Article Per Year (5 Year)
p-Index From 2021 - 2026
4.607
P-Index
This Author published in this journals
All Journal Jurnal Imajinasi Tanra : Jurnal Desain Komunikasi Visual Fakultas Seni dan Desain Universitas Negeri Makassar Harmoni: Jurnal Pendidikan dan Penelitian Seni Budaya Panggung Nuansa Journal of Arts and Design Jurnal Pakarena Boting Langi: Jurnal Seni Pertunjukan KAGANGA KOMUNIKA: Journal of Communication Science Sureq: Jurnal Pengabdian Masyarakat Berbasis Seni dan Desain Tamaddun Panggung Jurnal Ragam Pengabdian
Andi Taslim Saputra
Universitas Negeri Makassar
Arts Humanities Education Environmental Science Languange, Linguistic, Communication & Media Social Sciences Other

Published : 32 Documents Claim Missing Document
Claim Missing Document
Check
Articles

Found 32 Documents
Search

 1   2   3   4 
PROGRAM AKADEMI PERUPA GO DIGITAL BERBASIS PLACE IDENTITY: AKTIVASI RUANG PUBLIK SUNGAI JE’NE BERANG DAN LORONG WISATA MELALUI EDUKASI MITIGASI Pangeran Paita Yunus; Andi Taslim Saputra; Satriadi Satriadi; Yati BT Samsuddin; Lulu Afifah Ichsan; Rizka Ayunita; Mudhliani Masjidi; Abdul Isyah Nabilawandi Rizqullah; Catur Wahyu Premiko; Adi Rian Ramadan; Nurlatifa Nurlatifa; Laode Muhammad Salvan; Salsabila Eka Faradiba; Firda Shantika M
Sureq: Jurnal Pengabdian Masyarakat Berbasis Seni dan Desain Vol 5, No 2 (2026): Juli-Desember
Publisher : Universitas Negeri Makassar

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26858/srq.v5i2.89112

Abstract

This program is implemented in collaboration with Sanggar Seni Teater Kita Makassar, specifically its Visual Arts and Artistic Division, operating within the communities surrounding the Je’ne Berang River and Makassar’s "Lorong Wisata" (Tourism Alley) areas. While the partner possesses experience in interdisciplinary art production and the exploration of local culture, they face challenges regarding artist succession, the strengthening of place identity, the use of art as a medium for ecological communication, and the sustainable management of artworks and digital content. These priority issues are addressed through the development of a "Place Identity Creative" model that integrates visual arts, local narratives, public space activation, flood mitigation education, and the digitization of artworks. The program employs a Participatory Action Research (PAR) approach and project-based learning, proceeding through stages of socialization, mapping of potential and needs, training, artwork creation, innovation implementation, mentoring, evaluation, and the formulation of a sustainability strategy. Implementation focuses on enhancing partner capacity in place-based research, creating locality-based art, curation, public space media production, risk communication, and digital portfolio management. Innovative art products developed include ecologically themed murals, creative signage, safe-route maps, QR-story features, audiovisual documentation, and a digital portfolio system linking the artworks to the narratives of the Je’ne Berang River and the Tourism Alley. Mandatory outputs aim to empower the partner, establish a team of production and curation cadres, produce place-identity-based artworks, create documentation and catalogs, and publish scientific articles. Budget realization is aligned with activity milestones and proof of expenditure for the current period; the final realization percentage is determined based on actual financial records rather than estimates. Key challenges involve outdoor site conditions, artwork durability and security, multi-stakeholder coordination, and the need to harmonize artistic processes, mitigation education, and public space activation. The subsequent phase focuses on finalizing the production and installation of the artworks, strengthening digital content, conducting mitigation simulations, evaluating partner achievements, documenting outputs, and reinforcing sustainability systems through capacity building—specifically the development of cadres and the establishment of SOPs for content production, curation, and distribution. Thus, the program positions art not merely as a decorative element, but as a cultural strategy that integrates a sense of place, community creativity, ecological literacy, disaster preparedness, and the development of a community-based arts ecosyst
ANALISIS KANDUNGAN DAN NILAI-NILAI DALAM PERTUNJUKAN DRAMA MUSIKAL LUTUNG KASARUNG PRODUKSI EKI DANCE COMPANY Andi Taslim Saputra; Andi Ruslan
Boting Langi: Jurnal Seni Pertunjukan Vol 5, No 3 (2026): Juli-September
Publisher : Universitas Negeri Makassar

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26858/botinglangi.v5i2.86081

Abstract

The development of musical drama as a contemporary performing art form demonstrates its important role in representing cultural and educational values through the integration of dramatic, musical, and visual elements. The musical drama performance Malin Kundang, as a reinterpretation of Indonesian folklore, presents the potential for moral, social, and cultural values in a modern aesthetic package that is relevant to current developments. This study aims to analyze the content and representation of these values in the performance, as well as examine how performative elements construct meaning. This study uses a qualitative approach with a semiotic analysis method of performance through observation, documentation, and literature study techniques. The results show that the performance contains moral, social, and cultural values represented through symbols, movement, music, and stage visuals. These values are constructed through the interaction of multimodal performative elements, resulting in meaning that is not only narrative, but also emotional and symbolic for the audience. These findings confirm that musical drama has significant potential as a medium for cultural-based values education in the context of contemporary performing arts.
Co-Authors A. Padalia Abdul Isyah Nabilawandi Rizqullah Adi Rian Ramadan AJ., Andi Agussalim Andi Fauziyah Hijrina Fatimah Andi Hendra Bahar Andi Ihsan Andi Ruslan Andi Zulfikar Alam Arifin Manggau, Arifin Asia Ramli Asia Ramli* Bau Salawati Catur Wahyu Premiko Citra Aryandari Dani Fajrul Arisyi Dzulfitrah Ramadhani Mar Faizal Erlangga Makawi Fatimah, Andi Fauziyah Hijrina Firda Shantika M Heriyati Yatim Izmi, Siti Asmaulul Jalil Jalil Jayadi, Karta Khaeruddin Khaeruddin Khaeruddin, Khaeruddin Laode Muhammad Salvan Lulu Afifah Ichsan Mas’ud Uqbah Al Ansyari Moh Mahrush Ali Mudhliani Masjidi Muhammad Muhaemin Muhammad Suyudi Muhammad Syafruddin Akmal Muhammad Zia Ulhaq Muthia Rianti Nurlatifa Nurlatifa Nurul Fadhillah Nurul Fadhillah S Pangeran Paita Yunus Prusdianto, Prusdianto Rahma M Rasul Rizka Ayunita Romi Faisal Sadrina Ayu Mahardika Safei Suprianto Salsabila Eka Faradiba Satriadi Satriadi Selfiana Saenal Syakhruni Syakhruni* Syakhruni, Syakhruni Tyas Kartiko Sutawi Wahyu Wardana Rasyid Wiharja, Muh. Kurniawan Adikusuma Yati Bt Samsuddin