martisa Eva Solina Gultom Faika Burhan Fauzan, Muh. Ferniawan, Ferniawan Fina Amalia Masri Gratiwi, Novia Gultom, Eva Solina Halijah Koso Irfan Irfan Iskandar Mubarok Jabaru Hidi, Abd. Jared Genser Jusrianti Jusrianti Jusrianti Komang Artini Koso, Halijah la aso, La Aso La Bilu La Ino La Ode Ali Basri La Ode Ali Basri La Ode Balawa La Ode Balawa, La Ode La Ode Darfin La Sawali, La Sawali La Taena La Taena, La Lawolyo, Dave Gideon Shermant Lilik Rita Lindayani Lutfiyah Megawati Muarifuddin Muarifuddin, Muarifuddin Muh. Izha Ashari Muhamad Chairul Basrun Umanailo Muhammad Fadli Hasan Mustika Mustika Mustika Mustika Mustika Mustika Nugraha, Shafwan Nur Israfyan Sofian Nur Israfyan Sofyan Nur Rachmatiya Rosa Zahra Nur Rachmatiya Rosa Zahra Pardilla, Suci Rahmi Pradani, Tia Putra, Ansor Putra, Ansor Qadriani, Nurlatul Rahayu, Milda Rahmawati Azi Saheya Kowuna Brkt, Wd. Siti Salman Al Farisi, Salman Sasadara Hayunira Shepta Wijaya Siti Ayu Wulandari Siti Ayu Wulandari Sitti Nur Ainun Stephen Ali Barkah Supriatna, Agus Suryati Suyuti, Nasruddin Syahrun, Syahrun Wa Ode Sifatu Wa Ode Sitti Khumairah Hasan Wa Ode Zaltina Yana Yana