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All Journal Pendas : Jurnah Ilmiah Pendidikan Dasar Jurnal Kiprah International Journal of Community Service Learning Jurnal Review Pendidikan dan Pengajaran (JRPP) Santhet: (Jurnal Sejarah, Pendidikan Dan Humaniora) Jurnal Idiomatik: Jurnal Pendidikan Bahasa dan Sastra Indonesia Widya Accarya Lingua Rima: Jurnal Pendidikan Bahasa dan Sastra Indonesia Journal of English Language and Education Jurnal Disastri: Pendidikan Bahasa dan Sastra Indonesia Jurnal Edukasi Khatulistiwa : Pembelajaran Bahasa dan Sastra Indonesia Kajian Linguistik dan Sastra Prosiding Seminar Nasional Pascasarjana Proceeding of International Conference on Science, Education, and Technology Jurnal Pembelajaran Bahasa dan Sastra
Tessa Dwi Leoni
Pendidikan Bahasa Dan Sastra Indonesia, Universitas Maritim Raja Ali Haji, Tanjungpinang
Humanities Economics, Econometrics & Finance Education Environmental Science Languange, Linguistic, Communication & Media Law, Crime, Criminology & Criminal Justice Mathematics Social Sciences Other

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Analysis of Theme, Setting, Characters, and Message in the Novel Sunyi Paling Riuh by Fajar Sulaiman Yuliana Iswanty; Suhardi; Tessa Dwi Leoni; Isnaini Leo Shanty; Legi Elfitra
Jurnal Disastri (Jurnal Pendidikan Bahasa dan Sastra Indonesia) Vol 8 No 1 (2026): Jurnal Disastri: Pendidikan Bahasa dan Sastra Indonesia
Publisher : Program Studi Pendidikan Bahasa dan Sastra Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33752/disastri.v8i1.10107

Abstract

This study discusses the analysis of intrinsic elements including theme, setting, characters, and message in the novel Sunyi Paling Riuh by Fajar Sulaiman. Intrinsic elements are important parts of a fictional work, consisting of the fundamental components of the story. The aim of this research is to describe the themes, settings, characters, and messages contained in the novel Sunyi Paling Riuh. This research employs a qualitative descriptive method, with data collection techniques consisting of reading, observing, and note-taking. The main instrument in this study is the researcher herself, assisted by a data inventory table. The results of the study show that the analyzed intrinsic elements include: (1) The themes raised in the novel are about loss, loneliness, love, family, and acceptance; (2) The settings include places such as home, school, café, red room, and the city of Jakarta; the times include morning, afternoon, and night; (3) The main character, Dhuha, is portrayed as introspective and full of inner conflict, while supporting characters such as Zoya, Saba, and Bapak strengthen the plot; (4) The messages conveyed in the novel consist of both explicit and implicit messages. These include messages about the importance of sincerely accepting loss, having the courage to face reality, self-love, the importance of support from close ones, and the need to learn to let go, forgive, and continue to hope in life. Out of 41 analyzed messages, 23 were conveyed implicitly, while the remaining 16 were conveyed explicitly.
PENGEMBANGAN APLIKASI WAHANA OBSERVASI BERBANTUAN ARTICULATE STORYLINE MATERI TEKS LAPORAN HASIL OBSERVASI UNTUK SISWA KELAS VIII SMP NEGERI 1 TANJUNGPINANG Cindy Astriani Aritonang; Harry Andheska; Legi Elfitra; Lira Hayu Afdetis; Tessa Dwi Leoni
Lingua Rima: Jurnal Pendidikan Bahasa dan Sastra Indonesia Vol. 14 No. 1 (2025)
Publisher : Universitas Muhammadiyah Tangerang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31000/lgrm.v14i1.12145

