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SEMIOTIC ANALYSIS OF THE COVER OF THE NOVEL "HOUSE OF HUNGER" BY ALEXIS HENDERSON Mariana, Rina; Putri, Mentari Nasya; Hasbi, Muh
Journal of English Literature and Linguistic Studies Vol 2, No 2 (2024): Journal of English Literature and Linguistic Studies (JELLS)
Publisher : Faculty of Languages and Literature, Universitas Negeri Makassar

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26858/jells.v2i2.61871

Abstract

This research is a descriptive qualitative study that analyzes the signs on the cover of the novel House of Hunger by Alexis Henderson and the parts of the signs that represent the content of the story. The aims of this research are: (1) To find out what signs are on the cover of the novel House of Hunger; (2) To find out how the signs on the cover represent the contents of the novel. This research data was obtained by reading novels. Data analysis uses an descriptive analysis model which includes data condensation, data display, and drawing conclusions (Huberman & Saldana, 2014). This research uses Charles Sanders Peirce's semiotic approach to analyze the signs on the cover of the novel House of Hunger. Based on the research results, the author found 3 types of signs on the cover of the novel House of Hunger: Icon, Index and Symbol. The data obtained were 10 signs on the novel cover, 4 of which were icons, 3 indexes, and 3 symbols. All the signs on each book cover represent the content of the story in the novel such as characters, situations, settings, conflict and characterization.
An Analysis of Non-Verbal Communication in Susanne Bier’s Movie Bird Box Firdaus, Firly Febrina; Iskandar, Iskandar; Hasbi, Muh.
PERFORMANCE: JOURNAL OF ENGLISH EDUCATION AND LITERATURE Vol 4, No 2: May (2025) Performance: Journal of English Education and Literature
Publisher : State University of Makassar

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26858/performance.v4i2.72593

Abstract

This research is entitled “An Analysis of of Nonverbal Communication in Susanne Bier’s Movie Bird Box.” This study aims to analyze the types of nonverbal communication in Bird Box movie by Susanne Bier using Fujishin’s theory (2009). The analysis method used refers to the pragmatic approach by considering Yule’s (1996) theory to explore and examine whether the type of nonverbal communication used is appropriate to the situation. The research data were obtained from the extraction of 41 nonverbal communication consisting of body movement (23) extract, paralanguage (12) extract, personal presentation (2) extract, and proxemics (4). The analysis also identified all of the types appropriate to the situation. The findings the film carefully use nonverbal communication as an important tool in conveying messages and working on the overall narrative of the movie. This research is expected to contribute to the understanding of the nonverbal communication especially in the movie.Keywords: Nonverbal Communication, Fujishin, Body Movement, Bird Box
Representation of Tradition and Violence in Society in Shirley Jackson’s The Lottery Az Zahra, Aisqa; Hasbi, Muh.
PERFORMANCE: JOURNAL OF ENGLISH EDUCATION AND LITERATURE Vol 4, No 2: May (2025) Performance: Journal of English Education and Literature
Publisher : State University of Makassar

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26858/performance.v4i2.72581

Abstract

This study examines the representation of tradition and violence in Shirley Jackson’s short story, The Lottery, by utilizing Stuart Hall’s reception theory to analyze participants’ interpretations. It aims to understand how the readers of the story interpret these themes based on their personal experiences and cultural contexts. Employing a qualitative descriptive research design, data were collected through semi-structured interviews with five participants representing different background of ethnic groups, religions, and cultural tradition to reveal diverse perspectives on the normalization of violence under the guise of tradition. The data analysis was connected to Hall’s reception theory with three categories: dominant hegemonic, negotiated, and oppositional position. The findings indicate that one participant aligns with the dominant-hegemonic position, accepting traditional narratives without significant critique, while two participant adopts a negotiated position, recognizing the complexities of tradition yet grappling with its implications, and the other two participants are identified with oppositional position, indicating a critical stance towards traditional values and a rejection of their potential for harm. The result of this study provides more comprehensive perspectives toward the existence of violence in certain tradition and give a positive contribution to the analysis of cultural background of literary works.Keywords: Tradition, Violence, Recep[tion Theory, Social Norms, Ethics
The Price of Appearances: Materialism in Maupassant’s The Necklace and Modern Consumer Culture Bakri, Fitriani; Hasbi, Muhammad; Halim, Abdul
Tamaddun Life Vol 24 No 1 (2025): June
Publisher : Fakultas Sastra - Universitas Muslim Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33096/tamaddun.v24i1.933

