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All Journal DIKSI JURNAL ILMU BUDAYA FIKRI : Jurnal Kajian Agama, Sosial dan Budaya BASIS (BAHASA DAN SASTRA INGGRIS) Jurnal Pengabdian Magister Pendidikan IPA Jurnal Pendidikan Bahasa dan Sastra Indonesia Metalingua ETNOREFLIKA: Jurnal Sosial dan Budaya ALFABETA: Jurnal Bahasa, Sastra, dan Pembelajarannya IJORER : International Journal of Recent Educational Research Anoa : Jurnal Pengabdian Masyarakat Sosial, Politik, Budaya, Hukum. Ekonomi Jurnal Multidisiplin Madani (MUDIMA) Soshum: Jurnal Sosial dan Humaniora Jurnal Pengabdian Nusantara (JPN) Innovative: Journal Of Social Science Research ELITE: Journal of English Language and Literature Jurnal Manajemen Pendidikan Islam El-Mal: Jurnal Kajian Ekonomi & Bisnis Islam Jurnal Sosial Ekonomi Perikanan Seshiski: Southeast Journal of Language and Literary Studies Journal of Ekonomics, Finance, and Management Studies
Fina Amalia Masri
Universitas Halu Oleo
Religion Agriculture, Biological Sciences & Forestry Arts Humanities Civil Engineering, Building, Construction & Architecture Computer Science & IT Decision Sciences, Operations Research & Management Economics, Econometrics & Finance Education Environmental Science Industrial & Manufacturing Engineering Languange, Linguistic, Communication & Media Law, Crime, Criminology & Criminal Justice Mathematics Public Health Social Sciences Other

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Journal : ELITE: Journal of English Language and Literature

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The Representation of African Cultural Identity in Black Panther Film by Ryan Coogler (The Application of Stuart Hall’s Theory) Shinta Sere; Muarifuddin Muarifuddin; Fina Amalia Masri
ELITE: Journal of English Language and Literature Vol. 5 No. 1 (2020): Vol. 5 No. 1 June 2020
Publisher : Program Studi Sastra Inggris Fakultas Ilmu Budaya Universitas Halu Oleo

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (9468.152 KB) | DOI: 10.33772/elite.v3i1.876

Abstract

This study focuses on the analysis of The Representation of African Cultural Identity in Black Panther. This study aims to reveal the portrayal of African cultural identity in real life. In analyzing the data the writer used both library and media research related to this study, the writer applied a qualitative descriptive study as the method of this study. The source of data in this study Black Panther movie which is directed by Ryan Coogler and it was released in 2018. The data were collected through process of watching, pausing and interpreting then the writer analyses those data by using theory of Representation by Stuart Hall through constructionist approach. Black Panther movie became a medium to change the audience perspective about Africa. This movie shows the depiction of various kinds of cultural identity in Africa that can open the audience's thoughts about Africa. The results of this study indicate that the Black Panther movie has become a medium to provide a better perspective through the description of several elements related to African identity:Representation of African civilization through a symbol of vibranium, cultural ritual, traditional costume, African images through the character those elements are used by Ryan Coogler as director to develop a different perspective of Africa.
An Analysis of Slang Word Formation in Ice Cracker Ii (The Emperor’s Edge 1.5) Short Story by Lindsay Buroker Hardianti Hardianti; Fina Amalia Masri
ELITE: Journal of English Language and Literature Vol. 2 No. 2 (2017): Vol. 2 No. 2 December 2017
Publisher : Program Studi Sastra Inggris Fakultas Ilmu Budaya Universitas Halu Oleo

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (159.883 KB) | DOI: 10.33772/elite.v2i2.1019

Abstract

This research used Short Story by Lindsay Buroker as the object material and Slang Word Formation by George Yule’s as a theory. This research aimed to analyze what is the slang word formation in Ice Cracker II (The Emperor’s Edge 1.5) Short Story. This research used a qualitative research method. The result of the research shows that there are 11 data found, they are Coinage consists of 2 data, Compounding consists of 2 data, Blending consists of 3 data, Clipping consist of 1 data, Derivation consists of 2 data, and Multiple Process consist of 1 data. The most dominant of slang word formation is Blending. Blending is a combination of two separate word forms to make a single new word term.
An Analysis of Black English Used In “The Color Purple” Novel by Alice Walker Zahrina Amelia; Fina Amalia Masri
ELITE: Journal of English Language and Literature Vol. 3 No. 1 (2018): Vol. 3 No. 1 June 2018
Publisher : Program Studi Sastra Inggris Fakultas Ilmu Budaya Universitas Halu Oleo

