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All Journal Gorga : Jurnal Seni Rupa Resital: Jurnal Seni Pertunjukan (Journal of Performing Arts) Pendas : Jurnah Ilmiah Pendidikan Dasar Batoboh : Jurnal Pengabdian Pada Masyarakat Laga-Laga: Jurnal Seni Pertunjukan Ekspresi Seni : Jurnal Ilmu Pengetahuan dan Karya Seni Abdi Seni PROPORSI : Jurnal Desain, Multimedia dan Industri Kreatif Melayu Arts and Performance Journal Bercadik: Jurnal Pengkajian dan Penciptaan Seni Lembaran Antropologi Jurnal Cerano Seni: Pengkajian dan Penciptaan Seni Pertunjukan Ezra Science Bulletin Jurnal Ilmiah Nusantara Ulil Albab Jejak digital: Jurnal Ilmiah Multidisiplin Jurnal Ilmu Sosial dan Humaniora
Susas Rita Loravianti
Institut Seni Indonesia Padang Panjang
Religion Arts Humanities Computer Science & IT Decision Sciences, Operations Research & Management Economics, Econometrics & Finance Education Environmental Science Languange, Linguistic, Communication & Media Social Sciences Other

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Pelestarian Tari Indang Padusi  pada Masyarakat Nagari Jawi-Jawi  Kabupaten Solok Provinsi Sumatera Barat Pardo Bima Saputra; Ninon Syofia; Susas Rita Loravianti; Auliana Mukhti
Jurnal Ilmu Sosial dan Humaniora Vol. 2 No. 1 (2026): JANUARI-MARET
Publisher : Indo Publishing

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.63822/y7c06r55

Abstract

Penelitian ini bertujuan untuk mengetahui pelestarian tari Indang Padusi pada masyarakat di Nagari Jawi-Jawi Kabupaten Solok Provinsi Sumatera Barat. Penelitian ini menggunakan metode kualitatif dengan pendekatan deskriptif analisis yaitu untuk memaparkan data yang diperoleh di lapangan, selanjutnya dideskripsikan yang kemudian dianalisis sesuai dengan kebutuhan yang berrdasarkan landasan teori terkait. Dalam penelitian ini menggunakan pendapat dari Edi Sedyawati tentang pelestarian dan perkembangan, selanjutnya pendapat Y Sumandiyo Hadi tentang bentuk pertunjukan tari. Hasil penelitian ini menunjukkaan bahwa terwujudnya tari indang padusi ber awal karena menurunnya minat generasi muda terutama kaum laki-laki untuk mempelajari tari indang di nagari jawi-jawi. Sehingga munculnya inisiatif dan minat dari para ibu-ibu yang tergabung dalam sanggar Bintang barat untuk melestarikan tarian indang ini di Tengah masyarakat nagari jawi-jawi. Dengan demikian tari indang padusi pada sanggar Bintang barat nagari jawi-jawi merupakan kelompok kesenian yang memberi warna kehidupan tari tradisi yang terkenal di lingukungan masyarakat setempat, sebab kelompok tarian ini sering tampil memberi hiburan dalam berbagai acara di daerah tersebut.
Karya Tari Jejak Kaba Interpretasi Perjuangan Seorang Seniman Rabab dalam Mempertahankan Tradisi Rabab Alsafitro Alsafitro; Susasrita Loravianti; Wahida Wahyuni; Kurniadi Ilham
Jejak digital: Jurnal Ilmiah Multidisiplin Vol. 2 No. 1 (2026): JANUARI
Publisher : INDO PUBLISHING