Abstract

This study aims to explore the readers’ reception on The Necklace short story based on Hall’s reception theory. Employing descriptive-qualitative research design, the study focuses on Hall’s three main reading positions: the dominant-hegemonic, in which the reader decodes the message as intended by the author; the negotiated, where the reader partly accepts and partly resists the message; and the oppositional, where the reader rejects the encoded message entirely. Data were collected through two main instruments: students’ intellectual diaries (reflective journals) and classroom discussions. Data analysis follows Braun & Clarke’s thematic analysis. The findings of this study provide a nuanced understanding of how university students interpret Maupassant’s The Necklace in relation to materialism and contemporary consumer culture, viewed through the lens of Hall’s reception theory. The students’ responses, categorized into dominant-hegemonic, negotiated, and oppositional readings, reveal the multiplicity of interpretive positions shaped by ideological alignment, personal experience, and sociocultural context. This study shows that The Necklace story remains a powerful and relevant story, offering rich opportunities for critical engagement and reflection in the classroom. It becomes evident that literary texts are not static but dynamic sites where meaning is contested and reinterpreted across time and space. This study has shown that literature remains an essential tool for fostering critical thinking and for engaging students with the social, cultural, and ideological issues of their time.
An Analysis of Locutionary, Illocutionary, and Perlocutionary Acts in The Phantom of The Opera Pribadi, Kayla Zahra Prawoto; Muhammad Hasbi
International Journal of Business English and Communication Vol 3 No 2 (2025): April
Publisher : Bahasa Inggris Program Sarjana Terapan, Universitas Negeri Makassar

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26858/ijobec.v3i2.7375

Abstract

This research explores the employment of speech acts in The Phantom of the Opera by Gaston Leroux, including locutionary, illocutionary, and perlocutionary acts. Using speech act theory, which was proposed by J.L. Austin and further elaborated on by John Searle, the study looks at how language goes beyond its literal interpretation to convey purpose and elicit reactions within the narrative. A qualitative descriptive methodology is utilized to examine particular dialogues and interactions, unveiling the depths of significance in the characters' speech. The results show how the Phantom's words reveal his intricate feelings, Christine's reactions emphasize her inner struggle, and the story increases tension and compassion in the readers. This study emphasizes the significance of speech acts in reinforcing the novel's central themes of love, fear, and obsession by examining how they express intention, provoke reactions, and influence character relationships.
Visual Semiotic Analysis in the Main Trailer of Barbie (2023) Fikriyah, Nurul; Hasbi, Muh.
PERFORMANCE: JOURNAL OF ENGLISH EDUCATION AND LITERATURE Vol 3, No 3: August (2024) Performance: Journal of English Education and Literature
Publisher : State University of Makassar

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26858/performance.v3i3.65578

Abstract

This study aims to analyze visuals signs in the main trailer of Barbie (2023) by using Roland Barthes' semiotic theory. This analysis will focus on the visual elements in the trailer such as clothing,  colors,  as  well  as  facial  expressions  that  serve  as signs  that  create  meaning  and messages for the audience. This study employs descriptive qualitative research design to explore semiotic concepts and to identify patterns of meaning in the observed signs. The object of this study is the main trailer of Barbie (2023) and it is analyzed by employing Roland Barthes' semiotic analysis by paying attention to the denotation and connotation of visual elements appeared in the main trailer and then associated with relevant myths in society. The results of this study reveals the meaning and message contained in the visual elements of the trailer as well as some relevant myths in general, namely relevance based on appearance, perfection and reality, alienation due to lack or irrelevance, and opinions that are always different.Keywords: Barbie, Semiotic,  Movie Trailer, Visual Signs
Mengembangkan Minat dan Bakat Bahasa Inggris Siswa Melalui English Fun Base 2.0 di SMP Negeri 4 Sungguminasa Hilal, Alda Alfiana; Waqqas, Hanin Khalishah; Hasriani G; Abdullah; Hasbi, Muh.
Jurnal Pengabdian dan Pemberdayaan Masyarakat Vol. 1 No. 1 (2024): Axiology: Jurnal Pengabdian dan Pemberdayaan Masyarakat
Publisher : Jurusan Bahasa Inggris