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (1231.734 KB)

Abstract

Black English is a variety of English spoken by many African Americans. Most people consider that Black English as a badly spoken version of Standard English. Therefore, this is the reason why the syntactic feature of Black English important to analyze. The knowledge about the syntactic feature of Black English may results that people will understand and recognize Black English. This research is aimed at describing the syntactic feature of Black English that Alice Walker used in her novel and to find the most dominant feature which occurs in the novel. This research used the syntactic analysis based on Lisa J. Green’s perspective. Then, the data were analyzed using the descriptive qualitative method. The data were collected by downloading, reading, classifying, and coding the data then analyzed by presenting the collected data, describing the use of the syntactic feature, and making a conclusion. The results of this research are the researcherfound 10 syntactic features of Black English used in The Color Purple novel, they are; multiple negations, negative inversion, zero auxiliary, lack of subject-verb agreement, ain’t as negated auxiliary, lack of auxiliary in wh-question and yes-no question, existential it, aspectual be and lack of genetive-‘s.
Language Deception in “Confession of a Shopaholic” Movie by Shopie Kinsella Dian Puspitasari; Fina Amalia Masri
ELITE: Journal of English Language and Literature Vol. 4 No. 1 (2019): Vol. 4 No. 1 June 2019
Publisher : Program Studi Sastra Inggris Fakultas Ilmu Budaya Universitas Halu Oleo

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (636.382 KB)

Abstract

This thesis aims to analyze language deception found in the utterances of conversations of the characters in Confession of a Shopaholic Movie by Sophie Kinsella. The research question of this study is “what kinds of language deception are used in Confession of a Shopaholic movie?, The objective of this study is to find the kinds of language deception that used in “Confession of a Shopaholic” Movie. The research uses qualitative descriptive as the method of the research. The sources of data in this research are a confession of shopaholic movies directed by Sophie Kinsella and articles, books, and a thesis that can give information related to this research. The data collected through watching, identifying, not taking, screen shooting, reading, and classification. Language deception by Darius Galasinski is used as the theory. The finding shows that there are five kinds of deceptions of Galasinski that are found in the Confession of a shopaholic movie. Those are deception by Omission, evasion, deception by the commission, deception through explicit information, and deception through implied information. There are 15 data found in the movie included the 5 kinds of Galasinski theory of deception. There is deception by omission is 3 data. Evasion is 5 data. Deception by the commission is 2 data. Deception through explicit information is 4 data. Deception through implied information is 1 data. The dominant kind of deception is Evasion. Evasion is deceptive as an attempt to induce in the addressee a false belief as to the relevance of the answer.
The Rejection of Techno-Culture in the "Alita Battle Angel" Movie by Robert Rodriguez: An Application of Jean Francois Lyotard’s Postmodernism Theory Nurdin A; Muarifuddin Muarifuddin; Fina Amalia Masri
ELITE: Journal of English Language and Literature Vol. 6 No. 1 (2021): Vol. 6 No. 1 June 2021
Publisher : Program Studi Sastra Inggris Fakultas Ilmu Budaya Universitas Halu Oleo

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (345.267 KB) | DOI: 10.33772/elite.v4i1.1139

Abstract

This research aimed to describe The Rejection of Technoculture in the Alita: Battle Angel Movie by using Jean Francois Lyotard Theory. This research used the Descriptive Qualitative Method. The source of the data in this research is Alita: Battle Angel Movie directed by Robert Rodriguez that is published in 2019. The data was collected through watching the movie carefully several times, pausing every scene to read the conversation text, screen shooting the image that related, and taking a note about the data. This research is analyzed by identifying characters that represented the Technoculture, Displaying and interpreting the data about Technoculture by using Postmodernism theory by Jean Francois Lyotard Theory and Drawing the conclusion. The result of this research found that Alita, Zapan, Grewishka are characters that represented the Technoculture (Cyborg and Human Relationship and Hedonism) represented in the Alita: Battle Angel Movie through the power of science and technology, individualism, and rationality. The Rejection of Technoculture depicted through the character of Alita that her power is not evolved from technology but originating from the legendary martial art called Punzer Kuntz before her body is combined with Ido's technological tools. Technology is not necessarily having an important role in the human body as described by the heroine character, Alita herself, whose overall strength did not come from technology. Alita in this movie is a parody because she is a robot that humanized herself. In fact, she shows many aspects of his humanity that humans are busy degrading themselves.
Equivalence and Difference of Semantic Relations in Black Panther Movie Script Sulvia Fia; Fina Amalia Masri
ELITE: Journal of English Language and Literature Vol. 6 No. 2 (2021): Vol. 6 No. 2 December 2021
Publisher : Program Studi Sastra Inggris Fakultas Ilmu Budaya Universitas Halu Oleo

