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Penampilan Watak Tokoh dalam Cerkak "Didongakne Malah Nesu" Karya Djaid Belor Safarina, Reny Anindhita; Sulanjari, Bambang; Werdiningsih, Yuli Kurniati
Kaloka Jurnal Pendidikan Bahasa dan Sastra Daerah Vol 2, No 1 (2023): Maret 2023
Publisher : Program Studi Pendidikan Bahasa dan Sastra Daerah

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26877/kaloka.v2i1.10546

Abstract

The purpose of writing this scientific paper is to fulfill lecture assignments in order to develop writing skills and describe a person's character based on interactions between characters in a short story literary work or it can also be called cerkak. The story comes from a Javanese-language magazine published in 2019. However, what will be discussed in this scientific paper is the one with the title Didongake Malah Nesu which was created by Djaid Belor. The method used in this research is qualitative. Research data in the form of cerkak texts sourced from Javanese-language magazines published in 2019 tells of the reality of a husband and wife as officials who were accidentally prayed for by foreigners. The theory used is literary psychology that focuses on the behavior of characters that clearly describe the character's character. The results of this study are to find out the inner conflict that occurs in each character, to know the psychological condition of the character and the psychology of the author through the plot of the short story. Each character has a different role and response to the events they face to make the story interesting. This behavior becomes a reference for knowing the character's character through conversations and interactions between characters.
Values in Modern Javanese Songs and Their Relevance to Character Education: A Cultural Semiotics Study Mardiyansyah, Mardiyansyah; Sulanjari, Bambang; Werdiningsih, Yuli Kurniati
Kaloka Jurnal Pendidikan Bahasa dan Sastra Daerah Vol 3, No 2 (2024): September 2024
Publisher : Program Studi Pendidikan Bahasa dan Sastra Daerah

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26877/kaloka.v3i2.12319

Abstract

Modern Javanese songs (tembang Jawa modern) represent a product of cultural negotiation that combines traditional aesthetics with contemporary expressions. This study aims to analyze the semiotic values embedded in modern Javanese-language songs and their relevance to character education in the digital era. Employing Roland Barthes' cultural semiotics approach integrated with critical discourse analysis, this study decodes the signs, myths, and ideologies inscribed within song lyrics. Research data derive from a corpus of modern Javanese songs documented in prior scholarly works, encompassing compositions by musicians such as Didi Kempot, Ndarboy Genk, and Guyon Waton. The analysis proceeds through three stages: identification of denotative signs, deconstruction of connotative meanings, and reading of cultural myths. Findings reveal that modern Javanese songs encompass four principal value strata: religio-sufistic values, moral-ethical values, social-humanistic values, and cultural-identity values. These values are manifested through complex linguistic and paralinguistic sign systems, positioning modern Javanese songs as a potentially effective medium for character education when systematically integrated into educational curricula. This study contributes to the development of a contextually grounded, local-wisdom-based learning model relevant to millennial learners.
Struktur Lirik Lagu dalam Album Cidro Asmoro Kajian Strukturalisme Nurkhayatun, Umi; Mardiyansyah, Mardiyansyah; Werdiningsih, Yuli Kurniati
Kaloka Jurnal Pendidikan Bahasa dan Sastra Daerah Vol 1, No 2 (2022): September 2022
Publisher : Program Studi Pendidikan Bahasa dan Sastra Daerah

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26877/kaloka.v1i2.12346

Abstract

This research was written with the aim to determine the lyric structure of the song in the album Cidro Asmoro using the study of Structuralism. The structure in the lyrics of this song consists of physical structure and inner structure. Physical structure is the structure of the builder of a poem that is physical or fit in the form of word order. While the inner structure is the structure of the poet builder from within or contains the meaning that the author wants to express. The research method used to analyze the physical structure and the inner structure uses a qualitative descriptive method. The data used in this study are words, phrases, and sentences in the lyrics of the song Cidro Asmoro that refer to the structure of the builder. The results found in this study is that there is a physical structure in the form of majas, recitation, diction, concrete words and rhyme in the lyrics of songs in the album Cidro Asmoro. Majas or language styles found include majas personification, metaphor, association, allegory and hyperbole. In addition, also found imagery or imagery in the form of imagery of sight, hearing, taste, touch and movement. The inner structure in the lyrics of Cidro Asmoro's album has themes, tastes, tones and messages. Selection of lyrics and words from Cidro Asmoro's album has a unique characteristic to convey the feelings experienced by the author. This feeling can be from love, disappointment, confusion, anger and even enthusiasm. Cidro Asmoro's album contains the story of a man's love struggle who ultimately has to give up his lover with another man.
AKULTURASI BUDAYA TEMBANG DHANDHANGGULA DALAM TRADISI TINGKEBAN MASYARAKAT TIONGHOA DI DESA KARANGTURI, LASEM Setyani, Eva; Sulanjari, Bambang; Werdiningsih, Yuli Kurniati
Sabdasastra : Jurnal Pendidikan Bahasa Jawa Vol 9, No 2 (2025): Sabdasastra : Jurnal Pendidikan Bahasa Jawa
Publisher : Universitas Sebelas Maret

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.20961/sabpbj.v9i2.108366

Abstract

ACCULTURATION OF TEMBANG DHANDHANGGULA CULTURE IN THE TINGKEBAN TRADITION OF THE CHINESE COMMUNITY IN KARANGTURI VILLAGE, LASEMThis study examines cultural acculturation in the lyrics of the Macapat Dhandhanggula “Bok Tok Utama” performed in the Tingkeban tradition of the Chinese community in Karangturi Village, Lasem. The research employed a qualitative method, with data in the form of song lyrics collected through processes of translation, classification, and identification. The data were then analyzed based on metrical structure, linguistic aspects, and socio-cultural context. The findings reveal that the Dhandhanggula “Bok Tok Utama” adheres to the standard rules of macapat with consistent patterns of guru wilangan and guru lagu, despite an aesthetic variation in the fourth stanza. Linguistically, the song is dominated by Modern Javanese with the inclusion of Chinese phrases such as Khongcu and Tiong Yong, indicating intercultural interaction. These findings demonstrate that the Tingkeban tradition of the Chinese community in Karangturi not only preserves literary values but also functions as a medium of prayer and hope, reflecting the acculturation between Javanese and Chinese.