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Abstract

The development of potential interests and talents through enjoyable activities is crucial for personal growth. Every individual is born with inherent potential that needs to be nurtured. One effective method to hone these interests and talents is through participation in enjoyable competition activities. English Fun-Base 2.0 is an effort to develop the student's interest and talent in English. This research aims to find out how the activities should be integrated into inclusive and transformative English language learning to encourage students' interest and talent. The results show significant development in the interest and talents of students who participated in English Fun-Base activities, demonstrating that this approach is effective in creating enjoyable learning conditions for students based on the follow-up activities conducted.
English Speech Competition for Senior High School Students: Program untuk Mengembangkan Kemampuan Berbicara dan Meningkatkan Kepercayaan Diri Berbahasa Inggris di UPT SMAN 8 Makassar Muh. Hasbi; Muh. Rifqi Syamsuddin; Syarifuddin Dollah; Muhammad Arham; Hasriani G; Nhajwa Priyana; Nur Inayah; Adilah Nurul Fatin; Dwi Putri Maisyarah; Juriasari
Jurnal Pengabdian dan Pemberdayaan Masyarakat Vol. 2 No. 1 (2025): AXIOLOGY: Jurnal Pengabdian dan Pemberdayaan Masyarakat
Publisher : Jurusan Bahasa Inggris

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Abstract

Artikel ini membahas pelaksanaan English Speech Competition di UPT SMAN 8 Makassar sebagai strategi untuk mengembangkan keterampilan berbicara dan meningkatkan kepercayaan diri peserta didik   dalam menggunakan bahasa Inggris. Kompetisi ini dirancang sebagai solusi terhadap kurangnya ruang praktis dalam pembelajaran keterampilan berbicara di sekolah. Menggunakan metode deskriptif kualitatif, kegiatan ini dilaksanakan melalui tiga tahapan utama: persiapan, pelaksanaan, dan evaluasi. Hasil evaluasi menunjukkan bahwa kegiatan ini berdampak positif terhadap peningkatan kemampuan berbicara, keberanian tampil di depan umum, serta motivasi peserta untuk mengembangkan potensi dalam bidang public speaking. Temuan ini diperkuat melalui observasi langsung dan kuesioner yang menunjukkan tingginya kepuasan dan ketercapaian tujuan kegiatan. Oleh karena itu, kompetisi ini direkomendasikan sebagai program rutin yang mendukung pembelajaran bahasa Inggris secara aplikatif dan berorientasi pada pengembangan karakter serta keterampilan abad ke-21.
The Semiotics of Luck: Interpreting Visual Metaphors in the Animated Film Cahyani, Putri; Hasbi, Muhammad
Innovations in Language Education and Literature Vol 1 No 1 (2024): JUNE 2024
Publisher : Universitas Sulawesi Barat

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31605/ilere.v1i1.3894

Abstract

This study examines the symbolic meanings conveyed through visual metaphors in the 2022 animated film Luck. Utilizing Charles Sanders Peirce's semiotic theory, the research aims to identify and interpret the signs present within the movie. The study employs a qualitative research paradigm and a descriptive approach, collecting data through repeated viewings of the film and cataloging the identified signs as icons, indexes, or symbols per Peirce's triadic model. The analysis reveals a total of 16 signs, comprising 3 icons, 4 indexes, and 9 symbols, which are then subjected to semiotic analysis. The findings demonstrate that the iconic signs, such as the photograph of the protagonist Sam as a child, symbolize his past. Indexical signs, like the list of orphanages he resided in, indicate his nomadic upbringing. Symbolic representations, including the four-leaf clover and the leprechaun characters, signify cultural notions of luck and fortune. The pervasive use of the color green and imagery like ladybugs further reinforce the thematic exploration of luck and prosperity. Overall, the movie Luck employs a rich tapestry of visual symbols to delve into complex concepts like fate, perspective, and fortune, enhancing the narrative depth and enriching the viewing experience.
From Strangers to Sun Bleached Flies: A Speech Act Analysis in Ethel Cain’s Lyrics Syahrir, Muthia Amalia; Hasbi, Muhammad
Innovations in Language Education and Literature Vol 1 No 2 (2024): DECEMBER 2024
Publisher : Universitas Sulawesi Barat