Abstract

Penelitian ini bertujuan untuk mengembangkan media pembelajaran aplikasi wahana observasi berbantuan articulate storyline materi teks observasi untuk siswa kelas VIII SMPN 1 Tanjungpinang. Jenis penelitian ini yaitu penelitian pengembangan model 4D. Penelitian ini menghasilkan produk berupa aplikasi wahana observasi berbantuan articulate storyline untuk materi teks observasi dengan sasaran siswa kelas VIII SMP Negeri 1 Tanjungpura. Tahap pertama penelitian ini yaitu pendefinisian, perancangan produk, dan pengembangan Uji coba dalam penelitian ini terdiri dari uji coba kelompok kecil dan uji coba kelompok besar. Subjek uji coba yang diambil dalam penelitian ini adalah siswa SMP, khususnya pada siswa kelas VIII SMP Negeri 1 Tanjungpinang. Uji coba kelompok kecil terdiri dari lima siswa dan kelompok besar terdiri dari 31 siswa. Adapun instrumen yang digunakan berupa lembar wawancara, lembar angket validasi media, dan lembar angket kepraktisan media. Hasil penelitian yaitu  Hasil persentase validasi dari ahli media mencapai 93% dan kualifikasi “sangat valid” dan validasi oleh ahli materi mencapai 100% dengan kualifikasi “sangat valid”. Setelah itu, dilakukan uji coba kepraktisan aplikasi wahana observasi kepada siswa yang memperoleh nilai 91% dengan kualifikasi “sangat praktis” untuk kelompok kecil dan 88% dengan kualifikasi “sangat praktis” untuk kelompok besar.Kata kunci: Aplikasi, Media Pembelajaran, Articulate Storyline
SEMIOTIC ANALYSIS OF THE BEBUANG TRADITIONAL RITUAL OF THE LIPAN ISLAND SEA TRIBE COMMUNITY, PENUBA VILLAGE, SELAYAR DISTRICT, LINGGA REGENCY: Analisis Semiotik Ritual Adat Bebuang Masyarakat Suku Laut Pulau Lipan Desa Penuba Kecamatan Selayar Kabupaten Lingga Rahma Andani; Ahada Wahyusari; Dody Irawan; Abdul Malik; Isnaini Leo Shanty; Tessa Dwi Leoni
Santhet: (Jurnal Sejarah, Pendidikan Dan Humaniora) Vol 10 No 4 (2026): Santhet (Jurnal Sejarah Pendidikan Dan Humaniora)
Publisher : Proram studi pendidikan Sejarah Fakultas Keguruan Dan Ilmu Pendidikan Universaitas PGRI Banyuwangi

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.36526/santhet.v10i4.7336

Abstract

This study discusses the Semiotic Analysis of Bebuang Traditional Rituals of The Sea Tribe Community of Lipan Island, Penuba Village in Selayar district, Lingga Regency. This research method is descriptive analysis using a qualitative approach and applying semiotic theory and Charles Sanders Peirce. The data collection techniques used are participant observation, in-depth interviews and documentation. The data analysis technique in this study uses qualitative analysis techniques. The results of the data analysis obtained from the Semiotic Analysis of Bebuang Traditional Rituals of The Sea Tribe Community of Lipan Island, Penuba Village in Selayar district, Lingga Regency show that the Bebuang mantra contains linguistic and symbolic signs that reflect the spiritual, social, and ecological values of the Sea Tribe community. The semiotic meaning in the Bebuang mantra not only plays a role as a means of communication with ancestral spirits, but also as a form of local wisdom that strengthens the cultural identity of the Sea Tribe community.
ANALISIS GAYA BAHASA PERBANDINGAN DALAM NOVEL RUMAH UNTUK ALIE KARYA LENN LIU halawa, Arnis Halawa; Abdul Malik; Tessa Dwi Leoni; Musliha; Asri Lolita; Siti Habiba
Pendas : Jurnal Ilmiah Pendidikan Dasar Vol. 11 No. 03 (2026): Volume 11 No. 03, September 2026 Processed
Publisher : Program Studi Pendidikan Guru Sekolah Dasar FKIP Universitas Pasundan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.23969/jp.v11i03.63184