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (153.388 KB) | DOI: 10.33772/elite.v4i2.1321

Abstract

This study used the Black Panther movie script by Ryan Coogler and Joe Robert Cole as the object of the study. The aim of this study is to find out the equivalences and differences of semantic relations used in the Black Panther movie script. This study used Norman Fairclough’s theory that was equivalence and difference of semantic relations. The method used in this study was descriptive qualitative study methods. The primary data was taken from the Black Panther movie script, and secondary data was taken from the audiovisual movie related to the material objects. Techniques of the data collection were downloading Black Panther movie scripts on the internet, reading all the movie scripts repeatedly and comprehensively, checking the words or utterances spoken in the movie script, identifying the semantic relations between clauses and sentences in the form of addition, elaborating, and contrasting in the movie scripts, and then coding the data. The result of the study showed that there were 55 data found, they were Elaboration consists of 14 data, Addition consists of 9 data, and Contrast consists of 32 data. Equivalences of semantic relations were used with the repetition in the form of words, phrases, clauses, and sentences where the purpose has the same perspective or vision. While differences of semantic relations were used by writing a different meaning from the previous clause or sentence.
Perlocutionary Act in Look Away Movie Script: Andra sari Andra Sari; Fina Amalia Masri; Neil Amstrong
ELITE: Journal of English Language and Literature Vol. 7 No. 1 (2022): Vol. 7 No. 1 June 2022
Publisher : Program Studi Sastra Inggris Fakultas Ilmu Budaya Universitas Halu Oleo

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (174.556 KB) | DOI: 10.33772/elite.v5i1.1474

Abstract

This research discussed how the perlocutionary act is used in the “Look Away” movie script. The objective of this research is to describe the functions of the perlocutionary act of the utterances of the characters in the “Look Away” movie script. This research uses a descriptive qualitative method and the data source of this research is taken from the “Look away” movie script. In this research, there are many data belonging to type two where the content of type two is that what the speaker said is not understood by the listener, usually causing a misunderstanding discourse. But there are also some data belonging to types one; what is the speaker said is understood by the speaker, types three; what is the speaker’s intention was fully or partially understood by the listener, however, the listener did not work in that way, and types four; what is the speaker’s intention was not been understood by the listeners, however, due to the involvement of other attendants in the communication, the speaker’s expected perlocutionary act came true. This research also has similarities between the four types of perlocutionary acts by Qiang (2013) and perlocutionary act and communication and non-linguistic signs in the perlocutionary act in the book “On Perlocutionary Act” by Qiang (2013).
Account in The Devil All the Time Movie Script Gerry Shabirtz; Fina Amalia Masri; Neil Amstrong
ELITE: Journal of English Language and Literature Vol. 7 No. 2 (2022): Vol. 7 No. 2 December 2022
Publisher : Program Studi Sastra Inggris Fakultas Ilmu Budaya Universitas Halu Oleo

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (164.851 KB) | DOI: 10.33772/elite.v7i2.1555

Abstract

This research aims to discuss Account in The Devil All the Time movie script,based on Scott and Layman’s (1968) theory on the Justification and Excusesaspects. Data was collected through searching, downloading, reading, watching,and coding and the data collected was analyzed through several steps; presenting,describing, interpreting, classifying and concluding the results of this research.The results showed that the account really exists and is applied by the character.The researcher finds several types of accounts, namely justification 5,defeasibility 3, scapegoating 3, and biological 2. One type of account was notfound, namely an accident. In the finding, the researcher finds that every excusecontains justification but every justification does not contain an excuse.Moreover, the justification aspect is more dominantly used because the characteralways justifies bad behavior of others or themselves. In excuses, thedefeasibility aspect is used because many murders are committed on the basis ofvictims who deserve to be killed. The scapegoating aspect is used by thecharacter to accuse others of the mistakes he made so as not to become a suspectof his actions and the biological is the last factor that causes Account’s behaviorin this Movie script.
The Process Individuation of the Main Character in I Tonya Movie : An Application of Jung's Psychoanalysis Rosalina Tumengga; Rahmawati Azi; Fina Amalia Masri
ELITE: Journal of English Language and Literature Vol. 8 No. 2 (2023): Vol. 8 No. 2, December 2023
Publisher : Program Studi Sastra Inggris Fakultas Ilmu Budaya Universitas Halu Oleo