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31605/ilere.v1i2.4544

Abstract

This research aims to explore the use of speech acts in Ethel Cain's Strangers and Sun Bleached Flies from her acclaimed album Preacher's Daughter. This study employs a descriptive qualitative research design that focuses on the analysis of Searle's speech act classification—declaratives, representatives, directives, expressives, and commissives—to uncover how Cain conveys complex emotional narratives related to trauma, identity, and familial relationships. This research uses library research to collect data from the lyrics of two of Ethel Cain’s selected songs, Strangers and Sun Bleached Flies. The data analysis process aligns with typical approaches in speech act analysis within linguistics, particularly in contexts where John Searle's taxonomy is applied to literary or artistic works like song lyrics. The findings reveal that speech acts are very useful for deciphering the complex meaning of music lyrics and suggest that Cain's nuanced use of language not only enhances the emotional depth of her music but also invites listeners to engage with themes of vulnerability and resilience. This study contributes to a deeper understanding of contemporary songwriting as a form of expressive communication.
Co-Authors A Halim Abd. Halim Abdul Halim Abdul Halim Abdullah Abdullah Abdullah Abdullah Abdullah Adi Isma Adilah Nurul Fatin Ahmad Rizal Abdullah Ahmad Thalib Amirullah Abduh Andi Rasty Syafitri Ardia Idris Aslan Abidin Auliyanti Sahril Nurfadilah Az Zahra, Aisqa Bakri, Fitriani Burhamzah, Muftihaturrahmah Cahyani, Putri Dwi Putra Nur Muhammad Dwi Putri Maisyarah Fikriyah, Nurul Firdaus, Firly Febrina Fitriani Bakri Fitriyani Bakri Fitriyani Bakri Guslin Rusdin Habibi, Nabilah Ummih Halim, Abd Halim, Nur Mutmainna Hamrana Hakim Ana Harnita Rosalia Hasriani G Hilal, Alda Alfiana Hutabarat, Meri Kristina Ida Fauziah Harwan Iffah Maulidiya Ilham Pratama Hasbi Iskandar Iskandar Izzatul Azizah Juriasari lestari, Nurul Mansyur Mardiyanah Nasta Mardiyanah Nasta Maryam Bahari Abdullah Muh Tahir Muh Tahir Muh. Miftahul Khaer Muh. Miftahul Khaer Muh. Rifqi Syamsuddin Muhammad Arham Murni Mahmud Mursyidah Mursyidah Musdalifah Musdalifah Musdalipa Dalle Nadia Nurmeutya Zahrani Natalia Putri Toding Bua Nhajwa Priyana Nur Aeni Nur Alya Safitri Aniar Nur Athirah Syam NUR FADILLAH Nur Hikmah Nur Inayah Nur Mutmainna Halim Nur Mutmainna Halim Nur Mutmainna Halim Nur Mutmainnah Halim Nurfadilah Nurhalima, Nurhalima Nurilmia Nurmuslimah Qadri Pribadi, Kayla Zahra Prawoto Putri, Mentari Nasya Ratih Tri Andini Reski Nurhidayah Ridwan, Andi Shafiyah Salsabila Rina Mariana Rina Musliha Rizki Fauzi Sam, Syahrani Sari Mutyara Saleh Sarlin, Sarlin Sitti Fausiah Sukardi Weda Sulistiawati Sulistiawati Sulistiawati Syahrani Sam Syahrir, Muthia Amalia Syarifuddin Dollah Waqqas, Hanin Khalishah Wildani, Nurul