Abstract

This study aims to describe the analysis of comparative language styles contained in the novel Rumah untuk Alie by Lenn Liu. The method used in this study is the researcher himself as the main instrument supported by data analysis guidelines. The data in this study are in the form of dialogue excerpts contained in the novel Rumah untuk Alie by Lenn Liu. Data collection techniques used to obtain research data are reading techniques, note-taking techniques, marking quotations, analyzing data into research tables, and concluding the results of the study. The data analysis techniques used are data reduction, data presentation, and data verification. The results of this study indicate the presence of ten types of comparative figures of speech, comprising a total af fifty-five data points seven instances of simile, nine of metaphor, nine of personification, three of depersonification, four of allegory, seven of antithesis, five of pleonasm, five of periphrasis, three of anticipation, and three of correction.  
KAJIAN MAKNA PANTANG LARANG PADA MASYARAKAT BUGIS DI DESA SUNGAI SEBESI KECAMATAN KUNDUR Sandi, Jibril Pratama Artha; Shanty, Isnaini Leo; Leoni, Tessa Dwi; Malik, Abdul; Irawan, Dody; Zaitun
Pendas : Jurnal Ilmiah Pendidikan Dasar Vol. 11 No. 03 (2026): Volume 11 Nomor 03, September 2026 Publish
Publisher : Program Studi Pendidikan Guru Sekolah Dasar FKIP Universitas Pasundan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.23969/jp.v11i03.63365

Abstract

This study examines the connotative meanings of Bugis taboo expressions (pantang larang) in Sungai Sebesi Village, Kundur District, Karimun Regency. The research was motivated by the gradual decline in public understanding, particularly among the younger generation, of the cultural meanings embedded in these traditional expressions despite their continued use in daily life. The study aimed to analyze the connotative meanings contained in Bugis taboo expressions using a semantic approach. A qualitative descriptive method was employed. Data were collected through observation, in-depth interviews, and documentation involving community members who possess knowledge of the tradition. The collected data were analyzed through data reduction, data presentation, and conclusion drawing. The findings revealed 26 Bugis taboo expressions that remain preserved within the community. All identified expressions convey positive connotative meanings, reflecting moral values, politeness, discipline, responsibility, respect for parents and elders, appreciation for sustenance, social harmony, and local wisdom. Rather than functioning solely as prohibitions rooted in traditional beliefs, these taboo expressions serve as oral cultural media for transmitting ethical values and regulating social behavior across generations. This study contributes to semantic and folklore studies by documenting the cultural meanings embedded in Bugis taboo expressions and highlighting their continuing relevance as a form of local wisdom in contemporary society.
TRAUMA EMOSIONAL TOKOH UTAMA DALAM RELASI ROMANTIS: KAJIAN PSIKOLOGI SASTRA PADA NOVEL KUKIRA KAU OBAT, TERNYATA PATAH HATI TERHEBAT KARYA ADE RIMA MIRANTI Emia Teta Br Bukit; Dwi Leoni, Tessa; Musliha; Irawan, Dody; Lolita, Asri; Zaitun
Pendas : Jurnal Ilmiah Pendidikan Dasar Vol. 11 No. 03 (2026): Volume 11 Nomor 03, September 2026 Publish
Publisher : Program Studi Pendidikan Guru Sekolah Dasar FKIP Universitas Pasundan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.23969/jp.v11i03.63507

Abstract

This study aims to describe the emotional trauma responses and recovery process of the main character in a romantic relationship in the novel Kukira Kau Obat, Ternyata Patah Hati Terhebat by Ade Rima Miranti. This study employed a qualitative approach with a descriptive research design. The main research instrument was the researcher herself, supported by data analysis guidelines. The research data consisted of words, phrases, sentences, and narratives that describe the feelings, thoughts, attitudes, and behaviors of the main character. The data source was the novel Kukira Kau Obat, Ternyata Patah Hati Terhebat, published by Gradien Mediatama in 2024. Data were collected through reading, observation, and note-taking techniques. The data were analyzed through data reduction, data presentation, and conclusion drawing based on Judith Herman’s trauma theory. The results of the study revealed that the emotional trauma responses experienced by the main character included hyperarousal, intrusion, and constriction, with intrusion being the most dominant response. The recovery process consisted of three stages: safety, remembrance and mourning, and reconnection, with remembrance and mourning being the most dominant stage. These findings indicate that the main character’s recovery process occurred through efforts to establish a sense of safety, accept loss, restore self-worth, and rebuild connections with life.
ANALISIS SEMIOTIKA ROLAND BARTHES DALAM NOVEL SEPORSI MIE AYAM SEBELUM MATI KARYA BRIAN KHRISNA Hanna Puspita Prisia Simanjuntak; Dwi Leoni, Tessa; Habibah, Siti; Irawan, Dody; Lolita, Asri; Patria, Robby
Pendas : Jurnal Ilmiah Pendidikan Dasar Vol. 11 No. 03 (2026): Volume 11 Nomor 03, September 2026 Publish
Publisher : Program Studi Pendidikan Guru Sekolah Dasar FKIP Universitas Pasundan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.23969/jp.v11i03.63542