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.63822/zajrba79

Abstract

The dance work Jejak Kaba is inspired by the struggle of a Tukang Rabab, portraying the strong fighting spirit possessed by traditional artists, as well as their determination to preserve the roots of traditions passed down through generations and the ways they strive to survive. This becomes the creator’s main focus in highlighting the resilience and perseverance of a traditional Rabab artist, who regards Rabab not merely as a form of entertainment but as a way of life—both as a means of livelihood and as a medium for inheriting traditional art.The creation of this work is realized by emphasizing the space of memory surrounding struggle, sincerity, challenges, anxiety, and loyalty of a traditional artist in maintaining the existence of Rabab tradition amid the rapid changes of the modern era.This work applies Alma M. Hawkins’ choreographic approach as outlined in the book Creating Through Dance and Choreography: Form, Technique, and Content, which consists of several stages: data collection and field observation, exploration, improvisation, formation, and evaluation. The work is further strengthened by the use of lighting to represent atmospheres of calmness, tension, and gloom. Jejak Kaba employs a dramatic type of dance and is performed on an arena stage at the Boestanol Arifin Adam Auditorium.
Pelatihan Randai di Nagari Sungai Pua sebagai Upaya Pelestarian Seni Tradisional di Era Revolusi Industri 4.0 Emri Emri; Susas Rita Loravianti; Wenhendri Wenhendri
Batoboh Vol 10, No 2 (2025): BATOBOH: JURNAL PENGABDIAN PADA MASYARAKAT
Publisher : Institut Seni Indonesia Padangpanjang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26887/bt.v10i2.6123

Abstract

Kegiatan pengabdian kepada masyarakat ini dilaksanakan sebagai bentuk implementasi peran Institut Seni Indonesia Padangpanjang dalam pemberdayaan masyarakat, khususnya di bidang seni dan budaya. Nagari Sungai Pua, Kabupaten Agam, dipilih sebagai lokasi pelaksanaan karena memiliki potensi kuat dalam seni tradisional Randai, namun menghadapi tantangan serius berupa menurunnya minat generasi muda serta terbatasnya metode pembelajaran yang adaptif di era Revolusi Industri 4.0 dan 5.0. Pelatihan yang diberikan difokuskan pada peningkatan kemampuan teknis Randai yang mencakup gerak silat, dendang, musik pengiring, dan narasi, sekaligus memperkenalkan pendekatan pembelajaran modern melalui media digital, video tutorial, dan dokumentasi pertunjukan. Peserta pelatihan berasal dari berbagai unsur masyarakat dan kelompok seni lokal. Hasil kegiatan menunjukkan adanya peningkatan pengetahuan, keterampilan, dan motivasi peserta dalam mempelajari unsur-unsur Randai. Selain itu, pelatihan ini berhasil membuka ruang regenerasi pemain Randai muda serta mendorong terbentuknya kelompok seni baru yang lebih adaptif terhadap perkembangan teknologi. Kegiatan ini tidak hanya memperkuat pelestarian seni tradisional Randai, tetapi juga menegaskan peran perguruan tinggi dalam mendukung pengembangan budaya lokal berbasis kearifan lokal dan inovasi digital.
Colossal Dance Sawah Solok: Heritage in the Heart of the City: Artistic Creation Based on Agrarian Activities and Food Security Emri Emri; Susas Rita Loravianti; M Halim
Melayu Arts and Performance Journal Vol 8, No 1 (2025): Melayu Arts and Performance Journal
Publisher : Pascasarjana Institut Seni Indonesia Padang Panjang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26887/mapj.v8i1.4710