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33772/elite.v8i2.2363

Abstract

I, Tonya movie tells the story of Tonya Harding, an American female figure skater, from a young age Tonya was faced with her mother's strict upbringing, which made Tonya grow up with a tomboyish and stubborn attitude. This study aims to show the process of individuation that occurs in Tonya so that Tonya can achieve the self-archetype. The objective of this study is to analyze the process of individuation of the main Character Tonya Harding in I, Tonya movie. This study applies the theory by Carl Gustaf Jung. This research uses descriptive qualitative research. Data collection was carried out through four steps: watching, screenshots, note-taking, data analysis, and identifying data. The results of this study indicate that the film I Tonya shows three personas, four shadows, four animus, and oneself, before reaching the self-archetype through the Individualization process, in the film it is shown that the process of individuation occurs by eliminating the causes for the emergence of various archetypes to achieve self-archetype. In this case, Tonya can be seen that she was able to go through the process of individuation with many obstacles leading to the self archetype where she was able to control the persona, animus, shadow, and self.
Analysis of Archetypes in Speak Graphic Novel by Laurie Halse Anderson Wiratman Wiratman; Fina Amalia Masri; Eva Solina Gultom
ELITE: Journal of English Language and Literature Vol. 9 No. 1 (2024): Vol. 9 No. 1 June 2024
Publisher : Program Studi Sastra Inggris Fakultas Ilmu Budaya Universitas Halu Oleo

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33772/elite.v9i1.2431

Abstract

This research aims to show the archetypes that occur in the Speak Graphic Novel. The purpose of this research is to analyze the archetypes of the main characters in the oral graphic novel by Laurie Halse. This research applies Carl Gustaf Jung's archetype theory. This research uses descriptive qualitative research. Data collection was carried out through four steps: reading, recording, analyzing data, and identifying data. The results of this research show that the Speak Graphic Novel shows the existence of two personas, five animus, one shadow, and one self archetype, before reaching the self archetype Melinda experiences an individualization process, in this graphic novel individualization appears when Melinda neutralizes this. things that cause him to use a persona and have to face the shadow that appears by providing real resistance to Andy who has been pressuring and threatening him. Another thing that helped the individualization process was Melinda's decision to accept the fact that she had made a mistake and forgive herself. Based on the results above, it can be concluded that in this novel the archetype is shown in full, starting from the details of the cause of the archetype's emergence to the start of the individualization process as a form of Melinda's effort to control or eliminate the cause of the archetype's emergence, which in the end causes the main character to achieve a self-archetype.
Co-Authors Adella, Adella Afrianda, Afrianda Akhmad Marhadi Ali Mustopa Andra Sari Anshar Daud Ansor Putra Arman Arman Arman Arman Arman Asep Supriadi Aslan Aslan Azi, Rahmawati Cakranegara, Pandu Adi Dian Puspitasari Ela Martisa Elfinawati Elfinawati Erens Elvianus Koodoh Eva Solina Gultom Fauza Afni Fitri Yulia Gerry Shabirtz Halfian, Wa Ode Halfian, Wa Ode Hardianti Hardianti Harijaty, Erny Hariyati Hariyati Irdam Riani, Irdam Iwan Harsono Jafar Ahiri Jamal Harimudin La Aso La Bilu La Ino La Ode Topo Jers La Sudu Lilik Rita Lindayani M. Trihudiyatmanto Malik, Elmy Selfiana Maliudin Maliudin Maliudin, Maliudin Mariani Mariani Maruf, Amar Ms. Rasiah, Ms. Muarifuddin Muarifuddin Muarifuddin Muarifuddin Muarifuddin Muhamad Sholeh Mustika Mustika Nanik Hindaryatiningsih Neil Amstrong Nia Rifanda Putri Ningsih, Nanik Indaryanti Nirmalasari Nirmalasari Noor Akhmad Nugroho Djati Satmoko Nurdin A Nurjannah Nurjannah Omasrianto Omasrianto Pardilla, Suci Rahmi Patiung, Seventry Meliana Putra, Ansor Putra, Ansor Rabiatul Adawiah Randi Rane, Zakridatul Agusmaniar Risa Risa Rosalina Sa'pang Rosalina Tumengga Sardjana Orba Manullang Shinta Sere Silvani Rintan Ramadani Sofian, Nur Israfyan Sudarmo Sudarmo Sulvia Fia Taufik, Edi Rahmat Wawan Hardiawan Wiratman Wiratman Yuniarti Ahiri Zahrani Zahrani Zahrina Amelia