Abstract

This study aims to describe Roland Barthes’ semiotic codes, consisting of hermeneutic code, semic code, symbolic code, proairetic code, and cultural code, found in the novel Seporsi Mie Ayam Sebelum Mati by Brian Khrisna. This research employed a qualitative approach with a descriptive method. The source of data in this study was the novel Seporsi Mie Ayam Sebelum Mati by Brian Khrisna, while the research data consisted of narrative and dialogue quotations containing Roland Barthes’ five semiotic codes. The data were collected through reading and note-taking techniques by thoroughly reading the novel, identifying semiotic signs, and classifying the data based on the types of codes found. The results showed that the novel contains five semiotic codes proposed by Roland Barthes, namely hermeneutic code, semic code, symbolic code, proairetic code, and cultural code. The hermeneutic code was found through questions, conflicts, and uncertainties experienced by the main character, which create enigmas regarding the meaning of life. The semic code appeared through connotative signs in the form of metaphors and expressions that represent the main character’s psychological conditions, such as loneliness, low self-esteem, and self-acceptance. The symbolic code was identified through symbols such as medicine, cats, chicken noodles, kites, teak trees, trains, and candle flames, which represent deeper meanings related to life, hope, and personal transformation. The proairetic code was found through the actions of the characters that develop the storyline and illustrate the transformation of the main character. Meanwhile, the cultural code was found through popular cultural references, language use, social habits, and values that exist within society. Based on the findings, it can be concluded that the five semiotic codes of Roland Barthes are interconnected in constructing the meaning of the novel, particularly in portraying the main character’s journey from despair toward the process of rediscovering hope and the meaning of life.
ANALISIS PSIKOLOGI EKSISTENSIAL TOKOH UTAMA DALAM NOVEL SEMESTA ANASERA KARYA HINDHIASTINAAA Heppi Naomi Lastio Sihombing; Wahyusari, Ahada; Dwi Leoni, Tessa; Irawan, Dody; Lolita, Asri; Zaitun
Pendas : Jurnal Ilmiah Pendidikan Dasar Vol. 11 No. 03 (2026): Volume 11 Nomor 03, September 2026 Publish
Publisher : Program Studi Pendidikan Guru Sekolah Dasar FKIP Universitas Pasundan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.23969/jp.v11i03.63646

Abstract

This study aims to describe the meaning of life, the meaning of suffering, and the existential vacuum experienced by the main character in the novel *Semesta Anasera* by Hindhiastinaaa, based on Viktor E. Frankl's theory of logotherapy. The study employs a qualitative approach with a descriptive research design. Data collection techniques involved reading the novel serving as the research object, identifying excerpts containing elements of Viktor E. Frankl's logotherapy, and recording data corresponding to the research indicators. Data analysis techniques included identifying data related to Viktor E. Frankl's logotherapy, classifying the data into the aspects of the meaning of life, the meaning of suffering, and the existential vacuum, and subsequently describing and drawing conclusions from the research findings. The results indicate that the main character in the novel *Semesta Anasera* by Hindhiastinaaa experiences three aspects of Viktor E. Frankl's logotherapy: the meaning of life, the meaning of suffering, and the existential vacuum. The meaning of life is identified through two indicators: specific meaning in life and responsibility toward life. The meaning of suffering is identified through the indicators of changing one's attitude toward suffering and finding meaning within suffering. The existential vacuum is identified through the indicators of boredom and existential frustration. The research findings indicate that the protagonist's psychological journey evolves from a state of existential emptiness—through the ability to find meaning in their suffering—to ultimately discovering the meaning of life, in accordance with Viktor E. Frankl's concept of logotherapy.
EKRANISASI NOVEL ASSALAMUALAIKUM BAITULLAH KARYA ASMA NADIA KE FILM ASSALAMUALAIKUM BAITULLAH SUTRADARA HADRAH DAENG RATU Triyanti, Ayu; Irawan, Dody; Dwi Leoni, Tessa; Wahyusari, Ahada; Lolita, Asri; Musliha
Pendas : Jurnal Ilmiah Pendidikan Dasar Vol. 11 No. 03 (2026): Volume 11 Nomor 03, September 2026 Publish
Publisher : Program Studi Pendidikan Guru Sekolah Dasar FKIP Universitas Pasundan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.23969/jp.v11i03.63652