Abstract

This study examines the creation of the colossal dance Sawah Solok: Heritage in the Heart of the City as an artistic response to agrarian life and food security in Solok City, West Sumatra. Employing a practice-based research approach, the study positions dance creation as a form of cultural knowledge production rooted in local agricultural practices. The research aims to analyze how agrarian activities—such as rice cultivation, field maintenance, and harvest traditions—are transformed into choreographic structures that articulate social values, collective memory, and cultural resilience. Data were generated through field observations in urban rice fields, interviews with farmers and cultural actors, documentation of the creative process, and reflective analysis by the choreographer. The creative process follows Alma M. Hawkins’ stages of exploration, improvisation, and formation, enabling embodied experiences of agrarian labor to be translated into movement vocabulary, spatial design, and performance structure. The findings reveal that food security is represented not merely as an economic issue, but as a cultural and ethical commitment embedded in communal cooperation and adat values. This study contributes to contemporary dance discourse by demonstrating how agrarian practices and food security narratives can be integrated into colossal dance performances situated in public space.
Representation of Gender Roles in the Choreography of Rantak Nagari Parampuan within Minangkabau Matrilineal Society Emri Emri; Susas Rita Loravianti; M Halim
Melayu Arts and Performance Journal Vol 9, No 1 (2026): Melayu Arts and Performance Journal
Publisher : Pascasarjana Institut Seni Indonesia Padang Panjang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26887/mapj.v9i1.4708

Abstract

This practice-led study examines the choreography Rantak Nagari Parampuan, presented at the 2024 Alek Mandeh Festival in the Sijunjung Traditional Village, as an artistic articulation of changing gender roles within Minangkabau matrilineal society. Previous discussions of Minangkabau women frequently emphasize normative status, customary authority, and the ideal figure of Bundo Kanduang, while fewer studies explain how contemporary choreography transforms tensions between domestic, cultural, professional, and public responsibilities into embodied performance. The study aims to identify the creative process, performance structure, and cultural meanings through which the work negotiates those multiple roles. Data were derived from field observation, discussions with local community members, rehearsal documentation, choreographic notes, and reflective evaluation of the performance process. The creation process followed the stages of exploration, improvisation, formation, and evaluation adapted from Alma M. Hawkins. The findings show that the work is organized into six dramaturgical sections: religious and moral education, domestic labor, social interaction, participation in communal activities, contemporary female identity, and the adaptive position of men in a matrilineal kinship system. Movement, vocal sound, musical accompaniment, and ensemble composition construct the idea of rantak as grounding, awareness, balance, and resilience. The work does not merely celebrate women’s customary position; it stages negotiation between inherited cultural obligations and contemporary social mobility. This study contributes to dance creation research by demonstrating how matrilineal values can function as both thematic material and a dramaturgical framework. Its novelty lies in reading the choreography as a relational representation of women and men rather than as a singular glorification of the Bundo Kanduang figure.
Co-Authors Agnisya, Dila Alfalah Alfalah Alsafitro Alsafitro Ananda, Zulfikar Rizki Aprisia, Siska Ariefin Alham Jaya Putra Astira, Nova Auliana Mukhti Chaterji, Katia Cica Junia Cici Wulandari Dede Pramayoza Dendi chairi Desipriani Desipriani Desvita Sary Dila Agnisya Ediwar Ediwar Eduard Zebua Eliza, Yeni Emri Emri Emri, Emri EMRI, EMRI Endang Wahyuni Erlinda Erlinda Erlinda Erman, Syaiful Fahrezi, Ingles Febri Yulika Firdayani Fitri, Mira Eka Hernando Saputra Ilham, Kurniadi Inda Fatika Sari Intania Ananda Jonisa Iswandi Iswandi Katia Chaterji Krisniawati, Neni Kurniadi Ilham Lovia Tri Yuliani M Halim Maidarlita, Serla Putri Martion Martion Martion Martion Metro, Wardi Munaf Yuniarti Neni Krisniawati Ninon Syofia Nova Astira Novesar Jamarun Nugra, Prasika Dwi Nursyirwan Nursyirwan Pardo Bima Saputra Prasika Dewi Nugra Rani Hermita Rasmida Rasmida Rovylendes, Adjuoktoza Sari, Rohima Sari, Santi Purnama Silva Yusalim Siska Aprisia Suaida Suaida Sukri, Ali Suprianingsih Suprianingsih Syafwandi, Syafwandi Syaiful Erman Wahida Wahyuni Wardi Metro Wenhendri, Wenhendri Y, Eva Yeni Eliza Zainal Warhat Zulfikar Rizki Ananda