Abstract

This study aims to describe the ekranisasi processes regarding plot, characters, and setting as the novel Assalamualaikum Baitullah by Asma Nadia was adapted into the film Assalamualaikum Baitullah directed by Hadrah Daeng Ratu. A qualitative descriptive method was employed to describe the research findings. The researcher served as the primary instrument of the study. The data consisted of the novel's text as well as scenes and dialogue transcripts from the film concerning the adaptation. Data collection was conducted using the documentation technique, involving the recording of information from the novel's text and the film's scenes and dialogue transcripts. Data analysis involved data reduction, data presentation, and conclusion drawing. The results indicate that the adaptation process involved changes in the form of reduction, addition, and variation regarding the plot, characters, and setting.The most dominant form of adaptation was the reduction of plot elements, carried out to align with the film's runtime
KAJIAN EKOKRITIK TERHADAP EKSPLOITASI ALAM DALAM NOVEL KAOK BURUNG GAGAK DI KAHAYAN KARYA HAN GAGAS Ayu, Novi Zurianti; Wahyusari, Ahada; Mustado, Maulida; Malik, Abdul; Irawan, Dody; Leoni, Tessa Dwi
Pendas : Jurnal Ilmiah Pendidikan Dasar Vol. 11 No. 03 (2026): Volume 11 Nomor 03, September 2026 Publish
Publisher : Program Studi Pendidikan Guru Sekolah Dasar FKIP Universitas Pasundan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.23969/jp.v11i03.63811

Abstract

This study aims to identify and describe various forms of environmental damage caused by the exploitation of natural resources as depicted in the novel Kaok Burung Gagak di Kahayan by Han Gagas. The research uses an ecocritical approach with a qualitative type of research using a descriptive method. The main instrument in this study is the researcher themself, supported by data analysis guidelines in the form of tables. Data collection was done through an in-depth reading of the novel Kaok Burung Gagak di Kahayan as the research object, then continued with recording, grouping, and determining data relevant to the research focus. After that, the data were analyzed using content analysis techniques, which included data reduction, data presentation, and drawing conclusions. The research results show that Han Gagas's novel Kaok Burung Gagak in Kahayan represents various forms of environmental damage that occur as a result of natural resource exploitation activities.
Co-Authors Abdul Malik Abdul Malik Afdetis, Lira Hayu Ahada Wahyusari Aida Ameyliani Hasugian, Yosepha Ana Melia Arfi Zukri Aritonang, Cindy Astriani Arya Prapanca, Octavino Asri Lolita Aulia, Violla Dwi Tuti Ayu, Novi Zurianti Cahyadi, Diana Putri Cindy Astriani Aritonang Cyntia Evita Firawati Dina Ramadhanti Dody Irawan Emia Teta Br Bukit Fabio Testy Ariance Loren Fabio Testy Arience Loren Habiba, Siti halawa, Arnis Halawa Hanna Puspita Prisia Simanjuntak Harry Andheska Hasanah, Istanul Heppi Naomi Lastio Sihombing Hilmi, Muhammad Zadal Indrayatti, Wahyu Iskandar, Surya Isnaini Leo Shanty Isnaini Leo Shanty Legi Elfitra Lilis Suryani Lira Hayu Afdetis Musliha Musliha Wardana Musliha, Musliha Mustado, Maulida NILAWATI Ninis Sia Rahim Nur Eka Kusuma Hindrasti Patria, Robby Putri, Siska Destiani Radila Agustina Rahma Andani Rosdayana Sandi, Jibril Pratama Artha Silvia Sinambela Siti Habiba Siti Habibah Solfiawatisyah, Iga Stefani Montela, Viona Suhardi Suhardi Suhardi Suhardi Surdani Kanopani Hutagalung Testy Ariance Loren, Fabio Tonggina Angel Yana Triyanti, Ayu Yuliana Iswanty Yurista Fatinah Zaitun Zaitun Zaitun Zaitun Zaitun